Vegas's New $50 Million Sports Bar With Rooftop Views Opens Tomorrow
The bar will feature more than 40 televisions for daytime watch parties, multiple bars, DJs, and myriad 'music zones' across the first and third floors for nighttime partying. Like its other locations, the bar will serve food all day. Expect Parmesan truffle fries, tuna wonton nachos, wood-fired pizzas, and burgers with wagyu beef, truffle, and onion jam. Drinks take the form of margaritas and mules, plus an extensive draft list and 'Capri Sin' cocktails in nostalgic juice pouches.
Zippy's got its start in Hawaii nearly 60 years ago and it took the diner until 2023 to expand to the mainland. Its first Las Vegas location opened in October of 2023 with hula dancers and a line of 200 people eager for loco moco and teriyaki beef. The restaurant announced that it will open a third location on the Ninth Island this fall at 9570 South Eastern Avenue, north of East Silverado Ranch Boulevard, serving its fan-favorite Zip Pack bentos with fried chicken, hoki fish, teriyaki beef, and Spam.
Electra Cocktail Club at the Venetian Resort will temporarily close on Sunday, June 29 to undergo an interior renovation. The bar originally opened in 2018 and 81/82 Group has operated it since 2023. Updates will include a new design, a reimagined cocktail menu, and a calendar of themed nights like a throwback party timed with the Backstreet Boys' Las Vegas residency.
The Wynn's premiere steakhouse, SW Steakhouse, is temporarily closed for interior updates until August 7 — just as its new neighbor, Pisces, enters its second month of serving seafood and Mediterranean coastal cuisine on the restaurants' shared Lake of Dreams. See More: Vegas Restaurant Openings
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Yahoo
37 minutes ago
- Yahoo
Failed Deal for Kanye West's $35 Million Gutted Malibu Beach House Descends Into a Bitter Battle Between Developers
The highly publicized deal made between two developers for the purchase of a Malibu beach house that was famously gutted by rapper Kanye West has turned into a nasty spat after the sale of the home broke down mere months after it was announced. In March, Steven "Bo" Belmont, the CEO of "real estate crowdfunding firm" Belwood Investments, announced that he was putting the Tadao Ando-designed beach house back on the market with an asking price of $39 million, months after buying it from West for $21 million. Days later, he revealed that he had struck a deal with Montana-based developer Andrew Mazzella, telling The Wall Street Journal that he'd agreed to sell the home for somewhere between $30 million and $34 million. At the time, both Mazzella and Belmont confirmed that they expected the deal to close by early May. Yet the home's listing status remained pending for weeks—before the property was suddenly put back on the market earlier this month, with a reduced asking price of $34.9 million, as first reported by Now, Belmont and Mazzella have shed some light on the breakdown of their deal, with each alleging that they were led astray by the other party on various aspects of the sale. Speaking to the Journal, Belmont claimed that Mazzella was "massively underqualified" to take part in a real estate deal of this magnitude, telling the outlet that the prospective buyer was unable to secure the necessary funding to buy the property for the agreed-upon price. Describing Mazzella as a "Montana cowboy" who was simply "trying to do something in Malibu," Belmont said that he was pushed to cancel their contract after the buyer failed to come up with the money. According to Belmont, Mazzella made a new offer of $19.5 million after struggling to secure financing—noting that he quickly rejected it. "I was born at night, but not last night," he scoffed, conceding that he wished he had done more research about Mazzella before agreeing to a deal: "Shame on me for not doing due diligence." Meanwhile, Mazzella said that he also offered to pay Belmont $27.5 million in cash, which was also turned down—despite insisting that he was not given the full details about the work needed to restore the property to a livable condition when he agreed to buy it in the first place. Mazzella claims that he believed Belmont was going to continue his restoration of the property while their deal was finalized, only to discover that work ceased back in April. According to the Montana-based developer, the project was going to require "hundreds of thousands, maybe millions" more than he had first thought—costs that only came to light after what he said was a "slow trickle of information" from the seller in the months after the deal was made. He further alleged that Belmont's company, Belwood, has failed to share the full details about the 500 or so parties involved in the original investment in the beach house—which has turned lenders off to giving him money to finance his purchase. Yet Mazzella insists that he is still actively working to close the deal, stating that wants to reach an agreement that will satisfy both parties, despite Belmont putting the dwelling back on the market. "If Andrew can come up with financing and close the deal, great," listing agent Jason Oppenheim told the outlet of the decision to relist. "In the meantime, we're going to pursue other opportunities." The latest twist in the saga surrounding the decimated home comes more than four years after it was first purchased by West, who paid a staggering $57.3 million for the property in 2021, months after he split from his former wife, Kim Kardashian. He then proceeded to gut the architectural gem, with reports at the time suggesting that he wanted to turn the concrete structure into a modernist bomb shelter. He then sparked further fury when he abandoned his plans for the waterfront abode altogether and put it back on the market in January 2024 with an asking price of $53 million, enlisting Oppenheim to help him offload the bare bones of the home. When it was put on the market, the home had no electric, no plumbing, no windows, and no interior finishes, all of which had been stripped out during West's "renovations." So it came as no surprise that West was unable to secure anything close to his original asking price, ultimately accepting an offer of just $21 million from Belmont, who purchased the property in September 2024 and vowed to restore it to its original glory. When he bought the home, Belmont announced in a press release that he planned to spend $5 million bringing Ando's work back to life. The purchase of the property provided "an opportunity to revitalize and preserve an architectural gem ... ensuring it remains a jewel of Malibu," he noted. Yet Belmont then threw his own West-style curveball, choosing to relist the home with an asking price of $39 million, despite noting in the description that the property was far from being in a livable condition. It is currently unclear what state the property is in—or how far the restoration has progressed—because the listing photos used were taken before West gutted it. However, Belmont has previously stated that, despite leaving the project unfinished, he and his team had made some significant headway on restoring the home, installing new plumbing and electric, redoing the roof, and completing all framing. He also ordered glass for the windows from Germany and said it would arrive before the end of the summer, noting that he planned to pass the materials to Mazzella as part of the purchase. Meanwhile, Mazzella vowed that he would continue the reconstruction, admitting that he hoped a restoration of the dwelling would help him to make a name for himself in Los Angeles. "California and L.A., specifically Malibu, is the highest level there is and I've always wanted to get to the highest level," the former fisherman initially told the Journal. "This is me kicking down the door." But he said the purchase of the home was far from just a commercial endeavor, explaining that he had been "fascinated with architecture" since his teenage years, including Ando's work, so much so that he said he wanted to move to Malibu for a large part of the year to oversee work on the home.
Los Angeles Times
an hour ago
- Los Angeles Times
In the wake of ICE raids in L.A., artists band together for immigrants
One day in June, Thalía Gochez, a Los Angeles-based photographer, noticed that her local flower vendor, Doña Sylvia, had stopped going to work. Eventually, she learned it was because of the immigration enforcement actions sowing fear in the city. That's when she decided to organize an art fundraiser. 'The point of the art show was to create connection and unity in a time that is deeply scary for everyone,' Gochez said. 'I realize I have this privilege ... not only citizenship [but] access to some resources and education. I have a responsibility as a community member to do something about what's happening now.' On July 12, a month after an onslaught of ICE raids began in Southern California, an estimated 600 guests attended 'The Land Will Always Remember Us,' a group exhibition held at Amato Studio in Mid-City. More than 30 artists across the country, as well as from Oaxaca, Mexico, submitted photographs, sculptures and paintings, conveying collective stories from the Latine diaspora. With Doña Sylvia's consent, her bouquets were also sold at the event. In the main gallery, a print titled 'Immigration Is Sacred,' by Brittany Bravo, centered an elderly man surrounded by butterflies. 'Monarch butterflies have migrated across North America long before these man-made borders scarred the earth,' Bravo wrote, referencing the photo series. 'Migration is part of nature. Your walls are not.' Gochez and volunteers constructed an installation of brightly colored piñatas decorating an archway. The piece honored the shopping districts in L.A. and the callejones that Gochez noticed were losing business due to the presence of federal agents. But she wanted to create an 'uplifting' environment, an ode to the spaces that have brought her joy and positive memories. A mercadito with frutas propped against prints and signage by participating artists was intended to feel like a 'sanctuary' and generate a sense of safety, Gochez said. The art sales, as well as contributions from vendors offering airbrushed tees and flash tattoos, raised about $10,000. The money was distributed between the National Day Laborer Organizing Network (NDLON) and the Immigrant Defenders Law Center. Like Gochez, other artists and cultural workers are responding to ICE operations and extending their efforts. Erika Hirugami is an academic curator and founder of CuratorLove, an enterprise through which she primarily works with intergenerational immigrant, migrant and 'undocplus' (formerly or currently undocumented) individuals in the arts to secure resources. 'A lot of people in my community felt powerless,' she said. 'In the undocplus community, there's a lot of pain, grief and trauma that's currently being heightened because of everything that's happening in the city.' Within 45 days, she organized a two-part fundraiser, 'Abolish ICE Mercado de Arte,' which featured 300 artists from throughout the U.S. and Mexico. Its first installment, held in July at Human Resources in Chinatown, raised $15,000 to benefit the Coalition for Humane Immigrant Rights (CHIRLA) and Inclusive Action for the City. The second iteration, held in August at the LA Plaza de Cultura y Artes, collected $7,500 that went to several organizations, including Comunidades Indigenas en Liderazgo, a women-led nonprofit. There were music performances, poetry readings, art workshops and a healer offering energy alignment. In between events, Hirugami partnered with multidisciplinary artist Ruben Ochoa to sell prints of his serigraph, titled '¡Tintí Proceeds went directly to street vendors 'who haven't been able to leave their homes,' she said. Revolution Carts, a company that has collaborated with Ochoa by using his custom wrap designs and supporting vendors, also matched the donations, totaling $2,500. 'Typically, artists are always at the innovative revolutionary stance,' Hirugami said. 'So we need to be mindful of what they're saying, how they're doing it and how they're all coming together to create actionable results, beyond just standing in solidarity with communities. This mercado is an example of that.' Visual artist Patrick Martinez, who exhibited in the initial mercado, engages with public-facing art. In early June, at an anti-ICE protest in L.A., he distributed his fluorescent-lettered signs that read 'Deport ICE' and 'Then They Came for Me.' 'It is about being heard,' he said. 'And saying something that pushes back on the status quo and what got us here.' Martinez, whose work is on display at the Whitney Museum of American Art in New York City, is documenting history as an archivist, he explains. 'I make work that speaks to today, the experiences of today and the time we are living,' he said. The neon signs, which include protest language and adapt time-honored slogans, are formatted as storefront installations and signs for lawns and demonstrations. 'It's a chance for me to get the work back into the place that informed it,' Martinez said. Some of his neon print works have been auctioned or donated as part of fundraisers. 'Mutual aid is No. 1,' he said. His 'Abolish ICE' signs, including apparel, can be purchased online, with proceeds going to CHIRLA and additional front-line immigrant rights organizations. Award-winning illustrator Lalo Alcaraz is an editorial cartoonist, artist, writer and the creator of the syndicated daily comic 'La Cucaracha,' which has been published nationwide for 23 years, including in the L.A. Times. Growing up in San Diego and Tijuana in the 1960s and 1970s shaped his perspective and identity. His illustrations often critique political issues in the U.S., with a focus on the challenges and experiences of Latinos. 'I have to use satire to kind of mock, and I think in a very Mexican way, a bad situation, so that we can get through it,' he said. In a recent painting, titled 'Summer of Ice,' Alcaraz portrayed a cart abandoned on a residential street in Culver City. The scene is based on a photo captured after a paletero was taken by masked men in unmarked vehicles. Alcaraz made prints with sales going to the individual's legal defense fund. And when David Huerta, president of the Service Employees International Union (SEIU), was arrested and charged with conspiracy to impede an officer while documenting an ICE raid in L.A., 'Everyone was horrified,' Alcaraz said. 'I knew right away this was my assignment.' Likening it to the style of a 'classic political poster with an image and slogan,' he repurposed his painting of Huerta for a feature in CALÓ News, which included the phrases 'Free David Huerta' and 'Show ICE La Puerta!' The union later used the artwork for protest signs demanding the release of the labor leader. Artists like Kiyo Gutiérrez Trapero have brought attention to causes and injustices in other ways. The day before the immigration sweeps began in June, the performance artist used ice and soil to create a message that spelled 'No human is illegal' on the concrete bed of the L.A. River. Gutiérrez, who graduated with a master of fine arts degree from the University of Southern California in May, was determined to perform the piece before leaving for her hometown, Guadalajara. The 'ritual' involved breaking down ice chunks and placing the cubes before melting, then gently blanketing the letters with soil. These repetitive gestures 'echo the resilience, care and relentless urgency that define the immigrant experience,' said Gutiérrez. 'These actions are meant to honor and celebrate the labor, strength and dignity of immigrants, migrants and all undocumented people.'
New York Post
an hour ago
- New York Post
Justin Bieber impersonator tricks Vegas nightclub into letting him perform, runs up $10K bar tab
Un-belieb-able. A Justin Bieber impersonator ran up a $10,000 bar tab after he tricked staff at a Las Vegas nightclub into believing he was the Canadian pop star — even getting up on the stage for an impromptu performance. The bizarre incident took place at the five-star Wynn Las Vegas, where LA-based DJ Gryffin was performing at XS Nightclub. Gryffin was told that Bieber, 31, was in town and wanted to make a surprise appearance during his Saturday night show. Believing he was the real Biebs, he invited him into the DJ booth, TMZ reported. 4 A fake Justin Bieber fooled a Vegas nightclub into believing he was the real pop star. TikTok / @isaagonzalezz_ 4 The scammer got on stage to perform a song and allegedly ran up a $10k bar tab. Instagram / @gryffin Video posted on social media shows the shirtless, tattooed impersonator, wearing dark shades and low-slung blue jeans, belting out a version of Bieber's 2015 hit 'Sorry' in front of a packed nightclub crowd, all of whom appeared oblivious about the scam. The shameless scammer, identified as 29-year-old Dylan Desclos, sang a couple of Bieber's songs before Wynn staff realized the truth and kicked him off the stage. Gryffin jokingly dubbed the prank 'Beibergate' in an Instagram post, explaining that a 'dark venue and loud music didn't help.' 4 The real Justin Bieber was not in attendance. BACKGRID Gryffin shared a video showing him hyping up the French fake Bieber's performance before being told the news of the devastating dupe. 'I literally thought, 'he's put on a lot of weight since the album dropped,'' Gryffin said at the end of the video. Social media clips also show the Desclos posing for selfies and browsing stores with his 'security guards' during the Vegas trip. He and his entourage ran up an almost $10,000 bar tab during their stunt, which the fake Bieber eventually paid as he was kicked out, Neon reports. Desclos, who has shared a number of videos in recent years of him pretending to be Bieber, even got similar tattoos and a matching buzzcut as the real mega star. Last year, the impersonator caught the attention of Bieber's wife, Hailey Bieber, after he was spotted on a train in his native France. 'I'm scared…' Hailey commented on a TikTok of an impersonator. 4 The prank took place at Wynn Las Vegas on Saturday. eqroy – The nightclub has responded to the prank. 'After an elaborate and multi-step ruse by him and his advance team, a Justin Bieber impersonator was granted access to the XS stage,' a representative for Wynn and XS Nightclub told TMZ. 'As soon as the error was recognized, he was removed from the resort and denied future entry.' Representatives for Desclos did not respond immediately to requests for comment.
