logo
Tejasswi Prakash Turns 32: TV Star To Bigg Boss Winner & TejRan's Love Story

Tejasswi Prakash Turns 32: TV Star To Bigg Boss Winner & TejRan's Love Story

News18a day ago

Tejasswi Prakash began her acting career in 2012 with Life OK's thriller show 2612. She played the role of Rashmi Bhargava. However, she shot to fame with her stint in Swaragini – Jodein Rishton Ke Sur.
After that, there was no looking back for Tejasswi Prakash. Some of her notable works include Pehredaar Piya Ki, Rishta Likhenge Hum Naya, Karn Sangini, Silsila Badalte Rishton Ka and others.
In 2020, Tejasswi made her reality television debut with the stunt-based show Fear Factor: Khatron Ke Khiladi season 10, hosted by Rohit Shetty. Despite being a strong contender, Prakash left the show midway after suffering from a severe eye injury. The actress booked a spot in the 6th place.
In the following year, Tejasswi Prakash participated in another popular reality show, Bigg Boss 15 and emerged as the winner.
Later, she was roped in as the protagonist Pratha Gujral, a shape-shifting serpent in Ekta Kapoor's supernatural soap opera Naagin 6. This became a turning point in her career as she garnered immense appreciation and established herself as one of the highest-paid actresses in the Hindi television industry.
In 2022, Tejasswi Prakash made her Marathi debut in the romantic drama Mann Kasturi Re alongside Abhinay Berde, followed by bagging the role of the lead heroine of another Marathi film, School College Ani Life, the next year.
Tejasswi Prakash's Love Story
Tejasswi Prakash not only won Bigg Boss 15, but she also found the love of her life at the reality show. Her relationship with Karan Kundrra blossomed inside the BB House in just three weeks of her participation. Since then, the couple has been unabashed about professing their love for each other, sharing lovey-dovey photos on Instagram.
Tejasswi Prakash's Upcoming Projects

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

ZEE5 aims to slash operating losses by up to 60% in FY26
ZEE5 aims to slash operating losses by up to 60% in FY26

Time of India

time5 hours ago

  • Time of India

ZEE5 aims to slash operating losses by up to 60% in FY26

Mumbai: ZEE5 , the streaming platform owned by Zee Entertainment , aims to reduce its operating losses by 50-60% in FY26, president of digital businesses and platforms Amit Goenka said. The OTT industry has shifted its focus to achieving profitability after years of heavy investments in subscriber acquisition, which had taken a toll on their P&L. In FY25, ZEE5 reduced its Ebitda loss to ₹548 crore from ₹1,105 crore in the previous year. The company has been aggressively cutting costs to achieve its goal of an 18-20% Ebitda margin in FY26. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Villas For Sale in Dubai Might Surprise You Villas In Dubai | Search Ads Get Rates Undo "This year, we are striving to reduce our Ebitda losses by more than 50-60% compared to last year. ZEE5 is the only division in Zee Entertainment that is not yet profitable, and we are looking to make it Ebitda-positive," he said. According to Goenka, producing content at a competitive price has been Zee's strength, and the company wants to maintain the cost advantages it has built over the years. Live Events ZEE5's focus on investing more in the story than in the star cast has helped it reduce costs-unlike other major streamers who spend huge amounts of money on star-driven shows, he noted. "We will control our costs and at the same time deliver quality content to audiences," he said. ZEE5 is planning to launch 100 content titles in FY26, with a focus on language-based offerings in markets like Tamil, Telugu, Kannada, Malayalam, Marathi and Bengali. In FY25, the platform launched 60 pieces of content across movies and originals. Goenka also downplayed concerns that stringent cost controls would impact revenue growth, even as the platform competes with giants like Netflix, Prime Video and JioHotstar. ZEE5's revenue grew by 6% in FY25 to ₹976 crore. "Controlling costs can still help you grow users and offer a great content experience because how you tell the story is more important than the face behind it," he said. While ZEE5 has a hybrid subscription and ad-led model, Goenka sees a lot of potential in the subscription model and intends to partner with telcos, broadband players and other distribution platforms to reach new audiences in tier-2 and -3 cities. The platform also aims to double down on technology to improve user experience and experiment with emerging genres like short-form vertical video.

Writer's Corner: Graphic novelist Appupen on how Bengaluru enabled him as an artist and allowed to develop his ideas
Writer's Corner: Graphic novelist Appupen on how Bengaluru enabled him as an artist and allowed to develop his ideas

Indian Express

time17 hours ago

  • Indian Express

Writer's Corner: Graphic novelist Appupen on how Bengaluru enabled him as an artist and allowed to develop his ideas

Being an artist is not an easy trade anywhere in the world, and this holds doubly true for comic authors in India. But for nearly two decades, the comic author and artist who prefers to be known as Appupen has stayed the course, his body of work placing him among the country's more prolific cartoonists. Among his more recent works is a graphic novel of C S Chellappa's classic Tamil novel Vaadivaasal, with the adaptation co-authored alongside Tamil writer Perumal Murugan released in English, Tamil, Marathi, and Bangla in January this year. This project was preceded by Dream Machine, a collaboration with French author Laurent Daudet that tackles the theme of the newfound prevalence of Artificial Intelligence or AI. Other works include Legends of Halahala, a comic universe created by Appupen that includes figures such as the politically satirical Rashtraman. While Appupen is based in Bengaluru, he finds the city more of an enabler than an inspiration. Speaking to The Indian Express, he says, 'Bangalore has allowed me the space to sit by myself and make my ideas, which Bombay did not. In Bombay, I was running to pay the rent or something, but when I came to Bangalore, I got the time to pull back and form stories, draw and write them.' Appupen's career in the field of art began when he was a student in Mumbai, making posters and murals for establishments including discos, with some early influence here being album art from the 1970s and 1980s. Early on, while he was a reader of comics, he never thought he would have the patience to create them. He recalls that later on, 'I was making storyboards for animation, and larger ideas which would be animated in my head. I worked in Bollywood also for some time as an assistant director and art director for a couple of movies.' As he puts it, he realised that his ideas would never be made into a movie with a budget, lacking elements such as song-and-dance numbers or action sequences. The storyboards could only come to life in the form of comics. On the topic of influence, he says, 'There are comic artists you like all the time, but influences can come from anywhere – it could be music or a book you read. I am more interested in the story or the theme rather than getting carried away with the style of art. That is just the icing on top… What is it that we have to say? Unless we have something solid to say, don't get into this business. Say something that has not been said like that before. What we are seeing is new ways of telling stories.' With AI being in the forefront of conversations in many fields today, Appupen notes that he had thought of it as a marketable topic for Dream Machine, adding, 'Nobody knew what it was at the time – and we still don't. People are scared or enamoured by it, but they do not really know – it is just this marketing that has been put out by the AI companies. Laurent Daudet had some very interesting perspectives on it.' He added, 'The space of AI is about monopoly – who is getting control. By playing with AI you think it is coming for free, but it has come to the point that it is being given for free because otherwise its learning is capped.' But even amid all this, comics are still not among the foremost media of consumption. Appupen says, 'I don't think I will ever stop telling people that it is not just for kids. Even educated people are thinking that it is just for children, they are not exposed to it.' Appupen also has some practical advice for those looking to start out in the field of comics. He says, 'Be realistic. Have a job or something on the side because it is not going to pay you if you do what you like. You might have to stay there a long time before you prove yourself.'

Tejasswi Prakash offers prayers at Mahakaleshwar Temple in Ujjain on her birthday
Tejasswi Prakash offers prayers at Mahakaleshwar Temple in Ujjain on her birthday

India Gazette

time18 hours ago

  • India Gazette

Tejasswi Prakash offers prayers at Mahakaleshwar Temple in Ujjain on her birthday

Ujjain (Madhya Pradesh) [India], June 10 (ANI): Actor Tejasswi Prakash offered prayers at Shri Mahakaleshwar Temple in Ujjain on Tuesday and sought the blessings of Lord Shiva. She reached near the sanctum sanctorum gate of the temple, prayed to Lord Shiva, and then performed worship rituals at the Nandi hall of the temple on her birthday. After offering prayers, Tejasswi spoke to ANI and shared her experience visiting the temple and taking part in Bhasm Aarti. She said, 'Aaj Mahakaleshwar mandir mein mai darshan aur bhasma aarti ke liye bahut sundar hua hai aaj mera janamdin ki shuruat subah 3 baje se ho ke samaye bahut energetic feel hu aur strog feeling aa rahi thi..(Today I went to Mahakaleshwar temple for darshan and bhasma darshan was wonderful, today is my day started at 3 in the the aarti I was feeling very energetic and was feeling strong.) The Mahakaleshwar Temple, situated on the banks of the Shipra River in Ujjain, holds immense religious significance as one of the twelve Jyotirlingas of Lord Shiva. The Bhasma Aarti is one of the most revered rituals here at the Mahakaleshwar Temple, which is performed during the auspicious Brahma Muhurta, between 3:30 and 5:30 AM. According to temple traditions, the ritual begins with the opening of Baba Mahakal's doors in the early hours, followed by a holy bath with Panchamrit, a sacred mixture of milk, curd, ghee, sugar, and honey. The deity is then adorned with cannabis and sandalwood before the unique Bhasma Aarti and dhoop-deep Aarti take place, accompanied by the rhythmic beats of drums and the resonating sound of conch shells. Devotees from across the country visit the temple to witness this divine ritual, believing that attending the Bhasma Aarti brings blessings and fulfillment of wishes. Meanwhile, on the work front, Tejasswi Prakash is best known for portraying Ragini Gadodia Maheshwari in 'Swaragini - Jodein Rishton Ke Sur' and Pratha Gujral in 'Naagin 6'. She also participated in reality shows 'Fear Factor: Khatron Ke Khiladi 10' (2020), and 'Bigg Boss 15' (2021). In April 2023, she was seen as the lead heroine of Marathi film 'School College Ani Life' produced by Rohit Shetty and in 2025, Tejasswi participated in the first season of Celebrity MasterChef India and emerged as 2nd runner up. (ANI)

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store