
First, oldest in Korea, Galleries Art Fair returns in April
Number of participating galleries will be the largest this year
The Galleries Art Fair, Korea's oldest art fair, will return in April with an unprecedented number of participating galleries.
The 43rd edition of the art fair — started in 1979 and is run by the Galleries Association of Korea — will kick off April 16 at Coex in southern Seoul, with 168 galleries taking part, a 12 percent increase from last year.
Participating galleries rose as more galleries joined the Galleries Association of Korea. About 20 galleries joined the association over the past two years, and now the association boasts a membership of 184 galleries.
'This year's edition is aimed at introducing new artists who were selected based on evaluation not only by the association but also art experts from state or private museums,' said the association's chair Lee Sung-hoon at a press conference in Seoul on Monday.
All participating galleries' booths will be identical in size — six meters in length and seven meters in width.
The art fair's 'Zoom-In Edition' is to present 10 rising artists — Prettylinez Jung Hyun, Regina Kim, Minjung See, Park Bo-sun, Park Ji-sue, Bang Jin-tae, Shin Ye-rin, Lee Ji-woong, Choi Ji-one and Choo Sang-min — who were selected after a review by the association and curators from the National Museum of Modern and Contemporary Art, Korea, Seoul Museum of Art and Ilmin Museum of Art, among others.
The event's sponsorship was strengthened this year, according to the association, with KB Financial Group supporting the art fair. The Galleries Art Fair in Suwon, a spinoff of the art fair inaugurated last year, will be held in June.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
3 days ago
- Korea Herald
Seoul Mediacity Biennale to embrace the mystical in media art
The 13th Seoul Mediacity Biennale, scheduled to kick off on Aug. 26, will bring together 49 artists and collectives under the theme of 'Seance: Technology of Spirit." The term 'seance,' derived from French, refers to an attempt to communicate with spirits. The 13th edition of the biennale, running through Nov. 23 at the Seoul Museum of Art, or SeMA, will be led by Anton Vidokle, artist and founder of e-flux; Hallie Ayres, art historian and curator; and Lukas Brasiskis, curator of video and film at e-flux. The biennale will explore the influence of mystical and spiritual experience on the development of modern and contemporary art. 'It's very significant that many artists have in recent years gravitated towards ways of understanding the world that might offer an alternative to the prevailing systems, which seem at present to be in crisis,' said the curators. Starting with the artistic practice of British artist Georgiana Houghton (1814-1884), who achieved her first mediumistic drawings after attending her first seance in 1859, the exhibition will encompass the influence of shamanism on video art founder Paik Nam-june and German Fluxus artist Joseph Beuys, as well as transcendental experiences depicted in the early experimental films of American artists Maya Deren and Jordan Belson. The biennale will also feature works by contemporary artists engaged with the diverse traditions and themes of the occult, enchantment and magic. The Seoul Mediacity Biennale, launched in 2000 by the Seoul Metropolitan Government, has earned international recognition for its experimental engagement with contemporaneous changes within the media landscape of the city, redefining what media is and can be.


Korea Herald
4 days ago
- Korea Herald
Wael Shawky, Akram Zaatari tell political history through art
Historical incidents in Middle East, North Africa recreated as media art shown at MMCA Gwacheon History can be hard to recount when it holds sorrow and trauma or multiple interpretations. But recreated as art, such stories can resonate powerfully, sparking diverse questions and interpretations in the viewers, regardless of where they are or what language they speak. Presented by the National Museum of Modern and Contemporary Art, Korea, 'MMCA Collection Otherlands II: Wael Shawky, Akram Zaatari' showcases two media works by two leading contemporary artists who explore and reinterpret specific historical events at its Gwacheon museum in Gyeonggi Province. 'Drama 1882' by Egyptian artist Wael Shawky was previously shown at the Venice Biennale 2024. The 48-minute video work addresses the Urabi Revolution, a 19th-century nationalist resistance movement against European control over Egypt following the construction of the Suez Canal. Shawky wrote, composed and directed the media artwork in the form of an eight-part opera, raising questions such as 'Was the history of the Urabi Revolution, as written primarily from Western perspectives, truly objective?' Akram Zaatari's 36-minute video work, 'Letter to a Refusing Pilot,' is based on the 1982 Israeli invasion of Lebanon. The Lebanese artist was inspired by a rumor in his hometown of Saida, which turned out to be true according to the artist, that an Israeli pilot had refused an order to bomb a boy's secondary school where Zaatari's father was a principal at the time. The question 'Why did the Israeli pilot refuse the order?' has remained a central theme in Zaatari's artistic career. In 2012, he published a book about the incident that contains an interview with the pilot. Drawing inspiration from historical theater, the installation of the works incorporates elements such as stage curtains, lighting and theater seating to evoke the feeling of attending a live opera or film screening. The state museum acquired 'Drama 1882' last year through a donation by the MMCA Director's Council, a group of CEOs established in 2011 to support the museum's exhibitions and growth in collection, according to the museum. 'MMCA Collection Otherlands II: Wael Shawky, Akram Zaatari' runs through Aug. 17.


Korea Herald
5 days ago
- Korea Herald
Photography Seoul Museum of Art opens in nothern Seoul
PhotoSeMA, directed by Seoul Museum of Art, is Seoul's first public museum dedicated to photography Seoul's first public museum solely dedicated to photographic media opened Friday in Dobong-gu Seoul, creating an art cluster in the northern part of the capital where Buk-Seoul Museum of Art is located. The Photography Seoul Museum of Art, spanning four floors above ground and two below, holds more than 20,000 works of photographic art and archival materials, according to the museum. 'By exploring photography as one of the most accessible yet critically positioned mediums in both the history of art and contemporary practice, we aim to establish this institution as Korea's leading museum of photography and a prominent presence in Asia and beyond,' said Choi Eun-ju, general director of Seoul Museum of Art. The museum opened with two inaugural exhibitions: 'The Radiance: Beginnings of Korean Art Photography' and 'Storage Story.' Both run through Oct. 12. 'The Radiance" sheds light on five pivotal artists in Korea's photography history: Jung Hae-chang, Lim Seuk-je, Lee Hyung-rok, Cho Hyun-du and Park Young-sook. Based on the newly opened museum's collection, the exhibition walks visitors through the history of photography as an art medium from its introduction in the 1920s to the late 20th century. 'Storage Story' shows new works by six contemporary artists — Seo Dong-sin, Won Seoung-won, Jung Ji-hyun, Joo Yong-seong, Oh Joo-young and Chung Mel-mel — that explore the museum's architecture and spatial design, archival practices, and the notions of memory and place. Collectively, they reimagine the museum not merely as a site of display, but as a space of creation, preservation and reflection. The building, inspired by a camera aperture as it opens and closes, was designed by Austrian architect Mladen Jadric and Korean architect Yoon Geun-ju. The Seoul Museum of Art operates as a network of museums across Seoul with eight branches including Seosomun main branch, Buk-Seoul Museum of Art, Art Archives, Photography Seoul Museum of Art and Seo-Seoul Museum of Art, which opens laterthis year.