Tame Impala Nearing Completion Of New Album?
In an Instagram post earlier this week, Parker revealed a carefully cropped photo of a whiteboard showing a list of songs with the word 'DONE' and various checkmarks written next to them. The artist debuted an unnamed new Tame Impala song last month during a Barcelona DJ set, and sources tell SPIN that planning is well underway for a fresh round of touring with a completely redesigned stage show in the months to come.
More from Spin:
'Eddington': Ari Aster's Miserabilism Gets in the Way of a Promising Social Satire
Jakob Nowell Was Born For This
5 Albums I Can't Live Without: Dan Sugarman of Ice Nine Kills
As for Currents, Parker took to Instagram to reflect on the first decade of its existence. The Grammy-nominated album nudged Tame Impala fully into the mainstream thanks to hits such as 'The Less I Know the Better,' 'Let It Happen' and 'Eventually' and debuted at a then-career best No. 4 on the Billboard 200.
'Currents is 10 years old today. Really?? It doesn't feel like that at all,' he wrote. 'I guess because it's stayed such a big part of my life since then it still feels fresh. When we play 'Let It Happen' live these days I still feel it deep in my soul. I guess also because it's taken me this long to really appreciate the music. I had more than one existential crisis during the making and release of this album. I couldn't tell if it was great or embarrassingly bad, not to mention the fans I would lose by switching up music styles so heavily.'
'People recently have asked me if I was feeling pretty chuffed with myself after making this album and the answer is always absolutely not!,' he continued. 'There was often so much doubt, but I knew it was an album I had to make. The lows were low but the highs were high. And during the highs, when I had forgotten to care what people were going to think, I'd be driving in my car listening to mixes feeling like it was pure magic, and in those moments I remember thinking whatever the outcome I just had to go through with it, and believe in it even if it felt totally blind. Glad I did.'
In its contemporary review, SPIN called Currents 'the purest — and most complex — distillation of everything that makes the band such a nearly physical pleasure to listen to, whether it's the sprawling riffs found on their 2010 debut, Innerspeaker, or this album's taffy-lurid swirls.'
Meanwhile, Parker will be back on the DJ decks for three early December shows in Australia opening for Justice, with whom he collaborated on the French electronic duo's hit 2024 album, Hyperdrama.
To see our running list of the top 100 greatest rock stars of all time, click here.
Solve the daily Crossword
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
11 minutes ago
- Yahoo
Lynne McGranger on the fan response to her Home and Away exit
Home and Away actress Lynne McGranger reacts to the fan response to her exit from the show. Video transcript It's, um, very rewarding. I really wanted, um, Irene to go out, and we still don't know exactly how she leaves, of course, um, but I wanted the lead up to her exit to be something that could be, um, you know, experienced by the audience as well. I feel like the whole Alzheimer's dementia thing hasn't really been touched on or dealt with much on Australian television, because it is a sensitive subject. And I just think the writers and the producers have done such, an honourable job with it, have really treated it with, with delicacy and with honesty. And that's what we wanted to do. And since, you know, I met a lady yesterday who was 78, and she's just been diagnosed with Parkinson's, and that comes under the dementia banner, which I only found out like a year or so ago, cause my cousin in England has Parkinson's. And um, she's just so alert and got, you know, just amazing, but she was, she loves the show and she, we talked and she held my hand and we chatted, and it was just lovely to see the kind of joy that she exuded knowing that, you know, where she was in life was being dealt with in on, uh, you know, in an honourable fashion. And um, that gladdened my heart and I'm so proud of our writers, and so, I mean, you know, in an ideal world, I would have been hit by a bus outside the diner and it would have been all over Red Rover, and maybe I'll be in the coffin knocking on the door going, oh I haven't gone yet. But you know, they were never going to do that, and I'm so proud of um the fact that I've been able to tell this story um with of course the help of the, the genius writers, and I'm not just saying that because I'll probably read this or or see this or hear this, but they are, the fact that they can keep, um, you know, keep a, a, a being like Home and Away afloat and buoyant for so long, and still bring new innovation to it and, and be brave enough to tackle a story as potentially delicate as something like Alzheimer's.
Yahoo
11 minutes ago
- Yahoo
Lynne McGranger spills on her new ‘routine' after Home and Away
Gold Logie winner Lynne McGranger has revealed her new routine after leaving Home and Away. Video transcript There was never any regular routine. That's the thing, is that with Home and Away, uh, with a show like Home and Away that is filming so, like it's so jam-packed all the time. And if one person gets unwell, and, you know, hell, it's winter, it's flu season, it happens a lot. Um, you just have to be ready to drop whatever you, you learned last night. And here's some scripts, learn them, 'cause we're filming them in five minutes. Pardon me, so, um. Uh, I don't miss that. Um, I don't miss the cramming for the exams, but I, I guess I do, you know, thinking about it, I miss the camaraderie and the, the, the joyfulness and the, the laughs, and, you know, and just, just sharing the, the good times and the bad times, the highs and the lows, and knowing that there's a second family there for you, but you know what, I still feel like they're here for me. I still feel like nothing's changed in the four months since I've left.


Gizmodo
12 minutes ago
- Gizmodo
‘Together' Director Explains How that Wild Final Shot Was Made (Without AI)
Ever since its debut at Sundance earlier this year, fans of horror have had Michael Shanks' new film, Together, on their radars. Neon picked it up out of the festival and, after some really creepy trailers and marketing, opened it in theaters last weekend with solid results. It's a provocative, surprising, and incredibly disgusting movie with an ending viewers will not soon forget. An ending that was achieved through traditional methods of visual effects and without a hint of per that spoiler warning above, we're about to explain what happens at the end of Together, so if you haven't seen it and want to, we urge you to look away right now. In the film Tim and Millie (Dave Franco and Alison Brie) get infected by this unexplained force that wants their bodies to become one. The how and why behind it is pretty weird, mysterious, and fun, but eventually, the couple realize the only way to defeat this force is to give in to it. And so we watch as their bodies combine from two into one, and, in the film's final shot, a completely new person, the amalgamation of both of them, opens the door to Millie's visiting parents. Speaking on Indiewire's Filmmaker Toolkit Podcast, Shanks explained that both the blending of the bodies and the new character were achieved without the use of AI. 'The amount of screenings I've gone to now, and people come up to me and say, 'Was that AI at the end?' It's just so crazy that people assume AI is now the cause. We've used absolutely none of it on this film,' Shanks said. 'As a VFX guy, as somebody that's worked with all these teams that put in so much work, it's so frustrating now that people look at something that looks interesting or good, and they [assume] just a computer made it. It's like, 'No, no, no, no, no.'' Instead, the 'Tillie' character was created using makeup and visual effects compositing by Genevieve Camilleri. 'In pre-production, Gen just went up and took photos of Dave and Alison and then in Nuke, she made a bunch of variations on which elements to take from which of their faces to figure out what is essential to seeing both of them in that final image,' Shanks said. Then, on the day, the director shot the scene with both actors. 'After we shot the scene with Alison, we moved in Dave, with a bunch of dots on his face,' he continued. 'Gen has taken his jaw and his lips and stuck that onto the bottom [of the face]. It's really a combination of makeup and, you wouldn't call it CGI, because nothing's computer-generated, but it's compositing.' Stepping back a bit from the specifics of Together, it's wild that Shanks has to defend that his film didn't use generative AI. If it had come out even just 3-4 years ago, it would not have even been a thought. We all would've just assumed it was one of them dressing up as the other or visual effects. Ultimately, it's kind of both. But the whole conversation changed when we began living in a world where you can put 'Dave Franco and Alison Brie as one person' into a program and get something back in seconds. Basically, props to Shanks for doing something right, working hard at it, and making something memorable. And boo to the world for making us forget that the real magic of filmmaking comes from the human touch. Together is now in theaters. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.