
Luke Day appointed Man About Town editor to reshape title for a 'new era'
Part of the Visual Talent group, the independent British publishing and media company said his appointment is part of the title's 'ongoing strategy to break new ground in the fashion and lifestyle publishing landscape... focusing on untapped opportunities and redefining what it means to lead in the world of print and digital media'.
With tenures as fashion editor at Arena Homme+, fashion director at British GQ and editor at GQ Style, Day 'is a significant figure in luxury fashion media', the publisher said.
It added that Day 'will draw on his wealth of experience with globally recognised menswear publications to develop and execute a brand new editorial vision for Man About Town in 2025 and beyond, across print issues and a revamped digital platform that launches in July'.
Visual Talent CEO Carl Tallents added: 'I'm excited for this new era of Man About Town and to see its evolution in digital and live events. Luke has an unrivalled eye for all things sartorial and I've no doubt he will take Man About Town to new and exciting places.'
Day said: 'With over 20 years in men's fashion publishing, print is in my DNA. I intend to evolve Man About Town 's legacy to push boundaries in print, digital, and beyond.'
He added: 'Expect a bold, luxurious vision: delivering zeitgeist talent, cultural heat, and fashion that defines the modern man about town.'
The first issue under Day's editorial direction will be AW25, launching in October.

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France 24
a day ago
- France 24
Stressed UK teens seek influencers' help for exams success
He is among online study influencers gaining popularity among stressed British teenagers in search of exam success. But educators and examiners are concerned some pupils are relying too much on online advice. Malik posts videos on TikTok and YouTube forecasting questions on classic English literature for the UK GCSE school exam taken at 16. Last year "I predicted the entire paper," he says on his popular "Mr Everything English" channel. Malik, who says he is a former assistant head teacher, notes that he is just making an "educated guess", but educators remain concerned. "If you are a 15- or 16- year-old doing your GCSEs and you've got somebody in your phone who's telling you 'this is what the English exam is going to be about'... that is so appealing," said Sarah Brownsword, an assistant professor in education at the University of East Anglia. After British pupils sat their exams in May, some complained that Malik's predictions were wrong. "Never listening to you again bro," one wrote, while others said they were "cooked" (done for) and would have to work in a fast food restaurant. With GCSE results set to be released on August 21, one exam board, AQA, has warned of "increasing reliance on certain online revision channels". "Clearly this is an important source of revision and support for students," it said. But the examiners want "your interpretation of the texts you have studied, not some stranger's views on social media". 'Looking for help' Students are overloaded, school leaders say. "With so much content to cover and revise in every subject it can be completely overwhelming," Sarah Hannafin, head of policy for the school leaders' union NAHT, told AFP. "And so it is unsurprising that young people are looking for anything to help them to cope." Malik, whose prediction video has been viewed on YouTube 290,000 times, did not respond to a request for comment. Brownsword praised TikTok, where she posts grammar videos for student teachers, saying: "You can learn about anything and watch videos about absolutely anything". Teachers have always flagged questions that could come up, she said, but predicting exam questions online is "really tricky". "But I think there's a real difference between doing that and doing it on such a scale, when you've got thousands or tens of thousands or even hundreds of thousands of followers online." Other content creators defended such videos, however. "Those kind of videos were never to mislead," said Tilly Taylor, a university student posting TikTok videos with candid revision advice to 100,000 followers. "I make it very clear in my videos that these are predictions," based on past papers and examiners' reports, said Taylor, who appeals to younger viewers with her fashionable eye makeup. Other content creators sell predicted papers "all the time," Taylor said, but "I don't think it's right." Other educational influencers were more in favour. "If you're marketing it as a predicted paper, that's completely fine... you just can't say guaranteed paper," said Ishaan Bhimjiyani, 20, who has over 400,000 TikTok followers. He promoted a site offering an English predicted paper for £1.99 ($2.70) with a "history of 60-70 percent accuracy". 'It took off' Predicted papers allow you to "check whether you're actually prepared for the exam", said Jen, a creator and former teacher who posts as Primrose Kitten and declined to give her surname. Her site charges £4.99 for an English predicted paper and includes a video on phrasing to score top marks. Bhimjiyani, who went to a private school, started posting on TikTok at 16, saying he was "documenting my journey, posting about how I revise". "And then it kind of took off." He founded an educational influencer agency, Tap Lab, that now represents over 100 bloggers in their mid-teens to mid-20s. Influencers earn most from paid promotions -- for recruiters or beauty or technology brands --- which must be labelled as such, he said. Bhimjiyani made £5,000 with his first such video. Taylor said she recently promoted student accommodation. No one explained "how do you actually revise", Taylor said of her school years. So she turned to YouTube for ideas.


Euronews
2 days ago
- Euronews
The next James Bond? Unknown British actor reportedly screentests
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Euronews
4 days ago
- Euronews
Pink Slip returns: What are the best fictional movie bands?
When Freaky Friday came out in 2003, teenage dreams felt simple: a belly button ring, electric guitar, and pop-punk band destined for stardom. In Mark Waters' update of the 1976 Jodie Foster–Barbara Harris classic, Anna (Lindsay Lohan) is a rebellious teen who swaps places with her uptight therapist mum, Tess (Jamie Lee Curtis), after eating a magic fortune cookie. Comedic mayhem follows - but what fans still hold dearest are the details: Anna's embroidered guitar shirt, Tess's quotes ("make good choices!") and Pink Slip's riot grrrl-inspired songs. Its sequel, Freakier Friday, knows this - and leans heavily into the sparkly, scrappy, and superficially aspirational aesthetics of a Y2K Disney Channel era. Set twenty two years later, Tess is attempting to start a podcast ahead of publishing her book, "Rebelling with Respect". Anna is a music manager and single mum to surf-loving teen Harper (Julia Butters), who's constantly clashing with her soon-to-be British step-sibling Ella (Maitreyi Ramakrishnan). With family tensions high, a hyperactive Etsy psychic (Vanessa Bayer) intervenes - and sets in motion a quadruple body swap. Yes, it's as chaotic (and initially headache-inducing) as it sounds! While Harper and Ella (as Anna and Tess) decide to sabotage their parent's wedding plans, Anna and Tess (as Harper and Ella) search for a solution - but not before embarking on a junk food binge:"I haven't digested like this in decades!" While convoluted and deliberately heavy on fan service, Freakier Friday is ultimately a joyful nostalgia trip, like playing dress-up with a bunch of old friends. There are scrapbook-style graphics, outfit-change montages, oversized safety pin accessories - and even a blooper reel. The return of characters like Anna's old crush, Jake (Chad Michael Murray), gives it the comforting feel of a sitcom - everyone is older, but basically the same. Lohan and Curtis carry the comedic parts, the latter a delight to watch posing for author photos with lip plumper on - or grabbing adult diapers and enemas with perfectly affected teenage disgust. But it's the performance by Anna's band, Pink Slip, that will have millennials more rapturous than a retired raver at an Oasis reunion. In the finale, Lohan reunites with bandmates Christina Vidal and Haley Hudson to belt out their classic hit 'Take Me Away' before a packed stadium crowd. And suddenly, we're thirteen again - yearning for pop stardom, and a time when we loved things not because they were good, but because they felt like ours. So, in honour of Freakier Friday's release, here's a list of some of our other favourite fictional bands that have stood the test of time. Whether headlining stars or supporting acts, '90s boybands or hapless heavy metal rockers, their music continues to live - in the indelible lyrics of Pink Slip - "on and on and on and on." Sex Bob-Omb - Scott Pilgrim vs. the World (2010) The scrappy Toronto-based punk trio who want to 'make you think about death and get sad and stuff,' Sex Bob-Omb are fronted by Stephen Stills (Mark Webber), Kim Pine (Alison Pill), and bassist-slacker Scott Pilgrim (Michael Cera), with Young Neil (Johnny Simmons) as their eager understudy. In Edgar Wright's adaptation of Bryan Lee O'Malley's comic series, musician Beck composed the band's grungy, irreverent anthems, from 'We Are Sex Bob-Omb' to 'Garbage Truck'. It's a sound that drives the film's frenetic energy and fight choreography - rivalled only by The Clash at Demonhead and their killer cover of Metric's 'Black Sheep'. PoP! - Music and Lyrics (2007) A relic of the 1980s pop explosion, PoP! were once floppy-haired chart-topping heartthrobs. But in Music and Lyrics, former frontman Alex Fletcher (Hugh Grant) is now living off the dregs of nostalgia, performing the occasional reunion gig while struggling to get a solo career off the ground. While the movie itself is quite forgettable, PoP!'s 1984 hit 'PoP! Goes My Heart' is certainly not - even 18 years later, we're still humming it. A perfect parody of schmaltzy synth-pop, it's both irresistibly catchy and hilariously grating, complete with a music video full of white suits, melodrama, and tightly choreographed hand gestures. Hugh Grant even admitted in a 2016 Reddit AMA that he still performs the moves for his kids. Spinal Tap - This Is Spinal Tap (1984) They're the loudest band in rock history, and probably the funniest. Spinal Tap are the stars of Rob Reiner's cult mockumentary about a British heavy metal band attempting a comeback tour. Frontman David St. Hubbins (Michael McKean), guitarist Nigel Tufnel (Christopher Guest), and bassist Derek Smalls (Harry Shearer) began life as a sketch for a 1979 comedy show, with their debut single 'Rock and Roll Nightmare' featuring folk legend Loudon Wainwright III on the keyboards. They're also due to crank things up to 11 once again, with Spinal Tap II: The End Continues due out in September. Bring earplugs. Stillwater - Almost Famous (2000) In Cameron Crowe's semi-autobiographical tribute to music fandoms, Stillwater are the up-and-coming Southern rock band that teenage writer William Miller (Patrick Fugit) is sent to profile for Rolling Stone. Channeling the swagger and soul of Lynyrd Skynyrd and the Eagles, their sweaty anthems exude the sex, drugs and rock 'n' roll energy of the early '70s. The tracks were written by Crowe and his then-wife Nancy Wilson of Heart, with Peter Frampton and Pearl Jam's Mike McCready also contributing. 4*TOWN - Turning Red (2022) Pixar's Turning Red introduced us to puberty as a big red panda - but also 4*TOWN, the boyband obsession of teen protagonist Mei Lee (Rosalie Chiang). Despite the name, the group actually has five members. This is due to four being considered an unlucky number in Chinese culture, according to the film's director Dommee Shi. Styled in the fashion of '90s to early '00s pop groups like the Backstreet Boys, their tracks were written by Billie Eilish and Finneas O'Connell - and perfectly capture the squeaky clean studio sound of teenage millennial nostalgia. Josie and the Pussycats - Josie and the Pussycats (2001) Adapted from the Archie Comics and Hanna-Barbera cartoon, this 2000's staple follows bandmates Josie (Rachael Leigh Cook), Melody (Tara Reid) and Val (Rosario Dawson) as they become pawns in a corporate mind-control plot. From the antsy pop of '3 Small Words' to the melodic melancholy of 'You Don't See Me', their songs were written to reflect the studio-controlled, manufactured feel of music at the time. "We were coming out of an era with Nirvana and Pearl Jam and Sonic Youth, bands that really encouraged dissent and individuality. It was like the music industry suddenly decided we need to course-correct," co-director Deborah Kaplan told BuzzFeed in 2017. "It was kind of a reaction to that.' Sing Street - Sing Street (2016) Thick eyeliner, ruffled shirts and teenage yearning - Sing Street are the Irish 80s amateur band at the heart of John Carney's award-winning musical rom-com. Formed by struggling teen Conor (Ferdia Walsh-Peelo) with a group of his schoolmates, fame and fortune were never the goal - just impressing his crush, Raphina (Lucy Boynton). Almost every track is addictively good, from the high-energy, Hall & Oates-inspired 'Drive It Like You Stole It', to the mellowing ballad 'To Find You'. It's the sound of nostalgia that feels both old and new, charged with the naivety and buoyant energy of youthful escapism. School of Rock - School of Rock (2003) They've got guitars in their hands and rock in their hearts! School of Rock is the student band founded by Dewey Finn (Jack Black), a failed musician posing as a substitute teacher in Richard Linklater's beloved comedy. While they ultimately lose at the Battle of the Bands competition, their final song, 'Rock Got No Reason', remains an absolute banger. It has epic guitar solos, groovy backing harmonies, and some feverishly funky keyboard playing. And to their encore of AC/DC's 'It's a Long Way to the Top'? We salute. Freakier Friday is out in cinemas now.