Choi Yena to hold concerts in Japan
She will host 'I Am Star!' in the two cities on Sept. 15 and 17, respectively, returning to her Japanese fans about seven months after her previous sold-out show.
The singer will also be dropping her fourth EP, 'Blooming Wings,' on July 29 — approximately ten months since 'Nemonemo.'
The upcoming mini album will consist of five tracks, including the main track whose title translates as 'I hate the most to hear that I am good.' She participated in writing the lyrics for both the focus track and 'Hello, Goodbye.'
In May, she was featured in 'Loser' on 'Echo,' the second EP of BTS' Jin. She sang the duet with Jin at his first solo fan concert in Korea last month.
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Korea Herald
14 hours ago
- Korea Herald
Six artists explore personal narratives beyond politics at Atelier Hermes in Seoul
The exhibition 'The Second Life' runs through Oct. 5 In the group exhibition, 'The Second Life,' Atelier Hermes in Seoul has gathered six artists who explore how individual lives are shaped beyond social and political discourse, drawing on personal stories. Curator Ahn So-yeon said Thursday that the participating artists — Bek Hyun-jin, Lee Yona, Han & Mona, Kim Bo-kyung and Park Min-ha — each took a "slice of life" approach to create new work for the exhibition. 'These days, an overwhelming number of exhibitions are being produced around socio-political issues such as the environment and climate crisis," Ahn said. "Rather than focusing on socially or politically 'correct' themes or collective ideas, the exhibition aims to explore how deeply personal issues can expand and evolve within those contexts." Han & Mona, a duo based in Seoul and Edinburgh, presents "Listen, I Know," inspired during the COVID-19 pandemic. The digital installation flashes of Morse code to express the situations of conflict and negotiation they encounter in cross-cultural engagement. 'During the pandemic, I was stuck indoors and when I looked outside there was a light blinking as though it was crying out to me,' the duo's Yoo Mona said of her inspiration for the piece. 'You might feel the blinking of Morse code is a bit slow, which was intentional as we wanted to reflect elements from our own way of communication in the work like the tone and glances when we talk,' Yoo said. "As we have different cultural backgrounds and grew up speaking different languages, small cracks or misunderstanding emerge time to time. That is, however, how our communication expands." Her partner Ma Hanqing is from the Hui community, composed of Chinese-speaking adherents of Islam. Most of them reside in northern China, while some of them live in metropolitan cities such as Beijing and Shanghai, Ma said. Kim, a Berlin based artist who uses knitting, paper weaving and drawing, confessed she almost abandoned her career as an artist, but was able to continue when she came up with her acanthus leaf motif, drawing inspiration from the plant's tenacious hold on life. Park shows the media installation 'Ghost Anatomy,' where she incorporates a virtual character, Noa, created with AI, into her daily life. The piece looks at the way the character explores its own subconscious. Bek, who is a singer, composer, actor and director as well as an artist, presents 21 drawings and five paintings on "hanji," Korean traditional mulberry paper, that depict moments of his current life, now marked by shoulder pain — becoming middle-aged, according to the artist — and a changed rhythm as a result. The artist said his new paintings were changed in style after he was fascinated by the ink painting "Sehando (Winter Scene)" by Kim Jeong-hui (1786-1856), a Korean calligrapher and scholar from the late Joseon Dynasty, for how it depicts the snow-covered landscape with seemingly unfinished lines. Lee, who left Busan to live in New Zealand at age 11, translates the tension that she feels between traveling and rootedness with a stainless-steel installation.
Korea Herald
18 hours ago
- Korea Herald
Atelier Hermes in Seoul shows art as a personal turning point
The exhibition 'The Second Life' runs through Oct. 5 at Atelier Hermes in Seoul. In its second group exhibition, 'The Second Life,' Atelier Hermes in Seoul has gathered six artists who explore how individual lives are shaped beyond social and political discourse, drawing on personal stories. Curator Ahn So-yeon said Thursday that the participating artists — Bek Hyun-jin, Lee Yona, Han & Mona, Kim Bo-kyung and Park Min-ha — each took a "slice of life" approach to create new work for the exhibition. 'These days, an overwhelming number of exhibitions are being produced around socio-political issues such as the environment and the climate crisis," Ahn said. "In my case, I wanted to take a different perspective — rather than focusing solely on socially or politically 'correct' themes or collective ideas, I sought to explore how deeply personal issues can expand and evolve within those contexts." Han & Mona, a duo based in Seoul and Edinburgh, uses flashes of Morse code to express the situations of conflict and negotiation they encounter in cross-cultural engagement. 'During the pandemic, I was stuck indoors and when I looked outside there was a light blinking as though it was crying out to me,' the duo's Yoo Mona said of her inspiration for the piece. Her partner Ma Hanqing said he was from the Hui community, composed of Chinese-speaking adherents of Islam. Most of them reside in northern China, while some of them live in metropolitan cities such as Beijing and Shanghai. 'You might feel Morse code is a bit slow, which was intentional as we wanted to reflect elements from our own way of communication in the work like the tone and glances when we talk,' Yoo said. "As we have different cultural backgrounds and grew up speaking different languages, small cracks or misunderstanding emerge time to time. That is, however, how our communication expands." Kim, a Berlin based artist who uses knitting, paper weaving and drawing, confessed she almost abandoned her career as an artist, but was able to continue when she came up with her profuse acanthus leaf motif, drawing inspiration from the plant's tenacious hold on life. Park shows the media installation 'Ghost Anatomy,' where she incorporates a virtual character, Noa, created with AI, into her daily life. The piece looks at the way the character explores its own subconscious. Lee, who left Busan to live in New Zealand at age 11, translates the tension that she feels between traveling and rootedness with a stainless-steel installation. Bek, who is a singer, composer, actor and director as well as an artist, presents paintings that depict moments of his current life, now marked by shoulder pain and a changed rhythm as a result.
Korea Herald
3 days ago
- Korea Herald
When K-pop stays abroad: The rise of export-oriented idol groups
Idol groups turn to overseas markets as saturation in Korea makes domestic success harder to achieve, say critics In the age of global K-pop, not all idol groups shine equally at home and abroad. Fans and insiders are describing a growing number of acts as 'export-oriented idols' — groups who debut in Korea but quickly shift focus to international activities due to lackluster local reception. While some idols still enjoy popularity across the board — such as BTS and Blackpink, who command massive fan bases both in Korea and worldwide — others are far more prominent overseas than they are domestically. Groups like Dreamcatcher, ARTMS, Kep1er and Enhypen have built their careers largely through global tours and overseas fandoms, with limited exposure or fanfare within Korea. Even Stray Kids and Ateez — among the most visible K-pop groups in the US and Europe — perform primarily in overseas stadiums while maintaining a relatively smaller presence locally. The disconnect has sparked questions about why some idol groups appear to "skip" Korea entirely, despite being products of its music system. According to music critic Lim Hee-yun, the divide is rooted in how the industry has evolved. 'The overseas K-pop market has grown dramatically, while the domestic one is shrinking,' Lim said, Friday. 'In Korea, competition is too fierce. New idol groups debut constantly and general interest in idols has declined.' Lim points to shifts in listening habits as part of the problem. 'Unless you're in the top five, it's hard to chart or create buzz. Fans are more likely to stick with artists they already follow or stream songs recommended by algorithms. The days when a new idol group could instantly become a public sensation are gone.' This saturation has made the Korean market harder to penetrate, particularly for mid-tier or rookie groups. 'Some major agencies have idols whose overseas revenue accounts for 70 percent of their total,' Lim said. 'Naturally, those groups prioritize international tours and promotions.' An executive at an indie K-pop agency who spoke on condition of anonymity echoed this view, adding that the marketing strategy varies by company size. 'For major K-pop agencies (like SM, JYP and YG Entertainment), the model is to build a strong local fan base, then expand to Asia and beyond,' he said. 'But for smaller agencies, it's often more effective to aim directly at overseas audiences.' The executive cited Ateez of KQ Entertainment as a clear example. 'They're not from a major company, but by targeting global fans from the start, they built a sustainable fandom abroad. Now they're doing world tours with far more impact than their domestic engagements.' Girl group Fifty Fifty's breakout hit 'Cupid' wasn't initially designed for the Korean market, the insider said. 'We saw that overseas fans responded well to a track from its first EP ... So we used that as a reference and deliberately created a song targeting American teens. That's how 'Cupid' came about — with support from Warner Music to push it globally.' Still, the divide between domestic and overseas success raises questions about the long-term sustainability of this model. 'The K-pop industry is in an oversupply crisis,' Lim said. 'Too many acts, too few consumers. If the bubble bursts, and it might, only groups with solid backing or loyal fan bases will endure.'
