logo
Cillian Murphy and Daniel Craig in talks to star in Damien Chazelle's Paramount movie

Cillian Murphy and Daniel Craig in talks to star in Damien Chazelle's Paramount movie

Perth Now21-05-2025
Cillian Murphy and Daniel Craig are in talks to appear in Damien Chazelle's next movie.
Chazelle has penned the script for an as-yet untitled motion picture, which he is also due to direct, and produce alongside Olivia Hamilton.
According to Deadline, Craig and Murphy are in negotiations about appearing in the project, which insiders say is set in a prison.
Production is expected to get underway later this year, if former James Bond star Craig and 'Peaky Blinders' actor Murphy sign up for the movie.
News of the Paramount Pictures film first emerged in April 2024.
It wasn't known who might star in the motion picture, but it was claimed at the time that Chazelle and Paramount bosses were expected to hold meetings with A-list talent for the project.
Chazelle signed a deal with Paramount at the end of 2022, after working with the studio on his film 'Babylon' - which bombed at the box office despite starring Margot Robbie and Brad Pitt.
The filmmaker acknowledged that the failure of the period movie is likely to impact the amount of funding he gets for future films.
Speaking on the 'Talking Pictures' podcast, he said: "Certainly, in financial terms, 'Babylon' didn't work at all. You try to not have that effect what you're doing creatively, but, at some level, it can't help but affect it. But maybe that's OK?
"I have a very mixed mind about it. Who knows. Maybe I won't be able to get this one made. I have no idea. We'll have to wait and see.
"I've been head in the sand. I've been sort of busy writing. So I'll get a real taste of how it's changed or not [since 'Babylon'] once I get to finish this script and try to actually get it made.
"I'm in a sort of trepidatious state of mind, but I have no illusions. I won't get a budget of 'Babylon' size any time soon, or at least not on this next one."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

New Addams Family animated feature film being developed
New Addams Family animated feature film being developed

Perth Now

time4 hours ago

  • Perth Now

New Addams Family animated feature film being developed

Wednesday creators Alfred Gough and Miles Millar are creating a new animated Addams Family feature film. The two showrunners of the Netflix series are developing an Addams Family reboot for Amazon MGM Studios which will be unconnected to Wednesday - which stars Jenna Ortega as Wednesday Addams - and the previous two animated films released in 2019 and 2021. Gough says his and Millar's inspiration is to honour the characters created by late American cartoonist Charles Addams, which were turned into a popular TV series in the mid-60s. Speaking on Deadline's Crew Call podcast, Gough said: "We're working on it with Amazon MGM and with Kevin Miserocchi who runs the Addams Foundation, he knew Charles Addams and the keeper of the Addams flame, and with Gail Berman and John Glickman. We're rebooting the animated film franchise. So it won't have anything to do with the two films before it, nor is it connected with this show. It will be a brand new Addams feature. There's not really much we can say about it, because it's in the very early stages.' The 1960s series about the macabre family - who first appeared in a cartoon strip in The New Yorker magazine - starred John Astin as patriarch Gomez Addams, Carolyn Jones as Gomez's wife Morticia Addams, Jackie Coogan as Uncle Fester, Ted Cassidy as Lurch, Lisa Loring as Wednesday Addams and Ken Weatherwax as Pugsley Addams. The Addams Family has also appeared in a 1973 animated series, a remake series which ran from 1992 to 1993 as well as several feature films, including Barry Sonnenfeld's 1991 live action movie.

How actress Emily Browning learnt to embrace the funny side of failure
How actress Emily Browning learnt to embrace the funny side of failure

The Age

time19 hours ago

  • The Age

How actress Emily Browning learnt to embrace the funny side of failure

For Emily Browning, few things are more terrifying than the prospect of embarrassment. And until recently, few things were more embarrassing than trying to be funny, and potentially failing. 'I guess people have different levels of things they find embarrassing,' says the 36-year-old actress who burst onto the global stage as a 15-year-old in the Lemony Snickett film A Series of Unfortunate Events opposite Jim Carrey. 'I've gotten naked in a million films before, and that didn't embarrass me. [For me the threshold is] not wanting to look stupid or something.' That all changed with her first foray into comedy, in the Paramount+ series Class of '07, about a high school reunion that goes from bad to worse when the apocalypse causes massive flooding that traps the former students of a Sydney girls' school in the building where the best and worst years of their lives played out. 'Before I started doing comedy I'd kind of reached the limit of what I could do without being willing to embarrass myself, if that makes sense,' she says. 'And now I want to look stupid, I want to fail – failure is so interesting to me. I want to just be kind of dumb and not worry about it.' In One More Shot, a time-travelling rom-com that is screening at MIFF, Browning gets every opportunity. She plays Minnie, a self-absorbed anaesthetist who attends a party on New Year's Eve 1999 hoping to win back her ex-boyfriend (Sean Keenan), only to find everything going wrong. Luckily, the bottle of tequila she's brought along gives her the chance to set things right, as each swig transports her back to the beginning of the night. Though it's very funny, One More Shot is grounded in truth: young parents (Ashley Zukerman and Pallavi Sharda) struggling with the impact a baby is having on their lives and marriage; drug and alcohol dependency; a solipsism that stands in the way of ever really connecting with others. And, of course, the whole panic about Y2K. Browning was just 11 years old when all that played out. Her father worked (and still does) in computing, 'and he was like, 'meh',' she says of the predictions that the banking system would crash and planes would fall from the sky simply because of the way dates had been coded into operating systems. For her, 1999 was all about her bedroom. 'I had this blue vinyl blow-up chair and a blue Sony boombox,' she says. 'I just remember it aesthetically. It was gorgeous.' For Nicholas Clifford, whose debut feature this is, there's a strange echo of a more recent societal panic (as well as a chance to unearth some classic tracks from the era by the likes of Spiderbait, Deadstar and the Cranberries). 'What's been really rewarding is the line between COVID and Y2K, and the way some younger audience members can grasp the concept of a great, big, bad unknown on the horizon,' he says. 'Our cross-section of characters are all at different ends of it – some don't care, some really care. I like that. It sort of represents the world in a way.' Though there's plenty of smarts in the script from husband-and-wife team Greg Erdstein and Alice Foulcher (who made the terrific low-budget comedy That's Not Me in 2017), there's also some terrific physical comedy, including a dance scene in which first Aisha Dee (from Apple Cider Vinegar) and then Browning do the splits – the first elegantly, the latter less so. Thankfully for Minnie, every misstep is only a swig away from being erased from everyone's memory but hers. And that's something Browning can definitely see the appeal in. 'I really relate to that feeling of grief that comes from knowing that when you make a choice, you're letting 100 other choices die,' she says. 'I can't make a decision to save my life, I really just want all the options open to me at all times. 'As I've gotten into my mid-30s, I've had that realisation of, like, 'Oh, wow. I have one life, and that means saying goodbye to 1000 other lives that I thought maybe I would have had.' So that just really resonated with me.' Not that she's moping about the road less travelled. 'I feel like all the things that are interesting to me right now and that I'm enjoying have at least an element of humour,' she says. 'I can't think of anything worse right now than doing a dead-serious drama.'

How actress Emily Browning learnt to embrace the funny side of failure
How actress Emily Browning learnt to embrace the funny side of failure

Sydney Morning Herald

time19 hours ago

  • Sydney Morning Herald

How actress Emily Browning learnt to embrace the funny side of failure

For Emily Browning, few things are more terrifying than the prospect of embarrassment. And until recently, few things were more embarrassing than trying to be funny, and potentially failing. 'I guess people have different levels of things they find embarrassing,' says the 36-year-old actress who burst onto the global stage as a 15-year-old in the Lemony Snickett film A Series of Unfortunate Events opposite Jim Carrey. 'I've gotten naked in a million films before, and that didn't embarrass me. [For me the threshold is] not wanting to look stupid or something.' That all changed with her first foray into comedy, in the Paramount+ series Class of '07, about a high school reunion that goes from bad to worse when the apocalypse causes massive flooding that traps the former students of a Sydney girls' school in the building where the best and worst years of their lives played out. 'Before I started doing comedy I'd kind of reached the limit of what I could do without being willing to embarrass myself, if that makes sense,' she says. 'And now I want to look stupid, I want to fail – failure is so interesting to me. I want to just be kind of dumb and not worry about it.' In One More Shot, a time-travelling rom-com that is screening at MIFF, Browning gets every opportunity. She plays Minnie, a self-absorbed anaesthetist who attends a party on New Year's Eve 1999 hoping to win back her ex-boyfriend (Sean Keenan), only to find everything going wrong. Luckily, the bottle of tequila she's brought along gives her the chance to set things right, as each swig transports her back to the beginning of the night. Though it's very funny, One More Shot is grounded in truth: young parents (Ashley Zukerman and Pallavi Sharda) struggling with the impact a baby is having on their lives and marriage; drug and alcohol dependency; a solipsism that stands in the way of ever really connecting with others. And, of course, the whole panic about Y2K. Browning was just 11 years old when all that played out. Her father worked (and still does) in computing, 'and he was like, 'meh',' she says of the predictions that the banking system would crash and planes would fall from the sky simply because of the way dates had been coded into operating systems. For her, 1999 was all about her bedroom. 'I had this blue vinyl blow-up chair and a blue Sony boombox,' she says. 'I just remember it aesthetically. It was gorgeous.' For Nicholas Clifford, whose debut feature this is, there's a strange echo of a more recent societal panic (as well as a chance to unearth some classic tracks from the era by the likes of Spiderbait, Deadstar and the Cranberries). 'What's been really rewarding is the line between COVID and Y2K, and the way some younger audience members can grasp the concept of a great, big, bad unknown on the horizon,' he says. 'Our cross-section of characters are all at different ends of it – some don't care, some really care. I like that. It sort of represents the world in a way.' Though there's plenty of smarts in the script from husband-and-wife team Greg Erdstein and Alice Foulcher (who made the terrific low-budget comedy That's Not Me in 2017), there's also some terrific physical comedy, including a dance scene in which first Aisha Dee (from Apple Cider Vinegar) and then Browning do the splits – the first elegantly, the latter less so. Thankfully for Minnie, every misstep is only a swig away from being erased from everyone's memory but hers. And that's something Browning can definitely see the appeal in. 'I really relate to that feeling of grief that comes from knowing that when you make a choice, you're letting 100 other choices die,' she says. 'I can't make a decision to save my life, I really just want all the options open to me at all times. 'As I've gotten into my mid-30s, I've had that realisation of, like, 'Oh, wow. I have one life, and that means saying goodbye to 1000 other lives that I thought maybe I would have had.' So that just really resonated with me.' Not that she's moping about the road less travelled. 'I feel like all the things that are interesting to me right now and that I'm enjoying have at least an element of humour,' she says. 'I can't think of anything worse right now than doing a dead-serious drama.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store