Taylor Swift wore a whopping $920k worth of jewelry in The Life of a Showgirl shoot, expert reveals
Last week, while appearing on boyfriend Travis Kelce 's New Heights podcast, Taylor announced the arrival of her 12th studio album, set to drop on October 3.
Of course, with the announcement came the reveal of the album cover and accompanying artwork, which showed the Lover singer draped in all different kinds of diamonds and jewels.
The album cover for The Life of a Showgirl features Taylor posing underwater, wearing a silver bedazzled bodysuit with intricate cutouts along the stomach.
On her wrist, Taylor donned a $32,000 vintage bracelet by jeweler Stephanie Gottlieb, which contains four strands stacked together.
The bracelet features multicolored diamonds, and it appears that Taylor chose to stack it with a thick diamond bangle.
In another photo for the album, which shows Taylor wearing a sultry bodysuit while draped over a chair, she sported Ethos Maria's ruby drop earrings, which are a whopping 38.88 carats.
Her other art for the track list has the pop star in tons of diamonds made by Lorraine Schwartz, which is one of Taylor's favorite jewelers.
In fact, Lorraine was the one who made her bedazzled red 'T' chain that hung off her thigh at last year's Grammy Awards.
Of course, the 'T' was in honor of her boyfriend, Kansas City Chiefs tight end Travis Kelce.
She rocked multiple custom pieces by the designer in the album photoshoot, like 'sculptural drop earrings, pavé diamond cuffs, a bold pink pearl ring, and a sapphire-and-diamond bracelet,' according to experts.
'On the cover and throughout the promo images of The Life of a Showgirl, Taylor Swift shines in a dazzling constellation of extraordinary jewels, each piece chosen with the meticulous eye of a true curator of glamour,' Maxwell Stone, of jewelry company Steven Stone, said.
'Her signature style is unmistakably elevated by Lorraine Schwartz, whose custom creations she has remained loyal to over the years,' Steven continued.
'From sculptural triangular drop earrings and pavé diamond cuffs to a bold pink pearl ring and a timeless sapphire-and-diamond bracelet, Schwartz's artistry frames Taylor not merely as a showgirl, but as a reigning queen of sophistication.'
Taylor also wore butterfly-inspired diamond studs by Anabela Chan in the artwork, as well as Le Vian's Art Deco-inspired Vanilla Gold ring, Stone said.
'Together, these jewels create a symphony of sparkle, turning Taylor into the ultimate crown jewel of The Life of a Showgirl,' he shared.
'After examining the custom pieces and factoring in the estimated values alongside the retail prices of the rest, Taylor is likely adorned in around $920,000 worth of jewelry,' the expert revealed.
But interestingly enough, it seems like Taylor didn't wear any Cartier jewelry in the promotional material for her new album.
Cartier appears to be one of her favorite jewelry brands, as she has donned multiple pieces by the company in the past.
In fact, when she appeared on New Heights last week, she sported a Panthère de Cartier Necklace from the famed Cartier, which features their signature panther in gold.
Taylor's version of the necklace was encrusted with diamonds, and it will cost you a pretty penny at $22,500.
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Beaming Amanda Knox laughs as she poses up a storm and kisses her husband at premiere of new series based on her ex-flatmate's harrowing murder
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'The mannered, Wes Anderson-lite openings to each episode sit uneasily with the harrowing hours to which they give way and the script – particularly in those openings – can be dreadful. 'We were just getting to know our young selves in this charmed and ancient city,' says Knox in a voiceover early on. 'And later: 'Does truth actually exist if no one believes it?' At one point, investigator Monica (Roberta Mattei) describes Knox providing 'unsolicited information in crude American spasms'. 'Fortunately, the main parts are held together by an unreservedly brilliant performance by Grace Van Patten as Knox, in English and Italian (halting at first, fluent by the end of Knox's incarceration), the ebullient, naïve, overconfident, shattered young woman caught in so many currents and cross-currents it seems a miracle that she ever made it back to shore.' 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The series leans heavily on these voiceovers to explain Amanda's quirks (such as providing an impromptu gymnastics display at the police station or wearing a T-shirt to court bearing the slogan 'All you need is love' in all caps). 'The show's visual flourishes – like a juror juggling computer-generated ears to illustrate their exposure to inadmissible evidence – mirror its goofy, confident protagonist. It also makes the tone of the series very distinct from the grim BBC procedurals we're used to in Britain, owing a debt of gratitude to schlocky tastemaker Ryan Murphy (creator of the American Horror Story anthology series). Speaking to the Guardian as filming for the show kicked off last year, Meredith sister explained the victim's family found it 'difficult to understand how the series served any purpose'. 'Meredith will always be remembered for her own fight for life, and yet in her absence, her love and personality continues to shine,' she added. 'We will forever feel this indescribable void but we live by Meredith's standards with dignity.' It comes as Amanda has revealed how Monica became her mentor as she tried to rebuild her life. The two women met at a speaking engagement in 2017, just two years after Italy 's highest court exonerated Amanda and Raffaele in Meredith's murder. Amanda told The Hollywood Reporter how she was nervous and had begged the event organizers to let her speak with Monica in private. The former White House intern obliged, and even made Amanda a pot of tea as she shared some guidance from her years trying to move past her sex scandal with then-President Bill Clinton. 'She had a lot of advice about reclaiming your voice and your narrative,' Amanda said. 'That ended up being a turning point for me.' Years later, Amanda shared her desire to tell her story on screen in an interview with The New York Times - and upon seeing it, Monica jumped on board. Together, the pair wound up assembling a creative team, including This Is Us executive producer K.J. Steinberg and famed producer Warren Littlefield, to create 'The Twisted Tale of Amanda Knox,' a limited series for Hulu. After years of planning, the duo celebrated the premiere of the show on the red carpet Tuesday. Just hours earlier, Amanda released the latest episode of her podcast, Hard Knox, in which she and Monica spoke of the importance of telling the stories of those who survived scandal. Speaking of the decision, Monica noted that she does not often pay attention to a story after it fades from headlines. 'I don't think about "How is this person rebuilding their life?"' she said, her voice cracking as she apparently started to tear up. It was Amanda that had discovered Meredith's bedroom door locked and blood in their bathroom, but after police in Italy noticed her acting odd she became a suspect. Amanda pictured speaking to the media during a brief press conference in front of her parents' home in 2015 But, she said, she thinks it is important to 'understand, as my therapist calls it, the long tale of trauma - and that it's not even just the person, but the collateral damage for people's families.' 'It's not the story of like, being a person and being gutted and then building your life back. 'And having to find yourself again,' Monica said, noting that both of their scandals arose when they were in their 20s. 'You think you know everything, you think you know who you are and it's then ripped away from you,' she reflected. 'It's reconfigured and reflected back to you as a monster that you never saw yourself as, that you actually aren't.' During that time, Amanda said, 'it's hard to remember that you have value as a human.' 'I think it's a better product because I was able to share really personal and intimate things about, you know, my life that wasn't just like a Hollywood gloss over reality,' she added. 'Like it becomes dirtier in a good way because it has all the messy humanity and you have all these scenes that I, you know, remember being in the writer's room being like, "This is an actual thing that has happened" and they were like, "You can't make this stuff up."' But the duo also sought to play on the 'anatomy of bias,' aiming to showcase how events unfold and are perceived through different people's perspectives. 'It's the way we story tell and it's the way we process a story in our own minds that is impacted by everything we're bringing to that moment that has been shaped by bias upon bias upon bias,' Lewinsky said. 'Every interaction that we have with a person is not just a straight interaction,' Knox added. 'It is colored by the context that we all carry. 'All of us are little universes inside of ourselves and we collide with each other,' she said. The Twisted Tale of Amanda Knox airs on Hulu, and stars Grace Van Patten in the titular role. Elsewhere, Amanda recently said she believes the spirit of her murdered roommate Meredith Kercher still 'haunts' her. Speaking with People, she however clarified that this is 'not in that bad way that people sort of project on to me'. 'More in this benevolent spirit who is reminding me of the value of life, the privilege it is to live and the privilege it is to fight for your life,' Amanda added. 'Because she fought for hers.' Despite being freed and declared innocent, Amanda told the outlet that she has never been allowed to fully live her life. She added: 'There's always this subtext, like "Look at Amanda living her life while Meredith is dead." 'Any expression of life in my life is seen as an offense to the memory of my friend who got murdered.' She also said that she had panicked when she found out she was pregnant with her first daughter Eureka, 3. 'I did not want the first instance of my daughter's existence into this world [to] be a headline like "Amanda gives birth to know who will never get to have a daughter? Meredith",' she added. It was Amanda that had discovered Meredith's bedroom door locked and blood in their bathroom, but after police in Italy noticed her acting odd she became a suspect. At the time, Amanda put the blame on her boss at a local bar she worked at, Patrick Lumumba, who had a solid alibi, which only increased police suspicions. After an immense investigation and trial, Amanda, who was 20 years old at the time was convicted for the crime in 2009. She was sentenced to 26 years in prison for faking a break-in, defamation, sexual violence, and murder. In January of this year the defamation conviction was upheld by Italy's highest court over her comments about Lumumba. Amanda shared a video of herself weeping after the conviction was upheld, saying it was 'disappointing'. She also added on X: 'I've just been found guilty yet again of a crime I didn't commit'. Her lawyers said she accused Lumumba during a long night of questioning and under pressure from police, who they said fed her false information. The European Court of Human Rights found that t he police deprived her of a lawyer and provided a translator who acted more as a mediator. Rudy Hermann Guede, from the Ivory Coast, was eventually convicted of murder after his DNA was found at the crime scene. Guede was freed in 2021, after serving most of his 16-year sentence. Amanda returned to the US in 2011 after being freed and has established herself as a global campaigner for the wrongly convicted. She has a podcast with her husband, Christopher Robinson, and has a new memoir coming out next week titled, 'Free: My Search for Meaning.'
