Netflix's ‘Wednesday' Releases First Six Minutes of Season 2, Officially Confirms Lady Gaga Guest Role
Netflix's hit Wednesday released the opening scene of its highly anticipated second season — and officially announced Lady Gaga as joining the cast.
The streamer for the first time confirmed the singer-actress is joining the little monsters at Nevermore Academy, playing a still undisclosed guest role on the upcoming season of the hit series, which stars Jenna Ortega as Wednesday Addams as she attends a school for outcasts with unusual abilities.
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The news was announced at Netflix's Tudum fan event at the Kia Forum in Los Angeles Saturday, where Lady Gaga took the stage for a climactic — and Wednesday-themed — performance. Emerging from a coffin with the words 'Here lies the monster queen' on the lid and backed by a cadre of Addams Family-esque dancers, Gaga performed 'Zombieboy' from her recently released album Mayhem.
Following another dance performance — to the Cramps' 'Goo Goo Muck,' which soundtracked Wednesday's viral dance scene in season one — Gaga re-emerged to perform 'Abracadabra' before returning to her coffing.
The series and the singer had previously connection after the first season aired. Ortega's dance scene in the show (with moves inspired by Siouxsie Sioux and Bob Fosse, among others) went viral and there was a popular remix version of the dance using Lady Gaga's song 'Bloody Mary.' Lady Gaga then performed the 'Bloody Wednesday' dance herself on TikTok (check it out, below).
Wednesday season two (watch the trailer) will be released in two parts; the first will be released Aug. 6 and the second will drop Sept. 3.
Gaga will be one many newcomers to the show in season two, which also added Steve Buscemi, Billie Piper, Evie Templeton, Owen Painter and Noah Taylor as series regulars and Christopher Lloyd, Joanna Lumley, Thandiwe Newton, Frances O'Connor, Haley Joel Osment, Heather Matarazzo and Joonas Suotamo in guest roles. They join returning cast Hunter Doohan, Emma Myers, Joy Sunday, Luis Guzmán, Catherine Zeta-Jones, Fred Armisen, Isaac Ordonez and Luyanda Unati Lewis-Nyawo.
Lady Gaga's previous acting credits include Joker: Folie à Deux, A Star Is Born — for which she won an Oscar for best original song and was nominated for best actress — House of Gucci and two seasons of FX's American Horror Story.
The first season of Wednesday — from creator/showrunners Alfred Gough and Miles Millar along with executive producer and director Tim Burton — was a smash for the streamer in 2022. Wednesday became the most-viewed English language series in the studio's history, with 252 million views, and spent 20 weeks in the streamer's global Top 10 (Squid Game remains Netflix's biggest hit internationally). The series also catapulted Ortega to a new level of stardom, which was further fueled by her role in Burton's Beetlejuice Beetlejuice last fall.
Along with Gaga's performance, Netflix released the opening minutes of season two, with Wednesday locked in a serial killer's (Haley Joel Osment) basement, recounting how she ended up there and explaining that the killer thinks she is his next victim.
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29 minutes ago
- Buzz Feed
Fina Strazza On 'John Proctor' Broadway Success
John Proctor Is The Villain is one of Broadway's most buzzed-about plays. In the coming-of-age story, a group of students begin studying The Crucible at the start of the #MeToo movement. As a series of events come to light, the students question their perspective on The Crucible and their own lives. Nominated for Best Featured Actress in a Play, Fina Strazza portrays Beth, the serious but sweet leader of the newly formed Feminist club. With the Tony Awards right around the corner, I hopped on Zoom with Fina to learn more about her experience in John Proctor Is The Villain, and the new Netflix film Fear Street: Prom is a spoiler-free This interview has been edited for length and clarity. Did you read The Crucible before auditioning for John Proctor Is The Villain? Fina: I never read The Crucible in high school, but I read it once I found out I would be doing John Proctor. I didn't actually ever audition. I did a workshop of it two years ago with Danya [Taymor, the director], Kimberly [Belflower, the playwright], and Sadie [Sink, who plays Shelby]. During our first week of rehearsal, Danya assigned each of us a character from The Crucible that aligned with our character in John Proctor Is the Villain, and we read it aloud. I also watched the movie with Winona Ryder and Daniel Day-Lewis, and there's something very particular about seeing a production like that. The movie is kind of able to skew your perspective just in the way it's edited, and in the way that they portray the story. It kind of lights a very harsh light on Abigail, and she does seem like this sort of 'villain' character, where John Proctor comes out looking like the hero. Reading the play out loud with my castmates is what really skewed my perspective into seeing John Proctor under a different light. Something really awesome about this show is that even though it has this very direct and very assertive title, it's not necessarily aiming to be this declaration that there is one perspective on The Crucible, and that John Proctor is this bad guy. It's more about being open to opposing perspectives and reevaluating these historical texts, allowing the possibility that some heroes may not be as heroic as we think they are. Through this whole process, I've been able to have multiple perspectives on The Crucible. I've learned that it's a really rich story, and there are a lot of different discussions to be had about it. I loved the use of music in John Proctor, like Lorde's "Green Light." What is your connection to the music used in the play? Do you sing and write music yourself? Fina: I'm not as much of a songwriter, but I do love to sing. I'm kind of a walking radio. I grew up doing musical theater. I started on Broadway in Matilda, way back when, so my heart has always been with the music. I didn't grow up listening to Taylor Swift and Lorde as much as these girls did. But I think there's something so wonderful about how deeply these teenage girls connect over music. Even though those weren't the songs that I grew up with, I also have songs I have a visceral connection to. My best friends in high school, our dance, our "Green Light," would have been "Shut Up and Dance" [by Walk The Moon]. That song was everything to us, and it forever reminds me of these girls who shaped my entire childhood. I just had dinner with them last night and talked about the song again, because it's this integral part of our upbringing. I think it's really awesome how much the show highlights the importance of music, the connection it causes, and how it becomes this core memory. You mentioned that you workshopped the play with Danya and Sadie. Were you always considered for the role of Beth, or did you ever consider other parts? Fina: I recently found this out — I believe Danya and Kimberly had seen a tape of me auditioning for another play, and then invited me to work on this workshop with them.I knew only about Beth because that was my introduction to the show. I wasn't familiar with other characters before being cast as Beth, but I don't see myself connecting with any other role in the same way. I think I feel a very deep connection to Beth. I've also had a lot of conversations with our playwright, Kimberly Belflower, about how she sees herself in Beth, and how Beth is kind of inspired by her younger self. I feel very close to Kimberly through that, and I feel very close to the show. There's this pride that I take in bringing this role to life, and I couldn't see it any other way. Everybody is where they're meant to be, and it is like this beautiful symphony that we play every night. That's what Danya always says, we are like this nine-piece orchestra, all tuned perfectly. Beth's character evolves quite a bit, especially in Act 2. How do you feel your performance has evolved over time? Fina: You'll be doing the show one night and feel like you've really gotten it, and you'll feel like, "Wow, I can't imagine learning more about this character — I'm so a part of her already!" Then the next week, you're like, "Oh my gosh, my world is opening even more!" It's a really awesome thing that happens when you're doing a show. I can only imagine that the more I do it, the more I'll feel you continue, there's just so much more to learn. There's something about Beth where she can come off as a little naive at times and have a few slip-ups throughout her arc, where she might not, in my opinion, have the right perspective on an actor, it can be hard to let your character have those mishaps and let her be seen in this negative way by the audience for a moment. The more I've done the show, the more I realize the benefit of leaning into those uglier moments. That can be really hard to do, because I'm on stage, and our audience has been super vocal. When they don't like someone, they tell us. There have been people in the front row who say, "Girl, what are you doing?" audibly, which is hilarious, but it can be hard to lean into those more difficult moments. I think I'm learning to let her have her mistakes, and then it'll have a better outcome in the end. I've always wondered what it's like to be on a Broadway stage. What is that feeling for you when you step on stage? Fina: I was on Broadway when I was younger. It was 11 years ago now, and the last time I did theater was 7 years ago. After Matilda, I did off-Broadway and some out-of-town opens. I did theater a lot as a child, and as a kid, I always thought of it as the world's best playground. To me, the audience was never really there, and I was just always having a lot of fun. I was 8 years old when I was last on Broadway; I don't think it was possible for me to realize the weight of what I was doing. In these past years, I've often wished I just understood it a little bit more, so I could have appreciated those moments on stage a little more. Now I'm making sure I'm soaking everything up in our rehearsals and through our previews and during tech. Every time I'm on stage, I want to savor every moment. I think there's a real gratitude to being on stage.I've done film and TV, and obviously, the audience isn't right there, so it's hard to see who is taking the time to watch you and absorb your work. So there's this gratitude when you're on stage, because the people who have paid to be there are sat right in front of you. They're there for the 2 hours, and they're locked in, and they're in their seats, and there's just something really special about that. I think there's this constant wheel of gratitude being an actor on who plays Lee, said there's something awesome about having the audience right there — they feel like they can change what happens, and like they have this agency where they can change the story. They kind of do. Depending on how much they're reacting, if they're an audience who laughs more, or if they're crying more, it does alter the way we play into them, and the way that we hit certain beats. It is this ebb and flow, and it becomes this cool, symbiotic relationship. Do you have any favorite memories with the cast? Fina: Danya is such a great physical director. We did a lot of work with the script to start off the process, but she did it in a very fun way, so it didn't feel like we're just sat at a table doing table one of our first days of rehearsal, she had us all come in, and she said we're gonna work on the script today — except she pointed at Sadie, and she was like, "You're gonna play Mr. Smith." Gabe, who plays Mr. Smith, was gonna play Shelby, and I ended up playing Lee. Maggie Kuntz, who plays Ivy, ended up playing Raelynn, and we were all just jumbled. It was a really awesome way to receive your character and be an audience for the words that you were going to be speaking. You had a chance to see someone else's acting choices on your role, surrendering to those choices, and maybe taking inspiration from them. You also gain respect for other people's roles, being like, "Oh, this is a hard scene to do — you're gonna have to do this every night!" I've never had a director do that before, and afterwards, it was this very jovial experience where we kind of had this understanding of one another's paths and tracks. It was a really fun day. It also led to a lot of laughter, because Sadie was playing a grown man, and I think Hagan, who plays Lee, was playing Miss Gallagher, and it was just these miscast funny times. I really enjoyed that. Huge congratulations to you, the cast, and the crew! You're the youngest Tony nominee this year; what was your reaction to hearing your nomination for Best Featured Actress in a Play? Fina: When you're waiting for news like that, there's this roller coaster you send yourself on the whole week leading up to it, feeling guilty that you even think it's a consideration. Because you're like, "Who am I to think that? I shouldn't even be worried about this!" Then you're at a high point in the day, and you're thinking, "Oh, maybe it could happen!" Then you plummet back down to, "Who do I think I am?"I'd already been on this wild ride of emotions for the week leading up to it, so on the day of, I was like, "Maybe I should just get some sleep. I won't watch the broadcast, I won't set an alarm." But I ended up naturally waking up at the time that it started. My feed was delayed, so I didn't even see my category come up on screen, and before anything was announced on my end, my phone just started blowing up. I picked up a phone call from my mom, and she was the one who told me, she was like, "You're nominated, you're nominated!" and immediately, I kinda blacked out, you know, I don't remember so much after that. I grew up in New York, and Broadway, and the Tonys have always been the biggest thing for me. I know every single word to Neil Patrick Harris's 2013 Tony opening — that is peak theater. I think I'm still not really able to comprehend what this moment means. Every event that I've gotten to go to so far for the nominees, I kind of feel like I've been given this all-access fan pass. I'm just looking at everybody around me, and I'm like, these are the people that I grew up with. These are the people that my mom would show me doing their cabaret shows on YouTube, and just none of it feels real. It's all been very surreal. I watched Fear Street: Prom Queen on Netflix last night, and it was terrifying. Tiffany is a much different character from Beth. Was it a fun experience getting to do a horror film? Fina: Yeah, it was very, very, very different. I had never played a mean girl before, so this was a very exciting challenge. I was able to just have a lot of fun on this shoot. I ended up becoming very close friends with the entire cast. We had around 15 principal cast members on set every day, and we became this really tightly knit pack. We started basically filming this movie in between our conversations with each other. I don't think that Tiffany and Beth would get along so well, but they're both fun to play in their different rights. Did you get to meet R.L. Stine? Fina: You know, he was supposed to make a cameo in the film, but he was sick, and it was on the day that we were filming in the diner. He couldn't make it, and so someone from his estate came instead, on his behalf, to say hi. John Proctor Is the Villain is an incredible play. What do you hope audiences take away from your performance? Fina: I feel like the phrase that I keep repeating throughout this whole process is just, "Whose life am I living?" That's what this whole process has felt like. There's been something very spiritual and witchy about all of it that feels like I've been granted a magical luck spell. I hope that audiences are moved by the show and by my performance.I received a letter from someone at the stage door the other day that was really meaningful and made me feel like Beth was doing something right. It said a similar instance that happens in the show happened to her in high school, and she reacted to the situation similarly to how Beth does. Through the show, and through Beth, she was able to grant her younger self some forgiveness for the way she acted, because she didn't know any better, and she was just acting on what she'd been taught. Just to know that someone was moved by the show enough to connect it back to their own selves was really awesome. It's always important to grant your younger self some forgiveness — to feel connected to your personal self and allow your younger self to take up some space and be granted some forgiveness and healing. Thank you, Fina, for sharing great insight! See John Proctor Is The Villain at the Booth Theatre until July 13th, and keep up with Fina on Instagram. If you like horror, don't miss Fear Street: Prom Queen on Netflix.
CNET
35 minutes ago
- CNET
Walmart Deals of the Day: Dyson's Powerful Big Ball Vacuum Is $150 Off
While we don't have the official dates quite yet, Amazon has confirmed that its next Prime Day sale will be in July. But you don't have to wait until next month to start scoring big savings. Walmart offers some great deals year-round, and CNET is here to help you make the most of them. Every day, we single out some of the absolute best bargains available, and for today, June 3, that includes $150 off a powerful Dyson vacuum, $50 off a top-rated Google security camera and a pro-grade SteelSeries streaming mic that's $160 off. This Dyson combines the power of a corded vacuum with the maneuverability of a cordless model for serious versatility. It boasts 250 air watts of suction to tackle serious messes on both carpet and hardwood floors, and the wand features 360-degree articulation to help you reach all the nooks and crannies. It's also equipped with whole-machine filtration that traps dust, allergens and other particulates as small 0.3 microns. Plus, it has a large 1.5-liter dust bin which is easy to empty with the press of a button. This Google Nest Cam is one of the top security cameras on the market right now. It's weather-resistant, so you can use it outdoors as well as indoors, and it's battery-powered, which makes it easy to install. It boasts 1080p video resolution with night vision, and you can check in anytime with a 24/7 live feed. Plus, it will automatically store three hours of video footage when there's activity detected. Our reviewer was also impressed with its AI detection capabilities, which can tell the difference between people, animals and vehicles and will send accurate notifications straight to your phone. It's also equipped with two-way audio so you can easily chat with visitors or delivery drivers. If you're an aspiring streamer or podcaster, this deal is a great chance to upgrade your setup without breaking the bank. This pro-grade microphone is equipped with an extra-large capsule for richer, fuller broadcast-quality audio, and this deal includes SteelSeries' Sonar sound mixing software so you can easily customize your recording. Plus, it comes with an XLR stream mixer with mappable controls so you can adjust your audio on the fly.
New York Times
35 minutes ago
- New York Times
MLB teams most likely to be sellers at trade deadline — and the players they could shop
With the calendar flipping to June, the MLB trade deadline is less than two months away. That leaves about eight weeks for contending teams to make deals to acquire players to improve their rosters, and eight weeks for non-contenders to start to rebuild for 2026 and beyond. Of course, there's a lot of baseball to be played between now and the July 31 deadline, but the landscape is starting to take shape. So let's begin to take stock, with the caveat that there will be changes along the way that no one can foresee. Advertisement Below are the nine teams that I currently believe will become 'sellers' at this year's trade deadline, but keep in mind several other teams that remain in contention now will join this list by the All-Star break (or shortly thereafter). It's pretty obvious, based on their records and low expectations entering the season, that the Rockies, White Sox, Pirates, Athletics, Marlins and Angels will be selling. Meanwhile, the Nationals, although hovering around .500, are a year away from legitimately contending, so they, too, need to focus on future seasons, and I expect them to ultimately be sellers. That leaves two surprise sellers on my initial list: the Orioles and Diamondbacks. At the start of the season, I thought both would make the playoffs as wild-card teams, but they've underperformed. Their pitching staffs have been riddled with injuries and just haven't delivered. The Orioles' staff ranks 28th in the majors with a 5.27 ERA, while the D-Backs' pitchers haven't fared much better (24th, 4.81 ERA). Baltimore is in worse shape, in the standings and overall — Arizona's offense ranks fourth in MLB in OPS and fifth in runs scored — but both teams have dug holes and, barring a change in fortune, it's probably best they become sellers. As the Orioles and Diamondbacks weigh whether to sell, they'll consider that they could become the headliners of this trade deadline in a sellers' market. They could both make shrewd trade deadline deals, then enter the offseason a key free agent or two away from contending again next year. Since most of this year's likely sellers don't have a lot of talent to trade, Baltimore and Arizona could take advantage of the lackluster market. The Orioles could dangle impact bat Ryan O'Hearn (175 OPS+), elite center fielder Cedrick Mullins and veteran starting pitchers such as Zach Eflin and Tomoyuki Sugano. The Diamondbacks, particularly if they learn ace Corbin Burnes will miss significant time with an elbow injury, could make starting pitchers Zac Gallen and Merrill Kelly available in trade talks and could put first baseman Josh Naylor on the trade market too. All seven of those players are impending free agents. Advertisement It can be a tough and unpopular call to sell in these situations, and both teams have time to make that decision. Both expected to play in the postseason this year, but if they instead play at the trade deadline, then next year they could be in a much stronger position for October baseball. For now, here is my take on the nine teams that I believe will be sellers at the trade deadline, along with the players they could shop or contenders would covet. Starting pitchers: The Rockies don't have much to trade from their majors-worst rotation, but a team could take a chance on Kyle Freeland, who has posted a 4.29 ERA over six road starts this season. Freeland, 32, is making $16 million this year and will earn $16 million in 2026, plus has a $17 million vesting option for 2027 that's triggered if he reaches 170 innings next year. He's a back-of-the-rotation lefty who could benefit from a change of scenery and not having to pitch half his games in Coors Field. Relief pitchers: Colorado could dangle its two closers, Zach Agnos and Seth Halvorsen, or even set-up relievers such as Jake Bird and Victor Vodnik. The historically bad Rockies are in no position to hang onto relievers if they could be dealt for either starting pitching prospects or everyday position players at any level. Catchers/Infielders: Veteran third baseman Ryan McMahon is a trade candidate with the positional flexibility to also play second base. He's signed through 2027 and will make $32 million over the final two years of the contract. However, he has struggled this year at the plate (83 OPS+) and just doesn't have the trade value he possessed in the past four years, when he averaged 20-plus home runs per season. Shortstop Ezequiel Tovar is their most valuable infielder, but he's an important building block and not going anywhere. Advertisement Outfielders/DH: Their most valuable outfielder, center fielder Brenton Doyle, is having a down year, but the two-time Gold Glove Award winner is a keeper for the long term. Jordan Beck has some value, but the second-year major leaguer is unlikely to be moved. Most likely to be traded: LHP Kyle Freeland, 3B Ryan McMahon, RHP Seth Halvorsen Starting pitchers: The White Sox are developing a young rotation that includes Shane Smith, Sean Burke, Davis Martin and Jonathan Cannon — none of whom is expected to get traded. Adrian Houser, the lone healthy veteran in their rotation, could be dealt to a team looking for back-of-the-rotation depth. Relief pitchers: Steven Wilson will probably be traded. The veteran righty will be arbitration-eligible for two more years. He's allowed only one run over his past seven appearances and has a 2.16 ERA on the season. Catchers/Infielders: Miguel Vargas is the only infielder the White Sox could get nibbles on. The ex-Dodger has had a solid season at third base with eight homers, 15 doubles and 26 RBIs, and he has some positional flexibility. However, Vargas is only 25 years old and Chicago is not looking to trade him. Outfielders/DH: Luis Robert Jr. is their top trade chip, but he's had a brutal start to the season, batting just .177 with a .266 on-base percentage. He does have five homers and 21 stolen bases and plays plus defense in center field, but — unless he starts raking in June and July — the White Sox's asking price will have to come way down. Most likely to be traded: CF Luis Robert Jr., RHP Adrian Houser and RHP Stephen Wilson Starting pitchers: The Pirates can shop veteran lefty Andrew Heaney, an impending free agent. He has posted a 3.39 ERA over 12 starts and can help eat innings at the back of a rotation. They are less likely to trade from the rest of their rotation, which includes ace Paul Skenes, Mitch Keller and Bailey Falter along with Jared Jones, who underwent season-ending elbow surgery. Advertisement Relief pitchers: Pittsburgh has several relievers to trade including closers Dennis Santana and David Bednar, who are a combined 11-for-11 in save opportunities this season, and veteran lefty relievers Caleb Ferguson and Ryan Borucki. Catchers/Infielders: Second baseman Adam Frazier and shortstop Isiah Kiner-Falefa can be shopped, but they would be merely extra players on a contending team rather than starting, like they do for Pittsburgh. The Pirates could explore trading third baseman Ke'Bryan Hayes, but he's having another poor offensive season and his power has never arrived. Hayes is signed through 2029, and although he'll make an affordable $7.5 million annually over the next four years and deliver strong defense, most teams wouldn't want his contract. Outfielders/DH: It's unlikely the Pirates trade any of their outfielders. Oneil Cruz, their best player, isn't going anywhere. Bryan Reynolds is having a down year and is owed more than $15 million per year through 2030. DH Andrew McCutchen is expected to finish his career as a Pirate. Most likely to be traded: LHP Andrew Heaney, RHP Dennis Santana, 2B/OF Adam Frazier Starting pitchers: The A's could listen to inquiries on lefty Jeffrey Springs, whom they acquired in a trade with the Rays in the offseason, and fellow southpaw JP Sears; both have multiple years of team control. It's not like they'd want to move either, but they'd at least listen in case they get a compelling offer. Relief pitchers: Every contender would want the A's closer, Mason Miller, but there is no indication they'll trade him. Don't be surprised if they at least listen on Miller, who is under team control through 2029, as he could bring back a franchise-changing haul in prospects. It's more likely they move righty Tyler Ferguson, who has a 3.76 ERA over 27 appearances. Catchers/Infielders: The A's have a solid young infield but they're movable pieces are backup players such as Miguel Andujar (strained oblique), Luis Urías or Gio Urshela (hamstring strain). However, two of the three are on the injured list and none of them has much trade value. Advertisement Outfielders/DH: It's unlikely an outfielder or DH is moved. Most likely to be traded: LHP Jeffrey Springs, RHP Tyler Ferguson, 3B/OF Miguel Andujar Starting pitchers: After losing their best starter (Corbin Burnes) in free agency to the Diamondbacks last offseason and their next best starter (Grayson Rodriguez) to the IL this season with elbow inflammation, the Orioles will need to listen to trade offers on the rest of their rotation to begin their reboot in earnest. Tomoyuki Sugano is having a solid first year in MLB (3.23 ERA over 11 starts), but he's 35 years old. Zach Eflin will be a free agent at season's end, so dealing the righty for prospects and then trying to re-sign him in the offseason probably makes sense. Also, despite his poor start to the season, if Charlie Morton (6.20 ERA) can put together a string of good outings, he's another veteran who could be traded. Relief pitchers: The Orioles don't want to move their impact closer, Félix Bautista, who is under team control through 2027, but they'll at least listen to see if they get an overwhelming offer. Otherwise, veterans such as righty Seranthony Domínguez and lefty Gregory Soto, both impending free agents, should be traded. The Orioles might even listen to inquiries on Yennier Cano and Keegan Akin to see if some team will offer solid pitching prospects in return. They must rebuild their pitching staff with younger arms. Catchers/Infielders: The Orioles can shop both of their first base/DH power bats in Ryan O'Hearn and Ryan Mountcastle. O'Hearn, who is slashing .329/.416/.535 with nine homers and 22 RBIs, has the most trade value of any Orioles player. He will be a free agent after this season. Mountcastle is on the IL with a strained hamstring but his raw right-handed power still has some value. That said, his home run totals have declined every year since 2021. Outfielders/DH: Cedric Mullins is also on the IL with a strained hamstring but should be healthy by the trade deadline. An elite defensive center fielder, Mullins is having a solid offensive year with 10 homers, eight steals and a 123 OPS+ in 50 games. He will be a free agent after the season. Most likely to be traded: 1B/DH Ryan O'Hearn, CF Cedric Mullins, RHP Zach Eflin Advertisement Starting pitchers: In March, Sandy Alcantara was expected to be a headliner of this year's trade deadline, but he hasn't been able to regain his Cy Young Award form of 2022 after returning from Tommy John surgery. It would be foolish for the Marlins to swap Alcantara with his ERA so high (8.47 ERA) and trade value so low. They'll need to wait until the offseason or next year's deadline — he's under team control through 2027 — before they consider trading him. The rest of the Marlins' rotation consists of 25- to 27-year-old starters like Max Meyer, Ryan Weathers and Edward Cabrera who are building blocks. That leaves veteran Cal Quantrill as the only likely trade chip from this group, but he has a 5.84 ERA over 11 starts. Relief pitchers: The Marlins could listen to offers on some of their relievers including Ronny Henriquez (2.20 ERA, 12.6 strikeouts per nine innings), Jesus Tinoco (5.12 ERA, four saves), Calvin Faucher (4.95 ERA, four saves) and Anthony Bender (1.52 ERA). Catchers/Infielders: They really don't have anything to trade in the infield as it is filled with young, developing players with minimal service time. Outfielders/DH: The same can be said for the outfield and DH positions, though right fielder Jesús Sánchez is an exception. He will be arbitration-eligible in 2026 and is a left-handed bat (109 OPS+) some contending teams could chase. Most likely to be traded: RF Jesús Sánchez, RHP Cal Quantrill, RHP Anthony Bender Starting pitchers: The Angels could shop their best starter, Yusei Kikuchi (3.06 ERA), but it's unlikely they trade the lefty after signing him to a three-year, $63 million deal to headline their offseason. They could dangle José Soriano or Tyler Anderson, both of whom have ERAs under 3.90 this season. Anderson, 35, will be a free agent after this season. Advertisement Relief pitchers: Kenley Jansen is 12-for-12 in save opportunities and should have some trade value. Other relievers who could get moved include Ryan Zeferjahn and Brock Burke. Catchers/Infielders: Veteran catcher Travis d'Arnaud could get traded to a contender as could versatile infielder Luis Rengifo and maybe even third baseman Yoán Moncada (IL). D'Arnaud is signed through 2026, while the other two are impending free agents. Outfielders/DH: Left fielder Taylor Ward could bring back the best prospect package. He has 16 homers and 11 doubles with a .271 on-base percentage and is under team control through next year. Jorge Soler and his power bat could be traded again, and it probably makes sense for the Angels to get out of his contract ($16 million per year through 2026) if possible. Most likely to be traded: LF Taylor Ward, RHP Kensley Jansen, LHP Tyler Anderson Starting pitchers: Veterans Michael Soroka and Trevor Williams could get moved if they have a strong run of starts in June and July. Both are back-of-the-rotation inning-eaters at this point. Relief pitchers: The Nationals didn't trade closer Kyle Finnegan at last year's trade deadline and then were able to re-sign him in the offseason on an affordable one-year contract. Finnegan has 16 saves and a 2.61 ERA, and I'll be surprised if he isn't traded at this year's deadline. Lefty Andrew Chafin, who has been traded at the deadline two years in a row, could be on the move again. He has a 2.00 ERA in 12 appearances and left-handed batters are hitting .200 against him. Catchers/infielders: The only infielders who could get traded are utility types such as Amed Rosario and Paul DeJong, the latter of whom is on the IL with a broken nose. Outfielders/DH: They won't trade from their young outfield of James Wood in left, Robert Hassell III in center and Dylan Crews in right, although if center fielder Jacob Young comes back healthy from a sprained shoulder, he could get moved. He's a plus defender who can really run in center, ranking in the 94th percentile in sprint speed and the 85th percentile in outs above average (defensive range). In addition, Josh Bell could be traded again, but he'll have to perform much better in June and July for anyone to have interest. Advertisement Most likely to be traded: RHP Kyle Finnegan, CF Jacob Young, LHP Andrew Chafin Starting pitchers: Corbin Burnes underwent an MRI after exiting Sunday's game with an elbow issue. If the Diamondbacks get bad news on Burnes, they could become surprise sellers at the trade deadline, and if that happens, they could trade Zac Gallen and Merrill Kelly as both are impending free agents. Gallen is having a subpar year — he's logged a 5.54 ERA, more than two runs over his career mark — and would have to pitch much better over his next five to six starts for the Diamondbacks to get anything close to his value if he were pitching at his accustomed level. Relief pitchers: The Diamondbacks could shop veteran relievers such as Shelby Miller, Jalen Beeks, Ryan Thompson and Kendall Graveman, all of whom are in their 30s. Catchers/Infielders: Arizona made a great trade in the offseason to land first baseman Josh Naylor, but if they pivot to selling, he will probably get dealt again given he's in his free-agent walk year. Naylor, 27, would be an excellent fit for the Seattle Mariners or Cincinnati Reds. Outfielders/DH: Randal Grichuk could be dealt to a team that needs an extra outfielder; he has some power and has learned how to come off the bench successfully. Most likely to be traded: RHP Zac Gallen, 1B Josh Naylor, RHP Shelby Miller (Top image photos: Ryan O'Hearn: Winslow Townson / Getty Images; Taylor Ward: Ezra Shaw / Getty Images)
