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From Cursed Temples To Vanishing Villages: Chennai's Wildest Urban Legends

India.com4 days ago
The capital city of Tamil Nadu in southern India which is simply known as Chennai embodies both historical significance and traditional heritage. The city of Chennai is known for its busy arts community and delicious food and stunning buildings as well as various neighborhood myths and legends which created its unique character throughout many decades. Local stories formed through the spiritual and social understanding of the region reveal how people of Chennai shape their understanding of past and present as well as future expectations.
1.The Legend of Kapaleeswarar Temple: A Pillar of Faith
A visit to Chennai to explore its mythological heritage must include the Mylapore landmark known as Kapaleeswarar Temple. Historians trace the roots of this Shiva temple from the 7th century Pallava dynasty period even though the Vijayanagara Empire reconstructed its current structure during the 16th century. Scientific accounts confirm that Hindu mythology associates this temple with Lord Shiva and his wife Parvati.
Legend tells that Parvati briefly closed her eyes during head massage with Shiva which darkened the universe for a short moment. Shiva swiftly cursed his wife Parvati to walk as a human being on the planet Earth due to her playful closing of her eyes. Karpagambal (a name for Parvati) was born into royalty as a princess who honored peacocks during her existence. After taking severe penance under a mango tree Parvati received her divine form when Shiva manifested as Kapaleeswarar ('Lord of the Skull'). Second, the location of the Kapaleeswarar Temple at this holy grounds.
Daily temple visitors deeply identify with these themes because they reflect the devotional nature as well as redemption stories and the importance of humility that runs through the local faith. During its annual Brahmotsavam festival the temple welcomes numerous pilgrims who recognize it serves as the religious foundation of Chennai.
2.Santhome Basilica: Bridging Mythology and History
St. Thomas Mount forms a legendary connection with the adjacent Santhome Basilica. Early Christian tradition tells of apostle St. Thomas who came to India in 52 AD spreading Christianity down the Coromandel Coast with Chennai as part of his mission. People believe St. Thomas received his martyrdom on St. Thomas Mount before his remains were laid under the modern-day basilica.
Hundreds of thousands of Christians from across the globe visit the church because it contains relics believed to be from St. Thomas as well as his tomb. The 'Bleeding Cross' located at St. Thomas Mount carries ancient Pahlavi writings that strengthen the historical significance of the legend. The story remains influential for Chennai's history because it brought religious communities together to share space and tolerance.
3.The Enigma of Marina Beach and Adi Shankara
Marina Beach, one of the longest urban beaches in the world, holds more than just scenic beauty. The legend at Marina Beach exists because of 8th-century philosopher Adi Shankaracharya who used his Advaita Vedanta philosophy to revive the Hindu faith. According to legend Adi Shankara participated in scholar debates at the beach to spread his teachings while visiting the city which was known then as Madrasapatnam.
The legend provides no definitive proof about a connection between Adi Shankara and Marina Beach yet it displays Chennai's historical heritage as a place of philosophical discussion. Modern society uses the beach area for entertainment purposes while its historical significance represents Chennai's religious background.
4.Parthasarathy Temple: Tales of Krishna's Valor
The Parthasarathy Temple in Triplicane presents stories from the Mahabharata as it honors Lord Vishnu through his appearance as Krishna. According to popular belief Krishna acted as the chariot driver for Arjuna in the Kurukshetra war. The deity inside the temple holds only a conch and discus while omitting all weapons to symbolize Krishna's promise he made during his time of recovery from injuries.
Chennai maintains an enduring link with legendary texts like the Mahabharata that continues to fuel artistic expression and musical and dance creation of Bharatanatyam. All its elaborate sculptural details along with its numerous gopurams serve as an architectural symbol of the partnership between skill and religious devotion that defines the city.
5.Folklore Surrounding Semmozhi Poonga
The modern botanical arrangement of Semmozhi Poonga stands in contrast to other landmarks even though traditional myths remain present in its history. Town people share historical accounts about traditional medicines that ancient seers and healers once employed. Tamil culture demonstrates its dedication to nature through these historic stories while following the current environmentalist movement toward sustainability.
Conclusion: Myths as Cultural Anchors
The legends and myths of Chennai play a central developmental role because they unite different generations and create strong feelings of neighborhood ties. Statements about divine temples and historical accounts about saints and philosophers form the basis of Chennai's shared history. Subsequent to the urban development of IT parks and skyscrapers rests an extensive heritage of wisdom that exists through both oral traditions and sacred religious texts.
Chennai maintains its cultural foundations firmly rooted by preserving and broadcasting these stories as its people march forward with modernity. Those interested in understanding Chennai's metropolitan essence can learn valuable insights about its essence by studying its legends.
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Thousands of years of civilization alive and visible in Delhi, says Ecuador Ambassador
Thousands of years of civilization alive and visible in Delhi, says Ecuador Ambassador

Indian Express

time38 minutes ago

  • Indian Express

Thousands of years of civilization alive and visible in Delhi, says Ecuador Ambassador

A career diplomat with over three decades of experience, Fernando Bucheli, Ambassador of Ecuador to India, has represented his nation in various postings around the world, including Japan, Switzerland, Germany, and the Netherlands. He has been living in Delhi for around a year, and he says that the city 'touches your heart in quiet, enduring ways'. 'It is not just a city you live in—it is a city that stays with you,' Bucheli asserts. He speaks to The Indian Express as part of a series of interviews with Ambassadors about Delhi — their home. Excerpts: What is the one place in the city that you love to visit often? I have been living in Delhi for one year, and during this time, I have come to appreciate the city as one of the world's great historical capitals. Delhi is not just a seat of government — it is a place where thousands of years of civilization are visible and alive. One place that left a lasting impression on me from the beginning is Akshardham Temple. Its monumental architecture, intricate carvings, are truly breathtaking. But beyond its physical beauty, what moves me most is the story it tells about India—its culture, its values, its spiritual heritage, and its contributions to humanity through the ages. Every visit to Akshardham is a reminder of how deeply rooted Indian identity is in history, reflection, and devotion. It offers a unique perspective—not only into Hindu philosophy, but into the broader soul of the country. What are the three things that stood out in Delhi during your stay here? First, the profound spirituality of its people. In Delhi, spirituality is not something abstract — it's a living force that shapes daily life. Whether through temple visits, rituals, or simple gestures of compassion, people carry their values with a quiet but powerful dignity. This spiritual depth is something I deeply admire. Second, the genuine warmth and friendship extended to foreigners. 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Delhi touches your heart in quiet, enduring ways. It is not just a city you live in—it is a city that stays with you.

Lost in Kanwar noise, devotion to the divine
Lost in Kanwar noise, devotion to the divine

Hindustan Times

time11 hours ago

  • Hindustan Times

Lost in Kanwar noise, devotion to the divine

Let me share three snapshots from the biggest pilgrimage during the monsoon season in North India. Scene 1: Modinagar, Ghaziabad district: The Kanwar procession stood still with hundreds of devotees clapping and surrounding a woman and her physically challenged husband chanting 'Har Har Mahadev'. The reason? This villager, Asha Devi, was undertaking Kanwar pilgrimage carrying her husband on her back. She believed it would not only cure him of his disability but also fetch him a job. Scene 2: Lachhiwala in Dehradun: A large contingent of Kanwariyas is resting with boom speakers playing devotional songs inspired by Bollywood music. A large elephant emerges from the neighbouring Rajaji National Park and charges at them. Utter pandemonium ensues. After flipping a tractor trolley the elephant retreats into the jungle. Wildlife experts say high decibel sounds disturbs the sleep pattern of wild animals, making them irritable and aggressive. Scene 3: Mirzapur: A video of young Kanwariyas in which they are roughing up a soldier has gone viral. The man in uniform isn't giving in. Each time he falls, he gets up to take on his attackers. The video evokes memories of the disturbed areas in Kashmir and the North East. Tell me which one would you like to witness in your neighbourhood. I guess none! I have nothing against the Kanwar processions. I am a Hindu — by birth and in deeds. I have endured long queues leading to the temple in the freezing cold, pouring rains and oppressive heat. I have walked for miles carrying my young children in my arms so they can take a dip at Triveni (the confluence of the Ganga, Yamuna and the mythical Saraswati). Even today I feel rejuvenated and complete after undertaking the Panch Kedar journey performing the rudrabhishek. I have no doubt that 99% of the people participating in such a pilgrimage are inspired by deep devotion to the divine. Unfortunately, miscreants and anti-social elements are able to muscle their way in such journeys of faith targeting passing vehicles and harassing the travellers, sparing not even women and children. They feel no remorse in attacking places of worship of other religions. Reel makers are a class of nuisance in themselves. They desecrate the pious and holy flavour of pilgrimage with flippant and debased behaviour. They aren't alone in abusing faith, traders and politicians alike treat it like a profitable venture. The state of Uttar Pradesh will go for village pradhan (headman) elections this year. The probables have gone out of the way to not only sponsor a large number of young men to undertake the Kanwar pilgrimage but also organised langars (community lunches) along the way. It has resulted in record crowds at Haridwar. The Uttarakhand government says this year 4.5 crore people gathered to procure Ganga water. Last year, the numbers were at 4.14 crore. It's okay to support the kanwariyas but creating inconvenience for others is where it gets tricky. Spare a thought about the ordeal of those living in almost curfew like situations. Going to school becomes a challenge. Businesses and government offices along the way come to a standstill for a fortnight. Even nights don't offer any respite. Loud music played by kanwariya boom boxes creates intense noise disturbing citizens, pets and wildlife alike. Residences along the Kanwar pilgrimage routes with elderly people in need of a good night's sleep bear the brunt of this loud and very public display of devotion. Newborns and toddlers are subjected to intense stress. The traffic jams caused by the large movement of people is a veritable nightmare for the hospital goers and those running to meet a deadline. Religion means peace and well being, not cacophony and chaos. During the past two weeks, I asked many people and found them to be favourably disposed towards the Kanwar pilgrimage. But they were uncomfortable with the growing new trends around this time of the year. The Supreme Court orders are clear that loud music should stop at 11 pm. But these processions seem above the law of the land. Anyone wanting to lodge a complaint is flummoxed whom to approach as senior police officers in uniform are seen attending and pampering the kanwariyas. Such politicisation of the bureaucracy is dangerous. The chief minister of Uttar Pradesh, Yogi Adityanath, who has gone the extra mile to make the Kanwar pilgrimage more comfortable and safe, is aware of the deterioration creeping in to the age-old tradition. It's no surprise that he warned miscreants hiding behind the kanwariyas, insisting that everyone's CCTV footage was available. He said those who are trying to malign the Kanwar yatra will be exposed and their posters pasted everywhere. We should remember that apart from Uttar Pradesh and Uttarakhand, Kanwar yatras are organised in other parts of the country. But these places don't witness such hooliganism. Not only the Kanwar yatra, many religious processions are organised throughout the country on different occasions round the year. Millions attend them but rarely do we witness such chaos and mess. I am reminded of France where once I got a chance to witness a religious procession. I saw thousands of people moving quietly in single files. It set a beautiful example that religion and spiritual peace are complementary. There's no place for noise and nuisance. At that time I thought the oldest religion in the world should also reflect maximum discipline. But why is it lacking? Hinduism and thousands of years of our Hindustaniat (Indian identity) are testimony to the fact that we always deal with our weaknesses and emerge stronger and better. I have firm belief we'll pause, reflect, and recalibrate our approach for restoring the pristine glory of the pilgrimage for present and future generations. Shashi Shekhar is the editor-in-chief, Hindustan. The views expressed are personal.

Beyond the war: Cambodia's hidden Hindu heritage
Beyond the war: Cambodia's hidden Hindu heritage

First Post

time15 hours ago

  • First Post

Beyond the war: Cambodia's hidden Hindu heritage

Turf wars about monuments are not uncommon. But these usually happen when a monument collapses out of lack of upkeep and various departments and entities accuse each other of neglecting the monument. However, a corner of South-East Asia is witnessing the perhaps unprecedented scenario of two sovereign nations coming close to all-out war over control of some monuments and its surroundings. While the Preah Vihear Temple has long been contested between Cambodia and Thailand, the recent conflict has been centred around control and ownership of the Ta Muen Thom Temple. The temple complexes, which lie on the border between the two countries, are the victims of disputes arising from a colonial era border demarcation and a reluctance to accept this border in modern times. STORY CONTINUES BELOW THIS AD The temples at Preah Ko, part of the Roluos group Tension simmering for years has exploded now with shots fired and worse. Rocket-propelled grenades and even air forces have come into play. Amidst all this, if you are planning to visit Cambodia, there is plenty beyond the Angkor that can be explored. And none of it is controversial, never mind conflicts. Roluos (20 kms south-east of Angkor Wat): The place was once called Hariharalaya. At the end of the 8th century CE, Jayavarman II established the first Khmer capital here. His successors expanded the city and built the lofty shrine called Bakong as well as the smaller Preah Ko, which means 'sacred bull' – a reference to Nandi. Towards the end of the 9th century came Lolei, a temple whose name is said to be a mutation of Hariharalaya itself. It was built on an artificial island in the Indratataka Baray, a water body. The Temple Mountain of Bakong at Roulos. Source: Wikipedia Coming centuries before the globally celebrated Angkor Wat, these examples of early Khmer architecture are a joy to visit. And not just because they are away from the crowds that fill the Angkor and its immediate vicinity. Built mostly with bricks, the Lolei temples are the oldest examples of classical Khmer design. The Preah Ko comprises six shrines standing on a sandstone platform, in two uniform rows. The front row shrines are dedicated to Khmer rulers Prithivindreshvara, Jayavarman II and Rudreshvara, while the back row is in the memory of their respective wives. The carvings on the shrines are intricate and need careful examination. The sandstone shrine of Bakong was the first of the pyramid shaped temples of the Khmers. In some ways, it resembles Borobudur, the giant Buddhist shrine on the island of Java. As per an inscription found here, it was consecrated in 881 CE by the ruler Indravarman I as his state temple. This was a Shiva shrine named Indresvara, the name combining the ruler's identity with that of the God. With a moat as its boundary, the shrine is a vast complex with more than twenty satellite temples in its precincts. STORY CONTINUES BELOW THIS AD Banteay Srei (37 kms north of Angkor Wat): Its name literally meaning 'citadel of women' and figuratively referring to 'citadel of beauty', the Banteay Srei temple lives up to its name being an elegant and somewhat fragile looking temple complex with a water body in front. This is the only temple complex in Cambodia which did not have a ruler as its patron builder, but two courtiers of King Rajendravarman II. A temple inside the Banteay Srei complex Originally built in the latter half of the 10th century CE, the temples saw further expansion in the 12th and 13th centuries CE, with the last inscription found here dating to 1303 CE i.e. the early 14th century. Made of red sandstone, the temple's material was very amenable to rich carving. The result was a vast array of divine icons carved throughout its structure amidst floral patterns. Primarily a Shiva shrine, it also has Vishnu iconography within. The idyllic setting of the Banteay Srei complex Sadly, this extensive iconography meant that the temple complex drew looters and vandals in hordes. The most notorious incident was the theft of four icons by a Frenchman called Georges André Malraux. He was arrested and the idols recovered. That fact that he went on to become a respected author and 'intellectual' shows the state of justice. As has been the fate of many heritage sites in countries that were colonised, many icons and parts of the complex are in the Guimet Museum in Paris. STORY CONTINUES BELOW THIS AD In its prime, the temple complex had a settlement called Ishvarapura around it. Nothing of this remains. The temple complex itself comprises three concentric rectangular enclosures. Within it lie various shrines, gopuras or gateways and structures popularly termed libraries. Kbal Spean (43 kms north of Angkor Wat): Sometimes called 'Valley of a Thousand Lingas', Kbal Spean is one of Cambodia's most visually striking sites. The place lies in the western part of the Kulein mountains. To reach, a visitor walks through a forest path, up a hill, for nearly two kilometres. And then arrives at a river whose bed is like no other! The Stung Kbal Spean River flows here, later merging into the Siem Reap River before its waters reach the Tonle Sap Lake. At Kbal Spean, leveraging sandstone rocks the river passes over, a stretch of about 200 metres of the riverbed has been extensively carved. The patron of this carving was a minister of the Khmer ruler in the 11th century CE, who created a thousand Shiva lingas on the riverbed. Close by are other carvings believed to have been done by hermits who dwelt here – carvings of Brahma, Vishnu atop his celestial serpent, Shiva-Parvati and others. Their intricacy is breath-taking. On one icon of Vishnu lying on Sheshnag, a lotus flower emerges from his navel and has a Brahma carving touching it. STORY CONTINUES BELOW THIS AD A reclining Vishnu icon at Kbal Spean The elaborate carving at Kbal Spean is no mere embellishment, but had a spiritual meaning attached. The Khmers believed that the water flowing into the Tonle Sap Lake near Angkor had been blessed by touching the sacred carvings at Kbal Spean. It is also mentioned that in 1059 CE King Udayadityavarman II consecrated a golden Shiva linga here. Given how much Cambodia has lost in terms of antiquities being looted, perhaps it is a blessing that the Kbal Spean carvings are on a riverbed, else they too could have ended up in a European museum. The list of Cambodia's less-known heritage nuggets can be a long one. The region has emerged from decades of horrific conflict and welcomed visitors. More and more stunning heritage seems to be emerging from the countryside. One hopes that both Cambodia and Thailand can resolve their differences and the Preah Vihear and Ta Muen Thom temple complexes can also be visited. STORY CONTINUES BELOW THIS AD The author is a heritage explorer with a penchant for seeking obscure sites. A brand consultant by profession, he tweets @HiddenHeritage. Views expressed in the above piece are personal and solely those of the author. They do not necessarily reflect Firstpost's views.

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