logo
Beyoncé and Jay-Z dominate Paris as celebrity drives fashion's biggest trend

Beyoncé and Jay-Z dominate Paris as celebrity drives fashion's biggest trend

Associated Press14 hours ago

PARIS (AP) — If any force swept through the fashion industry this season — and sent shockwaves around the globe — it wasn't a new silhouette or a daring color. It was the spectacle of celebrity.
Star power eclipsed fabric and form, transforming the runways of Paris Fashion Week into arenas where A-list icons, K-pop idols, and digital megastars didn't just attend — they became the main event.
As the week wraps up Sunday, it's clear: the world is watching not for what's worn, but for who's wearing it.
Beyoncé and Jay-Z didn't just attend Louis Vuitton's blockbuster show — they became the story. As they swept into the Pompidou Center, the entire mood shifted. Cameras flashed. Phones shot skyward. Even before the first look hit the runway, images of the couple rocketed around the globe.
The scene encapsulated a truth that every major brand — from Louis Vuitton to Dior, Hermès to Saint Laurent — now understands: The real front row isn't in Paris, but on Instagram, TikTok and Weibo. And nothing sells quite like a star.
Beyoncé's head-to-toe denim look — a custom Louis Vuitton creation by Pharrell Williams — sparked headlines worldwide and instantly set the tone for the season. Her ensemble, complete with a cowboy hat and Western belt, became one of the most shared images of fashion week, underlining just how quickly a star's wardrobe can ignite trends far beyond the runway.
Her Cowboy Carter tour, however, hasn't been without controversy — a T-shirt worn in Paris referencing Buffalo Soldiers drew criticism online this week from some Indigenous and Mexican communities.
And when Williams presented her with a Speedy bag straight from the runway, the moment went viral — striking a powerful note that Beyoncé isn't just an attendee, but the face of Louis Vuitton's creative vision.
This is the new dynamic of luxury: The most coveted runway seat is now in your hand, and what matters most isn't just what you see, but who you see wearing it.
It's a story that's been told before — celebrity eclipsing fashion — but in a year of global uncertainty, the urge for escapism and the power of star-driven fantasy have reached a new intensity.
Show, not just tell: Fashion as spectacleWhat once was a private preview for buyers and editors is now a worldwide entertainment event.
Designers don't just stage shows — they produce spectacles.
Williams, Louis Vuitton's showman-in-chief, turned his runway into a snakes-and-ladders fantasy with a guest list to match: Beyoncé, Jay-Z, K-pop royalty J-Hope and Jackson Wang, reggaeton star Karol G, and Hollywood names like Bradley Cooper and Mason Thames. Each arrival triggered waves of posts and stories — making the crowd as newsworthy as the collection itself.
The modern runway has become a stage for celebrity, where the applause is measured in views and viral moments, and the line between performer and spectator disappears.
No other force is shifting menswear trends faster than K-pop. This season, stars like J-Hope, Jackson Wang, GOT7's Bambam, and NCT's Yuta were everywhere, livestreaming shows and igniting fashion frenzies from Seoul to Sao Paulo.
These idols are both tastemakers and trend translators, instantly transmitting what they see in Paris to millions of fans. Their attendance has become a commercial event in itself, driving the adoption of new styles on a global scale.
Beyoncé effect
Even the clothes themselves now chase celebrity.
Beyoncé's 'Cowboy Carter' moment and Louis Vuitton's nod to Western style sent cowboy hats, flared denim, and rhinestone shirts trending worldwide. Brands scramble to turn these viral moments into wearable trends — knowing that what Queen Bey wears in Paris will be copied in malls and on apps within weeks.
'We make fashion, but we're a house of travel,' Williams told reporters. In truth, it's the celebrity's journey through fashion that matters most.
The old fashion cycle is gone. It's been said before. Where trends once took months to trickle down, now a celebrity-worn look can reach the high street soon after the show lights dim.
TikTok and fast fashion brands move at the speed of the repost. At Hermès, even the discreet luxury of woven leather tees and wide trousers took on new meaning as athletes and music stars documented their attendance. Their posts quickly turn exclusive details into mass-market 'must-haves.'
It's a process that global platforms like Shein and Temu have weaponized — transforming a viral runway or celebrity moment into affordable, shoppable trends in a matter of days. The result: What debuts on the Paris catwalk can show up in online shopping carts from Atlanta to Addis Ababa almost instantly.
Beneath the celebrity glow, classic trends endure. Streetwear is still king, with oversized silhouettes, soft tailoring and activewear influences everywhere from Dior to Dolce & Gabbana.
The Hermès 'cool city guy' and Dolce's pajama dressing — rumpled but rich — are direct answers to how men want to live and move now. But even these trends go mainstream through star power, not just design. The models might debut the look, but it's the front-row faces who make it stick.
Williams' very appointment as Louis Vuitton's menswear creative director — a chart-topping musician handpicked by LVMH chief Bernard Arnault in 2023 — was itself a statement: In today's industry, celebrity doesn't just influence fashion, it leads it.
Everyone's invited now
All this spectacle reflects a bigger shift. Fashion isn't just about what's in — it's about who's in the room, and who's watching. At Armani in Milan, at Saint Laurent in Paris, at every show, a galaxy of K-pop, Hollywood, and music stars now drive the narrative.
For Gen Z and Alpha, the runway is no longer about aspiration — it's about participation, sharing, and living in the moment. The 'show' has become the product.
In 2025, the biggest trend in men's fashion isn't a garment at all — it's the show itself. And in a season defined by heat, hype and headlines, it's clear: celebrity is the new couture, and we're all in the front row.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Beyoncé left dangling midair due to scary ‘technical mishap' during ‘Cowboy Carter' tour performance
Beyoncé left dangling midair due to scary ‘technical mishap' during ‘Cowboy Carter' tour performance

Yahoo

time2 hours ago

  • Yahoo

Beyoncé left dangling midair due to scary ‘technical mishap' during ‘Cowboy Carter' tour performance

Somebody's getting fired. Beyoncé was left dangling midair in a car while performing during the first Houston 'Cowboy Carter' tour stop. On Saturday, the 'Cuff It' singer was catapulted into the air in a red car for the performance of her country hit '16 Carriages.' While the vehicle was supposed to make its way around the venue so fans who don't have floor seats could get a closer look at Beyoncé, the car began leaning to one side and came to a complete stop. After finishing the first verse of the song, the mom of three yelled, 'Stop, stop, stop, stop' as she sat at a standstill above screaming fans below. After crew members rushed over, the red car was lowered to the ground and Beyoncé was safely removed. In true Beyoncé fashion, the pop star walked back over to the stage to finish belting out the song. After videos of the incident went viral, her entertainment company, Parkwood, took to Instagram to explain what happened. 'Tonight in Houston, at NRG Stadium, a technical mishap caused the flying car, a prop Beyoncé uses to circle the stadium, and see her fans up close, to tilt,' the statemen read. 'She was quickly lowered and no one was injured. The show continued without incident.' Earlier this month, the Grammy winner effortlessly bounced a wardrobe malfunction while kicking off the London leg of her tour. While performing her 2022 hit 'I'm That Girl,' Beyoncé's metallic fringed chaps fell to the floor mid-dance move. However, the 'Drunk In Love' singer handled it like a pro and slowly slid down to the floor during a music break to pick them back up. One of her backup dancers then assisted in helping secure the pants so the show could go on. Beyoncé's 'Cowboy Carter' tour continues for a second night in her hometown on Sunday.

Why Hip-Hop's Strategy Is The Future Of VC Fundraising
Why Hip-Hop's Strategy Is The Future Of VC Fundraising

Forbes

time2 hours ago

  • Forbes

Why Hip-Hop's Strategy Is The Future Of VC Fundraising

TOPSHOT - US rapper Jay-Z accepts the Dr. Dre Global Impact Award on stage during the 66th Annual ... More Grammy Awards at the Arena in Los Angeles on February 4, 2024. (Photo by Valerie Macon / AFP) (Photo by VALERIE MACON/AFP via Getty Images) For decades, hip-hop artists have turned pain into poetry, struggle into style, and now, lyrics into liquidity. A new generation of rap moguls and artists are flipping the wealth script by investing in technology, transforming their cultural capital into venture capital. This isn't just a business trend for music icons like Jay-Z, Snoop Dogg and Nas, among others, it's a power shift, where ownership and innovation are becoming the bars that really matter. The Breakdown You Need To Know: CultureBanx noted that hip-hop's influence has always extended far beyond the mic. Today, that influence is being translated into real capital gains. Artists like Nas made an early name in the VC space by investing in Robinhood, Lyft, Dropbox, Ring and PillPack and Coinbase, the cryptocurrency platform that eventually made him millions. Quee Venture Partners led the $25 million Series B round for Coinbase in 2013 when it was valued at $143 million. This stake later soared to $100 million by IPO, according to Creators Blueprint. Jay-Z, through Marcy Venture Partners, has invested in everything from vegan food to spatial computing. The fund's $2 million investment in Uber's Series B 2011 round, is now worth $70 million. Reuters reported the hip-hop business man acquired Aspiro/Tidal in 2015 for $56 million, and in 2021 sold majority stake to Block for $237 million. Also, Marcy Venture Partners invested in JetSmarter as part of a $20 million round, they later participated in its $105 million Series C round at a $1.5 billion. Other honorary hip-hop VC investor mentions include Snoop Dogg and his Casa Verde Capital fund that participated in Reddit's $50 million funding round back in 2014, the company went public in 2024 and now has a $20 billion value. His fund has also invested in Klarna and Eaze. Chamillionaire, who has launched his own investment app, Convoz, and even won pitch competitions in Silicon Valley. Staging A Startup: These moves signal more than just financial diversification, they represent a reclaiming of narrative. For too long, Black creators have generated culture only to see others profit from it. By taking seats at the investor table, hip-hop is rewriting the rules of engagement. Artist - Fund or Role - Notable Investments Snoop Dogg Casa Verde Capital Reddit, Robinhood, cannabis startups Nas Queensbridge VP Dropbox, Lyft, Coinbase, Ring, PillPack Jay-Z Arrive VC & Marcy VP Uber, Tidal, JetSmarter Black Thought GP at Impellent Ventures Rust Belt tech startups Chamillionaire EIR at Upfront Ventures Lyft, Convoz social app The intersection of music and tech isn't entirely new. For example, Dr. Dre's billion-dollar sale of Beats to Apple set a blueprint. What's different now is the strategic focus on equity, innovation, and inclusion. These aren't passive investments; they're conscious efforts to back companies that reflect and uplift the communities hip-hop comes from. For example, Jay-Z's firm has backed Etsy competitor Mercari, fitness brand CLMBR, and even Partake Foods, a Black woman-owned vegan cookie startup. It's about building ecosystems, not just portfolios. Hip-Hop's Business Playbook: From the block to the blockchain, from mixtapes to cap tables, culture is capital and it's finally compounding. However, there's still work to do as less than 2% of venture capital goes to Black entrepreneurs, and even less to Black women. Hip-hop's participation in the investment game can't fix that alone, but it does offer a powerful counter-narrative, that cultural influence can become economic infrastructure.

Will Smith alludes to Chris Rock Oscars slap in freestyle rap: 'Talking crazy out your face up on the stage'
Will Smith alludes to Chris Rock Oscars slap in freestyle rap: 'Talking crazy out your face up on the stage'

Yahoo

time2 hours ago

  • Yahoo

Will Smith alludes to Chris Rock Oscars slap in freestyle rap: 'Talking crazy out your face up on the stage'

After hopping on stage for an infamous moment at the 2022 Academy Awards, Will Smith has hopped the pond to rap about the slap heard 'round the world. The actor and musician's recent appearance on British DJ Charlie Sloth's freestyle rap show, Fire in the Booth, found him referencing his shocking altercation with Oscars host Chris Rock that led to Smith's resignation from the Academy and his 10-year ban from future ceremonies. In a freestyle that repeated the refrain "I am the illest," Smith rapped, "If you talking crazy out your face up on the stage and disrespect me on the stage, expect me on the stage." In the jaw-dropping (popping?) 2022 incident, Rock cracked a joke about Jada Pinkett Smith's shaved head as part of his hosting duties at the 94th Academy Awards ceremony. Smith, Pinkett Smith's husband of almost 30 years, reacted by stalking up to the stage and smacking Rock in the face, warning him, "Keep my wife's name out of your f---ing mouth." Pinkett Smith had previously announced that alopecia had caused her to lose her hair. Smith's freestyle on Fire in the Booth also included references to his humble beginnings in Philadelphia as well as his wealth, three children, two marriages, and artistic success: "Oscars, Emmys, Grammys, and when I stare at 'em, I'm hearing 'em whisper, 'You've got every right to be arrogant,'" he rapped. The Oscar-winning King Richard star cautioned at the top of his freestyle that "my insights don't sound right in sound-bites," before he couched his reference to the Oscars incident with, "I'm not the type of man to move in malicious ways, and I am too grown to play childish games." Representatives for Smith and Rock did not immediately respond to Entertainment Weekly's request for and hype man Sloth, who hosted The Rap Show on BBC's 1Xtra, now headlines The Charlie Sloth Rap Show for Apple Music. Fire in the Booth is Sloth's YouTube series, which showcases established and up-and-coming MCs as they prove their skills on the mic. This is not the first time Smith has referenced his awards ceremony clash in his music. In March, he released his new album, Based on a True Story, his first record of solo material in 20 years, which included lyrics addressing his Oscars slap and his "complicated" relationship with his wife. Pinkett Smith previously stated that she and Smith separated in 2016 but remain married. Read the original article on Entertainment Weekly

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store