
Jon M. Chu to direct live-action Hot Wheels movie, Entertainment News
The 45-year-old filmmaker has been hired to direct the movie for Mattel and Warner Bros. Pictures.
Robbie Brenner, the president and chief content officer of Mattel Studios, said in statement given to Deadline: "Jon's ability to craft rich, elaborate worlds with a distinct point of view makes him the ideal storyteller to bring Hot Wheels to life. His films are visual spectacles — true eye candy — but what sets them apart is how he weaves unforgettable narratives within those stunning frames.
"Paired with Juel and Tony's compelling storytelling, this team is uniquely positioned to capture the heart, adrenaline and spirit of Hot Wheels, a leading brand in car culture."
Jon is thrilled to be working on it and also "excited to partner with Mattel Studios" on the project.
He said: "Hot Wheels has always been about more than speed — it's about imagination, connection and the thrill of play. Bringing that spirit to the big screen is an incredible opportunity. I'm excited to partner with Mattel Studios, Warner Bros. Pictures, and Bad Robot to create an adventure that honours Hot Wheels' legacy while driving it somewhere entirely new."
Jesse Ehrman, the Warner Bros. Pictures' President of Development and Production, thinks Jon is the perfect director for the project.
Jesse said: "Jon is a visionary director and an incredible partner to Warner Bros. We are thrilled to have him join us, along with the talented writing duo of Juel and Tony.
"With our collaborators at Bad Robot and Mattel Studios, we can't wait to bring Hot Wheels to life on the big screen."
Jon's previous directing credits include Crazy Rich Asians and Wicked. The acclaimed filmmaker previously explained how a meeting with Steven Spielberg changed his life.
Speaking to NPR, Jon shared: "I got to go to the Dreamworks office, which is, you know, overwhelming when you're 22 years old. I was prepared to tell him how much I loved him. And all he did was tell me what he loved about my short [film]… He invited me to his set to visit him and watch him direct. And it was the most encouraging, beautiful thing that someone could do…
"It was a masterclass for me to watch... He gave me a seat next to him. I'm sharing candy with him and this musical number that he was shooting, it wasn't happening… I saw him totally calm, never panic, and he just said, 'No, we're going to switch this camera. Forget that whole thing. We're going to switch the camera here, do this, do that.' And the whole machine moved. And he was just right back at the seat with me, and it kept going."
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AsiaOne
31-07-2025
- AsiaOne
Cynthia Erivo's mouth insured for $2.6m, Entertainment News
Cynthia Erivo's mouth has been insured for US$2 million (S$2.6 million). The Wicked actress — who is known for her distinctive gap in her teeth — has partnered with Listerine on their new Wash Your Mouth campaign and as part of the initiative, the company have made the "bold move" to take out an insurance premium specifically for her "recognisable" mouth. Kamran Shahzad, US head of commercial, oral care at Kenvue, said: "We're ecstatic to collaborate with the iconic Cynthia Erivo to help consumers recognise the importance of mouthwash. "Our new Wash Your Mouth campaign seeks to educate consumers that while brushing and flossing start the oral care routine, Listerine mouthwash completes it. "Together with Cynthia, we're making a bold move to help protect one of the most recognisable mouths in Hollywood because we're confident that Listerine guarantees a healthier mouth." Cynthia has always taken care of her teeth and her oral hygiene routine is a key part of her preparations before going on stage for her concerts. View this post on Instagram A post shared by Cynthia Erivo (@cynthiaerivo) She told People magazine: "I'm the geeky kid who was like, 'I'm brushing my teeth.' I don't think mom ever had to fight me to brush my teeth... "Strangely enough, brushing my teeth and using mouthwash — Listerine specifically — for some reason, really opens me up. "It means that I can breathe really well. It's the last thing I do before I go on stage. I just want to make sure that I feel really fresh. It sort of gives me a restart before I go on and sing or speak. "I take good pride in [my mouth] because of my gap. I think what we tend to do is pick our outfits, put the make-up on or do our nails, which are wonderful, great ways to show who you are externally, but cleaning your mouth adds to that. It also adds to the confidence you might not even be able to see unless you smile." When it comes to other forms of self-care, the 38-year-old star undergoes lymphatic massage to reduce water retention and cupping to "get rid of any toxins". She said: "It's an arduous thing to do, but I love doing it because it always aids the end result, which is what you've seen when I'm in front of people singing or performing. "It all goes hand in hand. Everything adds to the next to make sure that all the parts make the whole, and I can actually be present and do the work the way I want to do it." [[nid:720774]]
Business Times
17-07-2025
- Business Times
How architect Moshe Safdie's new Marina Bay masterpiece will redefine Singapore's skyline
[SINGAPORE] Fifteen years ago, when the glitzy Marina Bay Sands (MBS) with its avant-garde architecture opened for business, its architect, Moshe Safdie, wondered if the integrated resort would become an icon in Singapore. Well, we know the answer to that one. Since then, the development's three sloping hotel towers – topped off with a surfboard-like SkyPark carrying its now-famous infinity pool – have been frequently featured in popular culture, from movies and TV shows to music videos, documentaries and even video games. 'I'm amused by the fact that if I want to explain what Marina Bay Sands is to somebody, I just ask, 'Did you see the movie Crazy Rich Asians?' and that takes care of it,' Safdie tells The Business Times in an exclusive interview. MBS is today not only an instantly recognisable symbol of Singapore, but also a glittering architectural marvel the world over. 'We had no clue whether it would be iconic,' says Safdie. 'It's a kind of magic you don't control.' A NEWSLETTER FOR YOU Friday, 2 pm Lifestyle Our picks of the latest dining, travel and leisure options to treat yourself. Sign Up Sign Up Perhaps, but it certainly helps when the architect is one as visionary as he is. At just 26, he established his own firm to realise the innovative Habitat 67 for the 1967 World Exposition in Montreal, Canada. The project was an adaptation of his thesis at McGill University for a revolutionary, three-dimensional modular urban housing system. MBS with the new, yet-unnamed US$8 billion development on its right. ILLUSTRATION: SAFDIE ARCHITECTS In town for the official groundbreaking ceremony for IR2 – as the new, yet-unnamed US$8 billion development next to MBS is currently called – Safdie has said MBS changed lives at his eponymous firm in terms of the work they received. Among other projects, he went on to design another Singapore landmark, Jewel Changi Airport – with the world's tallest indoor waterfall within, surrounded by a lush, multi-level garden – adding one more Instagram favourite that's synonymous with the city. One could say Singapore struck gold with Safdie, who has helmed such large-scale projects that cemented the city's image as modern, innovative, vibrant and yes – green. After all, who else could have dreamt up these things? Given the successes Safdie has had, expectations are naturally high that with him fronting IR2's architecture, Singapore can add yet another stunning landmark to its skyline. Get ready for this new waterfront composition with the addition of an ultra-luxury development to the right of MBS' three towers. ILLUSTRATION: SAFDIE ARCHITECTS He's excited too. 'People will get used to the new composition, and it'll become part of the so-called iconic view from across the water,' Safdie predicts. Of rooftops and stealing the thunder While MBS' design took just four months of conceptualisation ('we were under enormous pressure'), IR2 is running at eight years just to get to a schematic. This is due in part to the pandemic, but also because of technical constraints from the tight site (3 hectares versus MBS' 15.5 hectares), the logistical puzzle of how to move people in and out of the area, as well as the connecting networks under and overground that the Urban Redevelopment Authority (URA) wants. 'One thing you can say about designing in Singapore,' Safdie says wryly, 'the whole system insists that you think about the next step – growth and expansion – which is somewhat different from our experience in some other places.' The architectural challenge? MBS as a building that's already a beloved icon and the danger of compromising it with a new structure. 'So (IR2) has to be substantial in its own right and have an identity that complements and, in a sense, improves on the existing icon.' There's 'a gallery' of IR2 models in Safdie's office, and the team lived with the original plan of the new, 55-storey, 570-suite luxury hotel tower abutting MBS' Tower 1 'pretty comfortably for a couple of years'. The final schematic flipped the location of the arena with that of the new tower, so the latter is no longer right next to MBS' three towers. ILLUSTRATION: MARINA BAY SANDS Then, just as they were coming close to the decision to build, the team felt uneasy about the juxtaposition of the two developments being so close. They proposed flipping the location of the tower with that of the low-rise 15,000-seat arena to its current position, solving the problems of access that they thought were insurmountable. This, Safdie says, was 'very well-received by the URA, who also had concerns'. Now, the arena acts as a spacer between the three towers and the new one. Voila, all the stakeholders are happy. Funnily, once the new development was announced, the first question people asked him was whether IR2's roof will be connected to the SkyPark. 'I said 'no', we didn't think that would be appropriate. The roof of the new tower should be an experience in itself.' Because it isn't as long as the linear SkyPark, Safdie conceived a completely new design to 'make it almost as long'. The 76,000-square-foot (sq ft) Skyloop will be a multi-level rooftop experience made of two boomerang-shaped structures placed atop each other, one facing the city, and the other, the Singapore Straits, with another layer in between. Skyloop will be a multi-level rooftop experience made of two boomerang-shaped structures placed atop each other, but facing opposite directions. ILLUSTRATION: SAFDIE ARCHITECTS The Skyloop, almost three stories higher than the SkyPark, will be 'quite a sensational experience' and 'kind of science fiction', says Safdie. 'What you get are very dramatic views from the SkyPark to the Skyloop and vice versa.' The lower layer of the Skyloop will offer public access, including restaurants, an observatory and over 300 feet of a Skywalk. ILLUSTRATION: SAFDIE ARCHITECTS The lower layer of the Skyloop will offer public access, including restaurants, an observatory, over 300 feet of a Skywalk and a small section with 'the traditional glass floors to get a little vertigo', he jests. On the upper layer, there will be a cantilevered wellness terrace, private cabanas and infinity pools for hotel guests. The upper layer of the Skyloop will feature a cantilevered wellness terrace, private cabanas and infinity pools for hotel guests. ILLUSTRATION: SAFDIE ARCHITECTS 'In terms of building composition, you get the linear first phase of (MBS') towers three, two, one, and then you get an exclamation mark… boom!' When IR2, which includes 200,000 sq ft of meeting space, is completed in 2030, the SkyPark would be two decades old. But it won't just sit idly by while Skyloop steals its thunder. An overhaul is in the works, reveals Safdie, with plans to restructure elements such as the lounging areas, bars and plantings, while adding a new restaurant and rebuilding to 'accommodate a more ambitious programme'. Of garden cities and liveable buildings It was Safdie's birthday on the day of BT's interview. At 87, the great-grandfather may move less quickly than before, but his mind is clearly still as sharp. A citizen of Israel, Canada and the United States, Safdie is known for his humanistic approach to architecture and urban planning. His oeuvre includes projects ranging from cultural, educational and civic institutions to neighborhoods, public parks, housing, mixed-use urban centres and airports around the world. Having first visited Singapore in 1975, and coming and going since, Safdie feels he's been a part of the nation's 60-year history. Safdie turned 87 on July 14. PHOTO: YEN MENG JIIN, BT 'I think it's one of the most impressive stories of a city developing and growing; an urbanistic story,' he says. 'The combination of all the planning and attention to landscape which started from (modern Singapore's founding father) Lee Kuan Yew, has produced an extraordinary outcome. I think the emphasis on planting the city, making it green, is one of the most inspiring decisions made right at the beginning of the state.' That said, architecture in the last decades has leapt in terms of the emergence of 'many sculptural, visually very exciting buildings that are not that livable'. 'At the same time, we're dealing with density in a way that we never had and an environment that's in great danger, with global warming being one. All of that needs to be achieved within a very livable, humanistic environment.' So the challenge Singapore now faces lies in dealing with density and towers as the dominant building type in the city, while keeping it humane. 'This is the next phase as the building codes already encourage the creation of public spaces, gardens and parks at different levels to make the city more livable and achieve a better balance between greenery and construction,' Safdie notes. 'There are many new areas opening up for development here and I hope there'll be a lot of the architectural innovations that we see, some of them downtown, towards that objective.' Of big projects and an unfulfilled architectural dream Home for Safdie is Cambridge, Massachusetts, although he still sticks to a punishing schedule that sees him travelling almost every week. Some of the projects his firm is currently working on include a large addition to the Crystal Bridges Museum of American Art in Arkansas, a museum for the Cherokee people in Oklahoma, the Canadian embassy in Senegal and two medical schools in Israel. In a storied career spanning over six decades, which are the projects most significant to him personally? 'Certainly, Habitat 67, my firstborn, is the most radical thing I've ever done,' he says. 'I'd say my first museum, the National Gallery of Canada, which is now 37 years old, was a very important milestone. The Yad Vashem Holocaust History Museum in Jerusalem, was maybe the most emotionally challenging. 'The United States Institute of Peace headquarters, which President (Donald) Trump just shut down – I hope the building survives – was very important in terms of a symbol of peace.' Habitat 67 in Montreal, Canada. PHOTO: UNSPLASH But if there is one project he would love to work on, that would be to realise the original Habitat 67, which was digitised into virtual reality by Epic Games in 2023. His vision was to create 1,200 prefabricated dwellings arranged in Lego-like stacks, rather than the scaled-down 158 units that were eventually built. The modular units and their sculptural placement allow natural light and enhanced views and are connected to gardens, suspended terraces and pedestrian walkways. Seeing it in its original form is important to Safdie because it embodies the urban idea of a three-dimensional city in which different activities are reorganised to make dense, high-rise housing more livable – a concept which is yet to be realised or understood, he says. 'I'd say if we could build that today, it would look as fresh and meaningful and significant as it did 60 years ago.'


AsiaOne
16-07-2025
- AsiaOne
Ariana Grande and Josh Gad to star in Dr. Seuss' Oh, The Places You'll Go!, Entertainment News
Ariana Grande and Josh Gad have been cast in Dr Seuss film Oh, The Places You'll Go! The Wicked star is reuniting with Jon M. Chu — who will direct with Jill Culton — on the upcoming animated musical adaptation of the iconic children's writer's last published book, which was released in 1990 before his death the following year aged 87. Warner Bros. Pictures Animation revealed the casting news on Tuesday (July 15) with an Instagram post showing Grande and Gad in the studio. The duo will lead the voice cast, but no details have been given on specifics roles or the plot as a whole. The story follows a young adventurer exploring the highs and lows of life. Rob Liber has written the script, with Dr. Seuss Enterprises and Bad Robot involved in the production. Original songs are being written for the musical by Benj Pasek and Justin Paul, while the film is set to hit cinemas — including Imax — on March 17, 2028. Director Chu's next film in cinemas will be the sequel Wicked: For Good in November, which will see Grande return as Glinda. The 31-year-old actress also has roles coming up in the next Meet The Parents movie, while Gad has been cast in Amazon's Spaceballs 2. Although she has found huge success as a popstar, after first starting out on TV, Grande previously revealed she hopes to make more movies after the success of 'Wicked'. She told ScreenDaily: "I would love to exist in this space for a while longer. "I love finding characters that make people feel seen and human. I'd love to continue on this road." The thank u next hitmaker stars opposite Cynthia Erivo and Jonathan Bailey in Wicked, but admitted that those who she became "closest" to were the ones who worked behind the scenes. She told The Movie Buddy: "It's hard to... I don't know, everyone was so fulfilling to be around, that helped recharge the battery too, my glam team, the people who you spend the most time with and get to know most closely. "My dresser Jess, she's my sister now, she would call me Chickadee. Everyone, PAs, everyone and that really helped recharge the battery." The Into You songstress also admitted that while there were "a lot of challenging moments" during filming, she cannot think of any particular one because she had so much "support" during production. She said: "I don't know, leaving set? I'm joking! There was a lot of challenging moments but I can't really... I had so much support, that's the thing. "Of course, it was very challenging work and there are very hard parts but everything felt so supported and so safe. It's hard to answer something like that." [[nid:720270]]