Meta sued by Eminem's publishing company over alleged copyright infringement
The lawsuit, filed in a federal court in Michigan, accuses the Menlo Park-based tech company of storing, reproducing and distributing Eminem's music without obtaining the license to do so.
Eight Mile Style, which is based in Ferndale, Mich., is seeking at least $109 million from Meta and a court order to stop several alleged forms of copyright infringement.
Music is a big part of social media. On Meta's platforms such as Facebook and Instagram, people add music in photos and videos they share publicly or with their friends and family.
But the way social media has changed the way people listen to and discover new songs has also sparked concerns from artists about whether they're fairly compensated.
"Meta's years-long and ongoing infringement of the Eight Mile Compositions is another case of a trillion (with a 'T') dollar company exploiting the creative efforts of musical artists for the obscene monetary benefit of its executives and shareholders without a license and without regard to the rights of the owners of the intellectual property," the lawsuit said.
Meta said in a statement that it has licenses with thousands of partners globally and an "extensive" global licensing programs for music on its platforms.
"Meta had been negotiating in good faith with Eight Mile Style, but rather than continue those discussions, Eight Mile Style chose to sue," the company said in an email.
Eight Mile Style owns and controls 243 compositions recorded by Eminem, a rapper and music producer that has created popular hits such as "Lose Yourself." Meta did remove some of these songs including "Lose Yourself" from its music libraries, but other versions of the music including a piano instrumental cover and a karaoke version still remain on the platform, according to the lawsuit.
Meta not only allowed users who upload these songs to infringe on copyright but knowingly stored and reproduced them in its music libraries so users can use the music in videos and photos, the lawsuit alleges. Users have added Eminem's music in millions of videos that have been viewed billions of times, according to the lawsuit.
Meta also unsuccessfully tried to obtain a license for Eminem's songs as part of negotiations with the digital music royalty company Audiam even though the firm didn't have the authority to give them that license.
"Meta executives have actively encouraged such rampant infringement in order to attract as many users as possible to, among other things, make advertising on their services more profitable for themselves," the lawsuit said.
More than 3 billion people use one of Meta's apps daily, and the company makes billions of dollars every quarter from advertising.
In the first three months of this year, Meta's revenue reached $42.31 billion, an increase of 16% year-over-year. The company's net income jumped by 35% to $16.6 billion in the first quarter.
This isn't the first time Meta has faced legal issues over the use of Eminem's music. In 2013, Eight Mile Style sued Facebook, alleging the social network used the Eminem song "Under the Influence" for an ad without their consent.
Copyright (C) 2025, Tribune Content Agency, LLC. Portions copyrighted by the respective providers.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
The London graphic designer creating fonts for Real Madrid and Revolut
In another life Mark Bloom might have become a comic-strip illustrator. But in a moment of self-realisation in his teens he knew he was just not quite good enough to make a living as an artist and stumbled into its career cousin, graphic design. Now, at 48, he is one of Britain's leading typeface designers and founder of the Woodford Green-based CoType Foundry. The company boasts an illustrious clients list that includes Real Madrid, Ajax Amsterdam, Tui, Revolut and Eurosport. Oh, and not forgetting The London Standard, which has been using his Orbikular typeface online and in print for two years. We often take typefaces for granted. But there are thousands, possibly millions of them out there if you include the bold, light and italic fonts of each Latin alphabet typeface, as well as those for languages using different lettering systems such as Thai or Arabic. Bloom recalls when he went on holiday to Menorca with his wife and two teenage children this summer and saw the Ambit typeface he designed everywhere on Tui's branding at Stansted airport. 'It was a really nice moment,' he says, although he was perhaps the only passenger to notice. We often take typefaces for granted. But there are thousands of them out there Bloom stumbled into typeface design 'almost by accident' after building a successful career in graphic design. As a teenager growing up in Winchmore Hill in north London, where he 'loved art at school', he won a book token. With it he bought a book at WHSmith about graphic design, 'not really knowing what it was'. But the impact was immediate. A placement at a local design agency followed 'and I fell in love with it and felt that this is what I wanted to do'. He studied visual communication design at Middlesex University before joining a local advertising agency. This was the late 1990s and one of Bloom's early jobs was designing flyers for some of the super-clubs of the era including Ministry of Sound. In 2009 he was made redundant and decided to set up his own agency called Mash Creative. The 'sliding doors' moment came when the design and architecture magazine Icon approached him to pen for its monthly feature Rethink, in which a guest writer is invited to give a pretend refresh to a well-established brand. Bloom recalls, 'I decided to do the Royal Mail logo, and off the back of that I started to design a typeface I called RM Regular. It was all fictional, I wanted to design a typeface that didn't exist for Royal Mail. I got lucky, before that I was not particularly well known in the industry, but that project featured on a lot of design blogs.' A stream of prestigious design work from global brands such as Coca-Cola, Beats by Dre, Pringles and Nike followed over the next few years. But that project designing a new font for Royal Mail stuck in the back of Bloom's head and would not go away. In 2019 he scratched the itch, dusted down his old RM Regular typeface, improved it and developed light and bold versions. What had been a hobby, a personal pet project, was about to become a career. A conversation with a fellow graphic designer Joe Leadbetter in 2019 quickly morphed into a quest to design an entirely new font, dubbed Aeonik. It is described, in the lingo of the industry, as 'neo-grotesque with a geometric skeleton' and used by the likes of Revolut, Euro Sport and Alipay. 'In my wildest dreams I wanted it to be the new Helvetica' Bloom says the newly created font was, in part, born out of frustration with the ubiquitous Helvetica, a 'go to' 68-year-old typeface seen everywhere from the New York Metro map to the BMW logo. Bloom says 'the idea was to design a typeface to be used in graphic design. In my wildest dreams I wanted it to be the new Helvetica.' Rather than sell his new creation through a typeface foundry — which normally take a 50 per cent commission — Bloom set up his own micro-site and went direct to punters with Aeonik. It is still his biggest-selling typeface. Other fonts quickly followed: Coanda, combining 'a technological aesthetic with subtle human touches'; Ambit, 'an eccentric and distinctive sans-serif font'; and yet another iteration of that old Royal Mail update called RM Neue. This quartet launched CoType Foundry in 2019 but now there is a family of 18 typefaces all produced from Bloom's small office — or, more accurately, from the computers of his working-from-home team of five. From the off, the typeface business 'skyrocketed' and quickly eclipsed the existing graphic design agency. Orders now come in from around the world, especially after Greek, Korean, Cyrillic, Vietnamese, Thai and Hebrew versions of Aeonik were developed. As Bloom explains, 'There are millions of typefaces out there, but probably only a few hundred that have that level of language support, maybe less than one per cent. We felt that this was a very successful typeface, let's make it accessible not just for western Europe but globally. Now only a fraction of our orders are from the UK.' Household-name overseas clients include Spanish football club Real Madrid which, serendipitously, chose an RM font for their branding. Another big football name, the Dutch club Ajax, commissioned their own exclusive typeface — called, appropriately, Ajax — from Bloom's foundry. Dutch club Ajax, commissioned their own exclusive typeface — called, appropriately, Ajax CoType makes money from selling licences to use fonts, both online to individual and small business customers, and offline to major corporate clients. Fees start from £45 for a single type, in a single 'weight' — the measure of thickness or boldness of the characters — for a desktop licence. But they can go up to the tens of thousands of pounds for a major company with a website receiving millions of views. Inspiration for the new typefaces can come from anywhere, says Bloom. One called Lock, for example, emerged from Bloom's fascination with the thick and thin ink strokes made by a calligraphy pen. Typically a new font will start with just a few letters, with the rest of the alphabet built up around it to create a consistent look. With so many typefaces already out there, keeping clear of existing fonts is always a challenge — as is keeping an eye out for any rip-offs of CoType's creations. Another hurdle is persuading potential clients to invest in a typeface 'that is going to be different and stand out from the competition' rather than go for one of the freely available fonts on Google used by hundreds of millions. Creating a new typeface can be done in as little as three months — as it was for Ajax, although the club only wanted upper case, which speeded things up. It all depends on the number of 'glyphs' — industry jargon for each individual character, whether a basic letter, number, punctuation, letter with accents, or symbol such as a percentage sign. A basic Latin font covering the main western languages has 120 glyphs. Broader coverage including characters only used by less widely read languages runs to 250 glyphs, while a genuine pan-European Latin font has 329 glyphs. But a Korean Hanguel font will run to thousands of glyphs and a Japanese and Chinese typeface to tens of thousands. There are also new trends to consider. Many fonts now have to work in a 'user interface' environment on a smartphone or for in-car entertainment where, as Bloom puts it, 'they need to perform well at small sizes'. It is a fast-moving world but many of the basic principles are unchanging. Bloom points to how titans of the modern world economy such as Apple, Amazon and Nike have recognised just how vital fonts are to their brand identity. He says Apple's San Francisco, Amazon's Ember and Nike's Trade Gothic are almost as emblematic as their celebrated logos — in some cases even more so. With the CoType Foundry now established as one of the country's most successful font typeface businesses, Bloom has no regrets about missing out on that illustrator career: 'Designing typefaces has met all my creative needs.' CoType Foundry can be found online at or on on Instagram as @cotypefoundry Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Yahoo
7 hours ago
- Yahoo
Eminem Proves Why He's the Greatest With Another Impossible Rhyme
Eminem famously rhymed the word "orange" with "door hinge" during a 2010 interview with Anderson Cooper. And he's just done it again. "There's no word in English that rhymes with 'silver,'" X account UberFacts tweeted on August 11. Another user called out the "Without Me" artist, writing, "You have 24 hours!" Challenge accepted. "Silver pilfer kill fer Gilbert's still hurts steel shirts Bill Burr milf word off kilter no filter chill brrrr feel burn still slur will stir Trent dilfer Val kilmer Still third shield her he'll squirt Steven Spielberg Lil twerp Wilshire She'll purr Kill birds milk curd feel worth Real nerd Stans documentary I liked your film sir," Em -- real name Marshall Mathers -- tweeted the following day. The comments section was flooded with praise for the Detroit native's creativity. "My goat can make anything rhyme," one user responded. "Bro's a walking dictionary," another wrote with a goat emoji. "Shakespeare aint got shi on my boy," a third added. Eminem opened up about his success in a 2022 essay with XXL magazine, saying "to have fans is a dream come true." "It's also so bizarre and so surreal. Even as I sit here now, I still trip out in my head about how it got to this level. All I ever really wanted to do was to be a respected MC. To make enough money to survive, so that I wouldn't have to work a regular job," he wrote. "That ties into my competitive spirit, and I don't know when that's going to go away, if ever. That's probably my biggest weapon mixed with lyricism." The rapper recently produced a documentary centered around his iconic single "Stan," which hits streaming later this month. Eminem Proves Why He's the Greatest With Another Impossible Rhyme first appeared on Men's Journal on Aug 14, 2025 Solve the daily Crossword
Yahoo
8 hours ago
- Yahoo
'Skibidi' and 'tradwife' among words added to Cambridge Dictionary
"Skibidi", "tradwife" and other slang terms popularised on social media are among thousands of new words to be added to the Cambridge Dictionary this year. Skibidi is a gibberish term coined by the creator of a viral animated video series on YouTube, while tradwife is a shortening of "traditional wife" – a married mother who cooks, cleans and posts on social media. More than 6,000 new words are included, including those that relate to remote working and tech giants. "Internet culture is changing the English language and the effect is fascinating to observe and capture in the dictionary," said lexical programme manager Colin McIntosh. Skibidi is defined in the dictionary as "a word that can have different meanings such as 'cool' or 'bad', or can be used with no real meaning as a joke". An example of its use is "What the skibidi are you doing?" Reality TV star Kim Kardashian revealed her familiarity with the phrase when she posted a video on Instagram showing a necklace engraved with "skibidi toilet" – the name of the YouTube series. As well as new phrases, some shortened versions of existing terms have been added, including "delulu" – a play on the word "delusional", with a similar definition: "believing things that are not real or true, usually because you choose to". An increase in remote working since the pandemic has seen "mouse jiggler" – a device or piece of software used to make it seem as though you are working when you are not – gain its place in the dictionary. Some composite terms such as "broligarchy" have also been added. Merging "bro" and "oligarchy", it means "a small group of men, especially men owning or involved in a technology business, who are extremely rich and powerful, and who have or want political influence". It was used to describe tech leaders Jeff Bezos, Elon Musk and Mark Zuckerberg attending Donald Trump's inauguration in January. Follow Cambridgeshire news on BBC Sounds, Facebook, Instagram and X. Related stories 'Manifest': Cambridge Dictionary Word of the Year 'The ick' and 'boop' newest entries in dictionary Related internet links Cambridge Dictionary Solve the daily Crossword