logo
"Shucked," a Broadway musical about corn, heads to the Civic Center

"Shucked," a Broadway musical about corn, heads to the Civic Center

Axios28-01-2025

For over a year, Quinn VanAntwerp, a cast member in "Shucked," has circled Des Moines on his travel sheet as a place he'd like to tour the musical.
Driving the news: On Tuesday, that's becoming a reality as the Tony Award-winning Broadway show stops at the Civic Center while on its first tour across the U.S.
We chatted with VanAtwerp, who plays Gordy Jackson, a "lovable bad guy."
🌽 What it is: While he doesn't want to reveal too much, VanAntwerp says the show is based in an "ambiguous" Midwest town. Expect to laugh throughout — there are 189 "corny" jokes.
"It's one of those great shows where I actually think that going in blind without any real expectation of what you're about to see is the most fun way to go in," VanAntwerp says.
👋 First Iowa visit: It's the show's first North American tour and "it's probably a lot of pressure for us to get it right in Iowa," he says.
"New York was a great run, but being on the road feels like this show is kind of coming home to its people," he says.
🚗 Touring life: VanAtwerp's wife and their 2-year-old daughter are also on the "Shucked" tour.
His wife is a swing on the show who helps fill in on roles, and he says their family gets to stay in a new house every week.
If you go: The show runs Jan. 28-Feb. 2 at the Des Moines Civic Center.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Tony Awards Live Updates: The Red Carpet Has Opened at the 2025 Tonys
Tony Awards Live Updates: The Red Carpet Has Opened at the 2025 Tonys

Vogue

time27 minutes ago

  • Vogue

Tony Awards Live Updates: The Red Carpet Has Opened at the 2025 Tonys

Tonight's Tony Awards will celebrate a Broadway season that had, in a word, everything: sky-high ticket sales (here's looking at you, Othello and Good Night, and Good Luck); performances from treasured members of the casts of both Succession and Glee; a musical based on NBC's Smash while Megan Hilty, a star of NBC's Smash, starred in something else; a play based on Stranger Things while Sadie Sink, a star of Stranger Things, starred in something else; a Pussycat Doll playing Norma Desmond; Titus Andromedon playing Mary Todd Lincoln; and two different musicals about a dead body. It's why we're so excited to expect the unexpected during the ceremony—especially with a performer as multitalented as Cynthia Erivo assuming hosting duties. Follow along right here for Vogue's moment-to-moment coverage of the 78th Tony Awards—from our picks for the best looks of the night, to glimpses inside the ceremony at Radio City Music Hall and an accounting of all the winners.

Tony Awards 2025: Complete list of winners
Tony Awards 2025: Complete list of winners

USA Today

timean hour ago

  • USA Today

Tony Awards 2025: Complete list of winners

Tony Awards 2025: Complete list of winners Show Caption Hide Caption Darren Criss leads 'Maybe Happy Ending': Broadway's new musical Darren Criss shines in Broadway musical "Maybe Happy Ending" Broadway's biggest night has arrived, celebrating the best musicals, plays and actors on stage. "Maybe Happy Ending," "Death Becomes Her" and "Buena Vista Social Club" lead the nominations with 10 each, including best musical. The strange-but-true "Dead Outlaw" and World War II spy satire "Operation Mincemeat" round out the best musical category. Cole Escola's madcap "Oh, Mary!" earned five nods, including best play, best actor (Escola) and best featured actor (Conrad Ricamora). The other nominees for best play are "The Hills of California," "English," "Purpose," and "John Proctor is the Villain." Several Hollywood A-listers earned their first Tony nominations, including George Clooney for "Good Night, and Good Luck," Mia Farrow for "The Roommate," Bob Odenkirk for 'Glengarry Glen Ross," 'Stranger Things' star Sadie Sink for "John Proctor is the Villain," "Succession" star Sarah Snook for "The Picture of Dorian Gray" and former Pussycat Dolls frontwoman Nicole Scherzinger for "Sunset Boulevard." More: Broadway's 10 best shows of 2024, including 'Oh, Mary!' The 78th annual Tony Awards air live on Sunday, June 8, from New York's Radio City Music Hall (8 ET/5 PT on CBS and streaming on Paramount+ with Showtime). Cynthia Erivo, the three-time Oscar-nominated star of "Wicked," will host. Tony Awards 2025 winners Best new musical 'Buena Vista Social Club' 'Dead Outlaw' 'Death Becomes Her' 'Maybe Happy Ending' 'Operation Mincemeat' Best new play 'English' 'The Hills of California' 'John Proctor Is the Villain' 'Oh, Mary!' 'Purpose' Best musical revival 'Floyd Collins' 'Gypsy' 'Pirates! The Penzance Musical' 'Sunset Boulevard' Best play revival 'Eureka Day' 'Our Town' 'Romeo + Juliet' 'Yellow Face' Best leading actress in a play Laura Donnelly, 'The Hills of California' Mia Farrow, 'The Roommate' LaTanya Richardson Jackson, 'Purpose' Sadie Sink, 'John Proctor Is the Villain' Sarah Snook, 'The Picture of Dorian Gray' Best leading actor in a play George Clooney, 'Good Night, and Good Luck' Cole Escola, 'Oh, Mary!' Jon Michael Hill, 'Purpose' Daniel Dae Kim, 'Yellow Face' Harry Lennix, 'Purpose' Louis McCartney, 'Stranger Things: The First Shadow' Best leading actress in a musical Jasmine Amy Rogers, 'Boop!' Megan Hilty, 'Death Becomes Her' Audra McDonald, 'Gypsy' Nicole Scherzinger, 'Sunset Boulevard' Jennifer Simard, 'Death Becomes Her' Best leading actor in a musical Darren Criss, 'Maybe Happy Ending' Andrew Durand, 'Dead Outlaw' Tom Francis, 'Sunset Boulevard' Jonathan Groff, 'Just in Time' Jeremy Jordan, 'Floyd Collins' James Monroe Iglehart, 'A Wonderful World: The Louis Armstrong Musical' Best direction of a musical Saheem Ali, 'Buena Vista Social Club' Michael Arden, 'Maybe Happy Ending' David Cromer, 'Dead Outlaw' Christopher Gattelli, 'Death Becomes Her' Jamie Lloyd, 'Sunset Boulevard' Best direction of a play Knud Adams, 'English' Sam Mendes, 'The Hills of California' Sam Pinkleton, 'Oh, Mary!' Danya Taymor, 'John Proctor Is the Villain' Kip Williams, 'The Picture of Dorian Gray' Best featured actress in a play Tala Ashe, 'English' Jessica Hecht, 'Eureka Day' Marjan Neshat, 'English' Fina Strazza, 'John Proctor Is the Villain' Kara Young, 'Purpose' Best featured actor in a play Glenn Davis, 'Purpose' Gabriel Ebert, 'John Proctor Is the Villain' Francis Jue, 'Yellow Face' Bob Odenkirk, 'Glengarry Glen Ross' Conrad Ricamora, 'Oh, Mary!' Best featured actress in a musical Natalie Venetia Belcon, 'Buena Vista Social Club' Julia Knitel, 'Dead Outlaw' Gracie Lawrence, 'Just in Time' Justina Machado, 'Real Women Have Curves' Joy Woods, 'Gypsy' Best featured actor in a musical Brooks Ashmanskas, 'Smash' Jeb Brown, 'Dead Outlaw' Danny Burstein, 'Gypsy' Jak Malone, 'Operation Mincemeat' Taylor Trensch, 'Floyd Collins' Best book of a musical 'Buena Vista Social Club' 'Dead Outlaw' 'Death Becomes Her' 'Maybe Happy Ending' 'Operation Mincemeat' Best scenic design of a play Marsha Ginsberg, 'English' Rob Howell, 'The Hills of California' Marg Horwell and David Bergman, 'The Picture of Dorian Gray' Miriam Buether and 59, 'Stranger Things: The First Shadow' Scott Pask, 'Good Night, and Good Luck' Best scenic design of a musical Rachel Hauck, 'Swept Away' Dane Laffrey and George Reeve, 'Maybe Happy Ending' Arnulfo Maldonado, 'Buena Vista Social Club' Derek McLane, 'Death Becomes Her' Derek McLane, 'Just in Time' Best lighting design of a play Natasha Chivers, 'The Hills of California' Jon Clark, 'Stranger Things: The First Shadow' Heather Gilbert and David Bengali, 'Good Night, and Good Luck' Natasha Katz and Hannah Wasileski, 'John Proctor is the Villain' Nick Schlieper, 'The Picture of Dorian Gray' Best costume design of a play Brenda Abbandandolo, 'Good Night, and Good Luck' Marg Horwell, 'The Picture of Dorian Gray' Rob Howell, 'The Hills of California' Holly Pierson, 'Oh, Mary!' Brigitte Reiffenstuel, 'Stranger Things: The First Shadow' Best choreography Joshua Bergasse, 'Smash' Camille A. Brown, 'Gypsy' Christopher Gattelli, 'Death Becomes Her' Jerry Mitchell, 'Boop!' Patricia Delgado and Justin Peck, 'Buena Vista Social Club' Best orchestrations Andrew Resnick and Michael Thurber, 'Just in Time' Will Aronson, 'Maybe Happy Ending' Bruce Coughlin, 'Floyd Collins' Marco Paguia, 'Buena Vista Social Club' David Cullen and Andrew Lloyd Webber, 'Sunset Boulevard' Best sound design of a play Paul Arditti, 'Stranger Things: The First Shadow' Palmer Hefferan, 'John Proctor Is the Villain' Daniel Kluger, 'Good Night, and Good Luck' Nick Powell, 'The Hills of California' Clemence Williams, 'The Picture of Dorian Gray' Best original score 'Dead Outlaw,' David Yazbek and Erik Della Penna 'Death Becomes Her,' Julia Mattison and Noel Carey 'Maybe Happy Ending,' Will Aronson and Hue Park 'Operation Mincemeat,' David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts 'Real Women Have Curves,' Joy Huerta and Benjamin Velez Best costume design of a musical Dede Ayite, 'Buena Vista Social Club' Gregg Barnes, 'Boop!' Clint Ramos, 'Maybe Happy Ending' Paul Tazewell, 'Death Becomes Her' Catherine Zuber, 'Just in Time' Best lighting design of a musical Jack Knowles, 'Sunset Boulevard' Tyler Micoleau, 'Buena Vista Social Club' Scott Zielinski and Ruey Horng Sun, 'Floyd Collins' Ben Stanton, 'Maybe Happy Ending' Justin Townsend, 'Death Becomes Her' Best sound design of a musical Jonathan Deans, 'Buena Vista Social Club' Adam Fisher, 'Sunset Boulevard' Peter Hylenski, 'Just in Time' Peter Hylenski, 'Maybe Happy Ending' Dan Moses Schreier, 'Floyd Collins' Special awards Isabelle Stevenson Tony Award: Celia Keenan-Bolger Special Tony Award for Lifetime Achievement: Harvey Fierstein Contributor: Patrick Ryan, USA TODAY

Raphael Saadiq's bass stolen before Oakland show, but the music played on
Raphael Saadiq's bass stolen before Oakland show, but the music played on

San Francisco Chronicle​

time2 hours ago

  • San Francisco Chronicle​

Raphael Saadiq's bass stolen before Oakland show, but the music played on

While recreating his 1984 audition for Sheila E's band, Raphael Saadiq slipped in a quick spontaneous story about something that happened to him earlier in the day. It was a slice of dark humor about life in the Town — a place that has given the musician so much but still tests his resilience. 'The bass I brought here got stolen today — welcome home!' he yelled sarcastically, to roars of supportive laughter. Oakland's hometown R&B hero was back with his 'No Bandwidth: One Man, One Night, Three Decades of Hits' solo show to the Fox Theater in Oakland on Saturday, June 7, for the first of two unique performances. It was Saadiq's first time in front of a Bay Area audience since his 2025 NBA All-Star Game performance in February, and the evening had a decidedly different vibe. For two-and-a-half hours, Saadiq shared stories in spoken and musical form about his Oakland upbringing, key moments in music discovery, his big breaks and breakups, and a family life blessed with love but touched by tragedy. The Fox Theater was packed with day-ones who had watched him grow from a skinny kid chowing burgers at Kwik Way to Tony! Toni! Toné! frontman to acclaimed solo artist to Grammy-winning producer. The format was similar to Netflix's 'Springsteen on Broadway ' or 'Beastie Boys Story ' on Apple TV+. As the title of the production implies, there was no band, just Saadiq seated on a stool with two guitars, a bass, a turntable and a piano. He displayed his piano proficiency, playing a majority of the evening's songs on an instrument he stopped learning as a child but picked up again during the pandemic. 'She went next door to Safeway and bought some groceries,' he said, proudly. 'Then I was born in 1966 at Highland Hospital and now I'm here.' Good times at the talent show Against his mother's wishes, Saadiq snuck his bass and amp to school and won his Elmhurst Middle School talent contest by playing a medley of funky jams — ' Peanut Butter,' 'Another One Bites the Dust' and 'Good Times.' On Saturday, he reenacted his motions and emotions as the songs played. He said he convinced the principal to escort him home with the trophy to avoid a whupping from his mom. It worked. 'Lucifer Pearl' Reminiscing about his short-lived supergroup Lucy Pearl, Saadiq referred to his post-Tonies R&B/hip-hop collaboration with A Tribe Called Quest DJ Ali Shaheed Muhammed and singer Dawn Robinson of Oakland's En Vogue as 'Lucifer Pearl.' Metaphorical tea spilled as he recalled the day Robinson quit the tour and left the band. 'When she left, I felt a weight lift off my shoulders,' he said. 'I remembered why I started making music. I had forgotten because I was so stressed. But, beauty comes from ashes.' Then Lucy Pearl's 'You' — a song that doesn't feature Robinson — played out the speakers and the crowd got up and rocked along. Making the cut with help from Rick Rubin Super producer Rick Rubin played a pivotal role in keeping Saadiq on Columbia Record's roster. Tasked with getting rid of low-performing acts, Rubin met with the artist to listen to Saadiq's unconventional 2008 Motown-influenced solo album 'The Way I See It.' Rubin, in his zen-like way, questioned whether the drums were programmed and if the guitar was real. They were — Saadiq confirmed he played all the instruments live. Impressed, Saadiq didn't get dropped. 'They didn't promote it,' Saadiq countered, 'but it was a good lesson about going with your gut.' 'Tattooed in my heart' The show's emotional highpoint was reserved for his five siblings who are no longer with him, including his brother and Tony! Toni! Toné! cofounder D'Wayne Wiggins, who at 64 died of bladder cancer in March 2025. Saadiq noted he's run out of tattoo space on his arms to commemorate any more dead siblings. '(D'Wayne) will always be tattooed in my heart,' he said. As he recounted the moment when D'wayne knew their time together was coming to an end, Saadiq paused to compose himself, clasping his hands in prayer. He lit a stick of incense and recalled the time he got to collaborate with Isley Brothers guitarist Ernie Isley, who D'Wayne worshipped. As the track ' Ernie's Jam ' played, the incense smouldered in the tuning pegs of his brother's guitar. Saadiq solemnly walked to the back of the stage and faced the screen, as a photo montage of his brother played.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store