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17 Thoughts I Had About the First Kiss of the Spider Woman Trailer, Starring Jennifer Lopez and Diego Luna

17 Thoughts I Had About the First Kiss of the Spider Woman Trailer, Starring Jennifer Lopez and Diego Luna

Vogue2 days ago

I'm something of a freak for musicals even when they don't star Jennifer Lopez, so you can imagine how I feel about Bill Condon's upcoming big-screen adaptation of Kiss of the Spider Woman. Set in a prison during Argentina's Dirty War, the film, which had its world premiere at Sundance earlier this year, features none other than J.Lo as a fatally beautiful screen actress (what a stretch!), and it's due out in theaters this fall.
Watch the first teaser trailer for yourself below, then find (literally) every thought I had about it below.

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Review: THE LIFE OF CHUCK is a Soulful Ode to Existence, Memory, and the Quiet Magic of Living — GeekTyrant
Review: THE LIFE OF CHUCK is a Soulful Ode to Existence, Memory, and the Quiet Magic of Living — GeekTyrant

Geek Tyrant

time7 hours ago

  • Geek Tyrant

Review: THE LIFE OF CHUCK is a Soulful Ode to Existence, Memory, and the Quiet Magic of Living — GeekTyrant

Mike Flanagan has made a career out of wrestling with grief, mortality, and the unknown. But with The Life of Chuck , he shifts the tone from fear, dread, and horror to warmth and wonder, offering what might be his most emotionally generous film yet. Adapted from Stephen King's novella, this isn't a horror film, at least, not in the way we've come to expect from Flanagan. This is a story about death, yes, but also about life, and how those two are inseparably bound together. For me, it hit like a quiet thunderstor, soft and heavy, with a beauty I was hoping for. The film is structured in reverse, unfolding in three acts that take us on a journey from Chuck's death back to his childhood. It's a gutsy narrative choice, but it works. You don't walk out of this film trying to piece together plot threads or decipher twists, you walk out reflecting on the moments in your own life that suddenly feel more meaningful. That's the effect this movie had on me. It got under my skin and I found myself welling up multiple times, not because of grand, dramatic turns, but because of small, delicate truths that rang so painfully and beautifully real. This story's power is rooted in how universal it feels. Chuck Krantz isn't a world-famous figure or a mythical savior. He's a person who is quietly significant in ways that ripple through others, whether he realizes it or not. The movie opens with a surreal sense of finality, the world is unraveling, time is collapsing, and strange phenomena begin to mark the end of things. But instead of spiraling into apocalyptic chaos, the film focuses on memory, meaning, and human connection. It reminded me, strongly, of how I've felt coming out of films like Stand By Me , with a deep emotional ache wrapped in joy and happiness. It's not easy to describe that feeling, but The Life of Chuck captured it perfectly. The performances across the board of this ensemble cast are excellent, even though many of the roles are relatively small. Tom Hiddleston may be the headliner, but he really only has one big sequence. It's Mark Hamill who delivers one of the most powerful performances in the film. His character might have the most screen time, and there's a emotional weight to his performance. Every cast member, from Karen Gillan to Chiwetel Ejiofor to young Jacob Tremblay, contributes something meaningful. No one feels wasted. Each person brings a note to the symphony of Chuck's life, and they all play it with heart. Flanagan's direction is gentle and confident. He's not interested in hitting us over the head with the film's themes. Instead, he invites us to sit with them, to feel them. There's a vulnerability in the filmmaking that feels new for him. While many of his past works leaned into fear, this one leans into acceptance. It doesn't rage against the dying of the light, it looks at it and says, 'Thank you', which I thought was powerful. I'm not sure this movie will land for everyone, and that's okay. Some may find its structure jarring or its tone overly sentimental. But for those willing to meet it where it is, to embrace its introspection and let their guard down, it's one of the most rewarding cinematic experiences of the year. For me, it was personal. It touched on things I've gone through in my own life, and somehow, instead of leaving me heavy, it lifted me. I walked out of the theater feeling like I'd just been hugged by the universe itself. There's a line running through The Life of Chuck that essentially says: 'Everything matters.' That idea pulses through the film like a heartbeat. It's a movie about moments, quiet ones, strange ones, painful ones, and how they echo. It doesn't answer life's big questions, but it respects them enough to ask. It gave me a chance to stop, reflect, and just be grateful for the ride. I honestly think this is one of Mike Flanagan's finest works. It's daring, heartfelt, and completely unafraid to wear its soul on its sleeve. For me, The Life of Chuck isn't just one of the best Stephen King adaptations, it's one of the best films of the year. It's a quiet masterpiece that reminds us that even as everything ends, what we had still matters.

Rock icon Fito Páez isn't looking at legacy yet: 'I still have many things left to do'
Rock icon Fito Páez isn't looking at legacy yet: 'I still have many things left to do'

USA Today

time9 hours ago

  • USA Today

Rock icon Fito Páez isn't looking at legacy yet: 'I still have many things left to do'

Rock icon Fito Páez isn't looking at legacy yet: 'I still have many things left to do' Don't give Fito Páez his flowers yet. He's still planting new seeds. The Argentina-born singer-songwriter and film director, whose landmark 1992 album "El Amor Después del Amor" celebrated its 33rd anniversary June 1, continues his tradition of avant-Latin rock on his latest album "Novela." Páez, 62, became "The Troubadour of Argentine Rock" by waxing poetic with his heady, romantic lyrics and free-spirit flamboyance. On "Novela," an ambitious 25-track record Páez had been working on since 1988, the Grammy-winning rocker explores the inner workings of true love through the tale of Maldivina and Turbialuz, a pair of young witches tasked with creating the "perfect romance." "I don't compose music for albums. My connection to music, to writing or to film is permanent. I'm not thinking, 'Now I'm going to do this or that,'" Páez tells USA TODAY in Spanish. "It's almost like breathing." Something that comes just as naturally to Páez is writing about the primal magic of human connection. "There's nothing more important than love," he says. Fito Páez preaches the importance of artistic independence For Páez, there's nothing more vital than marching to the beat of your own drum. The acclaimed rocker, who's released nearly 30 albums since his 1984 debut "Del 63," shares his concern about today's music landscape, which he views as valuing conformity over originality. "The world has changed so much," he reflects. "In the last century, to be different (as an artist) was a virtue. Today, virtue is being like everybody else." Despite his lower middle-class upbringing in Rosario, Argentina, Páez was fed a rich musical diet, consisting of the sounds of Frank Sinatra, Burt Bacharach and The Beatles. He says these trailblazers informed the experimental rock style he's now known for. So, Páez's advice for younger artists? Embrace the uncertainty of carving out their own path. "Music is like the sea. It's deep and warm and at the same time, full of storms," Páez says. "This is much more fun than repeating a beat and four lyrics for five minutes." Karol G interview: Singer talks vulnerable new documentary, love life and upcoming 'dream' album Fito Páez's proudest achievement may surprise you Over the years, Páez has been lauded for his artistic contributions, including 11 Latin Grammy Awards. In 2021, the Latin Recording Academy recognized Páez with the prestigious Lifetime Achievement Award. Páez's music has been equally championed by la gente. His beloved eighth album, "El Amor Después del Amor," is reportedly the best-selling album in the history of Argentine rock. "I don't want a legacy yet. I still have many things left to do," Páez says with a laugh. "In the end, that's the beauty of the spread of music, that it's not the process of one era, of one song, of your vanity or of your brand, but it's a journey through time. And when it happens for real, it's very beautiful." Natalia Lafourcade interview: Mexican singer on alter ego in 'Cancionera,' significance of touring in her 40s The greatest accolade for Páez lies in his continued ability to create. "I really love that 12-year-old boy who listened to music with his parents, and something was awoken there that is still alive, and that boy never said never," Páez says. "So, I'm really proud of that little boy."

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