logo
‘Real Women Have Curves' Announces Broadway Closing

‘Real Women Have Curves' Announces Broadway Closing

Yahoo20-06-2025
Real Women Have Curves: The Musical will play its final Broadway performance on June 29 following 31 previews and 73 regular performances.
The musical opened April 27 at The James Earl Jones Theatre to mostly favorable reviews, but never really caught on at the box office during a spring that saw huge receipts for star-driven productions. For the week ending June 15, Real Women Have Curves filled only 63% of available seats, grossing just $365,252 with an average ticket price of $68.63.
More from Deadline
'Oh, Mary!' Breaks House Record As Cole Escola's Starring Run Nears End; Overall Receipts Drop As Hollywood Goes Home - Broadway Box Office
2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More
Carrie Preston Teases Her 'Elsbeth' Guest Star Wish List: "Pretty Much Everybody On Broadway"
Based on the play by Josefina López and the 2002 film adaptation starring America Ferrera, Real Women Have Curves focuses on a group of immigrants working at a small dress-making shop in East L.A. The musical mixes family drama and self-acceptance with larger social themes about immigration, with the threat of deportation ever present.
'We have been working on developing this show for the last five years and could have never predicted that when it made its way to Broadway it would be timelier than ever,' said producers Barry Weissler and Jack Noseworthy in a statement. 'Bringing this joyful immigrant story that explores the American Dream to the stage has been an honor and a responsibility that we don't take lightly, especially in today's political climate.
'We are grateful,' they continued, 'to our company and audiences who made it all possible, and especially applaud our cast's courage, vulnerability, and authenticity in telling this story each night. Though our run on Broadway is coming to an end, we are very much looking forward to the future life of Real Women Have Curves and continuing to bring this important story to new audiences.'
The musical received two Tony Award nominations – Best Original Score and, for Justina Machado, Best Featured Actress in a Musical – but went home empty-handed earlier this month.
The musical stars Broadway newcomer Tatianna Córdoba, Florencia Cuenca, Shelby Acosta, Carla Jimenez, Aline Mayagoitia, Mauricio Mendoza, Mason Reeves, Jennifer Sánchez and Sandra Valls.
The musical was directed and choreographed by Sergio Trujillo, with music and lyrics by Joy Huerta and Benjamin Velez, and book by Lisa Loomer with Nell Benjamin.
American Repertory Theater (A.R.T) at Harvard University produced the musical's world premiere in 2023.
Best of Deadline
'The Buccaneers' Season 2 Release Schedule: When Do New Episodes Come Out?
2025 TV Cancellations: Photo Gallery
2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Splitsville' Duo Michael Angelo Covino & Kyle Marvin Challenge Conventional Wisdom On Comedy's Global Reach – Comedy Means Business Podcast
‘Splitsville' Duo Michael Angelo Covino & Kyle Marvin Challenge Conventional Wisdom On Comedy's Global Reach – Comedy Means Business Podcast

Yahoo

time28 minutes ago

  • Yahoo

‘Splitsville' Duo Michael Angelo Covino & Kyle Marvin Challenge Conventional Wisdom On Comedy's Global Reach – Comedy Means Business Podcast

As multi-hyphenates who together have premiered a pair of acclaimed indie comedies at Cannes — first The Climb in 2019, and more recently, Splitsville — Michael Angelo Covino and Kyle Marvin have a unique perspective on the old adage that comedies don't travel internationally. 'At the advent of cinema, what were the first blockbusters?' asks Covino in an appearance alongside Marvin on our Comedy Means Business podcast. 'It was like Charlie Chapman and Buster Keaton and a ton of Pre-Code stuff where everyone was naked. But for the most part, it was slapstick. It was silent films where people were falling down or crashing into things or a hose was spraying them in the face, and that is universal and goes worldwide.' More from Deadline From Touring With Vampire Weekend To Helming Tribeca Prize-Winner 'On A String': Isabel Hagen On Forging A Unique Career Synthesizing Music & Comedy – Comedy Means Business Podcast Leanne Morgan & Chuck Lorre Defy Decline Of The Stand-Up-Driven Sitcom With Netflix's 'Leanne' – Comedy Means Business Podcast Joe List & Manager Chris Burns Talk Building Direct-To-Consumer Career & Going Theatrical With 'Small Ball' Special - Comedy Means Business Podcast In the case of 'very specific, topical comedy that is of a place and speaking to zeitgeist only, then sure,' Covino can see a case being made that a comedy might not translate. 'But universal comedy, I think, translates better than any other genre.' Covino and Marvin's films together jointly embody an interest in absurdist comedy elevated by sharp writing and dynamic visuals, which focuses on relationships. While The Climb focuses on a revelation emerging from a long-distance bike ride and the strain that it puts on the relationship between two friends, Splitsville tells the story of two evolving marriages, and another revelation that complicates the relationship between those two couples. When Ashley (Adria Arjona) tells Carey (Marvin), abruptly during a road trip, that she's been repeatedly unfaithful and wants a divorce, Carey turns for solace to married friends Paul (Covino) and Julie (Dakota Johnson), learning that the key to their personal happiness has been to open up their relationship. In a last-ditch attempt to salvage his marriage, Carey pitches Ashley on a similar situation, and chaos ensues. Covino tells me on the podcast that a driving force behind his films with Marvin has been an interest in 'strong point of view' — stories embodying a unique juxtaposition between 'grounded emotions and characters' and 'absurd…and farcical situations.' From Marvin's perspective, the film also highlights their very simple goal of making sure that 'people are entertained' if they take the time to check out their work, in a moment where there are seemingly unlimited options, as far as what people can be consuming or doing with their time. 'I think for us, that means not holding back,' Marvin explains. 'If you can make everything interesting and compelling and believable, why would you hold back on the scenarios or situations that are fun to watch or have things going on that put pressure on character? I think we talk a lot about that entertainment value — what the experience of viewing the movie is going to be, and how we make that experience as fun as possible.' A joke a minute, with some really memorable visual gags, Splitsville is certainly that. It's a film with no clear comp, which while complicating conversations around marketing, affirms to Covino that he and Marvin hit on something good. In their appearance on our podcast, Covino and Marvin discuss the process of creating indie comedies unlike any you'll find elsewhere — one that was helped along, in this case, by Adam Newport-Berra, the cinematographer on the rise who's coming off his first Emmy nomination for his work on The Studio. The pair also discuss test screenings, the idea of cultivating 'future nostalgia' through the theatrical release, their desire to tackle a Christmas movie, and more. Covino directed Splitsville from his script written with Marvin, with the pair also producing. Neon releases the film in limited theaters on August 22 and will go wide with it on September 5. Alongside the podcast, I release a Comedy Means Business newsletter for Deadline — chronicling the latest happenings in the comedy space — twice a month, on Mondays. Sign up to receive that here. View a video clip from the conversation with the Splitsville creatives above and listen to the full cut below. { pmcCnx({ settings: { plugins: { pmcAtlasMG: { iabPlcmt: 1, }, pmcCnx: { singleAutoPlay: 'auto' } } }, playerId: "32fe25c4-79aa-406a-af44-69b41e969e71", mediaId: "1377cfec-ba3f-480a-9612-458b693b51e2", }).render("connatix_player_1377cfec-ba3f-480a-9612-458b693b51e2_3"); }); Best of Deadline Everything We Know About 'The Boys' Prequel Series 'Vought Rising' So Far Everything We Know About 'Gen V' Season 2 So Far 2025-26 Awards Season Calendar: Dates For Emmys, Oscars, Grammys & More

28 Years Later's Danny Boyle's Next Movie Is About Rupert Murdoch, Cast Revealed
28 Years Later's Danny Boyle's Next Movie Is About Rupert Murdoch, Cast Revealed

Yahoo

timean hour ago

  • Yahoo

28 Years Later's Danny Boyle's Next Movie Is About Rupert Murdoch, Cast Revealed

's next movie has been announced. Boyle recently directed 28 Years Later, the long-awaited sequel to 2022's 28 Days Later and 2007's 28 Weeks Later. That movie is being followed by at least one more movie, 28 Years Later: The Bone Temple, which Boyle is producing and Candyman's Nia DaCosta is directing. There's also a third movie in the new 28 Years Later trilogy that's in development that Boyle plans to direct; however, Boyle said in June 2025 that they were 'still trying to get the money' for that film, per The Hollywood Reporter. Now, per Deadline, plans for Boyle to direct a movie about media mogul Rupert Murdoch have also been unveiled. What do we know about Danny Boyle's Rupert Murdoch movie? Guy Pearce, who was recently nominated for an Oscar for his performance in 2024's The Brutalist, is in talks to play Murdoch in the movie, which is titled Ink. Sinners Jack O'Connell, who also appeared at the end of 28 Years Later, is being eyed to play Larry Lamb, 'who Murdoch hired to run The Sun when he purchased it in 1969.' 'An explosive cinematic rollercoaster about a group of visionaries and misfits who had an idea for a new kind of news – one that would give the people what they want and would change the face of the world we live in today,' Deadline's article further notes about Ink's plot. '…Based on the James Graham play, follows Murdoch's struggling newspaper, The Sun, as he intends to make it a must-read news source and hires Lamb to run the paper. The purchase of the paper would start a long-standing rivalry between The Sun and The Mirror, leading to the rise of the British tabloids as we know them.' The Studiocanal, Media Res, and House Productions movie is being produced by Boyle, Tessa Ross, Michael Ellenberg, and Tracey Seaward, while Tonia Davis serves as an executive producer. Graham wrote the screenplay for the movie, which is expected to begin production this October. A release date for Ink has not yet been announced. The post 28 Years Later's Danny Boyle's Next Movie Is About Rupert Murdoch, Cast Revealed appeared first on - Movie Trailers, TV & Streaming News, and More. Solve the daily Crossword

Aubrey Plaza Compares Grief For Husband Jeff Baena To Horror Movie ‘The Gorge': 'There's A Giant Ocean Of Awfulness'
Aubrey Plaza Compares Grief For Husband Jeff Baena To Horror Movie ‘The Gorge': 'There's A Giant Ocean Of Awfulness'

Yahoo

time2 hours ago

  • Yahoo

Aubrey Plaza Compares Grief For Husband Jeff Baena To Horror Movie ‘The Gorge': 'There's A Giant Ocean Of Awfulness'

Aubrey Plaza has opened up about the grief she is experiencing for her late husband, Jeff Baena. Appearing on the Good Hang with Amy Poehler podcast, Plaza told her Parks and Recreation co-star that life was a 'daily struggle' since Baena died by suicide in January, but she remains 'really grateful to be moving through the world.' More from Deadline Aubrey Plaza Hopes To Visit Heidi Fleiss Ahead Of Biopic: "She Deserves The Royal Treatment" Aubrey Plaza, Chris Bauer Among Cast Announced For Ethan Coen Off Broadway Play 'Let's Love!' Aubrey Plaza To Star In & Produce Biopic Of "Hollywood Madam" Heidi Fleiss In a brief exchange about how she is coping, The White Lotus star likened her grief to The Gorge, the action-horror movie starring Miles Teller and Anya Taylor-Joy. Plaza said the analogy began as a joke, but also represents how she feels. The Gorge chronicles how two highly-trained snipers occupy guard towers on opposite sides of a vast and highly classified gorge, protecting the world from a mysterious evil that lurks within. Plaza said her grief is the chasm that separates the towers. She explained: 'At all times, there's a giant ocean of awfulness, that's right, like there and I can see it, and sometimes I just wanna just dive into it and be in it. Then sometimes I just look at it. Then sometimes I try to get away from it, but it's always there — and the monster people are trying to get me like Miles Teller and Anya Taylor-Joy.' Baena was a screenwriter and film director best known for Life After Beth (2014), Joshy (2016), The Little Hours (2017), Horse Girl (2020), and Spin Me Round (2022). He was 47 when he died and married Plaza in 2021. At the time of his death, Plaza released a statement saying: 'This is an unimaginable tragedy. We are deeply grateful to everyone who has offered support.' News of Baena's passing sent shockwaves through Hollywood. The filmmaker was lovingly remembered in tributes from Alison Brie, Adam Pally, Molly Shannon, and many more. Best of Deadline 2025 TV Series Renewals: Photo Gallery 2025 TV Cancellations: Photo Gallery Everything We Know About 'The Boys' Prequel Series 'Vought Rising' So Far

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store