Celebrities Are Embracing Statement Dresses—And These Looks Lead the Way
In a sold-out Chloé mini dress, Molly Gordon was spotted looking chic in NYC. Photo: TheStewartofNY
In a spring 2026 Khaite dress and Loop sandals, Tracee Ellis Ross gave us a chic lesson in dressing up a black-and-white outfit by finishing off her look with Julietta x Cassetto earrings and a green fishnet-adorned top knot. Photo: Mike Coppola
Pamela Anderson was spotted wearing the color of the season: butter yellow. But the true highlight of her outfit was those hard-to-track-down Jacquemus mesh sneakers Photo: Neil Mockford
If you have any upcoming weddings or soirées on your calendar, follow Vanessa Kirby's lead and stick to an elegant all-black palette. Photo: PG/Bauer-Griffin
Scarves are no longer reserved just for your neck. Tie them around your waist for an instantly cool styling hack à la Lola Tung. Photo: TheStewartofNY
In a sweet babydoll dress by Reformation, Lady Amelia Windsor battled the summer's heatwave in style. Photo: Karwai Tang
Consider your search for summer's coolest label over. Rita Ora proved that a classic Pucci print is all you need for instant fun—even if it comes in a reserved beige hue. Photo: TheStewartofNY
Of course, Iris Law found a way to make classic denim shorts look cooler than ever with limited-edition Nike sneakers and Balenciaga's coveted Rodeo bag. Photo: Courtesy of Balenciaga
Capri pants are so back. Emily Ratajkowski styled her pair with a Bode graphic shirt, shield sunglasses, and sky-high mules. Photo: Jose Perez/Bauer-Griffin
At the Viktor & Rolf couture show, sculptural silhouettes elevated Sabrina Elba's black-and-white look, while a baby blue bag delivered the perfect pop of color. Photo: Christian Vierig
At Wimbledon, Sienna Miller reminded us why a pretty floral dress is a summer essential. Photo: Karwai Tang
In Balenciaga's barely-there sunglasses, Paloma Elsesser made a sharp case for menswear-inspired tailoring beyond the office. Photo: Vanni Bassetti
Rachel Brosnahan gave a subtle nod to her new Superman role in a red-and-blue Miu Miu look that felt heroine ready. Photo: TheStewartofNY
If you want a cheat code to this season's biggest trends, let Leomie Anderson be your guide. At Wimbledon, her cow-print heels, lace-trimmed skirt, and suede handbag formed a sartorial trifecta of viral hits. Karwai Tang
Khloé Kardashian just proved black isn't off-limits in the summer, especially when it's Helsa's cult-favorite drop-waist dress. Photo: Andrea Cremascoli
Florals? For summer? Of course. Isla Fisher made them feel fresh again in a Monique Lhullier dress, Jimmy Choo sandals, and a now sold-out Aspinal of London bag. Photo: Neil Mockford
Chloe Lloyd took the French-girl playbook courtside with a Fait Par Foutch mini dress, polka-dot pumps, and the ultimate accessory: a Chanel crossbody bag. Photo: Antony Jones
Lace, suede, and a little yeehaw energy—Camila Morrone's Coach bag and cowboy boots brought unexpected edge to an otherwise ethereal look. Photo: Coach
In true Beyoncé fashion, a denim jumpsuit is never just a denim jumpsuit. 2025's AOTY winner selected a Louis Vuitton design cinched with an embroidered belt, layered with a LaQuan Smith jacket tossed over one shoulder, and finished with a dazzling Messika necklace. Photo: Christian Vierig
Hate it or love it—capris are back. Hailey Bieber delivered a style lesson pairing a polka-dot pair teamed with a simple tank top, Toteme flip-flop heels, and a handbag by The Row. Photo: Aeon
Kaia Gerber channels retro summer charm in a polka-dot dress from The Vintage Twin, '50s-style ballet heels, and a throwback nylon Gucci Jackie bag. Photo: XNY/Star Max
3.1 Phillip Lim's sheer blouse and relaxed denim make Lucy Fry's outfit feel equal parts soft and sharp—an effortless win for the streets of NYC. Photo: Gilbert Carrasquillo
Alisha Boe's accessory game is unmatched—starring Loewe's new Ola bag and the ever-iconic Tabi flats by Maison Margiela. Photo: Aeon
A babydoll dress is a must-have for summer, especially when it comes in an on-trend butter yellow hue like Rodrigo's mini. Photo: Courtesy of Kate Spade
What's the ultimate trend trifecta this summer? Sheer fabrics, polka-dot prints, and anything draped with a scarf. Follow Elsa Hosk's lead for a sartorially successful season. Photo: Courtesy of @hoskelsa
The perfect everyday outfit does, in fact, exist. According to Kendall Jenner, patron saint of minimalist dressing, it starts with a classic cap from Polo Ralph Lauren and ends with The Row accessories. Photo: The Daily/Backgrid
Are Mary Janes back? Short answer: yes. Whitney Peak shows us how it's done, bringing cool-girl ease to Chanel and Tribeca ' s Through Her Lens luncheon.
Photo: Dimitrios Kambouris
Ready to turn even the most mundane moments into a fashion show? Bella Hadid gave us a master class in relaxed ease while pumping gas in a casually cool pair of Levi's jorts and the newest micro Ugg slippers. Photo: Courtesy of Ugg
Julianne Moore, the queen of understated elegance, proved that neutral outfits are anything but boring. While out and about in London, the actress elevated a classic black-and-white ensemble with the shoe trend of the moment: studded flats. Photo: Neil Mockford
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CNBC
4 hours ago
- CNBC
41-year-old lawyer relocated to Paris, has no plans of moving back to the U.S.: 'It's where I'm supposed to be in the world'
After law school, Adriel Sanders, 41, found work as a corporate securities, mergers and acquisitions attorney. But she didn't enjoy practicing law. "The whole firm knew it. It was not a well-kept secret. I tried to pretend like I wanted to be a partner, but I couldn't maintain that image. I didn't even want to be a lawyer," Sanders, tells CNBC Make It. "I didn't enjoy the work and the expectation to work all the time and I will probably be one of the only attorneys who says it, but I don't think it's that intellectually stimulating." Sanders, who goes by Adriel Felise online, quit that job and eventually went to work as general counsel for a publicly traded company. At the time, Sanders was living in Washington, D.C. and making $286,656 a year, according to documents reviewed by CNBC Make It. She lived in a studio apartment and paid about $3,000 a month in rent. "What stereotypically happens to most Black women when they work in corporate America is the type of things I experienced my whole career. You're constantly hitting up against this glass ceiling," Sanders says. "I was deeply and truly miserable at the very depths of my little heart and little soul. I knew that it was not sustainable." While working her 9-to-5, Sanders dreamt of starting her own clothing line. She even pursued photography in her free time as a way to escape the endless grind of her career. "Photography was very much my creative outlet. For me, starting a fashion line is about doing what I should have always been doing and not about leaving a secure career. I feel like I'm stepping into my purpose," Sanders says. In 2017, Sanders and her two brothers went to Paris for the first time. That trip changed everything. When they first arrived in the city, Sanders was a bit disgruntled after having an uncomfortable flight. Her younger brother reminded her to look around and take in where they were. "It instantly clicked. I was like, 'This is your home. This is where you're supposed to be in the world and this is where you will always be," she says. "I knew I had to move to Paris." Sanders traveled back to Paris several times after that first visit. "The moment I stepped off the plane, I felt like I could just breathe," she says. In 2019, she decided she would make the move across the Atlantic. At the beginning of 2020, Sanders quit her job, gave her landlord notice, and started the process to obtain a French visa. She contacted Adrian Leeds from HGTV's "House Hunters International" to help find an apartment and flew to France for a few days while a moving company packed up her belongings and prepared to ship it all overseas. Sanders landed in Paris the day before France closed its border due to the covid-19 pandemic. "The slowness of the world meant that France sped up. We were all operating from the same level of confusion, so the good thing is that I was confused by what was happening, but so was everyone else," Sanders says. "I arrived the day before the lockdown, so there was no one and it was a complete dystopia." Sanders signed a lease for a one-bedroom apartment that cost 1,550 euros, or $1,815 USD, where she lived for two years. She then moved into a two-bedroom, one-bathroom apartment and signed a three-year lease. The rent was 1,980 euros or $2,319 when she first moved in. It has since increased to $2,540 USD. Sanders lives in what they call an "unfurnished apartment" in Paris, which means she had to purchase her own kitchen cabinets, stove, and washing machine. She estimates that she spent about $5,000 on the kitchen and close to another $10,000 to make the place really feel like home. "Could I have done it cheaper, 100% but my view is that I don't know when I will leave so I want to have things the way I want them," she says. In addition to rent, Sanders spends, on average, about 963 euros or $1,128 per month on expenses, which include household bills like cable, internet, renter's insurance, dry cleaning, electricity and gas, private health insurance, and a Navigo transportation card. She also has an annual subscription to the Louvre, which costs 95 euros a year and a second museum card that can add an extra 50-100 euros a year to her expenses. She also pays 1,069.20 euros or $1,252 annually to a guarantor service, which allows her to continue renting in France. When Sanders first arrived in Paris, she did some consulting as a lawyer but decided it was finally time to bet on herself. She says she had about $200,000 in her business account and $70,000 in personal savings when she quit that job and put all of her focus on creating her fashion brand, Adriel Felise, and becoming a content creator. That money and her income from content creation helps to fund Sanders' new business venture. Her parents are retired and have been able to help her out as well. "I'm grateful for it because it gives me the cushion to do the runway launching for the fashion line and that to me is the most important goal. It gives me the freedom to know that I'm not going to fall and can pursue my dream," she says. Sanders is self-funding the production of her initial samples and prototypes, but hopes to raise at least $2 million and have her 10-piece collection ready for launch in 2026. Sanders says leaving the United States and her corporate law career behind helped her realize she's more resourceful than she thought. "I can use my strategic side that I learned as a lawyer, but implement it in a very creative way." she says. "I love fashion and I'm so happy that I can now just say that and be upfront about it because for so long it was treated as something that made me less serious." When Sanders was working as a lawyer, she used to take walks around her office building and dream about starting a fashion line, and now seeing it come to life still doesn't feel real. "There's still a part of me that strives and pushes for more so I don't know if I'm fully ready to say I'm proud but I feel like I'm actually happy, which I wasn't for so long and that's huge for me," she says. "My goal and desire is to inspire women — particularly black and brown women — to just pursue their dreams and goals. When they do it does not matter. The most important thing is that they be bold, move wisely, and just go for it." Sanders plans to keep Paris as her home base and eventually buy a home in the countryside. Since moving, Sanders has traveled all over France, Italy, Switzerland, Greece, and more. She is currently making plans to spend the rest of the summer in the Loire Valley or Normandy in northern France. "I wish I had had the courage to move sooner. I wish I had the courage to do it after my first semester of law school to either drop out or enroll in business school and do something different that would have given me more options and choice to not get pigeonholed into something that I knew from the beginning I didn't want to be," she says. "I know that Americans really love to classify based upon age, race, etc. but I don't want to be classified as anything other than a woman who believed in herself enough to ignore the naysayers and go for her hopes and dreams."
Atlantic
7 hours ago
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A Requiem for Puff Daddy
Black cool is one of America's great innovations, right up there with basketball, blue jeans, and the internet. It blends several forms—music, sports, fashion, speech, ways of cutting through space—into a wholly distinctive, globally influential aesthetic. There are French fashion houses in thrall to silhouettes first spotted in Harlem, Japanese men who have devoted their lives to spinning jazz records in Shibuya, and lavish murals of Tupac Shakur as far apart as Sydney and Sierra Leone. Sean Combs, the disgraced record mogul, certainly did not invent Black cool. But like Miles Davis, Muhammad Ali, and Michael Jordan before him—and like Jay-Z, Kanye West, and many others who followed—for a flicker of time he was its most formidable ambassador. That moment coincided with my adolescence, which is why the revelation of Combs's extravagant cruelties —the depravity with which he used all that he'd gained—has left my childhood friends and me feeling so betrayed. We had looked up to Diddy, whom I will always think of as Puff Daddy or Puffy. When we were at our most impressionable, he taught us what to want and gave us a model for how to behave and succeed. Seeing him fall apart in our middle age feels like a kind of heartbreak. The verve and swagger he injected into our childhood dreams have curdled into something rancid. Certain photographs of Puffy are permanently etched into my memory. In 1995, dipped in a flowing black-and-gold Versace Barocco silk chemise, liberally unbuttoned to flex a thick Cuban link anchored by a diamond-encrusted Jesus piece—the definitive signifier of inner-city affluence. September '96, on the cover of Vibe magazine: head peering from behind his greatest protégé, the Notorious B.I.G.; signature blackout shades; a perfect S-curl relaxing the weft of his fade. The cool he exuded in these moments was inspirational, even masterful. My friends and I had never seen anything like it so fully pervade the culture, certainly not from someone we felt we could relate to. I have not admired Combs for decades now, since well before his trial this year. But I will always be partial to the Puff Daddy of the '90s: from 1993, when he founded his record label, Bad Boy Entertainment, through the spectacular rise and death of the Notorious B.I.G., and peaking around 1998 during hip-hop's 'shiny-suit era,' which he pioneered with Ma$e and the Lox. By the time I got to college, Puffy was even wealthier, and my cultural references had begun to change. I vaguely remember the preposterous images of him strolling beneath a blazing Mediterranean sun while his valet spread a parasol over his head. He was mainly in the news because of a shooting at Club New York, which resulted in bribery and gun-possession charges against him and a highly publicized trial (he was acquitted). For my friends and me, his shocking newness had begun to fade. Back in his prime, though, Puffy conveyed a sense of youthful ambition that we revered. He was able to transition from sidekick and hype man to dealmaker and multiplatinum performer. Before turning 25, he had founded his own culture-defining business—soon-to-be empire—and knew precisely how to leverage his growing fortune into social capital. More than his success, we were struck by two qualities that seemed novel to us. The first was the amount of effort he openly displayed, which counterintuitively amplified his cool. Puffy made no pretense of obscuring the maniacal work required to achieve his goals. When he closed a million-dollar deal, he slammed the phone down and screamed. (Years later, he would become one of the original hustle-culture influencers on Twitter.) He showed us that flourishing was not a condition one had to be born into—that luxury and labor were connected. The second quality was his ability to make Black people and Black culture—even its less compromising, more street-inflected iteration—feel at home in places, such as the Hamptons, that had not previously welcomed them. Puffy's motto 'I'ma make you love me' felt innocent and aspirational to us, not least because he actually achieved it. We were still many years away from realizing just what he would do with all the love he was given. Helen Lewis: The non-exoneration of Diddy Puff Daddy seemed to us then like a Black man utterly free in a moment of expanding opportunity. Before the age of social media, before we'd ever stepped on a plane, Puffy represented our first intimation of an unrestricted way of being-for-self in the world. On the one hand, he was the antidote to the soul-crushing squareness of upwardly mobile middle-class life that we so feared—degrees, office jobs, bills. On the other hand, he was perfectly assimilated into the good life of the American mainstream, to which we desperately craved access. This made him dramatically unlike his peers. Tupac and Biggie were confrontational, and look where it got them. Rap entrepreneurs such as Master P and Brian 'Baby' Williams were rich but ghettoized; any number of establishments wouldn't seat them. Puffy, by contrast, looked like a marvelous solution to the problem of success and authenticity that my friends and I had been struggling to solve. Yet we were suffering from a kind of myopia. And it wasn't unique to us. The generation after us put their faith in Kanye West, whose most recent contribution to the culture is a single titled 'Heil Hitler.' Role models are like seasons. One passes irretrievably into the next, but for a moment they might reveal possibilities that outlast and surpass them.
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Is Leah Williamson in a relationship?
Leah Williamson, footballer and captain of the England women's national team, has long sparked dating rumours with Elle Smith, an American model and former Miss USA winner. From sweet holiday snaps to celebrating her football wins together, the 28-year-old and her beau have somewhat soft-launched their relationship on Instagram over the last few months. However, from what we, and other social media sleuths (see: fans of the pair), can see, they're yet to actually make it 'official.' So, let's take a deep dive into their rumoured relationship, including some of the sweetest moments so far... Last month, Elle took to her Instagram to share snippets of her Majorcan holiday with her 127K followers. While many shots showed off her summer fits and stunning views of the Spanish island, a couple of pics saw the pair looking super loved up. Case in point: slide 3 caught Leah and Elle on a paddleboard together, while slide 17 saw Elle snap a candid pic of the footballer dressed up and heading out for dinner. Leah also posted snaps of the getaway — where they were celebrating Elle's birthday — which included a gorgeous photo of the pair at dinner. A selfie of the two was featured in the carousel too, which saw Leah and Elle sunkissed and smiling. Elle commented on the holiday roundup: "same time next year?" to which Leah responded: "yes please x." Err, cute. Back in May, Elle posted a black and white shot of her cuddling Leah, who was sitting on her lap. Leah was clutching a medal and wearing an England shirt following her team's 6-0 win against Portugal. The post also included footage of the match, in which Elle could be heard cheering on the team. Leah commented on the post: "We did it!" Even earlier in March, Elle posted a video of her and Leah floating in the ocean on a paddleboard. Leah appeared to be lying down and resting her head on Elle's legs, as they had a sweet, intimate chat. Elle accompanied the post with the caption: "happy birthday my love x." Leah responded with the cutest emojis: "🥰🤭🧜♀️." Interestingly, this Insta post sparked 'official' comments from fans, with one person writing: "The mother of hard launches!" Others said: "So happy for you!" while another person said they were the "cutest" together. Officially obsessed with these two.
