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Farm Aid to Celebrate 40th Anniversary in Minneapolis

Farm Aid to Celebrate 40th Anniversary in Minneapolis

Yahoo25-05-2025

Farm Aid will celebrate its 40th anniversary on September 20 with a super-sized show at Huntington Bank Stadium in Minneapolis, Minnesota, featuring Farm Aid board members Willie Nelson, Neil Young, John Mellencamp, Dave Matthews, and Margo Price in addition to Billy Strings, Nathaniel Rateliff & the Night Sweats, Trampled by Turtles, Waxahatchee, Eric Burton of Black Pumas, Jesse Welles, Madeline Edwards, and others that have yet to be announced. Ticket sales begin May 16.
'Family farmers are the heart of this country, and we depend on each other for good food and strong communities,' Nelson says in a statement. 'For 40 years, Farm Aid and our partners have stood with farmers, supporting them to stay on their land even when corporate power, bad policies and broken promises make it harder to keep going. This year, we're proud to bring Farm Aid to Minnesota to celebrate the farmers who sustain us and to fight for a food system that works for all of us. Family farmers aren't backing down, and neither are we.'
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Farm Aid has been held virtually every year since the inaugural event in Champaign, Illinois, back in 1985. But this is the first time it's touched down in Minneapolis. It will be the kickoff event to a year-long celebration of Farm Aid.
'We're grateful to our dedicated board members and hundreds of generous artists who have brought us together year after year to celebrate family farmers and highlight the challenges they face every day,' Farm Aid Co-Executive Director Jennifer Fahy says in a statement. 'Our anniversary marks a critical time for the nation to come together in support of the family farmers we all depend on. Our work isn't done. There are significant threats to the future of family farm agriculture and our food system. Farm Aid 40 is an opportunity to call those out and work for the food system that farmers, eaters and our planet all deserve.'
The 2024 incarnation of Farm Aid took place at the Saratoga Performing Arts Center in Saratoga Springs, New York. It featured the debut of Neil Young's new band the Chrome Hearts. They're set centered around classics like 'Harvest Moon,' 'Heart of Gold,' 'Unknown Legend,' and 'Powderfinger.' They hit the road this year for their first proper tour, and will play Farm Aid at the end of the run.
Dave Matthews is spending much of the summer on the road with the Dave Matthews Band. But in keeping with longtime Farm Aid tradition, he'll play an acoustic set with Tim Reynolds at the event.
The vast majority of Farm Aid concerts take place at outdoor amphitheaters. This is the first one at a stadium since the 2012 Farm Aid at Hersheypark Stadium in Hershey, Pennsylvania.
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Yankees' Ryan Yarbrough is dominating. But why does he throw like that?
Yankees' Ryan Yarbrough is dominating. But why does he throw like that?

New York Times

time23 minutes ago

  • New York Times

Yankees' Ryan Yarbrough is dominating. But why does he throw like that?

Ryan Yarbrough doesn't know why he started doing it, but it feels good. The New York Yankees' 6-foot-5 pitcher begins his delivery by raising his right leg high. But as he pushes toward home plate, he does something strange. He drops his left arm and releases the ball like he's much shorter than he is. It's like he's skipping a rock across the surface of a pond. Advertisement In his mind, he's doing nothing different than anyone else. 'It is weird that I feel like I'm throwing straight over the top when in all actuality, it's not,' he said recently. What's the point of all that height if you're not going to use it? Well, Yarbrough does. And it's one of the biggest reasons he's been a surprise in a season filled with them for the first-place Yankees. Yarbrough's six-inning, one-run performance in Sunday's win over the Los Angeles Dodgers stopped the team that beat the Yankees in last year's World Series from sweeping them. It also dropped the 33-year-old's ERA to 2.08 over five starts since he left the bullpen to join the rotation May 3. When the Yankees tapped Yarbrough to make the switch, they weren't asking him for much. They just needed him to do better than Carlos Carrasco, whom he was replacing as the fifth starter. Through eight games (six starts), Carrasco had a 5.91 ERA. The bar was low. Yarbrough has hurdled it. 'It's been fun watching him toe the slab for us,' manager Aaron Boone said. Ryan Yarbrough, Nasty 77mph Changeup. 👌 — Rob Friedman (@PitchingNinja) June 1, 2025 Yarbrough has been among the best pitchers in baseball in several ways. Hitters aren't squaring him up. His 84.1 mph average exit velocity and his 27.3 percent hit rate put him in the 99th percentile and the 98th percentile, respectively, among all pitchers. Opponents are barreling just 3.6 percent of his pitches, placing him in the 94th percentile in that category. His time in the bullpen was solid, too. Though he had a 4.11 ERA in eight appearances, that figure was inflated by a four-run blowup in two-thirds of an inning. And Yarbrough has done it in pretty much the same way he has throughout his eight-year MLB career: by being weird. 'He's got that different angle and he's not going to light up the radar gun, but all of his pitches feel like they get on you,' second baseman DJ LeMahieu said. 'His offspeed looks extra slow. Just one of those guys who's got good stuff and he knows what he's doing out there.' Advertisement Yarbrough also features five pitches. He uses four of them almost equally, leading with his cutter (24 percent) and attacking with a sinker (23 percent), sweeper (22.6 percent) and a changeup (20.6 percent). He also mixes in a four-seamer (9.3 percent). He throws slowly, too. Really slowly. His 87.5-mph average fastball places him within just the bottom 1 percentile of the game. 'He's different than anything you face,' Boone said. The Yankees know that. So does Yarbrough, a thorn in his current team's side for the first five years of his career with the Tampa Bay Rays until 2021. Then he bounced among the Kansas City Royals, Dodgers and Toronto Blue Jays before landing just before the start of spring training with the Yankees. He's always been a bit of a funky side-armer, even when he was at Old Dominion before the Seattle Mariners drafted him in the fourth round in 2014. Nobody has tried to change him. 'As far as I know,' he said. 'Nothing really stands out as (a big change). There's always the running joke of the unique lefty approaches, something like that.' Yarbrough releases the ball at an arm angle of 13 degrees, the fourth-lowest among qualified pitchers. His release point closely resembles Atlanta Braves lefty ace Chris Sale (13-degree arm angle), especially when shoulder positioning is taken into account. Sale is a lanky 6-foot-6. The Yankees seem to have made it a point to include a variety of release points by their pitchers, particularly their bullpen. The unit spans from submarine lefty Tim Hill's 23-degree release point to a bunch of high-release righties (Mark Leiter Jr., 51 degrees; Fernando Cruz and Luke Weaver, 48 degrees). 'The slot makes it a little harder to pick up from a deception aspect, with how I throw and how I hide the ball,' Yarbrough said. 'It's the reaction I've gotten from hitters I've played against. … It's one of those things where it's hard to pick up. If they can't necessarily pick up anything on you, sooner rather than later, it puts them in a tough spot. Especially when I'm able to throw enough strikes and mix speeds. It just adds an extra element.' Advertisement 'It's a funky angle for a tall guy,' Boone said. The Yankees have also worked with him on his pitches. For example, his slider is getting more spin and about three inches more horizontal break, according to Statcast. 'It's been more about game planning and understanding how everything works and moves,' he said. 'Maybe little tweaks with pitches, but nothing super crazy. Just really understanding how everything moves and really utilizing my whole arsenal.' 'It's tough to get a bead on him,' Boone said. The Yankees have no reason to believe that hitters won't continue to struggle with Yarbrough as he gets even more comfortable in the rotation. 'He's fun to watch, man,' Boone said.

"Aftertaste" by Daria Lavelle voted the first book of summer for Club Calvi!
"Aftertaste" by Daria Lavelle voted the first book of summer for Club Calvi!

CBS News

time30 minutes ago

  • CBS News

"Aftertaste" by Daria Lavelle voted the first book of summer for Club Calvi!

We may receive commissions from some links to products on this page. Promotions are subject to availability and retailer terms. Please consider joining our Facebook group by CLICKING HERE. Find out more about the books below. Club Calvi's new book explores the power of food to link life and afterlife Club Calvi has a new book! We asked you to decide on our next read and you voted "Aftertaste" as the Readers' Choice. In a message to readers, author Daria Lavelle said the book follows a chef whose food can bring spirits back from the afterlife for a last meal with their loved ones. He opens a New York City restaurant that serves closure. He doesn't expect to fall in love or to cause chaos in the afterlife in the process. You can read an excerpt and get the book below and read along with Club Calvi over the next four weeks. The CBS New York Book Club focuses on books connected to the Tri-State Area in their plots and/or authors. The books may contain adult themes. ________________________________________________________________________________________________________ "Aftertaste" by Daria Lavelle Simon & Schuster From the publisher: Konstantin Duhovny is a haunted man. His father died when he was ten, and ghosts have been hovering around him ever since. Kostya can't exactly see the ghosts, but he can taste their favorite foods. Flavors of meals he's never eaten will flood his mouth, a sign that a spirit is present. Kostya has kept these aftertastes a secret for most of his life, but one night, he decides to act on what he's tasting. And everything changes. Kostya discovers that he can reunite people with their deceased loved ones—at least for the length of time it takes them to eat a dish that he's prepared. He thinks his life's purpose might be to offer closure to grieving strangers, and sets out to learn all he can by entering a particularly fiery ring of Hell: the New York culinary scene. But as his kitchen skills catch up with his ambitions, Kostya is too blind to see the catastrophe looming in the Afterlife. And the one person who knows Kostya must be stopped also happens to be falling in love with him. Daria Lavelle lives in New Jersey. "Aftertaste" By Daria Lavelle (ThriftBooks) $22 Excerpt: "Aftertaste" by Daria Lavelle BITTER The first time Konstantin Duhovny tasted something he hadn't actually eaten he was eleven, seated on the edge of the public pool in Brighton Beach, his heels churning grey water into foam. He was watching the backs of the other boys—the ones he was supposed to be swimming with, but who never invited him, even out of politeness, into their circle—as they splashed about, showing off handstands and lung capacities, spouting chlorinated water a foot into the air like porpoises. He watched them all afternoon—Mitya and Sasha and Misha K. and Misha B. (whom they kept calling Bear because of the thick, black hair up and down his back)—until, one by one, their fathers finished their waterlogged Russkaya Reklamas, scratched their nipples through threadbare white undershirts, and peeled their pasty bodies from the rubber loungers, signaling quitting time. Kostya had come chaperoned by his cousin Valerik—not his real cousin, but the teenage son of Tetya Natasha, not his real aunt but an acquaintance of his mother's—who had promptly dumped him when his girlfriend whispered something about a kissing booth at the boardwalk nearby. Don't you move, Valerik had hissed at Kostya. I'll be back. That had been two hours ago. As the last boy, Mitya, raised the handle of the chain-link fence, Kostya felt himself blister with jealousy. There was no one to ferry him home, just like there had been no one to slather sunblock onto his back—which he could already feel was red and tight and burnt—and just like there would be no one to teach him how to talk to these boys in a way that made it clear that he was one of them. But then, of course, he wasn't one of them. Their fathers were alive. He kicked faster at the water, kicked violently, kicked at the fathers and sons, kicked at the great cavity of longing inside himself, this way of missing someone, missing them desperately, missing every part including those he'd never known, a pocket so deep he thought that if he could only reach inside of it, worry its lining long enough, break through it to the other side, to where empty could grow full as a belly round with food, he might just find what he was looking for. Right then, something traveled across his tongue, and Kostya stopped kicking. It coated the inside of his mouth, thick as paste, the taste—the uneaten taste—overpowering. It was savory, salty, the texture mealy, slightly sweet and fatty, something tart, barely, and then, at the tail, in the back of his throat, bitter, bitter, blooming like a bruise. Good, but also bad, just a little bit like s***. He wondered briefly whether one of the boys had found a way to make him ingest a turd—it seemed the sort of thing that boys with fathers could do to a boy without one—but just as quickly, the sensation vanished. Kostya smacked his lips, trying to call it back, but there was nothing left now, only a warmth spreading slowly across his tongue as he choked back tears. It was only in the absence of the taste that he suddenly recognized what it had been. Chicken liver, sautéed onions, fresh dill garnish, squeeze of lemon. Pechonka. His father's favorite dish, according to his mother, who invoked it infrequently and had stopped making it after he died. Kostya had never tasted pechonka. He just knew, like an instinct, like another sense he'd only now become conscious of, that the ghost of that dish—not its taste, but its aftertaste—had just been inside of his mouth, spirited there by the person who most longed to taste it again. From AFTERTASTE. Copyright © 2025 by Daria Lavelle. Reprinted by permission of Simon & Schuster, LLC. Return to the top of page

MSNBC's revamped lineup flounders, Jen Psaki sheds 47% of predecessors' viewership
MSNBC's revamped lineup flounders, Jen Psaki sheds 47% of predecessors' viewership

Fox News

timean hour ago

  • Fox News

MSNBC's revamped lineup flounders, Jen Psaki sheds 47% of predecessors' viewership

MSNBC's revamped lineup has been a misfire through one month, with Jen Psaki shedding half the audience her predecessors averaged in the same timeslot and other new programming struggling to attract viewers. Psaki, a former Biden White House press secretary who has insisted she never saw signs the former president had declined while she worked for him, saw an increased role as part of MSNBC's overhaul when programming changes were announced earlier this year. Psaki took over MSNBC's coveted 9 p.m. ET timeslot on Tuesday through Fridays last month as "The Rachel Maddow Show" returned to only airing on Mondays, after Maddow temporarily returned to airing five nights a week during President Donald Trump's first 100 days in office. "The Briefing with Jen Psaki" averaged 971,000 total viewers from its May 6 debut through May 28, shedding a staggering 47% of the audience that Maddow and Alex Wagner pulled in at 9 p.m. ET throughout 2025. Psaki has also hemorrhaged viewers from the advertiser-coveted demographic of adults aged 25-54, averaging 78,000 for a 52% drop compared to the 161,000 demo viewers that Maddow and Wagner averaged on Tuesday through Fridays at 9 p.m. ET before the former Biden spokesperson took over. Wagner hosted Tuesdays through Fridays in Maddow's usual spot before Trump's inauguration. The network also canceled Joy Reid's program "The ReidOut" and replaced it with "The Weeknight," an ensemble program featuring former Vice President Kamala Harris spokesperson Symone Sanders-Townsend, Alicia Menendez, the daughter of disgraced former Sen. Bob Menendez, D-N.J., and Michael Steele, the former Republican National Committee chair who now staunchly opposes the GOP. "The Weeknight" debuted on May 5 and averaged 776,000 total viewers through May 28 for a 12% drop compared to the 886,000 total viewers that "The ReidOut" and other temporary programs managed throughout 2025 in the 7 p.m. ET timeslot before changes went into effect. "The Weeknight" shed even more viewers from the key demo, as the new MSNBC show averaged 72,000 for a 20% decrease, compared to the 90,000 demo viewers who tuned into the 7 p.m. ET timeslot before the ensemble program kicked off. Another new show, "The Weekend: Primetime," with Antonia Hylton, Catherine Rampell, Elise Jordan and Ayman Mohyeldin, is down 11% among total viewers and 6% in the demo compared to MSNBC programming that used to occupy its timeslot. Despite the programming overhaul, MSNBC had its second-worst May in history among both total day and primetime in the demo. For the month, MSNBC settled for a dismal average of 49,000 viewers among the critical demo to lose to CNN, which averaged 59,000. During primetime, CNN averaged 76,000 demo viewers and MSNBC finished with an average of only 73,000. Only one of MSNBC's new shows is outdrawing its timeslot predecessor, as "The Weekend" with Jonathan Capehart, Eugene Daniels, and Jackie Alemany is up 24% in total viewers and 29% among the demo since launching on May 3. An MSNBC insider pushed back on the notion the network was struggling, pointing to the historic news cycle that occurred during Trump's first 100 days in office that helped attract viewers before the new programs launched. The insider also noted that Psaki has built on the audience of her lead-in while competing in the NBA and NHL playoffs. MSNBC's viewership issues come as Comcast gears up to spin off NBCUniversal cable assets, including MSNBC, into a separate company called Versant that will not be tied to NBC News. MSNBC didn't immediately respond to a request for comment. Ratings data courtesy of Nielsen Media Research.

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