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Friday Music Guide: New Music From Jonas Brothers, Gunna, MGK, Laufey and More

Friday Music Guide: New Music From Jonas Brothers, Gunna, MGK, Laufey and More

Yahoo8 hours ago
Billboard's Friday Music Guide serves as a handy guide to this Friday's most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
This week, Jonas Brothers go back home, Gunna keeps things efficient, and MGK finds his voice. Check out all of this week's picks below:
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Jonas Brothers,
Twenty years after their debut single together, Jonas Brothers are completely different people than the precocious Disney stars that were embraced by millions of young fans — and Greetings From Your Hometown, their third album since their 2019 reunion, presents adult-leaning pop-rock workouts while reflecting on the changes, as well as the unbreakable bond between Nick, Joe and Kevin.
Gunna,
Gunna's work in popular hip-hop over the past half-decade has been tireless, but his prolific nature has never made his studio output feel overwhelming; similarly, new album The Last Wun stretches across 25 tracks and beyond the 1-hour mark, but the project flies by with machine-gun bars, complex beats that quickly evaporate and guest stars (Wizkid, Burna Boy, Offset, Asake) that never detract from Gunna's steely focus.
MGK,
Throughout his shape-shifting career, MGK has showcased a natural gift for melody that has made each of his genre explorations instantly digestible; Lost Americana, a pop-rock foray that serves as a close cousin to his pop-punk projects, contains plenty of juicy hooks as expected, but also moments of stark honesty, such as his discussion of his sobriety on the opener 'Outlaw Overture.'
Laufey, 'Snow White'
'I don't think I'm pretty, it's not up for debate,' Laufey sings on her striking new song 'Snow White,' 'A woman's best currency's her body, not her brain.' While Laufey has subverted modern pop norms with her jazzy orchestration, she's deploying her latest single from upcoming album A Matter of Time to upend the impossible standards of womanhood, telling a story at once both deeply personal and heartbreakingly universal.
Bailey Zimmerman,
Bailey Zimmerman has proven adept at catering to both Nashville diehards, such as on the rustic deep cuts to 2023's Religiously. The Album., and casual country fans, with smashes like 'Rock and a Hard Place' and the BigXthaPlug team-up 'All the Way'; the latter song doesn't appear on new album Different Night Same Rodeo, but there's still plenty of country-pop appeal to Zimmerman's twangy storytelling. Read a full review of Different Night Same Rodeo here.
Ethel Cain,
In a short time, Hayden Silas Anhedönia has turned her Ethel Cain persona into a truly original voice in modern indie music — and after her drone project Perverts detonated expectations earlier this year, Willoughy Tucker, I'll Always Love You returns Cain to the world of her 2022 breakthrough Preacher's Daughter as a literal prequel to that album, albeit with plenty of new ambitions (see: the 15-minute closer 'Waco, Texas').
Bryson Tiller,
With the release of the first half of a planned double-album titled Solace & The Vices, Bryson Tiller leans into his ferocious flow and exorcises some demons while placing his R&B-heartthrob approach in the backseat for now; the stylistic separation works in his favor, and whets our appetite for the project's more soulful second half. Read a full review of The Vices here.
Editor's Pick: Amaarae,
Ghanaian American singer Amaarae ostensibly makes rhythmic pop music, but classifying the songs on Black Star feels like a fool's errand: the virtuosic new project gathers dance, hyperpop, R&B and Jersey club (among other disparate sounds) and smashes them together to create a dizzying party. Amaarae is a vocal dynamo, has impeccable taste, and is unquestionably a star in the making — get on board now, and shimmy through the end of the summer.
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No-Bake Peaches and Cream Cake? Yes, Please.
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New York Times

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No-Bake Peaches and Cream Cake? Yes, Please.

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It's been weeks, and The Young and the Restless' return of Cane has just not grown on me
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It's been weeks, and The Young and the Restless' return of Cane has just not grown on me

When you buy through links on our articles, Future and its syndication partners may earn a commission. It's been over a month since The Young and the Restless' Cane (Billy Flynn) revealed himself to Aristotle Dumas, and I've been patiently waiting to lock into this new iteration of the character. To really feel invested in his new ominous portrayal, this mysterious obsession with Chancellor and this need to prove he's a worthy adversary of Victor (Eric Braeden). Unfortunately, I'm admittedly just not a fan. Now to be clear, my feelings of disappointment don't rest on Flynn's shoulders. He's a fine actor, so this isn't directed at his talent. With that being said, Flynn has his own take on the Cane character that is markedly different from former Cane potrayer, Daniel Goddard. Flynn's Cane is a little more conniving and dubious in my opinion, which isn't necessarily a bad thing. Especially, since there's still so much to be unpacked surrounding what Cane has been doing offscreen in his six-year absence from Genoa City. This brings me to the storyline that ushered Cane back into The Young and the Restless fold. For months, viewers watched as the hype around who could be behind Aristotle Dumas was developed. He was built up as a mystery billionaire who could compete with The Great Victor Newman when it came to business. So when Cane was revealed to Aristotle, it was like the math wasn't 'mathing.' Yes, I predicted Aristotle would be Cane a while ago based on the breadcrumbs left by show writers, but him confirming my suspicions and explaining he got the money to become a billionaire tycoon on the back of bitcoin investments, I just find it hard to believe. His reveal felt like The Wizard being shown to be a culmination of smoke and mirrors in The Wizard of Oz. Sure, it's possible the bitcoin story is true, but Cane and his father spent much of their previous time on the show involved in cons, scams and lies. It's hard to believe they reconciled before Colin (Tristan Rogers) died, and they went legitimate to amass this large fortune. Additionally, say what you will about Victor being a 'villain' in his own right, but the man is the savviest tactician in all of The Young and the Restless business world. Plus, he's had his share of enemies over the years, and you'd be hard pressed to recall one that's been able to defeat Victor (sure, he's lost a few battles, but never the war). And if Jack Abbott (Peter Bergman) hasn't taken down The Mustache, I fail to comprehend how Cane thinks he'll be able to do the honors just because the size of his bank account has grown. He doesn't feel like a viable contender for the Newman patriarch. Also, let's talk about the fact that Cane's reveal quickly fizzled into a series of murders that feel premature. Damian (Jermaine Rivers) wasn't even on the show for a year before he was killed because of Cane's assistant. Damian's relationships with Nate (Sean Dominic) and Lily (Christel Khalil) were just starting to really cement, so I feel cheated that viewers won't get to see the possibilities thanks to Cane. Since I was already a bit disenchanted with him because of the Victor angle, this hasn't helped. Oh, and then to have Cane murder off one of the very few Chancellors left in Chance (Conner Floyd) feels like a slap in the face of longtime viewers. The Chancellor name once commanded respect, fear and adoration in Genoa City. Now, it feels like another great family is being phased out of the canvas of the show. Lastly, because I felt disconnected with Cane due to this 'rivalry' with Victor and his hand in Damian and Chance's murders, I've found it hard to enjoy this French excursion on The Young and the Restless, and it's lasted for weeks. So the trip coming to an end is a great thing in my book. While I'll just have to give this new Cane a little more runway to land the plane here, I hope it happens soon. Getting the real story of his newfound finances and him being shown why Victor is Victor for a reason are a great place to start. New episodes of air weekdays on CBS. Episodes become available to stream on Paramount Plus the next day. Solve the daily Crossword

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