Team behind Ramen Dayo to open new spot in Glasgow
After its popular pop-up in the southside of Glasgow in 2022, Yakitori Shack is the newest addition to the city's food scene.
Taking over the space vacated by Ramen Dayo on Argyle Street in the heart of Finnieston, Yakitori Shack will open its doors on Tuesday, May 13.
The focus will be binchotan-grilled yakitori and sides straight from the robata grill, rice & noodles and bold, simple flavours built for pairing with cold beer and cocktails.
The kitchen centres around binchotan charcoal, the clean-burning, high-temperature charcoal imported from Japan and considered the best charcoal in the world, for the way it smokes and sears.
READ MORE:
Eight Glasgow restaurants for al fresco dining this Spring
This tiny takeaway serves some of the best street food you'll find in Glasgow
I swapped lab coats for chef whites and now work at a world famous location
Yakitori Shack favourites from the original pop-up will return, including the skirt steak skewer, peanut butter noodles, and the elote japonais (corn ribs slathered in Kewpie mayo, Sriracha and grated hard cheese).
Fans of Ramen Dayo will be thrilled to see a few beloved dishes return too, like the Karaage chicken, but with a brand-new twist.
Inside, you'll find custom-made Japanese lanterns and noren curtains, sourced straight from Japan, a subtle nod to Tokyo's backstreet grill joints.
Downstairs, there is a traditional izakaya style private dining area, with three separate rooms, sitting up to 10 people.
With a late licence, Yakitori Shack will also be serving up an extended drinks menu and regular DJs.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Chicago Tribune
2 hours ago
- Chicago Tribune
At this museum, no one will shush you, and you can touch the objects
LONDON (AP) — A museum is like an iceberg. Most of it is out of sight. Most big collections have only a fraction of their items on display, with the rest locked away in storage. But not at the new V&A East Storehouse, where London's Victoria and Albert Museum has opened up its storerooms for visitors to view — and in many cases touch — the items within. The 170,000-square-foot building, bigger than 30 basketball courts, holds more than 250,000 objects, 350,000 books and 1,000 archives. Wandering its huge, three-story collections hall feels like a trip to IKEA, but with treasures at every turn. The V&A is Britain's national museum of design, performance and applied arts, and the storehouse holds aisle after aisle of open shelves lined with everything from ancient Egyptian shoes to Roman pottery, ancient Indian sculptures, Japanese armor, Modernist furniture, a Piaggio scooter and a brightly painted garbage can from the Glastonbury Festival. 'It's 5,000 years of creativity,' said Kate Parsons, the museum's director of collection care and access. It took more than a year, and 379 truckloads, to move the objects from the museum's former storage facility in west London to the new site. In the museum's biggest innovation, anyone can book a one-on-one appointment with any object, from a Vivienne Westwood mohair sweater to a tiny Japanese netsuke figurine. Most of the items can even be handled, with exceptions for hazardous materials, such as Victorian wallpaper that contains arsenic. The Order an Object service offers 'a behind-the-scenes, very personal, close interaction' with the collection, Parsons said as she showed off one of the most requested items so far: a 1954 pink silk taffeta Balenciaga evening gown. Nearby in one of the study rooms were a Bob Mackie-designed military tunic worn by Elton John on his 1981 world tour and two silk kimonos laid out ready for a visit. Parsons said there has been 'a phenomenal response' from the public since the building opened at the end of May. Visitors have ranged from people seeking inspiration for their weddings to art students and 'someone last week who was using equipment to measure the thread count of an 1850 dress.' She says strangers who have come to view different objects often strike up conversations. 'It's just wonderful,' Parsons said. 'You never quite know. … We have this entirely new concept and of course we hope and we believe and we do audience research and we think that people are going to come. But until they actually did, and came through the doors, we didn't know.' The V&A's flagship museum in London's affluent South Kensington district, founded in the 1850s, is one of Britain's biggest tourist attractions. The Storehouse is across town in the Olympic Park, a post-industrial swath of east London that hosted the 2012 summer games. As part of post-Olympic regeneration, the area is now home to a new cultural quarter that includes arts and fashion colleges, a dance theater and another V&A branch, due to open next year. The Storehouse has hired dozens of young people recruited from the surrounding area, which includes some of London's most deprived districts. Designed by Diller, Scofidio and Renfro, the firm behind New York's High Line park, the building has space to show off objects too big to have been displayed very often before, including a 17th-century Mughal colonnade from India, a 1930s modernist office designed by Frank Lloyd Wright and a Pablo Picasso-designed stage curtain for a 1924 ballet, some more than 30 feet high. Also on a monumental scale are large chunks of vanished buildings, including a gilded 15th-century ceiling from the Torrijos Palace in Spain and a slab of the concrete façade of Robin Hood Gardens, a demolished London housing estate. Not a hushed temple of art, this is a working facility. Conversation is encouraged and forklifts beep in the background. Workers are finishing the David Bowie Center, a home for the late London-born musician's archive of costumes, musical instruments, letters, lyrics and photos that is due to open at the Storehouse in September. One aim of the Storehouse is to expose the museum's inner workings, through displays delving into all aspects of the conservators' job – from the eternal battle against insects to the numbering system for museum contents — and a viewing gallery to watch staff at work. The increased openness comes as museums in the U.K. are under increasing scrutiny over the origins of their collections. They face pressure to return objects acquired in sometimes contested circumstances during the days of the British Empire Senior curator Georgia Haseldine said the V&A is adopting a policy of transparency, 'so that we can talk very openly about where things have come from, how they ended up in the V&A's collection, and also make sure that researchers, as well as local people and people visiting from all around the world, have free and equitable access to these objects. 'On average, museums have one to five percent of their collections on show,' she said. 'What we're doing here is saying, 'No, this whole collection belongs to all of us. This is a national collection and you should have access to it.' That is our fundamental principle.'
Yahoo
4 hours ago
- Yahoo
Mel B and Eddie Murphy's child, Angel, comes out as trans
Mel B and Eddie Murphy's kid just quietly came out as trans! It recently came to light that 18-year-old Angel Brown made a simple but meaningful change on Instagram with the addition of "him" as his preferred pronoun. It's unclear precisely when this update took place, though it was reportedly widely over the weekend. "It's a decision Angel made and Mel has been understanding, likewise Eddie," a source told The Daily Mail. "There was no big event to mark it. Angel just wanted it to be known what pronouns are now suitable." Despite the pronoun change making headlines just in time for Pride, Mel B was already speaking about Angel as her son back in May. An interview with Us Weekly featured her talking about co-parenting with Murphy and mentioning that Angel keeps "very much to himself." "He went to Japan last year with his girlfriend and just embraced the whole Japanese vibe," she added. Fittingly, Angel's Instagram is largely devoid of content, but does include two photos of him and his girlfriend, both posted this year. "My angel," he captioned one. "Couldn't wish for anyone else," she responded. See on Instagram
Yahoo
9 hours ago
- Yahoo
Why Rage Against The Machine guitarist Tom Morello loves Babymetal
When you buy through links on our articles, Future and its syndication partners may earn a commission. Babymetal's upcoming fourth album, Metal Forth, features some seriously high-profile collabs, with stars including Poppy, Slaughter To Prevail's Alex Terrible and Spiritbox's Courtney LaPlante guesting alongside Su-metal, Moametal and Momometal. Also making an appearance is former Rage Against The Machine man Tom Morello, who adds some incendiary guitar to the song Metali!!., originally dropped as a single in 2023. The title is a portmanteau of 'metal' and 'matsuri' – the word for a traditional Japanese outdoor celebration, hence the cries of 'wasshoi wasshoi' and 'dokkoisho', which are a signature of matsuri-inspired songs. In the brand new issue of Metal Hammer, we speak to the guests on the album, including Morello who discusses his admiration of Babymetal and how his appearance on Metali!! came about. This is what he has to say. How far back does your relationship with Babymetal go? Tom Morello: 'I've been a fan of Babymetal since I first heard them. I reached out to their management when I was making my Atlas Underground album [in 2018], which was a collaborative work with various artists, and at the time they were unavailable, and I was disappointed. Later on, they reached back out to me, asking if I was still interested in collaboration. Of course, I jumped at the chance.' What was the brief for your contribution to Metali!!? 'I love heavy riffs, and the Babymetal Metali!! song has a collaborative heaviness that I think in many regards fits very well in my riffology catalogue. I also shredded some solos on the track.' What's your standout memory of working with them? 'One of the most amusing parts about the collaboration was making the video, which I shot remotely. Normally you're asked to do a video on a green screen, and when you do a video on a green screen you can't wear any green. Well, this was a video that they wanted me to do on a black screen, so I just assumed I couldn't wear any black, which of course is the standard colour for all rockers to wear most of the time. So, I ended up in an outfit that looks like I'm on vacation in Cuba or something like that!' What do you think about Babymetal being on the scene? 'I love what they have brought to the metal scene. It is an absolute breath of fresh air to have a band that has a completely different spin on a genre that often runs on the same cart tracks.' Have you had much of a chance to hang out with them? 'I had the chance to meet Babymetal backstage at a European festival last year, and they could not have been more lovely and demure, and just a delight to talk with and to hang out with. They were very sort of giggly and excited, and then they went onstage and they did their dances in their somewhat giggly and excited way, and all these massive riffs came crashing down on a crowd that just went absolutely bananas. Babymetal – thumbs up!' Read our exclusive new interview with Babymetal and a full track-by-track breakdown of Metal Forth in the brand new issue of Metal Hammer, available now. Order it online and have it delivered straight to your door.
