logo
Look of the Week: Lisa Rinna makes the case for party wigs at fashion week

Look of the Week: Lisa Rinna makes the case for party wigs at fashion week

CNN10-07-2025
Superfans of Lisa Rinna may have spotted The Real Housewives of Beverly Hills breakout star around Paris this week — though her signature honey blonde spiky bob was noticeably absent. Instead, Rinna attended the Haute Couture shows wearing a rotation of wigs, ranging from an inky black bowl-cut worn with a blue Balenciaga sports jacket for Demna's final couture collection for the brand, to a towering, lilac-colored beehive for the Viktor & Rolf show.
Both looks were created by Johan Hellstrom, hairstylist to the stars and owner of Swedish haircare brand Björn Axén. Each wig, according to Hellstrom's Instagram Stories, was painstakingly applied to Rinna's head with extreme precision by two people. If you weren't familiar with Rinna's vast following (3.7 million on Instagram alone) and reality TV notoriety, you might think she was going undercover — keen to be disguised. In reality, her wigs are a way of capturing as many eyes as possible.
Already, the internet has started to poke fun at Rinna's looks ('It's giving Bob from Beetlejuice,' wrote one TikTok user under a video of the star on the front row, posted by French celebrity title Gala). But if fashion is about creative expression and individuality, particularly in the context of couture — which represents the highest level of customization and artistry — should more people be completing their outfits this way?
Over the years, A-lister sightings at couture week have included Doja Cat painted red and embellished with 30,000 Swarovski crystals, and Kylie Jenner sporting a faux, lifesize lion's head on her shoulder. On Monday, Cardi B brought a live crow with her to the Schiaparelli show. But despite these dramatic displays of surrealist fashion, something much more simple — a wacky or vibrantly colored wig — is surprisingly rare. So much so that Rinna's are often headline-grabbing. Her past looks have featured a bowl cut reminiscent of the '80s, which she sported at Paris Fashion Week in 2023, a Marilyn Monroe-style blonde blowout, and a firetruck red pixie cut. 'I've had such a ball doing that kind of stuff,' she told Bravo of her eccentric hairstyles in 2023.
Fashion designers are equally familiar with the power of a synthetic wig. For Jeremy Scott's New York Fashion Week show in 2018, models including Gigi Hadid and Stella Maxwell wore choppy blunt bobs in rose pink, baby blue and fluorescent yellow. At Anna Sui's show a year later, Bella Hadid strutted down the runway in a spiky fuchsia mullet, while Kaia Gerber had a bruised blueish one to match. More recently, Rei Kawakubo at Comme des Garçons flipped the material capabilities of wigs with solid plastic 'dos that sat on the head like a helmet. At the JW Anderson show in 2024, tightly curled mops in stone grey completed the narrative of the nosy neighbour of a bygone era.
Wigs have a long history dating back to ancient civilizations. Both men and women in ancient Egypt wore wigs, often made of human hair or plant fibers, as they served as symbols of status and subsequently protected those with shaved heads from the sun. For centuries, they've also been present in African and Black communities, where they have been worn for various complex reasons ranging from cultural expression and hair protection to navigating Eurocentric beauty standards.
However, at fashion week, the use of wigs appears to be entirely decorative and avant-garde, the way a party wig exists in the same camp as a set of press-on nails or a quirky bag. It's a finishing touch, an accessory that adds to the character embodiment.
Of course, it doesn't make sense for all attendees. The editors, buyers and stylists attending fashion weeks tend to have a stacked agenda, with plenty of work to do. Their attire, then, must serve the purpose of comfort and professionalism. But for the exceptional few, such as Rinna, their goal is to be photographed — and for those photographs to be as widely circulated as possible. With the most outlandish looks receiving attention in the digital age, it may be why some attendees opt for the most eye-catching, sometimes head-scratching styles. And how better to stand out than with a statement-making wig? Even those with little interest in fashion will know through the medium of fancy dress parties that fake hair is the crowning feature on any committed costume.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Phil Collins recovering in hospital
Phil Collins recovering in hospital

Yahoo

time19 minutes ago

  • Yahoo

Phil Collins recovering in hospital

Phil Collins is recovering from knee surgery. The 74-year-old musician - who admitted earlier this year that he is "very sick" - was the subject of online rumours last week that he was receiving hospice care, but his representative his confirmed to The Independent that is not the case. Instead, the former Genesis frontman is currently in hospital recuperating after having an operation on his knee. Phil - who has type 2 diabetes and ongoing complications from a 2007 spinal surgery which means he can "barely" hold a drumstick properly anymore - admitted earlier this year his health issues have meant he is no longer interested in playing music. He told MOJO magazine: 'I keep thinking I should go downstairs to the studio and see what happens. But I'm not hungry for it anymore. 'The thing is, I've been sick, I mean very sick.' The In the Air Tonight hitmaker would love to be able to drum again one day, but he devastatingly believes he's 'used up my air miles'. Speaking in the Phil Collins: Drummer First documentary, he said: 'It's still kind of sinking in a bit… I've spent all my life playing drums. To suddenly not be able to do that is a shock.' Phil picked up his first set of drumsticks aged five and he says the laborious playing has 'taken its toll' on his hands and legs. He added about his decision to retire: 'If I can't do what I did as well as I did it, I'd rather relax and not do anything. 'If I wake up one day and I can hold a pair of drumsticks then I'll have a crack at it. 'But I just feel like I've used up my air miles.' Phil has suffered for a long time with poor health since he injured a vertebrae in his upper neck while performing in 2009. Two years later, he stepped back from performing due to crippling nerve damage, which rendered him unable to play the drums, before returning in 2015. Promoting Genesis' reunion shows, he previously said: 'I'm kind of physically challenged a bit which is very frustrating because I'd love to be playing up there with my son.'

Does this look like a real woman? AI Vogue model raises concerns about beauty standards
Does this look like a real woman? AI Vogue model raises concerns about beauty standards

Yahoo

time32 minutes ago

  • Yahoo

Does this look like a real woman? AI Vogue model raises concerns about beauty standards

There's a new supermodel in town. She's striking, stylish... and not real. In August's print edition of Vogue, a Guess advert features a flawless blonde model showing off a striped maxi dress and a floral playsuit from the brand's summer collection. In small print in one corner, the ad reveals that she was created using AI. While Vogue says the AI model was not an editorial decision, it is the first time an AI-generated person has featured in the magazine. The advert has been met with controversy and raises questions about what this means for real models who have fought for greater diversity, and for consumers - particularly young people - already struggling with unrealistic beauty standards. Seraphinne Vallora is the company behind Guess's controversial advert. Its founders, Valentina Gonzalez and Andreea Petrescu, tell the BBC they were approached by Guess's co-founder, Paul Marciano, on Instagram and were asked to create an AI model as part of the brand's summer campaign. "We created 10 draft models for him and he selected one brunette woman and one blonde that we went ahead and developed further," Gonzalez says. She explains there's often a misconception that AI image generation is simple, saying it is actually a complex process. The company has five employees who create AI models, and it can take up to a month from idea inception to the completed product. The pair say they charge anywhere up to low six figures for a client like Guess. 'Disheartening' But Felicity Hayward, a plus-size model who has been in the industry for more than a decade, says using AI models in fashion campaigns "feels lazy and cheap". "Either Guess is doing this to create a talking point and get free publicity or they want to cut costs and don't think about the implications of that." She describes Vogue's decision to include the advert as "very disheartening and quite scary", and worries it could undermine years of work towards more diversity in the industry. The fashion world was making real progress to be more inclusive in the 2010s - the decade saw Valentina Sampaio become the first openly trans model to walk for Victoria's Secret, Halima Aden was the first hijab-wearing model in global campaigns, and brands like Savage x Fenty featured plus-size models on the runway. But in recent years, Hayward believes, the industry has slipped backwards because "these people are just not getting booked any more". And the use of AI models is "another kick in the teeth, and one that will disproportionately affect plus-size models", she warns. Gonzalez and Petrescu are adamant they don't reinforce narrow beauty standards. "We don't create unattainable looks - actually the AI model for Guess looks quite realistic," Petrescu says. "Ultimately, all adverts are created to look perfect and usually have supermodels in, so what we are doing is no different." The pair admit the AI images on their company's Instagram page are lacking in diversity and promote unrealistic beauty standards. They say they have tried to be more inclusive, but it's the users who don't engage much with those posts. "We've posted AI images of women with different skin tones, but people do not respond to them - we don't get any traction or likes," Gonzalez tells the BBC. "At the end of the day, we are a business and use images on Instagram that will create a conversation and bring us clients." The company is yet to experiment with creating plus-size women, claiming "the technology is not advanced enough for that". An ad campaign by Dove in 2024 was designed to highlight the biases in AI. In the advert, an image generator is asked to create the most beautiful woman in the world and produces virtually indistinguishable women who are young, thin and white, with blonde hair and blue eyes. The images generated look similar to the Guess AI model. Hayward worries that seeing these unattainable images could have an impact on people's mental health and negatively affect their body image. Concern around unrealistic beauty standards and the damaging effects they can have is nothing new. But unlike traditional airbrushing, which at least began with a real person, these AI models are digitally created to look perfect, free from human flaws, inconsistencies or uniqueness. While some high-profile figures such as Ashley Graham, Jameela Jamil and Bella Thorne have spoken out against image editing and refuse to have their pictures Photoshopped, the use of AI sidesteps such conversations entirely. Vogue's decision to include an AI-generated advert has caused a stir on social media, with one user on X writing: "Wow! As if the beauty expectations weren't unrealistic enough, here comes AI to make them impossible. Even models can't compete." Vanessa Longley, CEO of eating disorder charity Beat, tells the BBC the advert is "worrying". "If people are exposed to images of unrealistic bodies, it can affect their thoughts about their own body, and poor body image increases the risk of developing an eating disorder," she says. 'Exceptionally problematic' Adding to the issue is the lack of transparency - it is not a legal requirement to label AI-generated content in the UK. While Guess labelled its advert as AI-generated, the disclaimer is small and subtle. Readers may overlook it and, at a glance, the image appears entirely lifelike. Sinead Bovell, a former model and now tech entrepreneur, wrote an article for Vogue five years ago about the risks of AI replacing modelling. She tells the BBC that not labelling AI content clearly is "exceptionally problematic" because it could have a detrimental impact on people's mental health. "Beauty standards are already being influenced by AI. There are young girls getting plastic surgery to look like a face in a filter – and now we see people who are entirely artificial," she says. Aside from the impact AI models could have on a consumer, especially if unlabelled, what about the impact of this technology on those working in the fashion industry? Sara Ziff is a former model and founder of Model Alliance, an organisation that aims to advance workers' rights in the fashion industry. She says Guess's AI campaign is "less about innovation and more about desperation and need to cut costs". More broadly, the former model thinks AI in the fashion industry is not inherently exploitative, but can often come at the expense of the people who bring it to life because there are many more staff involved in a photoshoot than just the model and the photographer. "AI can positively impact the industry, but there need to be meaningful protections for workers," she explains. 'Supplement not replace' Seraphinne Vallora rejects the notion that it is putting people out of work, and says its pioneering technology "is supplementary and not meant to replace models". "We're offering companies another choice in how they market a product," Petrescu explains. The pair add that they have created jobs with their company, and part of the process of creating AI models requires them to hire a real model and photographer to see how the product looks on a person in real life. However, its website lists one of the benefits of working with them as being cost-efficient because it "eliminates the need for expensive set-ups, MUA artists, venue rentals, stage setting, photographers, travel expenses, hiring models". Vogue has come under fire for including the advert in its print edition, with one person on X saying the fashion magazine had "lost credibility". Bovell says the magazine is "seen as the supreme court of the fashion industry", so allowing the AI advert to run means they are "in some way ruling it as acceptable". The BBC approached Vogue and Guess for comment. Vogue said it was an advert, not an editorial decision, but declined to respond further. So, what does the future of the modelling industry look like? Gonzalez and Petrescu believe that as their technology improves, they will be even more in demand by brands looking to do things differently. Bovell thinks there will be more AI-generated models in the future, but "we aren't headed to a future where every model is created by AI". She sees positives in the development of AI in the industry - predicting that anybody could "start to see ourselves as the fashion models" because we will be able to create a personal AI avatar to see how clothes look and fit. However, she adds that we may get to the stage of "society opting out, and not being interested in AI models because it's so unattainable and we know it's not real". More Weekend Picks The procedures driving UK's cosmetic surgery rise Women share their bittersweet experience after taking weight-loss drugs Can LED face masks transform your skin? Here's what the experts say Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store