An NFL Talks about His Dad's DUI
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How to watch Lynx vs. Liberty: Injuries put new stars in the spotlight for WNBA Rivals Week
A premier WNBA Rivals Week showdown begins in Brooklyn. The league-leading Minnesota Lynx visit the defending champion New York Liberty at 12:30 p.m. ET this Sunday. Minnesota arrives without MVP front-runner Napheesa Collier, who sprained her right ankle on Aug. 2 and is expected to miss at least two weeks. Meanwhile, New York counters with its own hole in the marquee: Breanna Stewart is out indefinitely with a right knee bone bruise. Still, there's plenty of reason to tune in to this WNBA Finals rematch. How to watch Minnesota Lynx at New York Liberty Venue: Barclays Center — Brooklyn Time: 12:30 p.m. ET, Sunday TV: ABC Streaming: Fubo (Save $20) Watching in person? Get tickets on StubHub. Live coverage is also available on ESPN+. Without Collier, Minnesota coach Cheryl Reeve will stretch Kayla McBride from three and lean on Courtney Williams in the middle third, with Jessica Shepard and Alanna Smith owning the glass. The Lynx also recently acquired DiJonai Carrington from Dallas for Diamond Miller, Karlie Samuelson and a 2027 second-round pick, a defense-minded move that only strengthens their top-ranked unit. The Liberty have won three in a row since halting a four-game slide. Sabrina Ionescu dropped 36 points and 11 rebounds at Connecticut on Aug. 3. Former WNBA Finals MVP Emma Meesseman also chipped in 13 points, two blocks and a steal in her second game as New York followed with an 85-76 win against Dallas, the first of two straight victories over the Wings. The hinge is simple: finish possessions and value the ball. If New York controls the defensive glass and runs McBride off rhythm catch-and-shoots, it tilts home. If Minnesota wins the turnover game and frees Carrington in transition, it travels. This is the first Barclays meeting since last year's Finals and the second of four total matchups between these two this season. The Lynx play three straight against the Liberty from Aug. 10-19, while New York has five total games over that same stretch. Updated 2025 WNBA championship odds Betting/odds, ticketing and streaming links in this article are provided by partners of The Athletic. Restrictions may apply. The Athletic maintains full editorial independence. Partners have no control over or input into the reporting or editing process and do not review stories before publication. This article originally appeared in The Athletic. Minnesota Lynx, New York Liberty, WNBA, Sports Betting, Fubo Partnership, WNBA Highlights 2025 The Athletic Media Company
New York Times
12 minutes ago
- New York Times
How to watch Lynx vs. Liberty: Injuries put new stars in the spotlight for WNBA Rivals Week
A premier WNBA Rivals Week showdown begins in Brooklyn. The league-leading Minnesota Lynx visit the defending champion New York Liberty at 12:30 p.m. ET this Sunday. Minnesota arrives without MVP front-runner Napheesa Collier, who sprained her right ankle on Aug. 2 and is expected to miss at least two weeks. Meanwhile, New York counters with its own hole in the marquee: Breanna Stewart is out indefinitely with a right knee bone bruise. Still, there's plenty of reason to tune in to this WNBA Finals rematch. Advertisement Live coverage is also available on ESPN+. Without Collier, Minnesota coach Cheryl Reeve will stretch Kayla McBride from three and lean on Courtney Williams in the middle third, with Jessica Shepard and Alanna Smith owning the glass. The Lynx also recently acquired DiJonai Carrington from Dallas for Diamond Miller, Karlie Samuelson and a 2027 second-round pick, a defense-minded move that only strengthens their top-ranked unit. The Liberty have won three in a row since halting a four-game slide. Sabrina Ionescu dropped 36 points and 11 rebounds at Connecticut on Aug. 3. Former WNBA Finals MVP Emma Meesseman also chipped in 13 points, two blocks and a steal in her second game as New York followed with an 85-76 win against Dallas, the first of two straight victories over the Wings. The hinge is simple: finish possessions and value the ball. If New York controls the defensive glass and runs McBride off rhythm catch-and-shoots, it tilts home. If Minnesota wins the turnover game and frees Carrington in transition, it travels. This is the first Barclays meeting since last year's Finals and the second of four total matchups between these two this season. The Lynx play three straight against the Liberty from Aug. 10-19, while New York has five total games over that same stretch. Betting/odds, ticketing and streaming links in this article are provided by partners of The Athletic. Restrictions may apply. The Athletic maintains full editorial independence. Partners have no control over or input into the reporting or editing process and do not review stories before publication. (Photo of Kayla McBride: Ethan Miller / Getty Images) Spot the pattern. Connect the terms Find the hidden link between sports terms Play today's puzzle
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16 minutes ago
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Gone too soon, an unsettled life finds focus in 'It's Never Over, Jeff Buckley'
Short, pained lives marked by achievement and promise and then abruptly gone leave a restless afterglow. Youth is supposed to fade away, not become one's permanent state. And regarding the late musician Jeff Buckley — a roiling romantic with piercing good looks whose singing could rattle bones and raise hairs — that loss in 1997, at the age of 30 from drowning, burns anew with every revisiting of his sparse legacy of recorded material. Lives are more complicated than what your busted heart may want to read from a voice that conjured heaven and the abyss. So one of the appealing takeaways from the biodoc 'It's Never Over, Jeff Buckley' is a repudiating of the typical narrative of inescapable fate, instead pursuing the richness of a gifted artist's ups and downs. Director Amy Berg would rather us see Buckley as he was in the world instead of some conveniently doom-laden figure. The result is loving, spirited and honest: an opportunity for us to get to know the talented, turbulent Buckley through the people who genuinely knew him and cared about him. But also, in clips, copious writings and snatches of voice recordings, we meet someone empathetic yet evasive, ambitious yet self-critical, a son and his own man, especially when sudden stardom proved to be the wrong prism through which to find answers. Read more: The 27 best movie theaters in Los Angeles With archival material often superimposed over a faint, scratchy-film background, we feel the sensitivity and chaos of Buckley's single-mom upbringing in Anaheim, the devastating distance of his absentee dad, folk-poet icon Tim Buckley (you'll never forget the matchbook Jeff saved), and the creative blossoming that happened in New York's East Village. There, his long-standing influences, from Nina Simone and Edith Piaf to Led Zeppelin and Nusrat Fateh Ali Khan, coalesced into a post-grunge emotionalism anchored by those unbelievable pipes. Even after Buckley's record-label discovery leads to the usual music-doc trappings — tour montages, media coverage, performance morsels — Berg wisely keeps the contours of his interior life in the foreground, intimately related by key figures, most prominently Buckley's mother, Mary Guibert, romantic confidantes such as artist Rebecca Moore and musician Joan Wasser, and bandmates like Michael Tighe. Berg keeps these interviewees close to her camera, too, so we can appreciate their memories as personal gifts, still raw after so many years. Fans might yearn for more granular unpacking of the music, but it somehow doesn't feel like an oversight when so much ink on it already exists and so little else has been colored in. The same goes for the blessed absence of boilerplate A-list praise. The global acclaim for his sole album, 1994's "Grace," which includes his all-timer rendition of Leonard Cohen's 'Hallelujah,' certainly put admiring superstars (Dylan, Bowie, McCartney) in Buckley's path, including one of his idols, Robert Plant. But Berg stays true to a viewpoint rooted in Buckley's conflicting feelings about the pressures and absurdities of fame, and why it ultimately drove him to Memphis to seek the solace to start a second album that was never completed. The last chapter is thoughtfully handled. Berg makes sure that we understand that his loved ones view his death as an accident, not a suicide, and the movie's details are convincing. That doesn't make the circumstances any less heartbreaking, of course. As warmer spotlights go, 'It's Never Over, Jeff Buckley' may never fully expunge what maddens and mystifies about the untimely end of troubled souls. But it candidly dimensionalizes a one-album wonder, virtually ensuring the kind of relistening likely to deepen those echoes. Sign up for Indie Focus, a weekly newsletter about movies and what's going on in the wild world of cinema. This story originally appeared in Los Angeles Times. Solve the daily Crossword
