Multilingual trailer for ‘TRON: Ares' dropped; date locked for Indian release
Directed by Joachim Rønning, TRON: Ares takes the franchise into bold new territory. The story follows Ares, a highly advanced Program, who is transported from the digital Grid into the real world for a perilous mission. This journey marks humanity's first direct contact with artificial intelligence entities—ushering in high-stakes action and philosophical dilemmas that are signature to the TRON universe.
The new trailer has created quite a buzz, especially with the inclusion of an electrifying new track by Grammy-winning band Nine Inch Nails, titled "As Alive As You Need Me To Be". The haunting score adds to the film's futuristic, edgy tone, giving fans a taste of the immersive world they're about to enter.
The star-studded ensemble is led by Jared Leto as Ares, with Greta Lee, Evan Peters, Hasan Minhaj, Jodie Turner-Smith, Arturo Castro, Cameron Monaghan, Gillian Anderson, and legendary TRON actor Jeff Bridges also on board.
Produced by Sean Bailey, Jeffrey Silver, Justin Springer, Jared Leto, Emma Ludbrook, and original TRON creator Steven Lisberger, with Russell Allen as executive producer, TRON: Ares is being positioned as both a visual spectacle and a timely exploration of A.I. and digital consciousness.
With its multilingual release, Disney aims to take the legacy of TRON deeper into the Indian market, ensuring fans across languages can experience the digital revolution on the big screen.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
29 minutes ago
- Time of India
Int'l genetic study predicts childhood obesity risk using Indian data
Cleared: dk Hyderabad: In a major study, an international team of over 600 scientists from 500 institutions developed a genetic test — polygenic risk score (PRS) — which can predict adult obesity as early as age five. The study analysed data from over five million (50 lakh) individuals worldwide, with significant representation from India. Scientists from city-based Centre for Cellular and Molecular Biology (CCMB) played a key role in characterising the genomes of Indian individuals, including those monitored for diabetes over the long term. The south Asian data shaped PRS, making the findings especially relevant to the Indian context, where obesity-related disorders like diabetes and cardiovascular disease are on the rise. The tool, shown to be twice as effective as previous models, offers the potential for early lifestyle interventions in genetically high-risk children. You Can Also Check: Hyderabad AQI | Weather in Hyderabad | Bank Holidays in Hyderabad | Public Holidays in Hyderabad CCMB researchers on Tuesday said that obesity increases the risk of non-communicable diseases such as diabetes, cardiovascular diseases, poor bone health, reproductive problems, and cancers. Scientists worldwide worked with the largest and most diverse genetic dataset ever assembled, which included genetic data from the GIANT consortium and the consumer DNA testing company 23andMe. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 15 most beautiful women in the world Undo In a statement, CCMB said: "The PRS discovery could help identify children and adolescents already at higher genetic risk of developing obesity, who could benefit from targeted preventative strategies such as lifestyle interventions at a younger age. Additionally, this score is twice as effective as the previous best test at predicting a person's risk of developing obesity." "What makes the score so powerful is its ability to predict, around the age of five, whether a child is likely to develop obesity in adulthood — well before other risk factors start to shape their weight later in childhood. Intervening at this point can have a huge impact," University of Copenhagen's NNF Center for Basic Metabolic Research (CBMR) assistant professor Roelof Smit, who is the lead author of the research published in the journal 'Nature Medicine', said. Indian Representation in the Study The pattern of obesity in India differs notably from that in Europe, with Indians tending to have more central (abdominal) obesity. Earlier studies by Dr Giriraj Ratan Chandak at CCMB showed that the genetic basis of non-communicable diseases varies significantly between Indians and Europeans. In the latest study, researchers at CCMB, led by Dr Chandak, characterised the genomes of the Indian population, including individuals with diabetes as well as those with normal blood glucose levels. These individuals were followed for nearly 20 years, providing a unique opportunity to investigate the genetic basis of obesity in Indians. Several obesity-associated genetic changes were identified and used to develop PRS for Indians, effectively creating a "virtual individual" to model obesity risk. The Indian data served as a representative subset for the South Asian population in the global study, making the findings more applicable to India and neighbouring countries. The researchers also examined the link between a person's genetic risk of obesity and the effectiveness of lifestyle-based weight-loss interventions, such as diet and exercise. They found that individuals with a higher genetic risk of obesity responded better to interventions — but also tended to regain weight more quickly once those interventions ended. The study further highlights the role of population ancestry in predicting obesity risk. Despite using a globally representative dataset, PRS performed more accurately in individuals of European ancestry than in those of other ancestries, including South Asians. Many gene variants associated with obesity in Europeans do not have the same effect in Indians, reflecting the unique pattern of obesity observed in the Indian population. "The observations made in this study are consistent with our earlier findings," Dr Chandak noted.
Time of India
40 minutes ago
- Time of India
Ratan Thiyam: A Visionary Who Revolutionized Indian Theatre
Guwahati: Born on Jan 20, 1948, at Nabadwip in West Bengal's Nadia district, Ratan Thiyam, recognised as one of India's greatest theatre innovators, grew up in Imphal, surrounded by art and art-making, which profoundly influenced his life and work. His father, Thiyam Tarunkumar, was one of the most respected gurus of classical Manipuri dance, while his mother, Bilasini Devi, was a renowned dancer. Thiyam passed away at 77 at the Regional Institute of Medical Sciences (RIMS) in Imphal at approximately 1:30am Wednesday. Along with KN Panikkar, BV Karanth, Habib Tanvir, Bansi Koul, and Jabar Patel, Thiyam, affectionately known as 'Oja' (teacher in Meiteilon), was a major pioneer of the "theatre of roots" movement, developed during the 1960s-1970s. This movement sought to reclaim and integrate Indian classical, folk, and indigenous performance traditions with modern sensibilities, a powerful strategy for redefining Indian cultural identity. A graduate of dramatic arts from the prestigious National School of Drama (NSD), Thiyam was not only a powerful stage director but also a complete theatre craftsman and creative visionary. He was a multifaceted genius — a designer, music composer, choreographer, lighting expert, costume designer, architect, playwright, painter, and poet, whose brilliance extended across nearly every element of the performing and creative arts. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 15 most beautiful women in the world Undo Thiyam took Manipur and Indian theatre onto the global stage, creating a new theatrical form by synthesising diverse performance traditions from his homeland. His works showcase the seamless blending of elements from the classical Natya Shastra (Indian theatre style during the second century BC) and Western realistic theatre with Manipuri's rich indigenous performing arts such as martial arts (thang-ta), dance, music, and ritualistic gestures. Through this artistic strategy, Thiyam asserted the socio-political and cultural uniqueness of Manipur, positioning it as separate from the mainland's dominant cultural narratives. This gained him national and international recognition as a playwright and director. His celebrated plays, such as Chakravyuha and Uttar Priyadarshi, brought global acclaim to Manipuri theatre and Indian drama at large. His main contributions to Indian theatre innovations are profound and transformative, significantly shaping the direction of contemporary Indian performance. His influence reverberates through his unique stylistic language, institutional leadership, and continued advocacy for indigenous forms and social consciousness. In 1976, Thiyam established the Chorus Repertory Theatre in Imphal, which became a national hub for experimental, visually rich, and socially responsible theatre. The theatre trained and inspired generations of artists and encouraged the fusion of rural and urban motifs, traditional and modern directing techniques, and innovative stagecraft. His work is celebrated for its striking visual design, choreography, and music, combining scenic minimalism and grand imagery. His plays featured stylised movements, ritualistic gestures, symbolic props, and a deep focus on atmosphere that set new standards for Indian stagecraft, creating a holistic theatre experience. Thiyam's plays often explore profound themes. His Leima Yenlingai Khuna Kaba (1980) addresses the motif of corruption in society transforming into an instrument of religious terror, while Urubhangam (1981), adapted from the Sanskrit play by Bhāsa, focuses on Duryodhana's tragic story from the Mahabharata. Lengshonnei (1986), his adaptation of Bertolt Brecht's version of Sophocles' Antigone, reinterprets the Greek tragedy through classical and traditional Indian forms interwoven with tribal rituals. Another masterwork, Chakravyuha (1984), rooted in the Mahabharata (Drona Parva), is considered one of Thiyam's finest productions, where he presents a powerful meditation on war, entrapment, and the heroism of the young warrior Abhimanyu. Another acclaimed production, Urubhangam (Broken Thigh, 1981), adapted from the Sanskrit play by Bhāsa, is based on an episode from the Mahabharata, focusing on the tragic downfall of Duryodhana. Both Urubhangam and Chakravyuha reflect Thiyam's belief in the timeless relevance of epics, recontextualised to comment on modern dilemmas. One of his most internationally acclaimed works is Uttar Priyadarshi, an adaptation of a Hindi verse play by celebrated poet and writer Agyeya, where Thiyam retells the story of Emperor Ashoka's spiritual transformation. These works exemplify Thiyam's ability to blend ancient texts and diverse performing traditions into cohesive contemporary theatre, addressing social, political, and philosophical questions with a rooted yet innovative dramatic language. A towering figure in contemporary Indian theatre, celebrated for combining classical, indigenous, and modern elements in his plays, Thiyam's death marks the departure of one of India's greatest theatre innovators, whose lifelong dedication elevated Manipuri traditions to the global stage and enriched the country's artistic heritage.
Time of India
2 hours ago
- Time of India
Grief & tributes pour in over theatre maestro Thiyam's death
1 2 Guwahati: The death of renowned theatre maestro Ratan Thiyam plunged the nation into mourning, with an outpouring of grief and tributes from political leaders, cultural figures, and theatre communities across India. Manipur governor Ajay Kumar Bhalla and former chief minister N Biren Singh led the the tributes from Manipur, highlighting his significant contributions to India's cultural landscape. In a statement, the Manipur govt said, "With profound grief and deep sorrow, we mourn the passing of Padma Shri recipient and Sangeet Natak Akademi Awardee Ratan Thiyam — a towering figure in Indian theatre and a cultural icon of Manipur. We join the artistic fraternity and the nation in remembering his extraordinary legacy." The Manipur Raj Bhavan said on X, "The Governor stated that his invaluable contribution to Manipuri theatre and culture will always be remembered. Heartfelt condolences to his family, friends, and admirers. " Singh, in a post on X, wrote, "It is with deep sorrow that I express my heartfelt condolences on the passing of Ratan Thiyam, a true luminary of Indian theatre and an esteemed son of Manipur. His unwavering dedication to his craft, his vision, and his love for Manipuri culture enriched not only the world of theatre but also our very identity. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 11 Foods That Help In Healing Knee Pain Naturally Undo His work carried the soul of Manipur — echoing its stories, its struggles, and its beauty. " Assam chief minister Himanta Biswa Sarma called him "a leading light of the Theatre of Roots movement," saying, "Shri Ratan Thiyam dedicated his life to bring indigenous theatre and art practices to the global stage. A Padma awardee, his productions were rich in talent and messaging." Meghalaya chief minister Conrad Sangma said: "He was a visionary who redefined Indian theatre by blending contemporary form with the cultural soul of Manipur. His legacy will continue to inspire." West Bengal chief minister Mamata Banerjee mourned him as "a true legend who put Manipuri theatre on the global map" and said, "His unique blend of tradition and experiment enriched Indian performing arts immensely and resonated worldwide." Congress MP Gaurav Gogoi, deputy leader in the Lok Sabha, also expressed his grief, saying, "Thiyam's legacy will continue to inspire generations to come." Renowned Kolkata-based theatre veterans like Rudra Prasad Sengupta and Kaushik Sen also paid tribute, recalling Thiyam's frequent presence at theatre festivals in the city and his powerful influence on modern Indian theatre. Ratan Thiyam was a trailblazer of the "Theatre of Roots" movement, which synthesised Indian classical, folk, and tribal performance forms with contemporary theatrical expression. He founded the Chorus Repertory Theatre in Imphal in 1976, which became a national and international symbol of rooted yet experimental theatre. His groundbreaking works like Chakravyuha, Urubhangam, Uttar Priyadarshi, and Lengshonnei challenged the boundaries of traditional Indian theatre and brought the richness of Manipuri aesthetics, spirituality, and politics to the global stage. He was the recipient of many prestigious awards, including Padma Shri (1989) and Sangeet Natak Akademi Award (1987). He relinquished the Padma Shri in 2001 in protest against the Centre's decision to extend the ceasefire with the Nationalist Socialist Council of Nagaland. Ratan Thiyam's passing is not only a great loss for Manipur, which he deeply loved and represented through his art, but also for the entire nation and the global theatre community. His relentless pursuit of truth, his seamless weaving of text and tradition, and his unmatched visual poetics have etched his name into the canon of world theatre.
