
Rising production costs threatening viability of UK theatre, says report
The cost of running and creating theatre has soared, rising 'significantly faster than inflation', according to a report into the state of British theatre in 2025 from the Society of London Theatre (SOLT) and UK Theatre.
'The economics of theatre are finely balanced. Without strategic support and investment, rising costs threaten the viability of even the most commercially successful productions,' it said.
The report outlines potential threats to the sector's financial sustainability, including the cumulative effect of rising inflation, heightened international trade tensions and the potential impact of new US tariffs.
On Wednesday official figures revealed that UK inflation surged to its highest level for more than a year last month after households were hit by a raft of 'awful April' bill increases.
In spite of growing costs, members of the SOLT and UK Theatre welcomed more than 37 million audience members in 2024, with the West End surpassing 17.1 million attendees, generating more than £1 billion in revenue for the first time in history, according to the organisations.
The report estimates that the average price of a West End ticket is 5.3% lower in real terms than in 2019 and says that 'most theatre tickets remain affordable'.
Another issue is investment, with one in five UK venues requiring at least £5 million over the next decade simply to remain operational, according to a 2024 survey from the organisations.
Out of the 65 venues surveyed, it was found that nearly 40% of them could close or become unusable in the next five years without substantial capital funding.
Rising costs in transport, accommodation, freight and staffing are also affecting domestic touring and the report said these financial pressures are 'straining the viability of touring models that rely on lean margins and collaborative delivery'.
At the same time, audiences are facing their own cost-of-living challenges and this means that 'simply raising ticket prices is not a viable solution if theatre is to remain accessible to all'.
The report said higher-priced tickets help 'cross-subsidise lower-cost options, enabling more people to attend while preserving financial sustainability'.
It also said the Government needs to make a 'sustained investment in infrastructure, skills, access and innovation'.
International productions can also face complex issues, such as trade uncertainty, but the report added that 'UK theatre continues to punch above its weight globally'.
Six The Musical, which has toured across the world, is an example of 'the power of UK theatre as a world-leading cultural export', according to the report.
SOLT and UK Theatre co-chief executives Claire Walker and Hannah Essex said: 'From the West End to regional stages, our members are working harder than ever to keep theatre accessible and inclusive, even as costs rise and funding declines.
'But the reality is stark: theatres are doing more with less – and the strain is showing.
'Rising costs, shrinking support and ageing infrastructure are putting the sector under unsustainable pressure.
'We are seeing world-class organisations forced to cut programmes, delay maintenance and scale back outreach.
'If we want to maintain the UK's position as a global leader in theatre – and continue to inspire the next generation of actors, writers and technicians – then Government must act.
'That means restoring public investment, investing in infrastructure and ensuring that every child can experience the life-changing power of live performance.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Scotsman
41 minutes ago
- Scotsman
‘Significant challenges' in use of AI within UK screen sector
Hans Lucas/AFP via Getty Images Scottish researchers were among those to create the report Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... The use of artificial intelligence (AI) within the UK screen sector raises 'significant legal, ethical, and practical challenges' such as the use of copyrighted material being used without the permission of the rights holders, a report has warned. Other issues highlighted by the British Film Institute (BFI) report include the safeguarding of human creative control, the fear of jobs being lost as positions are replaced through the use of AI, and investment in training in new skills. Advertisement Hide Ad Advertisement Hide Ad High energy consumption and carbon emissions, and the risks to creative content around biased data, are also described as being of concern. The report, which has been carried out in partnership with CoSTAR universities Goldsmiths, Loughborough and Edinburgh, analyses how the screen sector is using and experimenting with rapidly evolving generative AI technologies. It warned that the 'primary issue' was the use of copyrighted material – such as hundreds of thousands of film and TV scripts – in the training of generative AI models, without payment or the permission of rights-holders. 'This practice threatens the fundamental economics of the screen sector if it devalues intellectual property creation and squeezes out original creators,' the report said. Advertisement Hide Ad Advertisement Hide Ad But it added that the UK's strong foundation in creative technology – as it is home to more than 13,000 creative technology companies – means that the UK screen sector is well positioned to adapt to the technological shift. Getty Images The report – titled AI in the Screen Sector: Perspectives and Paths Forward – said generative AI promises to democratise and revolutionise the industry, with the BBC, for example, piloting AI initiatives. Meanwhile, projects such as the Charismatic consortium, which is backed by Channel 4 and Aardman Animations, aim to make AI tools accessible to creators regardless of their budget or experience. It said this could empower a new wave of British creators to produce high-quality content with modest resources, though concerns about copyright and ethical use remain significant barriers to full adoption. Advertisement Hide Ad Advertisement Hide Ad The report sets out nine key recommendations it suggests should be addressed within the next three years to enable the UK screen sector to thrive in using AI. These include establishing the UK as a world-leading market of IP licensing for AI training, and embedding sustainability standards to reduce AI's carbon footprint. It also calls for structures and interventions to pool knowledge, develop workforce skills and target investments in the UK's creative technology sector, while it urges support for independent creators through accessible tools, funding and ethical AI products. The BFI's director of research and innovation, Rishi Coupland, said: 'AI has long been an established part of the screen sector's creative toolkit, most recently seen in the post-production of the Oscar-winning The Brutalist, and its rapid advancement is attracting multimillion investments in technology innovator applications. Advertisement Hide Ad Advertisement Hide Ad 'However, our report comes at a critical time and shows how generative AI presents an inflection point for the sector and, as a sector, we need to act quickly on a number of key strategic fronts. 'Whilst it offers significant opportunities for the screen sector such as speeding up production workflows, democratising content creation and empowering new voices, it could also erode traditional business models, displace skilled workers, and undermine public trust in screen content. 'The report's recommendations provide a roadmap to how we can ensure that the UK's world-leading film, TV, video games and VFX industries continue to thrive by making best use of AI technologies to bring their creativity, innovations and storytelling to screens around the globe.' Professor Jonny Freeman, director of CoSTAR Foresight Lab, said: 'This latest CoSTAR Foresight Lab report, prepared by the BFI, navigates the complex landscape of AI in the screen sector by carefully weighing both its transformative opportunities and the significant challenges it presents. Advertisement Hide Ad Advertisement Hide Ad 'The report acknowledges that while AI offers powerful tools to enhance creativity, efficiency, and competitiveness across every stage of the production workflow – from script development and pre-production planning, through on-set production, to post-production and distribution – it also raises urgent questions around skills, workforce adaptation, ethics, and sector sustainability.' CoSTAR is a £75.6 million national network of laboratories that are developing new technology to maintain the UK's world-leading position in gaming, TV, film, performance, and digital entertainment.


Metro
an hour ago
- Metro
Brit Awards to make drastic change after 48 years in 'end of era'
The Brit Awards are making a huge change to the ceremony for the first time in nearly 50 years by relocating the entire show. This year's biggest night in music lived up to usual dramatic expectations, with Charli XCX proving Brat is forever with five wins. Elsewhere, Sabrina Carpenter's racy performance got plenty of Ofcom complaints, and Jack Whitehall's joke failed to land with Becky Hill. Next year, on Saturday, February 28, the prestigious ceremony will take place in Manchester – the first time in the history of the Brits. London has played host for the past four decades but Manchester's Co-op Live arena has been chosen for the 2026 and 2027 ceremonies. 'For the Brit Awards to move out of London is a massive coup for Greater Manchester,' said Andy Burnham, Mayor of Greater Manchester. He continued: 'After 48 years, it is great that this prestigious global event is about to arrive in the UK capital of music and culture. 'Greater Manchester has an unparalleled music heritage known around the world, and this summer will play host to some of the biggest gigs on the planet.' The Co-op Live arena was opened last year — with some teething issues — but has quickly become a major gig location for the likes of Olivia Rodrigo, Robbie Williams, and Pulp. Of course, Manchester's Heaton Park will see one of the biggest shows of 2025 as Oasis reunite for the first time in 16 years in their hometown. 'That was only made possible by our strong commitment to new talent and giving emerging artists the opportunities to make their name,' the mayor added. 'We thank our friends at the BPI for choosing Manchester and we will pull out all the stops to show they made the right decision. 'Celebrating the Brit Awards right here in the home of 24 hour party people is the next chapter in its story and you can be sure that we will help them do it in style.' The British Phonographic Industry (BPI) is the trade body for the UK's music industry. The move isn't the only shake up for the biggest night in British music as the Brit Awards 2026 will be the first of three years under the stewardship of Sony Music UK. Jason Iley, chairman and chief executive of Sony Music UK & Ireland said: 'This is a very exciting time for The Brit Awards. 'Moving to Manchester, the home of some of the most iconic and defining artists of our lifetime, will invigorate the show and build on the Brits' legacy of celebrating and reinvesting in world-class music. 'Hosting the show in Manchester, with its vibrant cultural history, perfectly captures the spirit and energy of the Brit Awards. I can't wait to see the show at the amazing state-of-the art Co-op Live venue.' The 2026 ceremony on Saturday February 28 will be broadcast exclusively on ITV1, ITVX, STV and STV Player. Mastercard will continue its long-standing headline sponsorship, now in its 28th year. Charli XCX was the stand-out star at this year's Brit Awards at London's O2 Arena, taking home five awards including album of the year for her sixth studio release, Brat. More Trending US pop star Sabrina Carpenter was the recipient of the global success award, while former Little Mix star Jade Thirlwall collected the best pop act award. US pop star Chappell Roan won international song of the year for Good Luck, Babe! Co-op Live is currently Britain's biggest indoor arena and opened in May 2024 after several delays. British band Elbow opened the 23,500-capacity venue and since then acts including Sir Paul McCartney and Charli XCX have held gigs. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you.


Wales Online
3 hours ago
- Wales Online
Nigel Farage reveals his vision and promises to Wales
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info The 1851 census recorded that more people in Wales were employed in industry than in agriculture, a first for any country, meaning it has the claim to be the first industrial nation. And for a time, Wales was undeniably an industrial powerhouse. Wales once produced almost 60 million tons of coal per year and South Wales alone was the biggest coal exporter in the world. The Cardiff Coal Exchange set the global price for steam coal and Swansea smelted most of the world's copper. Merthyr Tydfil was the world's largest producer of iron and the Port Talbot Steelworks were once the largest steel plant in Europe. Much of that is now gone. Wales's economy lags the UK in jobs, wages & growth and the deindustrialisation of Wales means that GDP per capita is £10,000 less than the UK. For many years Welsh Labour blamed the Conservatives in Westminster for this and, in fact, for all other ills. However, the truth is that Labour are just as much as responsible, if not more so than the Tories. Since the first elections to the then Welsh Assembly in 1999, Labour has been in power in Cardiff Bay for 26 years, the longest term in government of any party in Europe. With Labour now holding office in Westminster, Welsh Labour have no one left to blame. Next May voters in Wales will get the opportunity to vote in the Senedd elections and have the opportunity to not only to pass judgment on Labour's track record but also decide on the future direction of the nation. They can choose from more of the same mismanaged decline from Labour, or they can vote for a party, Reform, that unashamedly wants to see Wales reindustrialise to prosper and grow. Labour closed Wales' only primary steel making furnaces, we want to open them in the long run. We have said and say again that we think it's better to use British coal for British steel than imported coal. Which is why we would allow coal, if suitable, to be mined in Wales as part of Reform's long-term ambition to reopen the Port Talbot Steelworks but we know this will not be quick or easy. A Reform-run Senedd would also use Welsh Development Grants to support real industry. We'll redirect economic funding from consultants and NGOs to actual factory floors, machinery, and industrial jobs in places like Llanelli, Shotton, and Ebbw Vale. We'll also set up regional technical colleges teaching welding, plumbing, robotics, electrical trades, and industrial automation. Every young person who wants to work should have a path into a proper trade. More than that, we will change the way Wales is run. We will put the interests of the Welsh people first and make sure that local people go to the front of the social housing queue. We'd stop the use of any building for asylum seeker accommodation. We would end funding to the Wales Refugee Council and scrap the 'Nation of Sanctuary' for asylum seekers and any funding that goes with it. For WalesOnline's free daily briefing on the biggest issues facing the nation, sign up to the Wales Matters newsletter here A Reform UK Senedd will also save hundreds of millions each year by cutting bureaucracy, waste and bad management. The establishment of Welsh DOGE will help us uncover where there is woke and wasteful spending and we will make sure those funds are redirected to frontline services. People might say these are lofty ambitions for a party that currently has no representation in the Senedd, but its clear that the people of Wales want Reform. Our growth in Wales has been extraordinary. We now have almost 11,000 members and tens of thousands of supporters. We are winning Council by-elections in Wales with almost 50 per cent of the vote. The result in Scotland last week confirmed to us that we if we can do that well in Scotland, then we can win here in Wales. It also made clear that a vote for the Conservatives is a vote for Labour, it's more obvious than ever before that the Tories can't win in Wales. The only party that can end Labour's 26 years of failure in Wales and put the nation on a better path is Reform and I am confident we can do it.