Fiorucci Spring 2026: A Child's Play
Don't be fooled by the profusion of Minnie Mouse-like polka dots, heart shapes, bows and cute poodles — including two real ones — that Francesca Murri filled her spring 2026 show with. Her lighthearted display came with a subtle political agenda, and nowadays those come with merchandise in turn. In her case, a baseball cap perched on each wooden seat cheekily read 'Make hearts beat again.'
That's been both her mission since getting the creative helm of Fiorucci — to reignite that passion for a brand loved by so many for so long — and her commentary on the current geopolitical context.
More from WWD
Mitchells Hosts Top Italian CEOs for Celebratory Dinner in Milan
Prada Goes Viral With Toe-ring Sandals Resembling India's Traditional Kolhapuri Chappals
Tailoring Takes Center Stage With Lightness, Ease and Innovation in Milan
'We all need a little bit of love right now. It's really a peculiar moment,' she said backstage. And when things get that complex, one can either summon experts for help or seek advice in an even wiser bunch: children.
Murri's show imagined the world seen through the innocent eyes of a child, where the real and surreal blur and cartoonish characters emerge. Lightness, irony and cheeky irreverence converged in a youthful lineup focused on mainly narrow and body-hugging silhouettes with occasional puffed sleeves and ruffled belts adding a comic-like vibe to looks.
Sticking to red, white and shades of blue, Murri kept things Pop but upped the sensuality for women and the preppy-ness for men. Under the former category were sheer tops with the brand's signature angels covering the breast; lingerie-inspired bodysuits; a PVC trenchcoat with red piping, and plenty of lip-shaped tops and accessories in glossy finishes. Shrunken tank tops, cropped cardigans, low-waist shorts and pants with a sporty aura defined the latter.
Some of the best looks weren't even truly there. Murri tapped artist Artist Janine Zaïs to turn archival striped tees and the Fiorucci cupids into body-painted artworks paired with cool denim pants with a triple-construction on the waist.
In general, this show was an improvement in the tricky journey Murri has embarked on to revamp the brand. The collection was more cohesive and the approachable urban setting felt more attuned to the spirit of the brand, too. Staged open-air in the courtyard of the Casa Fiorucci headquarters, the location was turned into Piazza Fiorucci, an imaginative square evoking a place of community-building. It can also be seen as square one to start a march — or a love revolution.
Launch Gallery: Fiorucci Spring 2026 Ready-to-Wear Collection
Best of WWD
Windowsen RTW Spring 2022
Louis Shengtao Chen RTW Spring 2022
Vegan Fashion Week Returns to L.A. With Nous Etudions, Vegan Tiger on the Runway
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
43 minutes ago
- Yahoo
Taylor Swift's Little Black Dress Stole the Show at Surprise Appearance with BF Travis Kelce
Taylor Swift always brings the fashion inspo. Earlier this week, the Eras hitmaker showed up for a surprise performance in Nashville at her NFL boyfriend Travis Kelce's Tight Ends & Friends concert, where she performed her 2014 hit "Shake It Off" alongside country singer Chase Rice. For the event, which took place at the Brooklyn Bowl, Swift was seen wearing a sleek $495 LBD from one of her favorite L.A. labels, EB Denim, which is currently sold out on their website. The strappy ensemble included a fitted corset top and a pleated mini skirt, which have become a regular part of her rotation over the past few years. On her feet were the $1,900 knee-high boots from Manolo Blahnik she was previously seen wearing while attending the Kansas City Chiefs' matchup against the Houston Texans at Arrowhead Stadium in December 2024. Accessorizing her ensemble with a necklace from Steven Battelle and $4,100 diamond stud earrings from Maria Tash, she also opted for Louis Vuitton's $4,000 Side Trunk PM as her bag of choice. Fans went crazy upon seeing Swift pop up in surprise fashion. "Close enough—welcome back Eras Tour!!" one commented, with another adding, "I would've gone into cardiac arrest." Then there was this bold prediction, "She's gonna go back to country. I'm calling it now." And with the NFL season soon approaching, there are sure to be many more viral appearances from the singer that get the conversation going. Want all the latest entertainment news sent right to your inbox? Click here. How Much Did Taylor Swift Pay to Buy Back Her Music? The Answer May Surprise You


Vogue
an hour ago
- Vogue
Lauren Sánchez Bezos's Ongoing Fashion Fascination with Sophia Loren
By her own admission, Lauren Sánchez Bezos did not marry Jeff Bezos in the kind of gown she initially envisioned. Originally, she told Vogue's Chloe Malle that she had visions of a strapless dress. But after going on a Blue Origin space flight to the Kárman line, both her perspective about her life—and style—shifted. 'It went from 'I want a simple, sexy modern dress' to 'I want something that evokes a moment,' and where I am right now. I am a different person than I was five years ago,' she said. So, she researched pictures of brides from the 1950s. One in particular stuck with her: Sophia Loren's wedding dress from the 1958 movie Houseboat. 'I said, 'That's it. That's the dress.'' After several conversations with Domenico Dolce and Stefano Gabbana, Dolce & Gabbana made her a high lace neck mermaid-line gown with 180 hand-finished, silk chiffon-covered buttons that took over 1900 hours to make. 'The whole thing was like a dream,' Sánchez says. Loren's original—and fictional—dress was made by legendary costume designer Edith Head, who received eight Academy Awards (as well as a total of 35 nominations) and a star on the Hollywood Walk of Fame for her work with Paramount Pictures and Universal Pictures. She's known for crafting the clothes worn by Audrey Hepburn in Roman Holiday and Breakfast at Tiffany's, Grace Kelly in To Catch a Thief, and Gloria Swanson in Sunset Boulevard. Sophia Loren's wedding dress, designed by Edith Head, as seen in the 1958 film Houseboat. Photo: Courtesy Everett Collection Domenico Dolce puts a veil on Lauren Sánchez Bezos. Photo: Courtesy of Lauren Sánchez Bezos The back of Lauren Sánchez Bezos's wedding dress by Dolce & Gabbana. Photo: Courtesy of Lauren Sánchez Bezos Although Loren has been a consistent style inspiration for Sánchez. In April, Sánchez attended the 2025 Breakthrough Prize in a 1994 John Galliano dress once worn by the Fellini muse. On a now-deleted Instagram post (Sanchez cleared her profile after officially marrying Bezos) she called her an 'icon of strength and timeless beauty.' It seems likely that Sánchez may have more Old Hollywood fashion nods up her (long lace) sleeves.


Washington Post
an hour ago
- Washington Post
Rei Kawakubo redefines men's suits with radical designs at Paris Fashion Week
PARIS — Rei Kawakubo , the ever-restless force behind Comme des Garçons , delivered a characteristically unpredictable twist on men's tailoring, dismantling the traditional suit and remaking it in her own radical image. Titled 'Not Suits, But Suits,' the Paris Fashion Week show had models striding through a packed, overheated concrete venue Friday evening in looks that both nodded to and defied the idea of formalwear. Classic suit elements, jackets, lapels, pressed trousers, were reimagined with sharp, architectural interventions: bulging hips, layered or panniered silhouettes, and unexpected splashes of color. Some jackets appeared as if spliced apart and reassembled, while skinny pants revealed hidden panels and bursts of pattern through carefully placed zippers. Layering abounded, with cropped jackets stacked over pleated shirting, kilts and shorts. Knitwear was shredded and reconstructed, echoing a sense of disorder within the tailored frame. Accessories pushed the eccentricity further — models wore oversized, multi-brimmed caps crafted from suiting fabrics, paired with long braided wigs and formal shoes. The collection evoked the need for something transformative in unsettled times. Its atmosphere only heightened the collection's message: in Kawakubo's world, the suit is not a uniform of conformity but a canvas for disruption. As guests spilled out into the night, applause rang out for a designer who continues to turn fashion's certainties inside out.