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Doechii Is Feeling the Stress in 'Anxiety' Music Video — Which Features a Gotye and Kimbra Easter Egg

Doechii Is Feeling the Stress in 'Anxiety' Music Video — Which Features a Gotye and Kimbra Easter Egg

Yahoo18-04-2025

Doechii is feeling the pressure in her latest music video.
On Friday, April 18, the Grammy winner released the music video for her song "Anxiety" which pays homage to Gotye and Kimbra's "Somebody That I Used to Know," the 2011 song she sampled.
In the music video that finds Doechii, 26, stuck in her own head and battling with forces beyond her control. She is carried between rooms in her house where things catch on fire, people break in through her windows and furniture is being moved.
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People run through her house, a chandelier breaks and she dances outside in her underwear — not an uncommon stress dream to have. The visuals demonstrate worst-case scenarios and feeling trapped.
"Anxiety, keep on trying me/I feel it quietly, tryna silence me, yeah," she sings in the refrain. "My anxiety, can't shake it off of me/Somebody's watchin' me and my anxiety, yeah."
Her real-life younger twin sisters even make a cameo à la The Shining twins, per Cosmopolitan.
At one point, the camera pans over to a wall painted with two people standing with kaleidoscopic makeup to match the wall. Fans of "Somebody That I Used to Know" will immediately recognize this visual from the original music video.
Related: Doechii Denies Lip-Synching at 2025 Grammys, Says She Had Bronchitis and the Flu During Complex Performance
The music video also includes a reference to the origin of "Anxiety," which Doechii recorded in her bedroom in 2019. The "DENIAL IS A RIVER" singer recreated her bedroom, including the tapestry and and hot pink storage bins.
She detailed the lore behind the song in March, which was originally part of her self-released mixtape Coven Music Sessions Vol. 1. She had uploaded the song on YouTube at the time but never brought it to streaming platforms.
The PEOPLE Puzzler crossword is here! How quickly can you solve it? Play now!
Musician Sleepy Hallow then sampled Doechii's song in his own song, also titled "Anxiety," and it "blew up." "People are finding the original version that I did on YouTube, and that's blowing up on TikTok. And now people want me to release the full version and we're here."
The music video cleverly ends in a giant loop with Doechii watching herself the whole time, nailing the idea that oftentimes, anxiety can be in your head.
Related: Doechii Reveals the Empowering Reason She Was Able to Overcome Suicidal Thoughts: 'I Made a Choice'
Doechii spoke to PEOPLE in March, using the word "transformative" to describe her 2025 so far, which included performing at the Grammys and winning the award for Best Rap Album in February.
"It's been transformative for me. Truly. All of my dreams have become a reality, and I feel like I am literally walking in a dream," she said at the time.
Read the original article on People

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Grammys to split country album into two categories and revive album cover field
Grammys to split country album into two categories and revive album cover field

Yahoo

time29 minutes ago

  • Yahoo

Grammys to split country album into two categories and revive album cover field

The Grammy Awards are returning next February with two additional categories. The 68th awards, scheduled for Feb. 1 at Arena, will now include prizes for album cover and traditional country album. The previous country album category has been renamed contemporary country album. The award for album cover is not entirely new. The honor went to Frank Sinatra for 'Frank Sinatra Sings for Only the Lonely' during the first-ever ceremony in 1959. Over the years, visual presentation has been recognized in the packaging field under various names. Read more: Everything that happened at the 2025 Grammy Awards Additionally, the award for boxed or special edition limited package will be absorbed into recording package, which considers package design, photography and graphic art and materials. The changes to the country category come after Beyoncé won country album and album of the year for the genre-bending 'Cowboy Carter.' Following her performance at Stagecoach, alternative pop artist Lana Del Rey also plans to release a country album, though the release date has not been confirmed. Read more: How Beyoncé finally won album of the year at the Grammys "Country music has evolved in a major way over the past decade, with traditional country experiencing a massive resurgence, growing in popularity and volume," Recording Academy Chief Executive Harvey Mason Jr. said in a statement. "Traditional country has a timeless, distinct sound that's inspired generations of musicians throughout the years. It's an important part of the country music story and deserves to be celebrated and recognized with intention." In addition to the category and field changes, the Recording Academy has amended the criteria for best new artist. Now, artists who have been nominated for album of the year, but whose contributions were below the 20% playing time threshold, will remain eligible for the award. Music released between Aug. 31, 2024 and Aug. 30, 2025, will be eligible for the 2026 Grammy Awards — so Sabrina Carpenter's forthcoming 'Man's Best Friend,' due Aug. 29, narrowly makes the deadline. Nominations will be announced Nov. 7. Get notified when the biggest stories in Hollywood, culture and entertainment go live. Sign up for L.A. Times entertainment alerts. This story originally appeared in Los Angeles Times.

Interview with ‘Ginny & Georgia' Stars Antonia Gentry and Brianne Howey
Interview with ‘Ginny & Georgia' Stars Antonia Gentry and Brianne Howey

Cosmopolitan

time35 minutes ago

  • Cosmopolitan

Interview with ‘Ginny & Georgia' Stars Antonia Gentry and Brianne Howey

After two seasons on the air tackling wild storylines and surprises, it would seem like nothing could shake up Ginny and Georgia's Antonia Gentry and Brianne Howey. But as seen in the show's highly watched third season, the Netflix hit went through a bit of a shift both in front and behind the camera. The SAG-AFTRA strike and a longer than normal hiatus put the cast further apart than ever. Then when they were finally able to come back and film, they had a new showrunner to work with. And the storyline of the season gave Antonia and Brianne fewer scenes together than usual. As Ginny was forced away from her mother who was under house arrest and facing a murder charge, the series took its drama and kicked things up a notch. But despite the distance, it actually brought the two actors closer together. The feelings were heightened, forcing them to bring more trust and care to set while their characters realize just how alike they are when their relationship and futures are on the line. Thankfully, the show received a two-season renewal before this season even aired (yes, peaches, season 4 is already guaranteed!), so there's still more of the story to come. But as Ginny and Georgia face a new kind of future, Cosmopolitan caught Antonia and Brianne to ask them about those (not one but…) two pregnancy reveals, how they're taking on season 4 together, and how missing each other brought a new level of their characters to the screen. Brianne Howey: It's always interesting to have that long of a hiatus. Personally, it will give me a little bit more butterflies going back. But at the same time, we stay in touch throughout the process. Distance makes the heart grow fonder. I think it's nice to miss our characters a little bit so then when we come back. Antonia Gentry: I feel like we're all a lot closer even now. I'm looking forward to no longer having to wait two years to see everyone. I missed working with Bri. I love my whole cast, but I really did feel Bri's absence as Georgia as I didn't work with her as much as I was used to. It kind of helped with the character. I missed her in real life not seeing her as much on set. BH: Georgia being on house arrest certainly changed the dynamic. I actually think the kids not living with Georgia made them closer. They did miss each other so much that when Georgia was with the kids, those scenes were really important and really full. Otherwise, I was solo in the house. It was a very different experience this season. It was more Georgia's breakdown season to get to her breakthrough. BH: There's some moral ambiguity here, but I think the difference for these women is that their intentions are pure. Georgia wants nothing more than to protect her kids and keep her family together. It's the same with Ginny at the end of the season. This season is so much about the lengths you go to for your loved ones. But it does pose some other questions. Are Ginny and Georgia better off together or apart? Is it really them against the world? This season made me miss Georgia's feistiness and her sass and her controlling abilities and her playing chess with everyone. AG: Getting to play that side of Ginny this season was really, really fun, and I'm super excited to see where we go from there. Ultimately, the show always showcases the irony of the lengths that Georgia has gone through to protect her kids from the life that she lived. Her methods and her examples that she's been setting end up kind of come back full circle as we see Ginny making a lot of the same choices that Georgia would make. BH: You mean love? BH: We end season 3 on such a shocking note, where every single secret Georgia has been hiding has now been revealed. The woman with the most secrets no longer has any. We've also seen small actionable change within Georgia, that there is potential for her to find it. I don't think it will come easy or fast, but I think Georgia can find a more a more peaceful, safe version of the life she's living and what she's been doing. AG: In the moment that Ginny's poem goes viral on TikTok, she really does blame herself for sort of putting that nail in the coffin. Like, I basically confess on behalf of my mother that she has killed people. But this is her tool. This what she needs in order to make sense of her life and her feelings and what she's going through. It just shows how much she's basically grown and changed by the end of this season, because I don't think season 2 Ginny would have ever gone back to poetry had it happened then. By this point, she's basically like, Eff it. This is me. This is who I am, and you're gonna have to deal with it. BH: For Zion and Georgia, there's no going back. That's peak betrayal. I don't know that Georgia has ever been more hurt, especially because Zion was the first love of her life. Georgia's always viewed them as ships passing in the night. They've always had this will-they, won't-they, and this season certainly solidifies they won't. Georgia, in her process of continuing to have any form of emotional intelligence, can see how good it is for Ginny to spend time with her father and how much it affects her life for the better. Georgia has to step outside of herself and put her children first, and that means Zion is going to be a very big part of her life as he should be. AG: It's a matter of sort of finally standing up and basically doing the things that they should have done all along. They were teenagers when Ginny was born. Ginny has always been trying to get her dad to see the truth and look past the veil that Georgia puts in place. When he finally does, he basically makes everything worse for them. For them to have joint custody, it's literally respecting Ginny's wishes. It's literally finally giving her a say in her life and what she wants. 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For it to be such a specific and unique mother-daughter duo that has universality where so many people are able to really resonate and connect with these characters just shows how there's not a lot of options out there that depict this kind of mother-daughter relationship. It's really gratifying. I truly am grateful to be a part of this type of story and it makes me want to work harder to make sure that we bring these characters to justice. BH: I wish that there was a show like this on when I was in high school. It touches so many subjects that people weren't really talking about. Nobody was talking about mental health. I grew up with a young single mom. I think if I had seen it on TV, in this capacity, it would have given me a little bit of confidence, because Georgia is glorified in some ways. It's an honor that we get to be a part of this niche group. AG: I think Ginny & Georgia is a show that is very much aware of what it is and what it wants to be. The tone is so specific. While we do have such dark themes and very relevant, topical conversation starters in the show. At the same time, it's very aware that it's a TV show. I think that's one of the things that makes it work so well. It's not overly trying to teach you or tell you how to feel about something. It offers entertainment as well as real conversation starters. If the show was written for an award, it would be a very different show. BH: We're definitely not chasing it. I think we kind keep our heads down, we do the work, and if anyone else thinks that, amazing. And if they don't, that's okay too. We're really proud of the work that we're putting out there. For this season, in particular, I've never seen people work harder. The entire crew, every actor on that set, the writers room—it motivated me every day. I'm just very proud to be on the show with everyone. BH: Honestly, the main thing on my mind is how the hell is Georgia gonna have this conversation with Paul and Joe? 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She and Marcus still show up for each other, even though it's painful and they want to just hold hands and kiss all day. Maxine is still learning how to be that kind of person. She's still learning how to show up for her friends in a way that they need her to, instead of how she thinks she should. You see ANG getting closer to each other, and maybe M getting a little bit left out, but they're always going to be MANG forever. So I think we'll see a stronger crew. BH: Man, that would hurt Paul's feelings, wouldn't it? BH: Absolutely! I suppose I wouldn't be too shocked if that happened. But I think what Georgia has realized this season is she's been trying to protect her kids from everyone but herself. So I'm hoping there's a lot more growth and change on the other side of this. I am excited to see Georgia therapy scenes. They're gonna be so twisted and awesome! AG: Therapy scenes! I'm not the only one in therapy! BH: But you paved the way! AG: I want to know what happens to Marcus. I want to know if Ginny will continue her Georgia streak and what that might look like. I have so many questions! BH: It actually doesn't feel like that, because there's so much that's going to happen. Each season is so jam-packed, and also we don't totally know it's gonna happen, but we know a little bit and it's a lot! AG: My question is always like, 'How are we gonna wrap this up?' BH: There's too many loose ends! How can it be wrapped up? AG: And Ginny's still a sophomore! AG: I've been a sophomore for five years! And we do have a time limit. Diesel is gonna go to college... BH: Grow his own mustache. He hit puberty! AG: He's going to have his own family by the time we wrap up! Season 3 of Ginny & Georgia is now streaming on Netflix.

Sex workers are having a moment, but is the discourse missing the mark?
Sex workers are having a moment, but is the discourse missing the mark?

USA Today

time37 minutes ago

  • USA Today

Sex workers are having a moment, but is the discourse missing the mark?

Sex workers are having a moment, but is the discourse missing the mark? The internet is talking about sex workers. A lot. They were in the spotlight during Oscars season − "Anora" won five awards, including best picture − and OnlyFans stars are gaining popularity on platforms like TikTok and Instagram, becoming pseudo-celebrities in the week, the discourse reached new heights. On June 11, The Economist published a profile of controversial adult entertainer Bonnie Blue titled "Welcome to Bonnie Blue's Britain." The 26-year-old made headlines by staging a since-canceled "petting zoo" stunt to give male fans unfettered access to her. The move angered fellow OnlyFans creators, like Sophie Rain, and made headlines. So what's going on? Sex work is having a moment. But some sex workers, whether they work in strip clubs or as online adult content creators, feel their lived experiences all too often get ignored in the discourse. 'Sex work is work' has become a party line for progressive politics, says Marla Cruz, a 30-year-old sex worker. Signs with the phrase can be found at women's marches and bedazzled T-shirts. But Cruz, along with half a dozen sex workers and OnlyFans creators USA TODAY spoke to, say that while recognizing sex workers' labor is important, the spotlight belongs on the financial and legal barriers to their safety and agency, which they say requires a deeper understanding of their work. 'There are plenty of people who will destigmatize the concept that sex work is real work, which it is,' Cruz says. 'But just because you recognize that it's real work, that doesn't mean that you respect the worker behind it.' What health & wellness means for you: Sign up for USA TODAY's Keeping It Together newsletter. Controversial OnlyFans stunts make 'a joke out of all of us' In December 2024, Lily Phillips made headlines for having sex with 100 men in 24 hours and documenting it for her OnlyFans. That documentary accumulated over 10 million views on YouTube and ignited passionate reactions. In January, Blue said she slept with 1,057 men in 12 hours. Rain, a Miami-based influencer with over 500K fans on OnlyFans and 20M followers across social media platforms, called out Blue for turning the platform into a 'clown show.' Rain is a member of the Bop House, a content creator mansion of eight Gen Z OnlyFans creators. Her posts toe the line between sensual and sexually suggestive but never involve full nudity. 'It's no longer women empowerment. It's shock value, and she's making a joke out of all of us. We built this space to take control of our bodies and make money on our terms,' Rain said in a statement. 'Brands don't take us seriously anymore. Media doesn't take us seriously. I'm tired of having to explain that not all of us are doing circus acts for clicks.' Adreena Winters, who has worked in the adult entertainment industry for over 15 years, starting with studio porn before transitioning to OnlyFans during COVID-19, also worries that customers will 'lose trust' in sex workers if these stunts are just tactics to garner media attention. Still, she hopes these larger conversations can continue the positive trend she's seen in dismantling stigma against sex workers. She attributes this 'big shift' to OnlyFans' presence in books, documentaries and mainstream music. Artists like Lily Allen and Cardi B have used the platform to promote their music or release exclusive content, and Bad Bunny's track "Te Mudaste," which mentions OnlyFans, landed on Billboard's Top 100. But Winters says the acceptance hasn't extended to other areas of sex work, such as studio porn. 'I feel like it is very OnlyFans related. OnlyFans is quite ambiguous, people don't just jump to the conclusion that you're doing hardcore porn,' she says, adding that there is also a 'ridiculous amount of stigma and discrimination in the business world.' Keily Blair, the chief executive of OnlyFans, told the Financial Times that one bank turned her down as a customer. Both Winters and Cruz have struggled to access banking tools in the U.K. and U.S., they say, with Winters resorting to 'obscure, online banks' after having her accounts closed. Sex workers frequently ask for advice on Reddit and exchange tips for setting up a bank account to process their OnlyFans earnings. And, FOSTA-SESTA, a U.S. law passed under President Donald Trump in 2018, attempted to shut down websites that facilitate sex trafficking, including the popular advertising platform Backpage, which had been taken down a few days prior by U.S. federal authorities. But sex workers say that in the process, it damaged an online infrastructure that helped keep them safe. A 2020 study of FOSTA's effects on sex workers showed it increased economic instability for about 72% of the study's participants, and nearly 34% reported an increase in violence from clients. Cruz argues that repealing SESTA-FOSTA, which 'goes hand-in-hand' with decriminalizing sex work, is a crucial step in improving their working conditions. OnlyFans and AI are impacting girls: This author wrote a book about it. Sex workers need worker protections, not just attention Cruz's introduction to sex work was as a sugar baby when she was 18 to help pay for college. After working an office job, she began stripping and offering "full-service," which includes exchanging sex for money. She's moved around the country. At one strip club, Cruz faced the 'worst working conditions' she'd ever experienced. In those moments, the least of her concerns was whether or not people saw her labor as 'real work.' While working as a stripper, she was strangled in the 'champagne room,' where clients would go for private services. When she turned to management, they encouraged her not to involve law enforcement. 'Whether or not somebody thinks what we're doing is normal is totally immaterial to whether or not we are safe at work,' she explains. 'I need an emergency button in the champagne room. I need a bouncer by the champagne room to be there if a customer is abusing me.' Online, some young female OnlyFans stars make their lives look aspirational. Rain's 'Bop House' squad has a combined following of nearly 90 million users across social media platforms. 'I wanna be like you when I get older,' one follower wrote under a video of the women dancing. "I need to join the bop house,' said another. But while Cruz has said committing to the industry was the best decision she has ever made, she doesn't encourage other women to follow in her footsteps. On 'Stripper Twitter,' an online community of in-person sex workers, they look out for each other. Part of the reason that community is so strong, Cruz says, is because they understand how 'difficult, lonely and isolating' the work can be. More: Online, young female OnlyFans stars make their lives look aspirational. Is it problematic? Sex workers want better representations of their lived experiences Cruz had been excited for the release of 'Anora,' but was disillusioned by the film. 'Anora' follows the whirlwind relationship between a 23-year-old stripper, Ani (Mikey Madison), and her client-turned-husband, Vanya (Mark Eydelshteyn), the son of a Russian oligarch. The romantic dramedy was marketed as a Cinderella story, and an early screening to an audience of sex workers, who clacked their heels in approval during the end credits, swiftly circulated on social media. When the film dominated awards season, other sex workers began expressing their disapproval. One of Cruz's biggest criticisms is that it depicted sex workers 'through the eyes of customers and consumers and not as workers performing labor,' which she calls a 'disrespect of our work.' To her, the film was a 'reminder' that the lived experiences of sex workers like herself, and the tensions between sex workers and consumers, will 'not be portrayed accurately' unless sex workers are in control of that portrayal from start to finish. ''Anora' embodies the dehumanizing consumer fantasy of a devoted worker who loves the consumer so much she does not conceive of her servitude as labor,' Cruz wrote of the film. In Mikey Madison's acceptance speech for best actress at the Oscars, Madison recognized the sex worker community: 'I see you. You deserve respect and human decency.' For Cruz, those sentiments fell flat. 'Advocacy for sex workers cannot be ambiguous,' she says. Instead of awards, she'd like to see real, tangible change.

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