Unexpected Guest Crashes the Danish Royal Family's Palace Balcony Moment
An unexpected guest crashed the Denmark royal family's palace balcony appearance on Monday, May 26
The furry visitor showed off by doing a trick with help from Prince Vincent
The family's public appearance marked King Frederik's 57th birthdayKing Frederik of Denmark rang in his 57th birthday in Copenhagen with a balcony appearance alongside his family, a roaring crowd waving flags and a surprise!
On Monday, May 26, the King was joined by members of the Danish royal family on the balcony of Frederik VIII's Palace at Amalienborg, including his mother Queen Margrethe, his wife Queen Mary and three of their four kids. But during the appearance, an unexpected guest also got some attention from those gathered below!
While the King and his family waved, one of the royal family's pet dogs made their way onto the balcony. As seen in footage of the unexpected moment, the pup wandered out, making the family laugh. Then, 14-year-old Prince Vincent leaned down to show off a trick — and the border collie did a handshake with a paw, drawing coos from the crowd.
The dog then took a look around and got a pet from King Frederik before heading back inside.
Like her eldest son and his family, Queen Margrethe is a well-known dog lover, owning several different breeds over the years. Her pets have even joined her in official royal portraits.
Can't get enough of PEOPLE's Royals coverage? to get the latest updates on Kate Middleton, Meghan Markle and more!
In addition to his son Prince Vincent, King Frederik was joined during the balcony appearance by his two daughters, 18-year-old Princess Isabella and 14-year-old Princess Josephine (Vincent and Josephine are twins).
The only royal child not in attendance was the eldest child, Crown Prince Christian, 19, who is currently undertaking military training.
In January 2024, King Frederik acceded to the throne when Queen Margrethe abdicated after reigning for more than half a century.
'That much time does not pass without a trace for any human being – not even me! Time wears on, and the 'bad things' become more numerous,' she said in a speech at the time, according to an English translation of her remarks. 'You can no longer overcome the same things as you once could.'
Read the original article on People
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Boston Globe
an hour ago
- Boston Globe
2025 Tony Awards: See the full list of winners and nominees
Only Broadway productions are eligible for Tonys. (The excellence of Off-Broadway shows is recognized by the Obies.) This year's ceremony is taking place at Radio City Music Hall in New York, broadcast live on CBS and hosted by The Tonys have always served as a way to raise Broadway's profile. On Saturday night, a big step in that direction was a performance of ' Advertisement See the full list of 2025 Tony Awards nominees and winners below. Advertisement Best play 'English' 'The Hills of California' 'John Proctor is the Villain' 'Oh, Mary!' 'Purpose' Best musical 'Buena Vista Social Club' 'Dead Outlaw' 'Death Becomes Her' 'Maybe Happy Ending' 'Operation Mincemeat: A New Musical' Best actress in a play Laura Donnelly, 'The Hills of California' Mia Farrow, 'The Roommate' LaTanya Richardson Jackson, 'Purpose' Sadie Sink, 'John Proctor is the Villain' Sarah Snook, 'The Picture of Dorian Gray' Best actor in a play George Clooney, 'Good Night, and Good Luck' Cole Escola, 'Oh, Mary!' Jon Michael Hill, 'Purpose' Daniel Dae Kim, 'Yellow Face' Harry Lennix, 'Purpose' Louis McCartney, 'Stranger Things: The First Shadow' Best actress in a musical Megan Hilty, 'Death Becomes Her' Audra McDonald, 'Gypsy' Jasmine Amy Rogers, 'BOOP! The Musical' Nicole Scherzinger, 'Sunset Blvd.' Jennifer Simard, 'Death Becomes Her' Best actor in a musical Darren Criss, 'Maybe Happy Ending' Andrew Durand, 'Dead Outlaw' Tom Francis, 'Sunset Blvd.' Jonathan Groff, 'Just in Time' James Monroe Iglehart, 'A Wonderful World: The Louis Armstrong Musical' Jeremy Jordan, 'Floyd Collins' Best revival of a play 'Eureka Day' 'Romeo + Juliet' 'Thorton Wilder's Our Town' 'Yellow Face' Best revival of a musical 'Floyd Collins' 'Gypsy' 'Pirates! The Penzance Musical' 'Sunset Blvd.' Best featured actor in a play Glenn Davis, 'Purpose' Gabriel Ebert, 'John Proctor is the Villain' Francis Jue, 'Yellow Face' Bob Odenkirk, 'Glengarry Glen Ross' Conrad Ricamora, 'Oh, Mary!' Best featured actress in a play Tala Ashe, 'English' Jessica Hecht, 'Eureka Day' Marjan Neshat, 'English' Fina Strazza, 'John Proctor is the Villain' Kara Young, 'Purpose' Best featured actor in a musical Brooks Ashmanskas, 'Smash' Jeb Brown, 'Dead Outlaw' Danny Burstein, 'Gypsy' Jak Malone, 'Operation Mincemeat: A New Musical' Taylor Trensch, 'Floyd Collins' Best featured actress in a musical Natalie Venetia Belcon, 'Buena Vista Social Club' Julia Knitel, 'Dead Outlaw' Gracie Lawrence, 'Just in Time' Justina Machado, 'Real Women Have Curves: The Musical' Jay Woods, 'Gypsy' Best direction in a play Knud Adams, 'English' Sam Mendes, 'The Hills of California' Sam Pinkleton, 'Oh, Mary' Advertisement Danya Taymor, 'John Proctor is the Villain' Kip Williams, 'The Picture of Dorian Gray' Best direction in a musical Saheem Ali, 'Buena Vista Social Club' Michael Arden, 'Maybe Happy Ending' David Cromer, 'Dead Outlaw' Christopher Gattelli, 'Death Becomes Her' Jamie Lloyd, 'Sunset Blvd.' Best book of a musical 'Buena Vista Social Club' 'Dead Outlaw' 'Death Becomes Her' 'Maybe Happy Ending' 'Operation Mincemeat: A New Musical' Best original score (music and/or lyrics) written for the theatre 'Dead Outlaw' 'Death Becomes Her' 'Maybe Happy Ending' 'Operation Mincemeat: A New Musical' 'Real Women Have Curves: The Musical' Best scenic design of a play Marsha Ginsberg, 'English' Rob Howeel, 'The Hills of California' Marg Horwell and David Bergman, 'The Picture of Dorian Gray' Miriam Buether and 59, 'Stranger Things: The First Shadow' Scott Pask, 'Good Night, and Good Luck' Best scenic design of a musical Rachel Hauck, 'Swept Away' Dane Laffrey and George Reeve, 'Maybe Happy Ending' Arnulfo Maldonado, 'Buena Vista Social Club' Derek McLane, 'Death Becomes Her' Derek McLane, 'Just in Time' Best costume design of a play Brenda Abbandandolo, 'Good Night, and Good Luck' Marg Horwell, 'The Picture of Dorian Gray' Rob Howell, 'The Hills of California' Holly Pierson, 'Oh, Mary!' Brigitte Rieffenstuel, 'Stranger Things: The First Shadow' Best costume design of a musical Dede Ayite, 'Buena Vista Social Club' Gregg Barnes, 'BOOP! The Musical' Clint Ramos, 'Maybe Happy Ending' Paul Tazewell, 'Death Becomes Her' Catherine Zuber, 'Just in Time' Best lighting design of a play Natasha Chivers, 'The Hills of California' Jon Clark, 'Stranger Things: The First Shadow' Heather Gilbert and David Bengali, 'Good Night, and Good Luck' Natasha Katz and Hannah Wasikeski, 'John Proctor is the Villain' Nick Schlieper, 'The Picture of Dorian Gray' Best lighting design of a musical Jack Knowles, 'Sunset Blvd.' Tyler Micoleau, 'Buena Vista Social Club' Scott Zielinski and Ruey Horng Sun, 'Floyd Collins' Ben Stanton, 'Maybe Happy Ending' Justin Townsend, 'Death Becomes Her' Best sound design of a play Paul Arditti, 'Stranger Things: The First Shadow' Palmer Hefferan, 'John Proctor is the Villain' Daniel Kluger, 'Good Night, and Good Luck' Advertisement Nick Powell, 'The Hills of California' Clemence Williams, 'The Picture of Dorian Gray' Best sound design of a musical Jonathan Deans, 'Buena Vista Social Club' Adam Fischer, 'Sunset Blvd.' Peter Hylenski, 'Just in Time' Peter Hylenski, 'Maybe Happy Ending' Dan Moses Schreier, 'Floyd Collins' Best choreography Joshua Bergasse, 'Smash' Camille A. Brown, 'Gypsy' Christopher Gatteli, 'Death Becomes Her' Jerrey Mitchell, 'BOOP! The Musical' Patricia Delgado and Justin Peck, 'Buena Vista Social Club' Best orchestrations Andrew Resnick and Michael Thuber, 'Justin Time' Will Aronson, 'Maybe Happy Ending' Bruce Coughlin, 'Floyd Collins' Marco Paguia, 'Buena Vista Social Club' David Cullen and Andrew Lloyd Webber, 'Sunset Blvd.' Don Aucoin can be reached at
Elle
2 hours ago
- Elle
The ‘Dept. Q' Season 1 Finale Finally Reveals Merritt's Fate
Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy. Spoilers ahead. Viewers were enraptured by the first season of crime drama Dept. Q, which followed irritable cold case detective Carl Morck (Matthew Goode) investigating a strange disappearance. Unsurprisingly, the season 1 finale of Dept. Q—which is based on a 10-book series by Danish crime writer Jussi Adler-Olsen—answered a ton of questions about what happened to missing lawyer Merritt Lingard, but it also brought a few more to light. Here's what you need to know about how the first season of gritty detective drama Dept. Q comes to an end. A flashback in episode 8 reveals that Merritt conspired with her high school boyfriend, Harry Jennings, to steal her mother's jewelry in order to raise money to start a new life. However, Merritt's younger brother, William, intervened during the robbery, which led him to become badly injured, causing a traumatic brain injury. In the present day, Merritt figures out she was kidnapped and held hostage by Harry's mom, Ailsa Jennings, and his younger brother, Lyle. Merritt refuses to apologize for Harry's death, despite Ailsa's insistence that her son would be alive if it weren't for the robbery scheme. 'Harry said she weren't right in the head,' Merritt tells Lyle, before calling him the 'psychotic brother.' After she proclaims, 'Harry Jennings deserved to die,' Lyle starts trying to break the glass of the hyperbaric chamber Merritt is locked in—if successful, the sudden change in pressure will likely kill her. As he's hitting the glass, Merritt sees Lyle's face and calls him Sam. In the same episode, the detectives at Dept. Q discover that Harry's brother Lyle had been posing as investigative journalist Sam Haig and having an affair with Merritt. The audience also discovers that Lyle and Ailsa were able to kidnap Merritt from the ferry as she'd told Sam—who was really Lyle in disguise—what time she would be traveling to Mhòr. In an old video shown at the start of the finale, a young Lyle shares that his mother used to lock him in the hyperbaric chamber as a form of torture or punishment. It's also revealed that Lyle would regularly hallucinate Harry following his death, and at one point believed Sam, who was incarcerated with him at the same 'institution for troubled boys,' was his dead brother, according to Tudum. Having been diagnosed with Enhanced Personality Disorder, Lyle remained in a mental health institution until six years ago, when he started working on the ferry to Mhòr. Lyle and Sam reconnected as adults, which led to an unfortunate series of events. While most believed Sam had died in a tragic climbing accident, it turns out that Lyle was responsible for his former acquaintance's death—as well as stealing his identity to get close to Merritt. Before his death, Sam also shared some details about his work as an investigative journalist, which Lyle later used to his advantage. A local police constable on Mhòr hears Merritt's mysterious 911 call, in which she only manages to scream, and travels to Ailsa's residence. He finds Merritt inside the hyperbaric chamber and is approached by Lyle. 'Boy, tell me I am not looking at what I'm looking at,' the officer tells Lyle. 'Tell me that is not Merritt fucking Lingard.' It's then revealed that Lyle told the police officer that Merritt fell overboard on the ferry, describing it as 'poetic justice' for what happened to Harry years earlier. 'What am I supposed to do?' the officer asks Lyle, who tells him to get in his car and drive away as if nothing has happened. When the officer refuses to leave, Lyle viciously murders him with a hammer, then returns to slowly killing Merritt by altering the pressure in the hyperbaric chamber. A flashback in episode 9 shows Merritt's brother William hitting Harry over the head with a hockey stick, thinking he's an intruder. While Harry is lying on the floor, William questions why he's there, not realizing Lyle is standing behind him. Lyle proceeds to repeatedly beat William, whose serious head injuries cause lifelong damage. The detectives in Dept. Q deduce it was Lyle who grievously injured William, not Harry. Just before Merritt disappeared on the boat, William had violently lashed out at his sister, but it wasn't because he was angry. 'You were afraid because you saw Lyle on the boat,' Akram says, showing him a picture of Lyle. William confirms the man he saw wearing a baseball cap with a picture of a cormorant on it was also Lyle. The team at Dept. Q later find out that, when Lyle was a teenager, he kidnapped another kid and locked them in the hyperbaric chamber for several days. As a result, Carl and Akram decide to visit Lyle's mom, Ailsa. Receiving no response from Ailsa's trailer, they enter an industrial building on her land and discover the police constable who was murdered by Lyle. Nearby, they find the hyperbaric chamber and rush to the control room to try to stop the pressure from increasing and killing Merritt. Detective James Hardy provides information about hyperbaric chambers to Carl and Akram over the phone. Before they can attempt to help Merritt, Lyle enters the control room with a gun and shoots Carl. Unbeknownst to Lyle, Akram is pretending to be dead. When Lyle approaches them, Akram stabs him, grabs the gun, and shoots, killing the kidnapper. Luckily, Carl survives the gunshot, and the pair are able to rescue Merritt from the chamber in time. Merritt is carried out of building by paramedics and is greeted by her brother William, who is delighted to see her again. Lyle's mom, Ailsa, attempts to escape Mhòr, but is apprehended as she exits the ferry. Before she can be arrested, Ailsa reaches for a gun inside her car and shoots herself in the head. Upon returning home, Carl is greeted by his stepson Jasper, lodger Martin, and therapist Rachel, who has stopped by to leave a gift for him. Three months later, Merritt visits the police station where she thanks Carl's boss, Moira, for reopening the investigation into her disappearance. Merritt also reveals she's yet to meet Carl, whom she wants to thank in person. Moira says Carl is taking an indeterminate amount of time off from work, and Merritt shares her plans to return to Mhòr to spend time with brother William and their estranged father. Carl surprises Merritt's boss, Lord Advocate Stephen Burns, and asks him to officially allow Akram, a refugee from Syria, to become a police detective. In return, Carl promises he won't tell anyone about Stephen's involvement in the witness tampering that took place in Merritt's final case before she was kidnapped. Before the episode ends, Merritt enters the basement in which Dept. Q operates, but finds the room empty. She almost bumps into Carl when exiting the elevator, but he doesn't reveal his identity. In the final scene, Carl is shown carrying a box of cold case files to his desk and is joined by fellow investigators Akram, Rose, and Hardy.
Yahoo
2 hours ago
- Yahoo
Jodie Sweetin Says the 'Full House' Group Chat Recently Included 'This' ‘Horrifying' Text from Dave Coulier (Exclusive)
Jodie Sweetin exclusively told PEOPLE that the Full House and Fuller House cast are in a very active group chat In the group chat, Dave Coulier recently shared an AI-generated image of his former costars as 'goths' "There was a Kourtney Kardashian lookalike in there who was supposed to be Becky [Katsopolis],' Sweetin saidJodie Sweetin never wants to leave her star-studded group chat. The Full House alum, who played Stephanie Tanner, exclusively told PEOPLE that the cast of the show and its reboot Fuller House are in a group chat. Before a live taping of her Full House rewatch podcast — How Rude, Tanneritos! — on June 5, Sweetin explained that Dave Coulier knows how to liven up the chatter, especially with his most recent AI-infused message. 'It was horrifying,' says the actress and podcaster, 43. Coulier, who played Joey Gladstone, had shared an AI-generated photo of the cast as 'goths.' 'Like, aged down goths. And for some reason, there was a Kourtney Kardashian lookalike in there who was supposed to be Becky [Katsopolis],' she adds of the character played by Lori Loughlin. 'But me and the Olsen twins were the same age, except for Mary-Kate, who actually looked like she does today.' is now available in the Apple App Store! Download it now for the most binge-worthy celeb content, exclusive video clips, astrology updates and more! Bob Saget, the beloved late actor who played fun-loving patriarch Danny Tanner, was depicted as Geddy Lee, the lead singer of Rush. 'It was just a very, very strange thing. Dave made a joke. I didn't get it,' Sweetin continues, before saying she eventually understood. 'I was like, 'Oh, sorry actually, the joke was great.' ' Sweetin's sneak peek into the group chat came as she and former Full House costar Andrea Barber, 48, were hosting their live episode on Thursday, reuniting with John Stamos, 61, and Loughlin, 60, as part of their rewatch. The latter pair took a look back on the love story between their characters — Uncle Jesse and Becky Donaldson Katsopolis — and their season 4 wedding. The How Rude, Tanneritos! podcast, which premiered in July as commentary on the beloved ABC series, also allows the two hosts to reminisce. 'Oh my gosh, we have been screaming, literally, I walked out screaming and saying, 'Jodie,' ' says Barber, who played Kimmy Gibbler. 'I walked into her dressing room, and she was jumping up and down. And, you know, we do the podcast. When we do it, normally, we're each at our houses, and we do it over Zoom.' Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. Barber said the live events are something she usually feels "really nervous and apprehensive" about, but she didn't experience either of those feelings when chatting with Stamos and Loughlin because she was "just stoked to be here." Read the original article on People
