From Mop To Musical: Lorin Latarro Finds The Heart In ‘Joy'

Forbes

6 days ago

Betsy Wolfe plays the title role in the new musical Joy
Lorin Latarro was on her way to the first rehearsal for the musical Joy when her seven-year-old daughter came down with a fever. Between arranging babysitters and calling the doctor, she was also preparing to direct the show and bring a musical to life.
For Latarro, that kind of whirlwind morning felt uncannily like the opening scene of the show—Joy Mangano trying to get her family out the door before heading off to make her dreams take flight. 'All the mothers in our rehearsal room would laugh at how familiar the choreographed chaos is,' says Latarro. 'It's a chaotic but also deeply satisfying.'
Lorin Latarro
That mix of chaos and purpose drew Latarro to Joy, A True New Musical. The story centers on the real-life inventor and entrepreneur whose unstoppable tenacity transformed her life—and the lives of those around her. After reading Mangano's book and speaking with her on the phone, Latarro was deeply moved by the story of the single mother and inventor who turned a mop into a multimillion-dollar empire.
Directing the show now playing at the Laura Pels Theater wasn't just about telling the story of a woman who created a self-wringing mop. It was about showing the strength it takes to build something from nothing—especially when no one believes in you at first. Latarro, who began her career as a Broadway dancer in 14 shows and ultimately became a director/choreographer, was drawn to the honesty of the story. She found inspiration from the complicated family dynamics, the financial pressures, the vulnerability and resilience it takes to keep going.
Betsy Wolfe in the title role leads the talented cast which includes Jill Abramovitz, Honor Blue Savage, Adam Grupper, Brandon Espinoza, Paul
Whitty, Charl Brown, Jaygee Macapugay, and Gabriela Carrillo. Joy is a story about believing in yourself, even when the odds say otherwise. Also, Latarro hopes that audiences see Joy and feel empowered to take charge of their lives. 'My hope is audiences walk out of the theater and finally listen to their inner voice and begin a new project, idea, or business,' she says. 'Or they push forward through whatever obstacles are currently in their way toward their goal, whether that goal is personal or business related.'
Jeryl Brunner: Can you share more about how you got inspired to direct Joy?
Lorin Latarro: I met with Ken Davenport, who is a prolific producer and one of the writers of Joy, along with AnnMarie Milazzo. I also read Joy's book, then spoke to Joy on the phone and fell head over heels in love with her determination, grit, kindness, and exuberance.
Brunner: Joy is about much more than inventing a mop. It explores family, ambition, and perseverance. How did you build that journey onstage?Latarro: Joy's onstage family is imperfect, as is every family, in their own way. Joy manages to love them and keep them together, even through the messiness of their mistakes and shortcomings. Through Joy's determination, she shifts a generationally learned behavior for her daughter, which is not an easy thing to do.Brunner: What was one of the messiest or most magical rehearsal moments you will never forget?Latarro: We all wanted to pour liquid onstage so the audience could see the mops actually work. It's notoriously difficult onstage to deal with watery substances because actors can slip, and it's messy to clean up. We tried many different substances for the various things that we spill onstage, including orange slushies, motor oil, and chocolate syrup. We ended up with an oobleck-type substance. After much messy trial and error, we were all happy we found a solution!
Brunner: You are a choreographer and a director. How does each skill fulfill you?Latarro: Choreographing is more surgical. When choreographing, you live inside bars of music, and no matter the libretto, you can structure a song and dance number well. Each song is almost its own little musical with its own beginning, middle, and end.
Alternatively, directing is like shooting an arrow through Jell-O. You can be fully prepared and have all these ideas walking in the room, but it all changes based on writers, actors, and collaborators, and 'what works' as you read down a scene. Directing feels more irised out than choreography, and a more holistic experience of the show and its dramaturgical needs. Directing is deeply satisfying in a new way. Communication is key so everyone is stylistically creating the same show.
Brunner: How did you know that Betsy Wolfe was your Joy?Latarro: Betsy and I had the pleasure of working together on Waitress. I am a big fan. She's incredibly smart and has genius comic timing. Betsy is also a great leader in the room who works hard and always has a smile on her face. She loves the work. Her vocal chops are truly astonishing too!
Brunner: You have directed revivals, brand-new musicals, and now a show based on a living inventor. What tells you a project is worth the time and energy?Latarro: If I am moved by a story, I want to work on it. I don't want to get pigeonholed doing the same thing over and over. It was one of the reasons I wanted to collaborate with choreographer Josh Bergasse on Joy. I wanted to focus completely on directing and feel the collaborative experience from another point of view.
Also, I like all kinds of styles of musical theater. Sometimes I spend time inside dark shows like Tommy or Assassins, sometimes comedies like Heart of Rock and Roll, and sometimes I love finding new ways into revivals like Into the Woods. At the end of the day, I believe great theater makes people feel big feelings. I look for shows that have a lot of heart and soul. Theatre can change minds and open hearts.
Brunner: When you begin dreaming up a scene, what is your starting point?Latarro: I always start by reading the script and lyrics without listening to the songs. I don't want to be seduced by the music before I experience the story. Then once I understand the story, I go back and reread the script with the interpolated song demos. Then I listen to the music over and over again.
Brunner: What kind of creative environment do you try to cultivate?Latarro: I love the art of collaboration. It excites me endlessly. I like being in a room with people who also love the work. I am into the 'yes and' mentality. Someone has an idea, and we work on it until it grows and grows. I work hard because if I'm going to be away from my family, then I'm going to make it count.
From left: Jill Abramovitz, Honor Blue Savage, Brandon Espinoza, Jaygee Macapugay, Brandon Espinoza, ... More and Adam Grupper