Latest news with #CrazyRichAsians
Courier-Mail
3 days ago
- Entertainment
- Courier-Mail
Christine Baranski shares why Nicole Kidman kept distance on Nine Perfect Strangers set
Don't miss out on the headlines from TV. Followed categories will be added to My News. They may be Nine Perfect Strangers on screen, but behind the scenes the new cast of the drama series are anything but. Christine Baranski joins Nicole Kidman along with a star-studded line-up for season two, including Crazy Rich Asians star Henry Golding, The White Lotus star Murray Bartlett, and Schitt's Creek star Annie Murphy. But while the cast bonded during the six months they filmed in the snowy Austrian Alps, in a case of life imitating art, Kidman kept her distance on the series, which is now streaming on Prime Video. Christine Baranski attends the season two premiere of Nine Perfect Strangers at The Beverly Estate on May 15 in LA. Picture: AP Photo/Chris Pizzello Baranski joins Nicole Kidman on the second season of the hit show. Picture:MORE: Kidman forced to 'apologise' to her neighbours The Aussie actress reprises her role as Masha Dmitrichenko, a Russian wellness guru who uses unconventional and questionable methods to treat her guests as the fictional health retreat Zauberwald Although Masha is sociable and people are drawn to her, she is equally complex and enigmatic – and it appears Kidman maintained this persona off-screen too. 'We bonded, the nine of us. And when [Kidman] would come in, it was sort of exactly like it would be in the show, which is she comes in and we're all, what's she all about? What's she going to do? And so the chemistry was sort of exactly right for it,' Baranski, 73, told Baranski and Kidman are joined by Henry Golding, Mark Strong and Aussie actor Murray Bartlett in the second season of Nine Perfect Strangers. Picture: Prime Video 'She's rather perfect for that role. The character of Masha is so mysterious and has her own backstory that's very, very complicated and interesting. And Nicole is really tall and statuesque, and her look in this show, I think, is particularly arresting. So she's just perfect for this inscrutable, intimidating character.' Baranski plays glamorous divorcee Victoria on the series. Picture: Prime Video Victoria's much younger boyfriend Matteo is played by Aras Aydın (centre). Picture: Prime Video Still, there was nothing that could keep Baranski away from the show or Kidman. 'It's such a no-brainer. My agent said it was Nicole Kidman and the second season of Strangers, which was already an established hit. Then he mentioned the talent that they were offering roles to various actors, and they were all extraordinary people. And then he said that it was going to film in Europe, in Munich and the Austrian Alps,' the Mamma Mia star shared. In season two, Baranski plays the glamorous and sensual Victoria, who enlists the help of Masha to repair her relationship with her daughter Imogen (played by Murphy). While they play an estranged mother-and-daughter duo, off-screen Murphy adored Baranski. Canadian actress Annie Murphy plays Baranski's on-screen daughter Imogen. Picture: Valerie Macon/AFP 'She is the hostess with the mostest and she's so generous. Anytime she'd go away [from set], she'd come back with cakes and treats and all these things for us,' Murphy told 'We were staying in this town called Halstadt in Austria, which is this beautiful fairytale town around this alpine lake. And we're staying in this beautiful hotel and the hotel backed onto the lake. 'Christine arranged this evening for us, and the sun was just setting and we walked out and there was champagne and beautiful tables set up. She'd curated this incredible classical playlist for us that was kind of echoing across this still, beautiful lake. And it was just magical.' Kidman and Baranski (back left) with the cast at the season two premiere in Beverly Hills. Picture:In the series, there is also magic between Baranski's Victoria and her much younger lover Matteo (played by Aras Aydın). There seems to be a chorus of age-gap romances playing out on screens across Hollywood lately, but Baranski says there is nothing salacious about this May-December romance. 'It was very easy because Aras is so emotionally free and available and he's beautiful and so passionate. We didn't have to work at that [chemistry],' she said. 'As you can see from early on in the first few episodes, it's not just some sexy older woman-hot guy relationship. There's an enormous kind of tenderness and caretaking and loveliness between us. 'We valued bringing that out more than the sexy part because it's transcends age. People can love each other long after they feel sexy or hot for each other. The tenderness and the intimacy is what is most lasting and interesting.' Nine Perfect Strangers season two is now streaming on Prime Video Originally published as Christine Baranski shares why Nicole Kidman kept distance on Nine Perfect Strangers set
Tatler Asia
4 days ago
- Entertainment
- Tatler Asia
10 wealth-gap relationships in film that actually worked out
2. 'Titanic' (1997) James Cameron's epic uses the doomed voyage of the Titanic as a powerful metaphor for class division. Jack (Leonardo DiCaprio), a struggling artist from the lower decks, and Rose (Kate Winslet), a young woman engaged to an aristocrat, come from worlds that rarely intersect. Their romance is propelled by the thrill of rebellion against societal expectations. Rose's yearning to escape her gilded cage and Jack's carefree poverty illustrate how class shapes identity and opportunity. The stark differences between their lives heighten the tragedy, as the ship's sinking parallels the collapse of the class system—if only momentarily. 3. 'Maid in Manhattan' (2002) In this romantic wealth-gap comedy, Marisa (Jennifer Lopez), a hotel maid raising a child alone, catches the eye of Chris (Ralph Fiennes), a rising political star. Their initial misunderstanding—he believes she is a wealthy socialite—sets up a narrative where class and identity intertwine with romantic possibility. The film delves into the awkward realities that follow when economic disparity is revealed, exposing insecurities on both sides. Marisa's dignity and Chris's idealism are tested by societal preconceptions about who belongs in whose world, highlighting the emotional toll of crossing class boundaries. 4. 'Crazy Rich Asians' (2018) Crazy Rich Asians explores wealth disparity not just as income but as inherited power embedded within cultural and familial expectations. Rachel Chu (Constance Wu), a middle-class professor, confronts the extravagant lifestyle of Nick Young's (Henry Golding) family, who epitomise Singapore's ultra-rich elite. The film foregrounds the pressures faced by those entering such circles, where lineage, reputation and tradition govern acceptance. Rachel's outsider status forces her to navigate subtle class codes, from luxury consumption to social manoeuvring, making the romance as much about cultural capital as personal affection. 5. 'Notting Hill' (1999) William Thacker (Hugh Grant), a modest London bookstore owner, and Anna Scott (Julia Roberts), a glamorous Hollywood actress, negotiate the chasm between ordinary life and celebrity privilege. Their romance examines how fame and wealth alter perceptions of normalcy and intimacy. William's quiet, unassuming background contrasts with Anna's world of cameras and adulation, creating a tension between public identity and private connection. The film's charm lies in its nuanced portrayal of love struggling against the alienation caused by class and status disparities. 6. 'The Notebook' (2004) Based on Nicholas Sparks's novel, The Notebook centres on Noah (Ryan Gosling), a working-class man, and Allie (Rachel McAdams), a young woman from a wealthy family. Their passionate summer romance is stifled by social expectations, particularly from Allie's parents, who disapprove of Noah's lack of fortune. The film captures the enduring conflict between societal pressure and personal desire. It portrays how class can act as a gatekeeper to relationships, while illustrating the perseverance required to overcome such barriers. 7. 'An Education' (2009) Set in 1960s London, An Education tells the story of Jenny (Carey Mulligan), a bright but sheltered schoolgirl from a modest background, and David (Peter Sarsgaard), a suave older man with money and connections. Their relationship reveals the complexities of power, manipulation and class privilege. The film critiques how economic advantage can be wielded to exploit vulnerability, while portraying Jenny's coming-of-age struggle to reconcile romantic fantasy with harsh social realities. Class shapes not only romance but also education and opportunity. 8. 'The Great Gatsby' (2013) Baz Luhrmann's adaptation of F Scott Fitzgerald's novel depicts Jay Gatsby's (Leonardo DiCaprio) obsessive pursuit of Daisy Buchanan (Carey Mulligan), a symbol of old money and social prestige. Gatsby's self-made fortune attempts to erase his humble origins, but the entrenched social hierarchy remains unforgiving. The film exposes the fragility of newly acquired wealth and the rigid codes protecting established privilege. The romance, idealised yet doomed, serves as a critique of the American Dream's class illusions. 9. 'Cinderella' (2015) This live-action retelling of the classic fairy tale focuses on Ella (Lily James), a servant girl whose kindness endears her to Prince Kit (Richard Madden). Unlike earlier animated versions, this adaptation foregrounds Ella's resilience and integrity within a rigidly stratified society. The wealth-gap romance directly challenges inherited privilege and questions the fairness of social structures. Their relationship imagines a love that can dismantle class barriers, though it remains firmly rooted in fantasy. 10. 'Brooklyn' (2015) Set in the 1950s, Brooklyn follows Eilis (Saoirse Ronan), an Irish immigrant navigating a new life in New York. Her romance with Tony (Emory Cohen), a working-class Italian-American plumber, is tender and understated, shaped by the immigrant experience and the constraints of social class. The film poignantly portrays Eilis's internal conflict between pursuing love and seeking upward mobility, reflecting the compromises immigrants often face. In this wealth-gap story, class and cultural identity are inextricable from her emotional journey.
Vogue Singapore
4 days ago
- Entertainment
- Vogue Singapore
15 times Gemma Chan championed Asian designers on and off the red carpet
Gemma Chan / @gemmachan It's been quite the ride for British actress Gemma Chan. Many would know her as the astute and elegant Astrid Leong in 2018's Crazy Rich Asians, the film that catapulted her to international stardom or perhaps her subsequent blockbuster role in the Marvel universe, portraying Sersi in Eternals. Much like art imitating life, there's always an air of sophistication and grace that Chan carries in her recognised roles, one that is present during her red carpet appearances and public outings over the years. From her dazzling Tom Ford Met Gala debut in 2019 to a show-stopping golden moment in Oscar de la Renta at Cannes earlier this year, it has been a delight to see her step confidently into the role of style star and bring much needed BIPOC representation to the industry, with the actress favouring Asian designers when it comes to her press outings. Now returning as Vogue Singapore's June 'Gold' cover star, the newly-minted Cartier ambassador is gearing up for an exciting new chapter—one where she will step into producer shoes, namely a biopic of legendary Chinese-American actress Anna May Wong where she will develop and star in. The notion of spotlighting Asian voices through her platform has always been something close to Chan's heart, and it's prominent through her red carpet and press looks. Those who are familiar with her most noteworthy looks would recognise Miss Sohee, Jason Wu and Huishan Zhang as just a few of the Asian designers that Chan has in her rotation. Below, see 15 occasions where Gemma Chan has championed Asian designers. 1 / 15 Miss Sohee South Korean designer Sohee Park has been a longstanding collaborator of Chan's and her recent trip out to Singapore for Cartier's Nature Sauvage Ball had the British actress clad in a red luminous gown, decorated with golden blooms. A perfect match for the star's jewellery for the night. @gemmachan 2 / 15 Huishan Zhang Looking ever so radiant at a beauty launch in London, the English starlet made a form-fitting entrance in one of Chinese-born designer Huishan Zhang's ensembles. 3 / 15 Self Portrait Serving up a smouldering twist of the classic suit and tie, Chan stepped out in a Self Portrait deconstructed blazer and a sheer LBD for The Actor premiere in New York. Getty 4 / 15 Jason Wu She's a lady in red, once again. This time, at the Louvre's Grand Fashion Dinner, Chan turned heads in a flooring silk creation by Jason Wu; a look immaculately paired with diamonds from Cartier. The Taiwanese-Canadian designer needs no introduction, having made headlines after designing Michelle Obama's inaugural ball gown in 2009. @gemmachan 5 / 15 Miss Sohee A corseted peplum complete with the wonders of draping, this Miss Sohee creation was made like armour for Chan as she attended the Newport Beach Film Fest. Gemma Chan / @gemmachan 6 / 15 Miss Sohee For the premiere of Eternals in October 2021, Chan wore a custom Miss Sohee creation at the 16th annual Rome Film Festival. Gemma Chan / @gemmachan 7 / 15 PH5 At the Eternals press tour, Chan kicked things off on day one in LA wearing a dress from PH5. Founded in 2014 by Wei Lin, the sustainability-focused knitwear brand based in NY and China blends sportswear aesthetics with playful silhouettes. Gemma Chan / @gemmachan 8 / 15 Prabal Gurung At the Met Gala in May 2021, Chan and designer Prabal Gurung paid tribute to the first Chinese-American actress, Anna May Wong, with a black sequinned mini dress accompanied by a pastel green train. Born in Singapore to Nepali parents and raised in Kathmandu, Gurung is known as much for his advocacy as for his designs. Gemma Chan / @gemmachan 9 / 15 Prabal Gurung On day one of her Crazy Rich Asians Los Angeles press tour, Chan opted for a dress with contrasting plaid fabrics gathered at the waist with cut-out detailing. Gemma Chan / @gemmachan 10 / 15 Yuhan Wang Gemma Chan posed for a selfie while wearing a form-fitting lace ensemble with red button accents from Yuhan Wang spring/summer 2021 in March 2021. Since graduating from Central Saint Martins in 2016, Chinese-born designer, Yuhan Wang, has grown a formidable following. In addition to a three-season showcase with Fashion East, Wang was also shortlisted for the LVMH Prize in 2020. Gemma Chan / @gemmachan 11 / 15 Edeline Lee For the virtual premiere of Raya and the Last Dragon in March 2021 , Chan wore a dress from Edeline Lee's spring/summer 2021 collection paired with heels from Simone Rocha. Before launching her eponymous label, which focuses on precision and wearability, Korean-Canadian designer Edeline Lee interned at Alexander McQueen in London and John Galliano in Paris. Gemma Chan / @gemmachan 12 / 15 Huishan Zhang Chan wore a belted tweed number from Huishan Zhang on a press day for Raya and the Last Dragon in February 2021. T he Chinese-born designer studied at Central Saint Martins and interned at Dior, and runs his eponymous label from London. Gemma Chan / @gemmachan 13 / 15 Philip Lim Gemma Chan went for bold in a colour block outfit, in March 2019 , from 3.1 Phillip Lim spring/summer 2019. Born in Thailand to parents of Chinese descent, Phillip Lim, the co-founder and creative director of the label, immigrated to the US as a child and is an outspoken advocate for Asian American Pacific Islander (AAPI) causes. Gemma Chan / @gemmachan 14 / 15 Jason Wu At the Critics Choice Awards in January 2019, Chan was a floral fantasy in an exuberant off-shoulder gown from Jason Wu. Gemma Chan / @gemmachan 15 / 15 Simone Rocha As part of her promo tour for Crazy Rich Asians , Chan wore a lace-trimmed tulle dress with floral embroidery by Simone Rocha in September 2018. Best known for her quirky, ultra-feminine style, the Irish-Chinese designer often pays homage to her heritage in her collections. Vogue Singapore's June 'Gold' issue will be out on newsstands from 13 June and available to preorder online.
Vogue Singapore
4 days ago
- Entertainment
- Vogue Singapore
6 of Gemma Chan's most captivating beauty looks
You don't have to be a regular on the film or fashion circuit to have heard about Gemma Chan. For some, the English actress first made an impression as the fabulous Astrid Leong-Teo in Crazy Rich Asians . While others might recognise her from her ongoing ventures in Hollywood's biggest franchises, including the Eternals and Captain Marvel , Chan is easily one of the most sought after and versatile actors we have today. Beyond the silver screen, Chan has been a quiet red carpet fixture—shutting down the carpet with her signature brand of elegance and beauty. And as a UNICEF UK ambassador, she sure knows how to be a hero off-screen too, using her platform to champion important causes with the same passion she brings to every role. Her ambassadorships with sartorial heavyweights like Louis Vuitton and L'Oréal Paris have made her a global icon for fashion and beauty alike. With her rapidly growing resume, there is no doubt that Chan has surely made her mark. And by the looks of it, she's only just getting started. As of 2025, this includes being named the latest global ambassador for Cartier and stepping into the role of a producer, with projects such as Rise of the Empress and the upcoming adaption of Pim Wangtechawat's novel The Moon Represents My Heart . Whether she's busy captivating our screens or reinventing herself on the red carpet, Chan has proved that she's a woman full of grace, limitless talent and a multi-faceted beauty—both inside and out. From her signature red lip to a multidimensional smokey eye, Vogue Singapore presents a curation of Gemma Chan's best beauty looks. Peter Ash Lee 1 / 6 Party ready Nothing screams party ready quite like a smouldering smokey cat eye. One that works its way down to the eye-line—for extra drama. Pair it with a nude lip like Chan did for Vogue Singapore's June cover shoot, and let your eyes do all the talking. Getty 2 / 6 Power pout When it comes to a red lip, no one wears it quite like Chan. At the red carpet of the movie ' Eternals' during the 16th Rome Film Fest in 2021, she stunned in a bold cherry hue that perfectly complemented her look. A classic red lip after all, can be the ultimate head turner. Getty 3 / 6 Pink and green At 2021 Met Gala, Chan ensured all attention fell on her lids by pairing this pistachio green eyeshadow with an understated pink lipstick—the perfect pout to let those 'green with envy' eyes do all the talking. David M. Benett 4 / 6 Peach perfection At the 2023 Elle Style Awards, Chan gave a fresh take to the 2016 peachy make-up trend with her flushed apricot cheeks, warm tone lids, and a pale pink gloss. Courtesy of Cartier 5 / 6 Keeping it classy Channeling her inner Audrey Hepburn at the opening of the 2025 V&A Cartier exhibition, Chan's sleek old Hollywood-esque bun stole the show, with a loose hanging tendril to soften the look. Getty 6 / 6 All that glitters At the 2019 Met Gala, Chan went full ice queen with this Elizabeth Taylor inspired headgear; a fitting finish to her Tom Ford gown, might we add.
Vogue Singapore
4 days ago
- Entertainment
- Vogue Singapore
Gemma Chan on the magic of evolution and the treasures of a new chapter
The last time Gemma Chan was in Singapore was six years ago for the Captain Marvel festival—in which she played the dynamic Minn-Erva, a Kree member of Starforce. The fan event drew crowds to Marina Bay Sands, all eager to catch a glimpse of her, Samuel L Jackson and Brie Larson on a mid February day. Just before that, she had wrapped filming Crazy Rich Asians in 2017, in which she played the elegant socialite Astrid Leong—a role that touched hearts around the world due to Astrid's loving nature, aspirational lifestyle and impeccable, couture-clad taste. It remains one of Chan's most career-defining performances to date. Gemma wears Cartier high jewellery from the En Équilibre collection. Cartier Statera earrings and necklace in white gold with diamonds and onyx; Alexandre Vauthier jacket; Commando bodysuit; Calzedonia tights; Thomasine gloves. Peter Ash Lee It has now been four years since Chan last graced the cover of Vogue Singapore, for the November 2021 issue. As we speak, she is seated in the lounge at Changi Airport, preparing to board a flight to Hong Kong, having just attended one of Cartier's most anticipated events of the year—the unveiling of the final chapter of its Nature Sauvage high jewellery collection at National Gallery Singapore. Still, she is energetic yet calm, her voice carrying a signature lilt. As she winds down from the high-octane evening, I ask her what has changed in the last four years. 'A lot has changed, actually. On the work side, I started producing alongside acting, so I have many projects at different stages of development. After the pandemic, I have a deeper appreciation of time— spending it with family and loved ones. I've been very lucky that my nephews, who were living in Switzerland, and my sister—they've now moved the family back to the UK, to the place where I live, which is really, really nice.' Cartier Panthère Dentelée earrings and necklace in white gold with diamonds, emeralds and onyx; The New Arrivals Ilkyaz Ozel dress; Swedish Stockings tights; Thomasine gloves. Peter Ash Lee With roles like Astrid from Crazy Rich Asians , Minn-Erva from Captain Marvel , Sersi from Eternals and Mia from Humans under her belt, it is only a natural progression that Chan has sought other ways to tell stories. 'It's always something that I wanted to do as soon as I could,' she says of producing. 'I had lots of ideas for books that I wanted to go after and write for, and stories that I wanted to tell. I enjoyed being part of the creative process in a much earlier stage, putting the whole creative team together. It's a lot of work, but I really enjoy it.' I ask her if there are narratives she's gravitated towards telling in particular. 'They are varied, but a common theme is about people who didn't get their due in their lifetime.' Cartier Panthère Orbitale necklace and ring in platinum with diamonds, amethysts, coral and onyx; Simone Rocha dress; Falke tights; Roger Vivier shoes. Peter Ash Lee Her latest role, as costume designer Edna in Duke Johnson's romantic noir The Actor , strongly reflects this sentiment. Starring André Holland alongside her, it is based on Donald E Westlake's thriller Memory . Set in 1950s America, the story follows Holland's Paul Cole after he suffers a brutal attack to the head—the result of a scandalous affair he was having with a married woman—causing him to suffer memory loss. The film dissects themes of race, identity, politics and truth versus perspective. Johnson based the film's style on a stop-motion animation he co-directed with Charlie Kaufman, aiming to bring that distinctive quality into a live-action format. It was this vision that intrigued Chan, who was already taken by the script. 'It's like the transition of experiences,' Chan explains, when drawing parallels between the two films. 'The sets are also painted to have false perspectives and have this otherworldly feel.' The construction of identity, it strikes me, is an interesting thing to delve into—especially given how easy it is to reinvent yourself in the world of social media. Objects are bought to paint a narrative, clothes are worn to project an image, and monologues are delivered and written to influence thought. In 2025, becoming 'someone new' isn't a farfetched concept. And while the idea may carry a negative connotation, Chan views it as a chance for rebirth. Cartier Statera earrings and necklace in white gold with diamonds and onyx; Alexandre Vauthier jacket; Commando bodysuit; Calzedonia tights; Thomasine gloves; Christian Louboutin shoes. Peter Ash Lee 'I hope that people, when they watch the film, can go on a journey with these characters and that they feel connected to it and, like André Holland's character in the film, they can feel like it's never too late to be someone new,' she shares, pensively. 'When I look back on my life, there have been many lives in one and various versions of myself at different times, simply because the circumstances changed so much and I was so much younger. That's probably true for a lot of people. The idea that we can keep reinventing ourselves, and keep having to evolve and change, that's one of the things that makes life interesting. 'The idea that we can keep reinventing ourselves; that's one of the things that makes life interesting.' The concept of reinvention is portrayed particularly well by Chan's character, Edna, whom Paul finds himself falling in love with when he moves to a small town. As he grapples with figuring out who he is and piecing together elements of his past, he is compelled to come to terms with his present, within a blossoming snapshot of two young people getting to know each other. Cartier Tigris earrings and necklace in yellow gold with orange, yellow and white diamonds, emeralds, topaz and onyx; Burc Akyol jacket. Peter Ash Lee Edna's defining moment is her appearance in a beautifully nostalgic clown costume, which she makes herself. The vision was led by costume designer Suzie Harman, who referenced the 1950s heavily, drawing inspiration from legendary actors like Marlon Brando, specifically in On the Waterfront . 'The kind of costume that Edna wears when you first meet her in the film, Suzie wanted it to look like something that she would have made herself. She had all these great Halloween references. We had a lot of fun picking out which images she might have put onto her outfit and decorating herself. It was playful and a key part of getting into the character,' she shares. Chan's commitment to fashion extends beyond the movie screen. A long-time advocate for Asian creatives, particularly fashion designers, she has spotlighted names like Miss Sohee and Huishan Zhang on some of the biggest red carpets in the world. It is no surprise that she is now one of Cartier's newly minted ambassadors, alongside stars like Jisoo and Deepika Padukone. Cartier Tigris earrings and necklace in yellow gold with orange, yellow and white diamonds, emeralds, topaz and onyx; Burc Akyol jacket; Alexandre Vauthier pants; Christian Louboutin shoes. Peter Ash Lee 'My relationship with Cartier came about organically. I was given a family heirloom, an old Cartier watch that wasn't working. I took it to Cartier and they restored it for me. I also, at the same time, got to have a tour of the original workshop, which is incredible, and it's rare that a place like that is still in its original location and still open,' she reminisces. Her shoot for Vogue Singapore sees her wearing pieces from Cartier's En Équilibre—French for 'balanced'—high jewellery collection, which is described as a testament to the sophisticated simplicity of the maison, and all about 'creating the right balance'—an essence that Cartier describes as the core of its innovation. 'I loved the Tsagaan necklace. It's inspired by the snow leopard. And depending on what angle you're looking at the necklace from, the face of the leopard appears and disappears. It's ingenious and stunning.' Cartier Tsagaan earrings and necklace in white gold with diamonds and onyx; Louis Vuitton dress; Calzedonia tights. Peter Ash Lee This level of excellence is something Chan holds close to her heart as she embarks on a new chapter. A UNICEF ambassador since 2021, she shares plans for the Futures at Risk campaign, which aims to collaborate with the UK government to secure brighter futures for children. On the creative front, she also has a full plate. She is executive producing an Amazon series titled Rise of the Empress —an adaptation of Julie C Dao's fantasy novels, which follow a young girl's pursuit of greatness. She reveals that the writers' room is currently underway, with production set to begin by the end of the year. As for the number one question she gets? If there will be a sequel to Crazy Rich Asians —to which she promises some exciting news soon, with a knowing laugh. As she goes for gold, we pause collectively to think about the essence of the word, which is the theme of Vogue Singapore's June issue. Without hesitation, Chan shares, true to form: 'Excellent and aspirational with an enduring quality of kindness.' Photographer Peter Ash Lee Styling Konca Aykan Hair Neil Moodie Make-up Akari Sugino Manicure Michelle Class Set design Nat Turnbull Photographer's assistants Kurt Lavastida, Elena Santolaya Digitech Julius Bohlin Stylist's assistants Juli Molnar, Isabela Orozco Make-up assistant Jun Local production company Myself Production Local director of production Julien Pegourier Local producers Remy Nino Auriel, Dara Domingues, Mathieu Fresquet Producer David Bay Vogue Singapore's June 'Gold' issue will be out on newsstands from 13 June and available to preorder online.
