Nelly blasts Kamala Harris for 'locking up black men' and having a white husband
The drama unfolded when the rapper hit back at accusations he was 'Pro-Trump' during a chat on Hot 97's Ebro In The Morning podcast saying his performance was not an indicator of his endorsement of any presidential candidate.
He said: 'See, this is what I'm saying. Where did you get pro-Donald? What you had was "respect for office.''
Nelly continued: 'And it's great how people spin narratives to things that I think best fit whatever they're against. You know what I'm saying? Instead of giving a brother the exact fundamental of what he did, what he said. Nobody's doing that anymore.'
As fans accused the star of being 'manipulative' and resorting to word salad to confuse his audience, Nelly jumped into The Shade Room's comments section to blast the prosecutor for 'locking up black men' as well as taking aim at her 'white husband,' Doug Emhoff
Nelly also slammed fans for 'dumping on black men married to black women' because Harris lost the election, as well as defending fellow African-American artist Snoop Dogg for also performing for Trump.
Nelly wrote: 'I'll put whatever up me and snoop do more in the community and have been doing for over 20 + years against any of you that are just on here talking trash and have no stats to back up what you mean to the community.
'From the black families that we employ to the black children that we help every day and all year through our nonprofits, whether we're sending kids to schools on scholarships to HBCU or helping young black boys in la 'gang central ' with his junior football programs which many players have went on to go to the NFL and live their dreams.
'And on top of that we are 'Black Men' married to beautiful Black women with black children... should be inspiring to most but that some of y'all have a problem with because the prosecutor who has probably locked up more black men that we've helped woman of color with the white husband and white kids.'
Nelly continued: '[Harris] Did not win the election... again I reiterate, I did not campaign for anyone. I do not tell people who to vote for. I respect and love our country from top to bottom good and bad… and I am very aware there's a lot of things in this country that we need to work on the right is too far right and the left is too far left.
'I'm a military baby with a grand uncle who is a Tuskegee airmen and red tail that was very prideful for his country I told you it's my respect for the office meaning any president that calls upon Nelly it would be a honor... nothing to do with money.
'Nothing to do with race but if you wanna make it about race, then let's goooooooooooooo I find it very interesting.'
Nelly added: 'That's so many of you would dump on the two black men that's married to black women that has black children because the '' woman of color with the white husband and white kids. Didn't win..!!'
Fans were baffled by the rappers tirade and did not hold back in giving him their opinions.
One person commented: 'Why so many shade at Kamala???? just say you performed, you f*** with trump.
'I respect you and all that you have done, but be please be clear, it's not about Kamala not winning, it's about what Donald Trump stands for. I respect the office. I do not respect the man that is in office at this present time.'
However, one supporter of the musician added: 'Nelly no matter what you do, as far as it makes you happy and loved , am solidly behind you . Period,'
In January the star responded to backlash over his decision to perform at the Liberty Ball which celebrated the inauguration of Trump.
The rapper, who along with Snoop Dogg, took part in the inaugural festivities, explained his reasons for accepting the invitation to right-wing journalist Officer Lew on X.
He wrote: 'I'm not doing this for money, I'm doing this 'cause it's an honor. I respect the office. It don't matter who in office.'
He compared himself to members of the military, writing: 'The same way our men and women, our brothers and sisters who protect this country have to go to war and have to put their life on the line for whoever in the office. So, if they can put they life on the line for whoever in office, I can damn sure perform for whoever in office.'
Lew then asked him: 'What do you say to the people that say "we're not giving you this backlash because of your political affiliation or because of your political choice, or whatever, we're giving you this backlash because you are propping up a white supremacist?"'
Nelly answered: 'I would ask them to show me where he's a white supremacist.'
Nelly then brought up components of the 1994 Crime Bill sponsored by then-Senator Joe Biden, confusing it with the 1986 Crime Bill signed by Ronald Reagan, which which called for a minimum mandatory sentence of five years without parole for anyone caught with five grams of crack cocaine.
The 1994 Crime Bill did fund the building of prisons to hold more people convicted of violent crimes and is blamed by many for the mass incarceration of members of the Black community.
sarcastically referring to a comment President Joe Biden made in an interview with Charlamagne tha God, Nelly said: 'Okay, I did get it. He did say "if you don't vote me, you're not black," right?'
Then Nelly ventured back into Trump's past saying: 'I'mma get to it. He did not rent to black people, what was in the 70s or 80s, is that what they said, and like, okay, is he renting to them now? So, nobody's allowed to change?'
In 1970, Trump and his father Fred were sued by the Justice Department for refusing to rent to people of color, but the case was settled when Trump Management promised to stop discriminating against potential renters.
The 1968 Fair Housing Act makes it illegal to refuse to rent or sell housing based on race, color, religion, sex (including gender identity and sexual orientation), disability, familial status, or national origin.
Nelly continued: 'See, here's the thing, we can talk about pasts, but we never want to talk about our pasts. If our pasts get brought up, in our community for a lot of what of our men did, we always call it rehab... these young brothers we been through a lot.
'I know I've been through a lot. If my past was what was going to prevent me from winning today, I wouldn't be here.'
Referring to Trump the rapper said: 'I'm not saying that he aint got some f***ed up ways, that's not what I'm saying at all, that's why I'm not telling you who to vote for. But what I'm saying is that he's the president of the United States. He's not the candidate for the United States, He's the president. He won.'
Nelly's comments drew praise from people of all backgrounds.
One person wrote: 'Nelly is a class act. He's always seen through the garbage.'
Another added: 'Key words here for NELLY. "I respect the Office." Not about the person. This is right is no many ways.'
A third said: 'As an African American that has supported Trump since 2016 I can relate to what Nelly is saying!'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
22 minutes ago
- Daily Mail
Yellowstone star claims he 'lost everything' after being ousted from Hollywood
Yellowstone actor Neal McDonough said his refusal to kiss women other than his wife was a death knell for his Hollywood career. The veteran performer, 59, chat on Wednesday's edition of the podcast Nothing Left Unsaid, opening up on a yearslong slide he said was due to his strict adherence to his marital vows. 'I'd always had in my contracts that I wouldn't kiss another woman on screen,' the Boston-born actor and strict Catholic told the podcast hosts Tim Green and Troy Green. McDonough played the role of Malcolm Beck on six episodes of Yellowstone in 2019. They included: The Reek of Desperation, Only Devils Left, Blood the Boy, Resurrection Day, Behind Us Only Grey and Sins of the Father. McDonough clarified that the contractual demand was at his behest, and not that of his spouse Ruve McDonough, who he's been wed to since 2003 and shares five children with. 'My wife didn't have any problem with it - it was me, really, who had a problem with it,' said McDonough, who's been seen on TV shows such as Desperate Housewives, Tulsa King and Meghan Markle 's one-time show Suits. McDonough said it was impossible for Hollywood producers to get that he was dead serious about his demand - and they quickly stopped using him as a result. 'When I wouldn't do it... they couldn't understand,' McDonough said of his refusal to kiss other women on camera. 'Hollywood just completely turned on me, and they wouldn't let me be part of the show anymore. 'For two years, I couldn't get a job and I lost everything you could possibly imagine.' McDonough's movie credits include Star Trek: First Contact, Red 2 and Guns & Moses. He also starred as Lynn 'Buck' Compton in HBO's war drama Band of Brothers (2001). He said that the loss of work resulted in a domino effect in which everything dear to him began slipping away. 'Not just houses [and] material things, but your swagger, your cool, who you are, your identity - everything,' McDonough said. 'My identity was an actor, and a really good one.' McDonough said that the problems lingered for an extended period. 'Once you don't have that identity, you're kind of lost in a tailspin,' McDonough said. 'And I was in a big, ugly tailspin for a couple of years.' McDonough's most recent role came in the May feature film The Last Rodeo, which he was a writer on and played the lead role of Joe Wainwright. His spouse Ruvé portrayed the role of his wife Rose Wainwright in the movie, and the two did kiss onscreen. Prior to acting in the role, Ruvé, a native of South Africa, had a background in fashion modeling and film production. The rodeo drama also starred Mykelti Williamson, Sarah Jones, Graham Harvey and Christopher McDonald.
Daily Mail
an hour ago
- Daily Mail
Report: The next two late-night hosts who could face axing
Two late-night mainstays could find themselves on the chopping block after helping NBC lose an eye-watering $100 million-plus per year. The shows of longtime hosts Jimmy Fallon and Seth Meyers, combined with the network's iconic sketch comedy series SNL, have created the nine-figure shortfall, it was reported this week. NBC officially declined to comment on the reported losses. But an insider told the Daily Mail that the three shows are actually losing closer to half that amount when taking into account revenue generated through sources like streaming and digital - though conceded they're still in the red. The news come days after CBS announced the cancellation of The Late Show with Stephen Colbert, amid reports his program was losing $40 million per year. Many, including Colbert - a longtime critic of President Donald Trump - cited political motivations in the decision to pull the plug. But as the speculation swirls over CBS's decision, industry experts told the Daily Mail that NBC's silence on its own hosts' futures speaks volumes. 'They're letting the narrative take hold that Colbert was canceled purely for political reasons - and that works in their favor. It distracts from the financial bloodbath happening across the late-night industry,' said Rob Shuter, a veteran media columnist and author of Naughty But Nice. ' NBC isn't denying the $100 million [loss] because if everyone's talking about politics, they're not talking about whether these shows are even sustainable anymore.' Robert Thompson, founding director of the Bleier Center for Television and Popular Culture at Syracuse University, agreed. 'NBC would want people to think that CBS canceled Colbert for political reasons, not viewership,' he said. After news of Colbert's cancellation emerged, the host called himself a 'martyr' and told Trump to 'Go [expletive] yourself' as the president gloated publicly over the decision. Colbert had previously ripped the decision by CBS' parent company, Paramount Global, to pay Trump $16 million to settle a lawsuit he filed over a 60 Minutes interview with Kamala Harris . The settlement was seen by many as a necessary move by the company to earn the Trump administration's approval of its $8 million merger with Skydance. Colbert more bluntly called it 'a big, fat bribe.' Colbert's Late Show has drawn hundreds of thousands more viewers than his closest late-night competitor, ABC's Jimmy Kimmel, whose show has remained profitable when non-traditional TV advertising revenue is taken into account, a source told CNBC. And while Kimmel and Meyers have been more aggressive in taking on Trump, Fallon has avoided the pile-on. 'If you're really making these deals Paramount are making, Colbert, Kimmel, and Meyers come off as a one-trick pony,' Thompson said. 'Fallon was the only one who didn't completely alter their brand to make fun of the president.' Shuter said Fallon's style could ultimately end up saving his skin - but not forever. 'Fallon didn't pivot hard into anti-Trump satire, and that may have bought him time. But let's be clear - this isn't about politics anymore. It's about money,' he said. 'The moment a format stops printing cash, the ideology behind it becomes a footnote.'
Telegraph
an hour ago
- Telegraph
For Elvis, death has proved disturbingly good business
Elvis lives. A 'new' Elvis Presley album is out this week, Sunset Boulevard, comprising fresh mixes of songs recorded in Los Angeles between 1970 and 1975, two years before the King died. This was a period when Elvis was arguably at the top of his game as an entertainer, relentlessly touring America with a big, super-tight ensemble of outstanding musicians, flying in on his jet and collecting a million dollars a show. Yet he was at a critically low ebb, derided for embracing Las Vegas's cheesy showbiz values and pouring out subpar albums overstuffed with middle-of-the-road material barely fit for his stellar talents. Yet here we are, still sifting through his recordings for lost gems. An extended five-disc box set that includes 89 rarities, mainly rehearsals and out-takes, more than half of which have never come out officially before. Its chief selling point is that it features songs stripped of excess overdubs to give Elvis a more raw and contemporary sound. It makes you wonder where they find this stuff? What dusty vault still contains unreleased Elvis recordings more than half a century since he died? Elvis put out 24 studio albums and 17 soundtracks within a 21-year period between his recording debut aged 19 in 1954 and death aged 42 in August 1977. Since then, there have been a mind-boggling 307 posthumous compilations, 21 remix albums, 80 box sets and 271 special collectors' releases in the Follow That Dream series. That is a lot of music, and a lot of it is the same music, repackaged over and over again. The 'Elvis lives' slogan started appearing in the immediate aftermath of his televised funeral procession, as the world grappled with the sudden disappearance of this lightning-bolt figure who had symbolised such virility. Nearly half a century later, what started out as a kind of sentimental wish seems manifestly true in terms of the way Elvis has persisted as a fixture of popular culture. The curation of the Elvis legend and management of his estate have become object lessons in the commercial exploitation of posthumous music careers. Where Elvis treads, every ageing pop brand (and their heirs) can only aspire to follow. Mercifully it is not all exploitative tat like the much derided 'interactive experience' Elvis Evolution that opened in London in July, charging up to £300 for a bit of pimped-up video footage and some over-familiar memorabilia. Elvis racks up huge streaming numbers, with more than 20 million monthly listeners on Spotify. A close look at the statistics is fascinating. His key modern audience (according to music industry site Chartmetric) are not old rock'n'roll diehards but women between the ages of 25 and 34. His most popular song is not even one of his classic rockers but dreamily romantic 1961 ballad Can't Help Falling in Love, which has garnered over a billion Spotify streams. Connecting to new generations is crucial to posthumous longevity. You have to remain present in the streaming and social media mix, with constant new releases (archive or remixes), documentaries and films (Baz Luhrmann's 2022 Elvis biopic provided a huge boost to his income and image) and even live (or almost live) performances. The best example is probably Queen, who are Spotify's most streamed vintage musical artists at number 37, and have toured with substitute singers Paul Rodgers and Adam Lambert since the death of Freddie Mercury in 1991. View this post on Instagram A post shared by Elvis Presley's Graceland (@visitgraceland) If we include the Beatles (at 55), Nirvana (111), Bee Gees (335) and the Cranberries (482), there are just 14 deceased vintage 20th-century artists in Spotify's all-time top 500 streamers (Michael Jackson at 78, Bob Marley, 122, Tupac Shakur, 157, Elvis, 205, Frank Sinatra, 208, David Bowie, 224, the Notorious BIG, 249, Whitney Houston, 294, and film composer John Williams, 446). There are also a number of late contemporary 21st-century stars, including Amy Winehouse (343), Aviici (74) and rappers Juice Wrld (21), XXXTentacion (20), Mac Miller (70) and Pop Smoke (97). Ozzy Osbourne and Black Sabbath's streams skyrocketed this week following Osbourne's death, increasing between 1,000 and 2,000 per cent, hurling them into Spotify's current top 200 and establishing Ozzy as the number one heavy metal artist in the world. I wonder if Sabbath might be tempted to tour again with another singer, Queen style? The three surviving members were on incredible form at Ozzy's farewell concert, and it would almost be a shame if they let that music fade away. There would be no shortage of contenders, with great singers from pop star Yungblud to Rival Sons' Jay Buchanan and Lzzy Hale of Halestorm giving powerful renditions of Sabbath classics at that moving show. Death can be disturbingly good for business, as anyone who has pored over Forbes's ghoulishly fascinating annual chart of highest-earning dead celebrities can attest. Yet there are notable absences, too, from once-supreme bands and stars who appear to be fading from the firmament, such as the Doors, Marvin Gaye and even Jimi Hendrix. To protect your legacy, you have to work it. Elvis Presley's personal fortune at death was a modest $5m (around $20m/£15m adjusted for inflation). By 2022, it was estimated at more than $1bn, and he is still raking in around $100m a year, with his granddaughter, Riley Keough, his sole beneficiary following the death of her mother, Lisa-Marie, in 2023. Elvis is literally worth more dead than alive. Sunset Boulevard is out now On the Record I've been listening to Lord Huron's fine new album, The Cosmic Selector Vol. 1, a slice of atmospheric Americana with thoughtful lyrics, pitched somewhere between such unmodern influences as the Band and Chris Isaak. Movie star Kristen Stewart lends her moodily dramatic delivery to one track. The surprising thing is how popular this old-fashioned, rootsy US quartet are. One of their songs, The Night We Met, has accrued more than three billion plays on Spotify since its release in 2015. It is the 22nd most popular song of the streaming age, putting it ahead of anything by Taylor Swift (whose Cruel Summer is number 28 in all-time streams). Come critical lists and award season, I expect Jim Legxacy to be a contender for his intriguing second album, Black British Music. He is a singer, rapper and producer with an experimental bent married to sinuous pop craft, blending indie, rock and folk with quirky electronica and grime influences. It hints at the shapeshifting potential of such groundbreaking American producer-songwriters as Frank Ocean and Kanye West, and provides an interesting snapshot of a kind of uniquely British take on modern musical forms.
