
Lure of Labubu gains momentum in Oman
When 17-year-old Sharifa (name changed) went to purchase a 'Labubu' from a shop in Oman along with her friends, their hearts beat fast in unison as the box containing her much-sought-after treasure was handed out to her…
The teenagers closed their eyes, held each other's hands, and chanted a childish mantra together as Sharifa opened the box to unveil her luck…seconds later a dramatic chorus of shrill cries made heads turn as they discovered that the box contained a Lychee Berry Labubu in a vibrant pink hue – a hot favourite among young girls,
The digital world, they say, is full of different choices and instant surprises (even shocks), and it now brings on a new trend called Labubu – a fanciful 'Monster' elves doll – that seems to be getting widespread attention from people worldwide.
Labubu is not just a doll, it has become a phenomenon among members of varied cultures the world over, as well as in Oman, where people have started buying it for various reasons, especially getting hooked on to the mystery of every purchase that is delivered with an element of suspense. Every buyer keeps his/her fingers crossed for being landed with a rare (priceless!) Labubu.
This doll – fashioned from fabric and viral among social media users – has been created by a Hong Kong-Belgian designer Kasing Lung. Sold by Pop Mart in China, this doll comes in a playful shape. Yet, from what it seems, it's features – a furry body, wide eyes, pointed ears, sharp teeth – makes it look both playful as well as evil.
Aside from Labubu herself, there are other characters of the 'Monster' elves series – Mokoko, Pato, Spooky, and many more – but Labubu is the most popular.
Labubu began as a character designed by Kasing Lung, who grew up in the Netherlands and later settled in Belgium. It was part of Lung's 'Monster' series, which is influenced by Nordic folklore and mythology which he had enjoyed as a child.
Encashing on the doll's instant popularity, Pop Mart came up with the idea of blind boxes, which are sealed packages that conceal the toy's design within. These mystery boxes feature an addictive behaviour, similar to treasure hunting.
Doll collectors — people who are considered obsessed with collecting the limited editions from different doll industries — buy those editions as soon as they are released, or even book them before release. The doll prices range from RO10 to RO35 and some editions become even more expensive because of their rarity.
The obsession with Labubu's escalated when social media influencers started making videos about getting the blind boxes, unboxing them, and sharing their reactions to what they got, and so on. The doll comes in different sizes; people may attach it to their bags, cars, or use it in different accessories. And, it is not just a toy for children, people of all ages seem to be lured by the doll, regardless of culture.
In Muscat, too many youth – girls and boys are, indeed, enamoured by this toy which they tag onto school bags, handbags, bicycles, car dashboards as well as take them along wherever they go. Surprisingly, adults, too, have been taken up by this doll.
Noah al Wahaibi, a youth in Muscat, said, 'My mom wanted the doll and she used to keep talking about it. I wanted to make her happy, so I bought her one. And, she is now over the moon.'
Fifteen-year-old Thuraya al Rawahi, also said she bought the doll for its shape and to use it as a trinket. There are many other youngsters who have bought it just out of curiosity to follow a trend and be considered 'in' with the times.
Radhia al Ajami, another young fan of the doll, said, 'I bought it because I like it and because it's trendy. I tag it on my bag, often in my car, too.'
Ali Hassan, from YOYOSO, in Mall of Oman, asserted, 'People of different backgrounds come to buy it. Mostly, kids and girls are passionate about it because it's trendy, and we display it on our shop window to catch the attention of customers.
He further said, 'When people buy it, they often sing its song with joy. We didn't have the doll at first, but we procured more stocks when inquiries for it began to soar. Currently, we have more than 200 dolls in the shop, and more in our warehouse.'
Zen, an employee at Mievic – a shop in Muscat that specialises in selling everything related to women (which has showcased this doll prominently) – said, 'Everyone is buying the doll. We sell around 30–50 dolls daily. People buy it because of the trend to possess one. They are also delighted to experience the suspense on purchase (to check out the type and colour of the one they get) as all sealed boxes have an element of mystery and no one knows what's in.'
This worldwide trend – from buyers looking for hidden 'treasures' (as rare editions can be traded for high sums) in their purchase, to retailers looking to make hay while the Sun shines – has made Labubu not just a cultural phenomenon but also a commercial success and a household name.
(Contributed by: Asma al Balushi; photos: V K Shafeer)
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Observer
21-07-2025
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Finally, Another Woman Designer Gets a Big Brand
In the latest move in the unprecedented realignment of the fashion world, Meryll Rogge was appointed creative director of Marni on Tuesday. She will be responsible for womenswear, menswear, accessories, store design and communications, replacing Francesco Risso, who left the Italian brand last month after almost 10 years. Rogge is the 17th new designer named to a big brand since mid-2024, but only the fourth woman. It's a striking imbalance in an industry that is still largely powered by womenswear and accessories, and one that was quick to pay lip service to diversity in recent years but has seemed to retreat from many of its pledges in terms of gender and race. Rogge will become the sole female designer in the stable of OTB, the holding company that also owns Maison Margiela, Jil Sander, Diesel and Viktor & Rolf and that reported sales of 1.7 billion euros in 2024, down 4% from 2023. Similarly, Louise Trotter, who will make her debut at Bottega Veneta in September, is the only female fashion designer at Kering, the luxury group that owns Gucci, Balenciaga and Saint Laurent, among other brands. The other two women who became creative directors of major fashion houses this year are Sarah Burton at Givenchy and Veronica Leoni at Calvin Klein. In a news release, Marni CEO Stefano Rosso called Rogge 'an exceptional creative talent and an inspiring woman.' A Belgian designer who started her career at Marc Jacobs before becoming head of women's design at Dries Van Noten and founding a namesake brand in 2020, Rogge, 40, shares a certain quirky practicality with Marni's founder, Consuelo Castiglioni. It was Castiglioni who transformed her husband's family fur company into a runway name beloved of bohemian intellectuals and art gallerists with a messy bent. In 2012, OTB bought a majority stake in the company, acquiring it fully in 2015. The next year, Castiglioni left, citing personal reasons, and Risso was named creative director. Though Risso's collections could be eye-poppingly imaginative, bristling with three-dimensional metal flowers or covered in what looked like finger paint, they could also seem self-indulgent — fun to look at but hard to wear. Rogge, who is relatively unknown outside the fashion world, became the first woman to be named designer of the year at the Belgian Fashion Awards in 2024 and was the recipient of the Andam Prize earlier this year, one of fashion's most prestigious awards. In explaining the selection, Guillaume Houzé, the president of Andam, cited Rogge's ability to turn 'ambiguity, hybridity and the unexpected into allies.' Like Castiglioni, she is also adept at marrying the conceptual to the commercial and has an affinity for color and the sort of print combinations that are alluring in their oddity. In the news release, Rogge called joining Marni 'both humbling and inspiring.' A spokesperson for Marni did not specify when Rogge would unveil her first collection. She did say, however, that the designer planned to maintain her own line and split her time between the two brands. Multitasking, as it were. —NYT


Muscat Daily
15-07-2025
- Muscat Daily
Lure of Labubu gains momentum in Oman
If you've not heard of Labubu, you must be either a boring professional or someone from another planet…as this sensational toy or trinket has now got people of all ages and cultures in its sway. And it's not a cheap fad! When 17-year-old Sharifa (name changed) went to purchase a 'Labubu' from a shop in Oman along with her friends, their hearts beat fast in unison as the box containing her much-sought-after treasure was handed out to her… The teenagers closed their eyes, held each other's hands, and chanted a childish mantra together as Sharifa opened the box to unveil her luck…seconds later a dramatic chorus of shrill cries made heads turn as they discovered that the box contained a Lychee Berry Labubu in a vibrant pink hue – a hot favourite among young girls, The digital world, they say, is full of different choices and instant surprises (even shocks), and it now brings on a new trend called Labubu – a fanciful 'Monster' elves doll – that seems to be getting widespread attention from people worldwide. Labubu is not just a doll, it has become a phenomenon among members of varied cultures the world over, as well as in Oman, where people have started buying it for various reasons, especially getting hooked on to the mystery of every purchase that is delivered with an element of suspense. Every buyer keeps his/her fingers crossed for being landed with a rare (priceless!) Labubu. This doll – fashioned from fabric and viral among social media users – has been created by a Hong Kong-Belgian designer Kasing Lung. Sold by Pop Mart in China, this doll comes in a playful shape. Yet, from what it seems, it's features – a furry body, wide eyes, pointed ears, sharp teeth – makes it look both playful as well as evil. Aside from Labubu herself, there are other characters of the 'Monster' elves series – Mokoko, Pato, Spooky, and many more – but Labubu is the most popular. Labubu began as a character designed by Kasing Lung, who grew up in the Netherlands and later settled in Belgium. It was part of Lung's 'Monster' series, which is influenced by Nordic folklore and mythology which he had enjoyed as a child. Encashing on the doll's instant popularity, Pop Mart came up with the idea of blind boxes, which are sealed packages that conceal the toy's design within. These mystery boxes feature an addictive behaviour, similar to treasure hunting. Doll collectors — people who are considered obsessed with collecting the limited editions from different doll industries — buy those editions as soon as they are released, or even book them before release. The doll prices range from RO10 to RO35 and some editions become even more expensive because of their rarity. The obsession with Labubu's escalated when social media influencers started making videos about getting the blind boxes, unboxing them, and sharing their reactions to what they got, and so on. The doll comes in different sizes; people may attach it to their bags, cars, or use it in different accessories. And, it is not just a toy for children, people of all ages seem to be lured by the doll, regardless of culture. In Muscat, too many youth – girls and boys are, indeed, enamoured by this toy which they tag onto school bags, handbags, bicycles, car dashboards as well as take them along wherever they go. Surprisingly, adults, too, have been taken up by this doll. Noah al Wahaibi, a youth in Muscat, said, 'My mom wanted the doll and she used to keep talking about it. I wanted to make her happy, so I bought her one. And, she is now over the moon.' Fifteen-year-old Thuraya al Rawahi, also said she bought the doll for its shape and to use it as a trinket. There are many other youngsters who have bought it just out of curiosity to follow a trend and be considered 'in' with the times. Radhia al Ajami, another young fan of the doll, said, 'I bought it because I like it and because it's trendy. I tag it on my bag, often in my car, too.' Ali Hassan, from YOYOSO, in Mall of Oman, asserted, 'People of different backgrounds come to buy it. Mostly, kids and girls are passionate about it because it's trendy, and we display it on our shop window to catch the attention of customers. He further said, 'When people buy it, they often sing its song with joy. We didn't have the doll at first, but we procured more stocks when inquiries for it began to soar. Currently, we have more than 200 dolls in the shop, and more in our warehouse.' Zen, an employee at Mievic – a shop in Muscat that specialises in selling everything related to women (which has showcased this doll prominently) – said, 'Everyone is buying the doll. We sell around 30–50 dolls daily. People buy it because of the trend to possess one. They are also delighted to experience the suspense on purchase (to check out the type and colour of the one they get) as all sealed boxes have an element of mystery and no one knows what's in.' This worldwide trend – from buyers looking for hidden 'treasures' (as rare editions can be traded for high sums) in their purchase, to retailers looking to make hay while the Sun shines – has made Labubu not just a cultural phenomenon but also a commercial success and a household name. (Contributed by: Asma al Balushi; photos: V K Shafeer)


Observer
11-06-2025
- Observer
How the Labubu becomes an unexpected cultural phenomenon even in Oman
I still remember the look on my face the day I met a friend for lunch and, in the middle of ordering, she pulled out what I first called an 'ugly doll'. Honestly, I thought she had brought along something kids would play with – a weird, slightly creepy plushy with a strange face. I didn't quite get the fuss until she held it up, dramatically, dressed in an outfit that looked straight out of a high-end boutique. Complete with Dior-inspired attire, a tiny stylish hat, and a tiny bag, this wasn't just any doll. It was a Labubu, and apparently, it's become quite the thing in Oman lately. That moment sparked a curiosity that's only grown since. Later that day, on our way to another shop in The Village mall, I stopped at a small store where the owner grinned and told me the dolls were flying off the shelves. He said it was his first time importing them, and they come in all colours — from the sweet pink to a bubbly blue, and the classic mocha brown. Some have freckles; others have sharp little teeth that make them look a bit mischievous. Once you see one, you can't unsee them. They seem to be everywhere now, popping up in social media stories, cafes, and even on family outings. A PR friend of mine, who's quite active online, admitted she has her own Labubu now. She's dressed it up in mini versions of designer outfits and shared snaps of it out on coffee dates and during her trips outside of Muscat. It's astonishing how these little figures have gained such popularity, with some people even taking multiple ones along on their errands. The store owner estimated the prices vary depending on how customised you want them, starting at around 15 Omani Rials and going up to 50 for fully personalised designs. The more intricate the outfit, the higher the price tag. Pieces specifically inspired by global fashion brands — like Dior, Gucci, or Louis Vuitton — are catching the eye of trendsetters. How the Labubu becomes an unexpected cultural phenomenon even in Oman How the Labubu becomes an unexpected cultural phenomenon even in Oman How the Labubu becomes an unexpected cultural phenomenon even in Oman Tracing the Origin of Labubu: From Niche Collectible to Oman's New Obsession So, where do these dolls actually come from? Although their rise in Oman is recent, Labubu has roots in online toy communities elsewhere. Initially created as quirky collectibles on social media, the dolls gained traction in the Middle East around 2022. Some conspiracy theories suggest they originated from small boutique creators in Japan or South Korea, but their current branding is heavily influenced by social media influencers and customisation enthusiasts. In Oman, their arrival coincided with the explosion of local Instagram and TikTok accounts showcasing mini fashion shows for their Labubu collections. The trend was aided by online forums and groups dedicated to custom-built toys. Many users have shared their stories about making the dolls unique, from adding tiny sunglasses to crafting miniature clothes inspired by international fashion brands. While some see the dolls as harmless fun, others in the online sphere debate their meaning and cultural impact. Critics on social forums argue that the trend might be superficial and promote materialism, especially among teenagers. Some social critics have voiced concerns over the dolls potentially promoting superficial beauty standards if the outfits mimic high-end fashion so closely. More seriously, there are religious debates swirling around Labubu, with some calling the dolls 'haram' because they resemble idols or representations that could lead to idol worship — a concern voiced by some scholars and religious conservatives. Others argue that the dolls are simply toys and should not be linked to religious or cultural taboos. Such discussions have been amplified by news outlets and opinion pieces, which highlight the tension between modern trends and conservative values. How the Labubu becomes an unexpected cultural phenomenon even in Oman How the Labubu becomes an unexpected cultural phenomenon even in Oman How the Labubu becomes an unexpected cultural phenomenon even in Oman Business analysts point out the impact of this trend on the local economy. Small businesses that began importing Labubu are now seeing significant sales, especially among younger consumers eager to customise their dolls or gift them to friends. The trend has created a niche market, with some entrepreneurs even offering personalised clothing and accessories for Labubu dolls. Two Weeks In: The Trend Grows Weirder and Wider It's been a fortnight since that first encounter, and I've started noticing the trend circulating more intensely. On social media, a radio personality I follow had a heated debate about the dolls on her show. She called it 'just an experiment' and later showed it to her daughter, who initially disliked it but now appears to have grown quite fond of her own Labubu. This casual acceptance indicates a shift — it's no longer novelty but part of everyday life. Walking through the mall the other day, I saw one woman with six Labubu dolls hanging from her backpack straps while shopping — a colourful parade of pinks, blues, and browns. I even found myself contemplating buying one, just to see what all the fuss was about. But then I laughed to myself, imagining my pet at home treating the doll like a doormat. The trend, bizarre as it seems, seems to be here to stay. What strikes me most is how something so seemingly trivial can grow into a full-blown cultural phenomenon. The owners of these dolls are making good money, especially as customisation options become more elaborate and in demand. For many, Labubu has become a symbol of personal expression or even a status symbol — a small, quirky item that you can dress up and show off on social media. How the Labubu becomes an unexpected cultural phenomenon even in Oman How the Labubu becomes an unexpected cultural phenomenon even in Oman How the Labubu becomes an unexpected cultural phenomenon even in Oman While some dismiss the trend as silly and superficial, others view it as a harmless form of creativity and fun — a way to add some colour and light-heartedness to daily routines. After all, in uncertain times, isn't it refreshing to find small things that make us smile or spark conversation? As long as it's enjoyed responsibly and doesn't harm anyone, trends like Labubu can be a good reminder that sometimes, happiness comes in the smallest packages. So, whether you love it, hate it, or are just plain curious — one thing's for sure: the Labubu trend is here, and it's not going anywhere anytime soon. Maybe, next time you're out and about, you'll spot one hanging from a backpack, or maybe you'll be tempted to join in. After all, in a world full of worries, a colourful doll dressed in Dior might just be the happiness boost we all need.