Maria Becerra, Paulo Londra & XRoss' ‘Ramen Para Dos' Adds Second Week at No. 1 on Billboard Argentina Hot 100
Cazzu's 'Con Otra' rebounds to No. 2 after the song topped the list for three consecutive weeks between April and May. Meanwhile, Mattei's 'Pa Las Girlas' climbs 9-4 for the Puerto Rican's new peak.
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The Hot Shot Debut of the week goes to La T y La M whose new single 'amor de veraNO,' opens at No. 25. It marks the Argentine cumbia duo's 19th career entry. The song joins 'Amor De Vago,' featuring Malandro, who holds at No. 7 for a third week, after its 12-week coronation.
Uruguayan rock band No Te Va Gustar gets the Greatest Gainer award with 'Ese Maldito Momento,' which climbs 14 spots, from No. 69 to No. 55. The song sits just above its own 'Tan Lejos (En Vivo En Bogotá)' at No. 56. Plus, the group charts a third simultaneous song this week, 'A Las Nueve' at No. 30.
Lastly, rappers Slayter and NTG, also known as NeemTheGreat, score their first entry as 'Secuestro,' with Yan Block, enters at No. 80.
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UPI
18 minutes ago
- UPI
Trailblazing country music singer Jeannie Seely dies at 85
Hosts Luke Bryan (left), Jeannie Seely and Peyton Manning introduce Miranda Lambert during the 56th Annual Country Music Awards at Bridgestone Arena in Nashville, Tenn., on Nov. 9, 2022. Seely died at 85 on Friday. File Photo by John Angelillo/UPI | License Photo Aug. 2 (UPI) -- Singer Jeannie Seely, who helped transform the image of women in country music, has died. She was 85. Seely died Friday in a hospice in the Nashville area, the Country Music Association said, and her publicist, Don Murray Grubbs told told The Tennessean that she died after an intestinal infection. Seely made her debut at Nashville's Grand Ole Opry in 1966 when she was 25, going on to make 5,397 appearances, including her last appearance on Feb. 22, more than any other performer appearing there. "While I've had the privilege of working with Jeannie Seely over the past 25 years, my immediate grief is deeply personal," Country Music Association CEO Sarah Trahern said. "She mentored countless artists, especially women, and while they learned from her confidence and wit, she reminded us she was learning from them too. That humility was part of her magic." Seely became the first woman to host the Grand Ole Opry show, and in 1985 was the first woman to host a half-segment of the Opry. "I feel very fortunate to be part of the Opry tradition and I truly am indebted to all the wonderful fans who have supported me over the years," Seely once said, according to Between 1966 and 1974, she had more than a dozen Top 40 country hits, including Don't Touch Me, which reached No. 2 on the Billboard country chart and appeared on the mainstream Hot 100. A variety of other singers, including folk singer Carolyn Hester, reggae artist Nicky Thomas and soul music legend Etta James, recorded versions of the the song, which favors emotional commitment over sexual gratification. That song earned her the Grammy Award for Best Female Country Vocal Performance in 1967. It was written by Hank Cochran, who became her husband. They later divorced in 1979, and in 2010 she married Nashville lawyer Gene Ward, who died last year. Other hit singles of heres included All Right (I'll Sign the Papers) in 1971 about divorce; Welcome Home to Nothing in 1968 about a marriage gone bad and Take Me to Bed in 1978. "I think of myself as a feminist," she said. "My idea of 'feminist' is to make sure that women have the same choices that men have always had, and that we are respected for our roles -- whatever they are -- as much as any man is respected for his." Seely changed the image of performers with her songs and wearing miniskirts and go-go boots, including on the usually conservative Opy stage. "I was the main woman that kept kicking on that door to get to host the Opry segments," Seely told the Nashville Scene newspaper in 2005. "I used to say to my former manager Hal Durham, 'Tell me again why is it women can't host on the Opry?' He'd rock on his toes and jingle his change and say, 'It's tradition, Jeannie.' And I'd say, 'Oh, that's right. It's tradition. It just smells like discrimination.'" Seely was born on July 6 in Titusville, Pa., and later changed her name from Seeley to Seely. She first performed on radio station WMGW in Meadville, Pa., at 11 years old. Seely worked at Imperial Records in Hollywood, Calif., as a secretary. She wrote the song Anyone Who Knows What Love is (Will Understand) with Randy Newman and two other collaborators. It reached the the Hot 100 in a version by Irma Thomas in 1964. Boyz II Men and others more than 50 years later recorded the song, which was used in episodes of the science-fiction TV series Black Mirror. In 1965, she signed with Challenge Records, which was owned by Gene Autry. Seely moved to Nashville in 1969 with her husband. She signed with Monument Records, where Don't Touch Me was recorded. The singer turned to bluegrass in the 2000's, including singing a duet with Ralph Stanley. In 2005, in her mid 60s, she sang with country singers Kathy Mattea and Pam Tillis in the Nashville production of The Vagina Monologues. Seely was seriously injured in an auto crash in 1977. Earlier this year, she had back surgery and had complications. She had abdominal surgery in April and then contracted pneumonia before celebrating her 85th birthday on July 6. "Over the past several weeks, I've received so many wonderful messages of love and concern about being missed on the Grand Ole Opry and on 'Sundays with Seely' on Willie's Roadhouse," she told fans in May. "Thank you for those, and I assure you that I miss you just as much!" Notable deaths of 2025 Ryne Sandberg Chicago Cubs Chicago Cubs Hall of Fame second baseman Ryne Sandberg waves to the crowd before throwing out a ceremonial first pitch at Wrigley Field in Chicago on October 12, 2015. Sandberg died on July 28 after a battle with cancer at the age of 65. Photo by Brian Kersey/UPI | License Photo
Yahoo
21 minutes ago
- Yahoo
We Finally Got a Madonna Biopic Update and...It's Complicated
For anyone still wondering whatever happened to that long-rumored Madonna biopic—yes, it's still happening. Sort of. Maybe. According to Julia Garner, the project is alive… it's just taking its sweet time. During a recent appearance on the SmartLess podcast with Jason Bateman, Will Arnett and Sean Hayes, Garner confirmed that the highly anticipated film is 'supposed to still happen.' Garner has been attached to the Madonna role since 2022, hot off her run as Anna Delvey in Netflix's Inventing Anna. At the time, multiple outlets reported she was the pop icon's top pick after a competitive audition process that involved intense dance training—and performing in front of Madonna herself. 'It just came about… I knew they were making a movie about her and I went out to audition,' Garner explained of how she nabbed the role. 'I kind of just wanted to see if I could do it.' Her approach? Channel Madonna's own energy. 'I asked myself what Madonna would do—which is like, convince you she deserves to be in this room,' she said. 'And I owned it.' The biopic faced setbacks along the way. In early 2023, Variety reported that Universal had pulled back on development. Still, Madonna and Garner remained in touch. They were photographed together at Steven Klein's birthday party in May 2023, and in December of that year, Garner even joined Madonna onstage during a stop on her Brooklyn tour. Kevin Mazur/WireImage for Live Natio By July 2024, Madonna had shared that work on the script was back on, teasing a working title: Who's That Girl—a clear nod to her 1987 film and hit single of the same name. Then, in May 2025, Deadline reported that the project may have taken a new form entirely: a limited series at Netflix, now with Deadpool & Wolverine director Shawn Levy attached. So, yes, the Madonna story is still coming. But whether it's a movie, a series or something else entirely… we'll just have to wait and see. Stay tuned. Want all the latest entertainment news sent right to your inbox? Click here. Madonna Just Posted a Stunning LBD Pic, But Everyone's Talking About This One Detail Solve the daily Crossword
Boston Globe
an hour ago
- Boston Globe
Jeannie Seely, who pushed boundaries and broke hearts at the Grand Ole Opry, dies at 85
Her most popular recording, 'Don't Touch Me,' reached No. 2 on the Billboard country chart and crossed over to the mainstream Hot 100 in 1966. A sensual ballad whose lyrics stress emotional commitment over sexual gratification, the song has been covered by numerous artists, including folk singer Carolyn Hester, reggae artist Nicky Thomas, and soul music pioneer Etta James. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up The song won Ms. Seely the Grammy Award for best female country vocal performance in 1967. The record's less-is-more arrangement — slip-note piano, sympathetic background singers and sighing steel guitar — was vintage Nashville Sound on the cusp of 'countrypolitan,' its pop-inflected successor. Advertisement 'Don't open the door to heaven if I can't come in/Don't touch me if you don't love me,' Ms. Seely admonishes her lover, her voice abounding with unfulfilled desire. 'To have you, then lose you, wouldn't be smart on my part,' she sings in the final stanza. She tortures the word 'part' for two measures until her voice breaks and, with it, it seems, her heart. Advertisement Written by Hank Cochran, who would become Ms. Seely's husband, 'Don't Touch Me' anticipated Sammi Smith's breathtakingly intimate version of Kris Kristofferson's 'Help Me Make It Through the Night,' which was released four years later. 'Don't Touch Me,' critic Robert Christgau wrote, 'took country women's sexuality from the honky-tonk into the bedroom.' Ms. Seely blazed a trail for women in country music for the candor of her songs, and for wearing miniskirts and go-go boots on the Opry stage, bucking the gingham-and-calico dress code embraced by some of her more matronly predecessors like Kitty Wells and Dottie West. In the 1980s, she also became the first woman to host her own segment on the typically conservative and patriarchal Opry. 'I was the main woman that kept kicking on that door to get to host the Opry segments,' Ms. Seely told the Nashville Scene newspaper in 2005. 'I used to say to my former manager Hal Durham, 'Tell me again why is it women can't host on the Opry?' He'd rock on his toes and jingle his change and say, 'It's tradition, Jeannie.' And I'd say, 'Oh, that's right. It's tradition. It just smells like discrimination.'" Ms. Seely worked with top-tier Nashville session players who were attuned to the soulful sounds in Memphis, Tenn., and Muscle Shoals, Ala., to build a career around recordings that plumbed themes of infidelity, heartbreak and female emancipation. The titles of some of her singles spoke volumes: 'All Right (I'll Sign the Papers)' (1971), about the ravages of divorce; 'Welcome Home to Nothing' (1968), about a marriage gone cold; and 'Take Me to Bed' (1978). Her unflinching vocals told the rest of the story. Advertisement 'Can I Sleep in Your Arms,' an intimacy-starved rewrite of the Depression-era lament, 'Can I Sleep in Your Barn Tonight, Mister,' was a Top 10 country hit in 1973. (Two years later, Willie Nelson recorded the song for his groundbreaking concept album, 'Red Headed Stranger.') Marilyn Jeanne Seeley was born July 6, 1940, in Titusville, Pa., and grew up in nearby Townville. (She later changed the spelling of her surname.) She was the youngest of four children of Leo and Irene Seely. Her father, a farmer and steel mill worker, played banjo and called square dances on weekends. Her mother sang in the kitchen while baking bread on Saturdays. Ms. Seely first performed on the radio station WMGW in Meadville, Pa., at age 11. 'I can still remember standing on a stack of wooden soda cases because I wasn't tall enough to reach the unadjustable microphones,' she recalled on her website. After graduating from high school, where she was a cheerleader and honor student, she took a job with the Titusville Trust Co. Three years later, she moved to California and went to work at a bank in Beverly Hills. A job as a secretary at Imperial Records in Hollywood opened doors in the music business, and she found early success as a songwriter with 'Anyone Who Knows What Love Is (Will Understand).' Written with a young Randy Newman and two other collaborators, the song reached the Hot 100 in a version by New Orleans soul singer Irma Thomas in 1964. More than a half-century later, after having been recorded by Boyz II Men and others, it was used in episodes of the science-fiction TV series 'Black Mirror.' Advertisement In 1965, Ms. Seely signed a contract with Challenge Records, the West Coast label owned by country singer Gene Autry. The association yielded regional hits but no national exposure. At the urging of Cochran, whom she married in 1969 (the couple later divorced), Seely moved to Nashville, where she signed with Fred Foster's Monument Records and had her breakthrough hit, 'Don't Touch Me.' She made her Opry debut in the summer of 1966 and briefly starred as the female singer on 'The Porter Wagoner Show,' a nationally syndicated TV program, while also performing regularly with Ernest Tubb. Ms. Seely's biggest country hit as a songwriter came with 'Leavin' and Sayin' Goodbye,' a chart-topping single for singer Faron Young in 1972. Merle Haggard and Ray Price also recorded her originals. In 1977, after a decade of hits, including a handful of Top 20 country duets with crooner Jack Greene, she sustained serious injuries in an automobile accident that almost ended her career. Apart from appearing on the Opry and having a small part in the 1980 movie 'Honeysuckle Rose,' which starred Nelson, she all but retired from performing. (Her other movie appearance was in 2002 in 'Changing Hearts,' starring Faye Dunaway.) In the 2000s, Ms. Seely increasingly turned her attention to bluegrass, recording an award-winning duet with Ralph Stanley. She also emerged as an elder stateswoman of the Opry, which remained her chief passion into the 2020s. Her second husband, Gene Ward, whom she married in 2010, preceded her in death. She did not have any immediate survivors. In 2005, with country singers Kathy Mattea and Pam Tillis, Ms. Seely starred in a Nashville production of Eve Ensler's 'The Vagina Monologues.' It was second nature to her, she told Nashville Scene, to appear in such a politically charged play. Advertisement 'I think of myself as a feminist,' she explained. 'My idea of 'feminist' is to make sure that women have the same choices that men have always had, and that we are respected for our roles — whatever they are — as much as any man is respected for his.' This article originally appeared in
