
Jim Morrison bust stolen from Doors singer's Paris grave in the ‘80s has finally been recovered
Police have found a bust of Jim Morrison that was stolen nearly four decades ago from the Paris grave that has long been a place of pilgrimage for fans of the legendary Doors singer and poet.
The bust taken in 1988 from Père-Lachaise cemetery was found during an unrelated investigation conducted by a financial anti-corruption unit, Paris police said in an Instagram post Monday.
There was no immediate word on whether the bust would be returned to the grave or what other investigation might take place.
Morrison, the singer of Doors classics including 'Light My Fire,' 'Break on Through,' and 'The End,' was found dead in a Paris bathtub at age 27 in 1971.
He was buried at Père-Lachaise, the city's cemetery that is the final resting place of scores of artists, writers and other cultural luminaries including Marcel Proust, Oscar Wilde, Gertrude Stein and Edith Piaf.
The 300-pound bust made by Croatian sculptor Mladen Mikulin was added to the grave in 1981 for the 10th anniversary of the singer's death.
'I think it would be incredible if they put the bust back onto where it was and it would attract so many more people, but the cemetery wouldn't even be able to hold that many people,' Paris tour guide Jade Jezzini told The Associated Press. 'The amount of people who would rush in here just to see the bust to take pictures of it, it would be incredible.'
Known for his dark lyrics, wavy locks, leather pants, theatrical stage presence and mystical manner, Morrison has inspired generations of acolytes who congregate at his grave to reflect and sometimes to party, including a major gathering for the 50th anniversary of his death. The site has often been covered with flowers, poetic graffiti and liquor bottles left in tribute.
He was undergoing a cultural renaissance when the bust was stolen in the late 1980s, which peaked with the 1991 Oliver Stone film 'The Doors,' in which Val Kilmer, who died in April, played Morrison.
London artist Sam Burcher recently returned to the now more subdued grave site that she first visited 40 years ago when the sculpture of Morrison was still in place.
'The bust was much smaller than all of these grand tombs. It was very modest, so I was quite surprised by that,' she told the AP. 'But the other thing was the atmosphere, it was buzzing. There were people partying, smoking, music, dancing, and then I brought strawberries and kind of gave them out to everyone ... it was just such an amazing experience.'
Morrison cofounded the Doors in Los Angeles in 1965 with Ray Manzarek. Robby Krieger and John Densmore joined soon after.
The band and its frontman burned brightly but briefly, releasing albums including 'The Doors' 'Strange Days," and 'Morrison Hotel, whose The California site that gave that album its name and cover image was seriously damaged in a fire last year.
After their final album, 1971's 'L.A. Woman,' Morrison moved to Paris. His cause of death was listed as heart failure, though no autopsy was performed as none was required by law. Disputes and myths have surrounded the death and added to his mystique.
© Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Asahi Shimbun
14 hours ago
- Asahi Shimbun
South Korean Supreme Court dismisses U.S. composer's ‘Baby Shark' copyright claim
People walk near Pinkfong characters, from the South Korean kids' content company, during a coronavirus prevention campaign at City Hall Plaza in Seoul, on Oct. 12, 2020. The writing on the character's mask reads, 'Thank you so much.' (AP Photo) SEOUL--South Korea's Supreme Court rejected a 30 million won ($21,600) damage claim Thursday by an American composer who accused a South Korean kids content company of plagiarizing his version of 'Baby Shark,' ending a six-year legal battle over the globally popular tune known for its catchy 'doo doo doo doo doo doo' hook. The top court upheld lower court rulings dating back to 2021 and 2023 that found no sufficient grounds to conclude the company, Pinkfong, infringed on Jonathan Wright's copyright. Wright, also known as Johnny Only, released his version in 2011, four years before Pinkfong's, but both were based on a traditional melody popular for years at children's summer camps in the United States. The courts ruled Wright's version did not differ enough from the original melody to qualify as an original creative work eligible for copyright protection, and that Pinkfong's song had clear differences from Wright's. The Supreme Court said its ruling reaffirms the established legal principle on existing folk tunes as derivative work. 'The Supreme Court accepts the lower court's finding that the plaintiff's song did not involve substantial modifications to the folk tune related to the case to the extent that it could be regarded, by common social standards, as a separate work,' it said in a statement. Pinkfong said in a statement to The Associated Press that the ruling confirmed its version of 'Baby Shark' was based on a 'traditional singalong chant' that was in the public domain. The company said it gave the tune a fresh twist by adding 'an upbeat rhythm and catchy melody, turning it into the pop culture icon it is today.' Chong Kyong-sok, Wright's South Korean attorney, said he hadn't received the full version of the court's ruling yet, but called the outcome 'a little disappointing.' 'Anyway, the matter is now settled,' he said. 'It's our work that came out first, so we can handle the licensing on our side and I guess we then each go our separate ways.' Pinkfong's Baby Shark became a global phenomenon after it was released on YouTube in 2015, with the original 'Baby Shark Dance' video now exceeding 16 billion views and peaking at No. 32 on the Billboard Hot 100. Baby Shark remains a crucial product for Pinkfong, which earned 45.1 billion won ($32.6 million) in revenue in the first half of 2025, according to its regulatory filing. The company has turned the five-member shark family — Baby Shark, Mama Shark, Papa Shark, Grandma Shark, and Grandpa Shark — into TV and Netflix shows, movies, smartphone apps and globally touring musicals.


Japan Today
3 days ago
- Japan Today
Fans celebrate 80th birthday of Moomins, Finland's most lovable literary cartoon family
Finland Moomins Fans celebrate the 80th anniversary of the publication of the Finnish children's classic, "The Moomins and The Great Flood," and the birthday of the author Tove Jansson, in Tampere, Finland, Saturday, Aug. 9, 2025. (AP Photo/Tommi Ojala) By HELI SIVUNEN, TOMMI OJALA and STEFANIE DAZIO The Moomins, Finland's most lovable literary cartoon family, are celebrating their 80th birthday this year. The chubby, white, hippopotamus-like characters have captivated readers worldwide since author and illustrator Tove Jansson published 'The Moomins and the Great Flood' in 1945. The children's book featuring Moomintroll and Moominmamma in their search for the missing Moominpappa. Jansson, a Swedish-speaking Finn who died in 2001, went on to write eight more books, multiple picture books and a comic strip about the Moomins in Swedish. The series, set in the fictional Moominvalley, has been translated into more than 60 languages, and sparked movie and TV adaptations, children's plays, art gallery exhibitions and an eponymous museum — plus theme parks in Finland and Japan. Finnair, the national carrier, has even put Moomins on its airplanes. On Saturday, fans flocked to Tampere in southern Finland — home of the Moomin Museum — to celebrate the 80th anniversary of the 1945 publication as well as Jansson's Aug. 9, 1914, birthday. For Rosa Senn of the United Kingdom, the festivities reminded her of her childhood. Her Norwegian mother, a fan since her own youth, read all of the tales to Senn and her sister growing up. 'Moomins have been such a special thing in my life, my whole life," Senn said. "I just carried that love for Moomin, for Tove Jansson, with me into my adult life.' When Senn met her now-wife, Lizzie, they were initially in a long-distance relationship for the first year and a half. Senn introduced Lizzie to the books and the couple used a plush doll of Moomintroll to feel closer to each other while they were apart. The doll was the ringbearer at their wedding, and they traveled to Tampere on their honeymoon. The Senns also made an Instagram page documenting the trio's adventures, which now has nearly 11,000 followers. The social media account has connected them with Moomin fans all over the world, including Stefanie and Michael Geutebrück from Germany. Stefanie Geutebrück said she remembers falling in love with the Moomins while watching their animations during her childhood in East Germany. She also brought the Moomins into her husband's life, to the point where they also traveled to Tampere for Saturday's entertainment. "Now he's a total fan and our apartment looks like a Moomin shop,' she said. Beyond the Geutebrücks' home, Moomin merchandise is hugely popular. There's a massive market for Moomintroll, Moominmamma and Moominpappa souvenirs across the globe, and secondary characters like their friends Stinky, Sniff, Snufkin, Snork Maiden and Hattifatteners are also well-loved. 'The Moomin mug is one of the best-known collector items worldwide,' Selma Green, director of the Moomin Museum, said. 'You buy a Moomin mug, you like the characters, you maybe see something on TV — but we all go back to the books, the original illustrations.' Depictions of the character Stinky, described as a lovable rogue who has captured Moominmamma's heart, generated debate and outcry in Finland this summer after reports emerged in Finnish media that Stinky was removed from murals in an exhibit at the Brooklyn Public Library in New York due to concerns that the cartoon might be perceived as racist. Jansson's drawings of Stinky shows the character with a dark, fuzzy body, with skinny legs and antennae. He has a reputation as an unsuccessful criminal — whose plans get foiled or he gets caught in the act — with an appetite for furniture and other wooden things. 'To me, this became as quite a big surprise because I have more thought about Stinky being close to a mole or a vole," Sirke Happonen, a Moomins scholar and associate professor at the University of Helsinki, said of the library's decision. "He's an interesting character in many ways, like controversial and fun.' The Moomin stories honor the idea of family as a flexible concept. Diverse gender roles and queer themes also come across in Moominvalley, as well as in Jansson's other works, reflecting her LGBTQ+ identity. Her partner of more than 45 years, engraver and artist Tuulikki Pietilä, was memorialized as the character Too-ticky in 'Moominland Midwinter.' The couple lived in Helsinki and spent their summers on the small rocky island of Klovharu in the Gulf of Finland until the 1990s. Jansson's stories also reflect war and catastrophe. The first book, 'The Moomins and the Great Flood,' features the displaced Moomin family and was published in the final months of World War II. The conflict had ruined Finland, even though it had remained independent, and one of the author's brothers went missing during part of his time at the front. While Jansson sought to portray Moominvalley as an escape, Moomin stories have always had a mixture of peril and comfort. 'Her first Moomin book came out in a dark era. She felt it was very difficult to paint, and she started writing what she called a fairy tale, but she excused herself not to include princesses or princes,' Happonen said. Moominvalley was borne of a need to find beauty at a time when Jansson's existence, along with everyone else in Finland, felt frail. 'I think she wanted to make a contrast — Tove Jansson loved contrasts — by writing about this beautiful world, full of friendship and love,' Happonen said. © Copyright 2025 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.


Asahi Shimbun
5 days ago
- Asahi Shimbun
Machinery boss in Shiretoko secret savior of ReraPan film
Rolls of ReraPan 127 film are lined up at a sales event held in Tokyo's Shinjuku Ward on June 7. (Takeo Kato) SHARI, Hokkaido--The town of Shari is forever associated with the Shiretoko Peninsula, designated as a World Natural Heritage site. But to a select few, it is cherished for another reason, too. It is the home of a type of camera film that went out of mainstream production three decades ago. Film buffs have 64-year-old Tsuyoshi Mohri to thank for that. Mohri's main business is agricultural machinery, but he also manufactures the film under the brand name of ReraPan. His company's flagship products are bulky farm equipment that sells for several million yen (tens of thousands of dollars) and up to tens of millions of yen. Each roll of ReraPan film is 46 millimeters wide and priced at under 2,000 yen. Known as 'vest pocket film' or '127,' the film was originally introduced by Eastman Kodak Co. in 1912. Although Kodak stopped producing 127 in 1995, the film has diehard fans in the United States, Europe and elsewhere. Aficionados rave about the image quality and being able to pop a roll in their pocket. Using a self-built contraption, Mohri can produce dozens of rolls a day but not a huge number. While the endeavor requires considerable time and effort for a modest return, Mohri says it is an important business. 4 YEARS IN THE MAKING Mohri's passion for photography stems from when he used to take pictures of his family. He became fascinated with vest pocket cameras in 2009 after he spotted a Primo-JR model in a used camera shop. He bought the camera even though film for it was already out of production in Japan. Imported film appeared impossible to find. But after he went online, Mohri found a manufacturer in Croatia that was still producing the film. He contacted the company and bought 100 rolls. Thinking he would only need 10 or 20 rolls, he offered the rest at an online auction. They sold out immediately. Messages of gratitude poured in, and he was flooded with requests to lay in a stock of more rolls. Mohri swiftly bought 500 more rolls. His worries whether he could sell them proved groundless as the stock ran out in no time. Mohri decided to make what had started as a hobby into a business to meet the expectations of photo film enthusiasts, and opened an online shop, Kawauso Shoten, in 2010. Then the Croatian manufacturer shut down its operation in 2012, citing mechanical issues. When a German maker followed suit, there were no companies left to produce 127 film. Alarmed that vest pocket cameras would be rendered useless without film, Mohri spent nearly a year pondering what he could do before deciding to take matters into his own hands. Mohri negotiated with an overseas film maker to cut the film stock to the width of 46 mm to fit the 127 format and deliver the material to his company. However, he ran into difficulties searching for a factory to make the spool on which the film is wound. It took two years to find one that could accommodate his request. 80% OF SALES OVERSEAS Mohri started selling black-and-white ReraPan film through his online shop in 2014 before adding color, slide and other types to the lineup. Because vest pocket cameras are still popular in the United States and Europe, overseas sales of ReraPan account for more than 80 percent of total sales. Johnny Yokoyama, an American living in Kanagawa Prefecture, is a classic camera collector. After he obtained a camera made in Britain in 1937, he was impressed to learn that he could buy 127 films from Kawauso Shoten. Yokoyama said that without Mohri, he wouldn't be able to take photos with such an old camera. He still doesn't understand why ReraPan is lesser known in Japan when the brand is so popular in the United States and Europe. 'It is almost like my mission to continue selling (ReraPan),' Mohri said. 'I want to keep offering the film at a reasonable price.'