Environs Kimberley 22nd annual art auction raises funds for artists and nature
The highest bid went for Amelia Jajko's sumptuous floral oil-on-linen artwork Ode to Kimberley, while Pauline Sunfly's striking acrylic on canvas Wilkinkarra took home the second highest pledge of the night.
Veronica Daniel's acrylic on canvas piece Bush Tucker, and Tom Montgomery's watercolour Walking With Brolgas both fetched the third highest price of the evening.
Environs Kimberley executive director Martin Pritchard said the event was more than just a fundraising success, it was a vehicle for the community to come together to celebrate the Kimberley.
'We saw locals, visitors and art collectors across the planet flock to the live auction event in person, and globally via Zoom, on Saturday night raising significant funds to support artists in remote communities, and the conservation work of EK across the Kimberley,' he said.
'We were astounded by the talent and diversity of art from artists across the region — stunning pieces depicting traditional stories, sublime acrylic landscapes, textured handwoven baskets, spectacular photography and mixed media sculptures.
'Thank you to the artists from across the Kimberley who contributed pieces for what was an incredibly positive and tremendously successful art auction event.
'Special thanks to alt-country star Adele Oliver, who performed live for the crowd, with guests reporting her heartfelt songs about country were so beautiful they got goosebumps.
'Thanks also to our ever-popular auctioneer extraordinaire Chris Maher, who entertained with jokes and witty banter while conducting the exciting live auction.
'We are also indebted to our generous local volunteers who supported the event in a myriad of ways such as handing out promotional flyers in town, curating the space, baking for our EK cake stall, working as bid spotters, manning stalls at the event, handling the art treasures, and even helping with the clean-up the next day — everyone's contribution made the event a success.'
There are still select pieces available online for bidding until August 10.
Hosted on the galabid platform, the online auction features select pieces, some of which were not included in the live event.
Proceeds from the auction go to support the artists and art centres, and Environs Kimberley's conservation work.
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West Australian
3 days ago
- West Australian
Environs Kimberley 22nd annual art auction raises funds for artists and nature
Environs Kimberley hosted its 22nd annual art auction on August 2 with more than 79 artworks from Kimberley artists going under the hammer. The highest bid went for Amelia Jajko's sumptuous floral oil-on-linen artwork Ode to Kimberley, while Pauline Sunfly's striking acrylic on canvas Wilkinkarra took home the second highest pledge of the night. Veronica Daniel's acrylic on canvas piece Bush Tucker, and Tom Montgomery's watercolour Walking With Brolgas both fetched the third highest price of the evening. Environs Kimberley executive director Martin Pritchard said the event was more than just a fundraising success, it was a vehicle for the community to come together to celebrate the Kimberley. 'We saw locals, visitors and art collectors across the planet flock to the live auction event in person, and globally via Zoom, on Saturday night raising significant funds to support artists in remote communities, and the conservation work of EK across the Kimberley,' he said. 'We were astounded by the talent and diversity of art from artists across the region — stunning pieces depicting traditional stories, sublime acrylic landscapes, textured handwoven baskets, spectacular photography and mixed media sculptures. 'Thank you to the artists from across the Kimberley who contributed pieces for what was an incredibly positive and tremendously successful art auction event. 'Special thanks to alt-country star Adele Oliver, who performed live for the crowd, with guests reporting her heartfelt songs about country were so beautiful they got goosebumps. 'Thanks also to our ever-popular auctioneer extraordinaire Chris Maher, who entertained with jokes and witty banter while conducting the exciting live auction. 'We are also indebted to our generous local volunteers who supported the event in a myriad of ways such as handing out promotional flyers in town, curating the space, baking for our EK cake stall, working as bid spotters, manning stalls at the event, handling the art treasures, and even helping with the clean-up the next day — everyone's contribution made the event a success.' There are still select pieces available online for bidding until August 10. Hosted on the galabid platform, the online auction features select pieces, some of which were not included in the live event. Proceeds from the auction go to support the artists and art centres, and Environs Kimberley's conservation work.
Sydney Morning Herald
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The Age
6 days ago
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And Just Like That recap: Justice for Steve!
Neither, sadly, is Charlotte's emotional collapse – if that is what the writers are hinting at. Last we saw her she was falling over from vertigo. This week, Char is trying to log on to a Zoom meeting, but her house is chaos. She's replacing the wallpaper, a task requiring half-a-dozen men with power tools. Rock is tap-dancing (?) with Henry (?) because they got cast in Thoroughly Modern Millie (?). Amid the noise Charlotte is struggling to connect with someone we assume is a therapist but ends up being a psychic healer who resents Char for only bidding $40 for this session at a silent auction. She keeps her camera off until they finally connect in a quiet room and Charlotte mentions Harry's cancer. The psychic flicks her camera on and it's Susie Essman! But that's it, end of storyline. What?? This episode is flooded with ghosts – Aidan, Margaret Thatcher, Adam's mother and Steve's hang-ups over Miranda's pregnancy with Brady – but we cut the line to the spirit world there? Seema began the season so quick to reject anyone at the slightest hint of disagreement or incompatibility but Adam's showing her even if she pushes after 'killing his mother' by tipping a plant out the window, he's not going anywhere. She's got her driver back, he's got a gorgeous rent-controlled apartment. They're perfectly aligned for a future flush with cash and armpit-huffing. I'm into it. Before we get to the excellent roommates in Gramercy, two quick notes on Anthony and Giuseppe shacking up. First, wasn't Giuseppe's mother shopping for 'queer masters' to adorn the SoHo loft she was buying him two episodes ago? Why is he rooming with an elderly puppet maker? Secondly: asking your hot boyfriend to trade a 'sweet, asexual roommate' in for 'a sexual' one is an excellent way to ask him to move in. I give the writers a lot of grief, so it's only right I also give it up once in a while when they get it right. Loading Time for the heart of this episode. I'm suddenly giddy seeing Carrie on my screen again! Sure, she's still possessed by the spirit of a woman called The Woman from the 1840s, but she's lighter. Her home is not filled with a man and his awful children, but with shoes, Vivienne Westwood gowns, reams of printed pages and Duncan. She has chairs! Duncan is thrilled by Carrie's writing, and she glows under his praise. They're so playful with one another. It's a delight. They have a 'who's a bigger bestseller' pissing contest. He's tickled by her fun frocks and what goes on in her office. He wants her to come to a party with him. A party where his publisher, who's also his ex-wife, raves about Carrie the moment she walks in. We so rarely get to see our girls through other people's eyes and I appreciate the praise. It's been years since anyone – besides Candice Bergen with her menopausal Goop newsletter – has acknowledged Carrie as a notable person in this city. I'm so glad she swapped the black heels for her sparkliest pair. We learn Duncan is leaving for London the next week, but Thatcher isn't finished. He's missed a deadline but got a lifeline – which is cheesy and also the kind of thing a certain woman would've written in her column many moons ago. The way they look sipping a post-coital scotch and discussing their books in bed makes so much sense. Carrie believes the woman will die of loneliness. Duncan urges her to let the character live. I'm doing the same, begging creator Michael Patrick King to keep Carrie like this for a little longer.
