logo
A Neutral Color Palette and Plenty of Flowers Set the Tone for This Wedding in the Green Mountains of Vermont

A Neutral Color Palette and Plenty of Flowers Set the Tone for This Wedding in the Green Mountains of Vermont

Yahoo3 days ago
The brides wanted their wedding guests to feel like they were in an elegant Italian villa in New England.
You could say that Julia Casey and Micaela Capozzo were fated to end up together: The two were randomly paired as lab partners during their first semester of graduate school at the University of Vermont in 2019, and their friendship grew as they spent time together pursuing their Doctorates in Physical Therapy. Halfway through the program, their dynamic shifted. Julia bought Micaela a drink at a local bar and the rest was history. 'It was like a switch flipped in that little bar and we both knew that we were each other's person,' Julia says. 'We both had such a sure sense of 'knowing' and we were absolutely inseparable from that day.'
Julia proposed first during a rainy morning hike at Lake Minnetonka in Banff National Park in June of 2023. A month later, Micaela popped the question in return on a date at Monteluce Winery in Dahlonega, Georgia, with a custom crossword puzzle.
Choosing their wedding venue was easy. They decided to tie the knot on Julia's family's property in Stowe, Vermont. "Micaela and I met and fell in love in Vermont, so we knew we wanted to get married there,' Julia says. 'Vermont is such a special place for us, and having gotten married on the property makes it that much more special.' They set the date for August 24, 2024, and invited 140 guests to join them for an earthy, natural celebration inspired by an elegant Italian villa planned by Lindsey Leichthammer Events. Read on to see the details of their unforgettable celebration, from parasol umbrellas at the ceremony to a family-style dinner reception in photos by Amanda Young.
Related: How to Host Your Wedding at Home
The couple worked with Rachel Browdy at RH Design House on their wedding invitations and day-of paper goods. Their invite suite was printed on a creamy off-white cardstock with sage green calligraphy-style script. The brides added custom wax seals stamped with their initials and tucked everything into sage envelopes finished with an illustrated envelope liner.
On the morning of their wedding day, Julia and Micaela met for a first look, which was one of their favorite moments of the entire day. 'We wanted to do a first look so we could be really intentional and present seeing each other for the first time,' Julia says. 'We chose to read our private vows during this time and it was incredibly special.'
The brides admit that they were both surprised by the dresses their partner chose. Julia wore an Ines di Santo sheath wedding dress with a halter neckline, plunging keyhole, and illusion back. 'I thought I loved the very first dress I had tried on, but when I tried on the dress I ended up picking, everything else seemed to pale in comparison, and I knew this was the one,' she says. She finished her look with her mom's pearl Tiffany earrings and bracelet and a natural makeup look.
Micaela wore an A-line wedding dress from Paloma Blanca with a long train. She customized the dress with buttons down the back and added a cathedral-length raw hemmed veil. 'I loved the idea of a long train with an even longer veil for a big 'wow moment',' she says. 'The bottom of my dress got very muddy but it makes me smile to look back on because it shows how much fun I had on my wedding day.' She styled her bridal look with Badgley Mischka heels and her mom's earrings. 'Julia had surprised me with matching Nikes with our wedding date on the back, and we changed into them after the ceremony!' Micaela adds. She added hair extensions to achieve voluminous curls and asked her makeup artist for an elevated look for the day.
Related: Looking for Your Own Wedding Dress? Shop at a BRIDES Top Tier Bridal Salon
The couple's outdoor ceremony featured views of Mt. Mansfield as their backdrop. Wooden chairs were set up for guests facing a grounded ceremony arch of white, cream, and pink florals. For relief from the sun, umbrellas were added to the space and guests were given woven fans and white parasols.
Julia and her dad walked down the aisle to an electric violinist's live rendition of Shania Twain's 'You're Still the One.' Then, Micaela and her dad entered to 'Tuesdays' by Jake Scott.
Julia's sister, Amelia, officiated the ceremony. The couple exchanged personal vows they wrote for each other, including 'not just reasons we love each other, but promises that we plan on keeping to each other,' Julia says.
The newlyweds celebrated back up the aisle to "This Will Be (An Everlasting Love)" by Natalie Cole. Guests were given paper cones made from their invitation stationery filled with flower petals to toss during the recessional.
Related: Our 5 Favorite Eco-Friendly Wedding-Exit Toss Ideas
The couple chose a sailcloth tent for their reception, and its entrance was decorated with greenery, potted plants, lanterns, ground florals, and barrels displaying pots and organic floral arrangements. Guests found their seating assignments on escort cards that were displayed in faux wooden planters filled with moss.
With an elegant Italian villa as their inspiration, the brides and their planner decided to decorate the tent with hanging pendant lamps, wooden flooring in a natural oak shade, and a checkered dance floor. The tent's structural poles were strategically decorated with branches to look like trees in the center of the space.
'The seating chart was probably the hardest part of our planning process,' Julia says. 'We had a mix of small round tables, large round tables, small rectangle tables, and large rectangle tables. We loved this look but it did require a lot of time and attention to the seating chart.' Lounge areas were also interspersed throughout the space, and they incorporated various textures, from soft couches to woven chairs and stone accent tables.
While some tables were dressed in floor-length white linens, others were simply topped with gauzy runners. Each tablescape featured blush and ivory taper candles in textured glass hurricanes, various neutral-hued floral centerpieces in stone vessels, and crystal glassware. 'Rachel Browdy with RH Design created linen menus for us and hand calligraphed stone tiles for place cards,' Micaela says.
Julia and Micaela made sure espresso martinis were flowing all night, and they served two other signature cocktails, too: a Mexican Mule and a Maple Old-Fashioned. "Our favorite drink to make at home or order when we go out is a Mexican Mule and we wanted to have an additional drink for our brothers and dad's, as they all enjoy a good maple old fashioned,' Julia explains.
Julia and Micaela like to try a little of everything when they dine out, so they chose to serve a family-style dinner that allowed guests to graze. Family members and friends enjoyed main dishes of beef sirloin, slow roasted salmon, and roasted chicken. 'I know everyone talks about not getting a chance to eat on your wedding day but Micaela and I made sure we ate!' Julia laughs. 'It was absolutely incredible.'
The couple shared a choreographed first dance in front of their guests to Filmore's "Other Girl." They spent the month before the wedding practicing their pre-planned moves with a teacher. 'We were nervous about it but knew it would be fun no matter what,' Julia says. After their first look, they snuck into the tent for a practice run. 'Micaela and I got to run through our entire dance with the band playing our song, and just us in the tent,' Julia says. 'It's something we will never forget.'
Julia had a father-daughter to Will Dempsey's 'Best Parts of Me' and Micaela shared a dance with her dad to Riley Roth's 'When God Made You My Father."
The newlyweds cut into a three-tiered wedding cake decorated with with fresh flowers, which features layers of gluten-free triple chocolate salted caramel cake with vanilla buttercream. Guests also enjoyed a variety of small desserts decorated with cutouts of the couple, including strawberry shortcake in a jar, mini blueberry hand pies, chocolate chip cookies, and donuts.
For late-night snacks, the couple had a soft pretzel station, a pizza station, and pommes frites. 'This was a great way to wrap up the night, with our guests walking around eating pizza and pretzels,' Julia says. 'We also hired Shy Guy Gelato, which was a big hit!'
Julia and Micaela spent their honeymoon traveling through Greece. To couples planning their wedding, they recommend soaking it all in. 'Our piece of advice is as much as it is difficult, try not to stress and enjoy every single minute of this process!" they say.Real Weddings Credits
Photographer Amanda Young Photography
Planning and Design Lindsey Leichthammer
Makeup Elizabeth England Studios
Flowers Clayton Floral
Invitations and Paper Products RH Design
Music Generation Events
Catering Vermont Farms Catering
Cake Cronin Cakes & Sweets
Gelato Shy Guy Gelato
Rentals Vermont Tent Company, Kadeema
Lighting Griffin and Griffin Lighting
Videographer Matt Garza of New England CreativeUp Next: The Complete Guide to Planning a Wedding
Read the original article on Brides
Solve the daily Crossword
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Why More Couples Are Choosing Black-Tie for Their Destination Weddings
Why More Couples Are Choosing Black-Tie for Their Destination Weddings

Los Angeles Times

time3 hours ago

  • Los Angeles Times

Why More Couples Are Choosing Black-Tie for Their Destination Weddings

When many people imagine a destination wedding they picture breezy linens, barefoot ceremonies, and a relaxed carefree vibe. Increasingly couples are embracing a more refined aesthetic, bringing black-tie or black-tie optional dress code to their destination celebrations. This fusion of formal-wear with unforgettable locales is not just a passing trend. It is a statement of elevated taste, timeless style and a memorable guest experience. Destination weddings already feel special but a black-tie or black-tie optional dress code reinforces the significance of the occasion. Couples want their guests to share the same sense of excitement and celebration they feel, and dressing up helps set that tone. Even in a tropical setting, black-tie signals a once-in-a-lifetime experience. Maurisa Collis owns and is the lead planner of Collis Co.,known for designing refined intentional celebrations. She shares 'For our clients a black-tie dress code aligns with the level of investment and detail our clients pour into their weekend. It honors the weight of the occasion and helps guests feel a part of something exceptional. There's a shift in energy when guests are dressed to the nines. They're more present, more engaged, and the event becomes less about logistics and more about emotion beauty and shared experience. That is the magic of black-tie.' From Italian villas, to French châteaux, to luxury Hawaiian resorts, many destination venues are ideally suited for black-tie. Couples are drawn to the timeless elegance of formalwear which complements grand spaces and beautiful design details. It pairs beautifully with lush florals, elevated decor and a thoughtfully curated guest experience. As Collis explains, 'Designing around a black-tie aesthetic is an exercise in restraint and refinement. Every detail has to feel cohesive elevated and deliberate. The fashion informs the tablescapes, color palette and scale of the event. When the attire is formal everything else must follow suit.' As a wedding photographer I see firsthand how black-tie or black-tie optional attire elevates the overall look of an event. Formal attire creates a cohesive polished aesthetic across portraits group shots and candid images. No guest feels out of place and the wedding story comes together with a unified cinematic quality that feels refined and classic. Choosing a breathtaking location is only part of the story. Black-tie attire rises to meet the grandeur of the destination itself. Whether the backdrop is a centuries-old villa on the Amalfi Coast or an oceanfront estate in Hawaii, formalwear feels not only fitting but expected. Couples want their fashion to reflect the elegance and drama of their surroundings. Many guests are excited for the opportunity to dress up while on vacation. After a casual welcome event or a laid-back beach gathering, putting on a tuxedo or a floor-length gown feels celebratory and fun. Black-tie gives guests permission to fully embrace the moment elevating the atmosphere and creating a sense of true occasion. For many guests a black-tie or black-tie optional event for a destination wedding is a rare chance to dress for a truly special event. In everyday life people often have few opportunities to wear a tuxedo or a formal gown. Seeing parents, grandparents, college friends, and loved ones looking their absolute best adds a sense of magic to the day. It honors the importance of the wedding and creates memories and photographs that feel even more meaningful. As multi-day destination weddings become more common, couples often vary their dress codes across events. A welcome party might be beach chic and a farewell brunch could lean resort casual, but the main wedding day is typically anchored in black-tie or black-tie optional. That intentional choice sets the wedding apart as the pinnacle of the celebration. Finally black-tie is clear and simple. Compared to ambiguous terms like 'beach formal' or 'resort chic' guests immediately know what is expected. That clarity removes stress, helps everyone feel confident and contributes to a smoother more enjoyable experience. Ultimately black-tie at a destination wedding brings together tradition and beauty honoring the formality of a milestone event while celebrating in a breathtaking setting. The result is a wedding story that feels timeless, elegant and unforgettable.

'Beach Towel' Nails Are This Summer's Most Nostalgic Manicure Trend
'Beach Towel' Nails Are This Summer's Most Nostalgic Manicure Trend

Refinery29

time7 hours ago

  • Refinery29

'Beach Towel' Nails Are This Summer's Most Nostalgic Manicure Trend

It makes perfect sense that summer's most popular nail looks are taking inspiration from destinations with sunnier climes. Between colourful beach nails decked out in teeny sea creatures that wouldn't look out of place on the Galápagos Islands to intricately painted Italian summer manicures inspired by the Amalfi coast, this season's chicest looks have sunshine at their heart. Yet summer isn't always tropical sunsets and cocktails by the pool, as this emerging trend proves by taking its inspiration from things a little closer to home. View this post on Instagram A post shared by Sigourney Nuñez (@nailartbysig) Enter: 'beach towel' manicures. Celebrating the retro delight of boldly striped deckhairs, colourful windbreakers and sticks of rock, rather than coral reefs and ceramic tiles, these stripy manicures pay homage to the charming British seasides that line the coast. And while a striped manicure might sound simple, a beach towel manicure makes a versatile summer nail look, as it can be so easily customised. View this post on Instagram A post shared by EMazingmani 🦋 (@emazingmani) Minimalists might opt for a refined monochrome colour palette in sandy neutrals, while maximalists get the chance to embrace a riot of clashing rainbow hues for a playful summer aesthetic. So whether you want your nails to reflect a luxury coastal getaway in Cornwall or a fun-filled girls' weekend in Margate, there's a manicure to suit. View this post on Instagram A post shared by EMazingmani 🦋 (@emazingmani) Ahead, find 11 of our favourite beach towel nail looks to guarantee that your next manicure is striped with seaside charm. Brighton Rock View this post on Instagram A post shared by 𝐄𝐦𝐦𝐚 𝐌𝐣𝐞𝐥𝐝𝐞 | 𝐏𝐫𝐞𝐬𝐬-𝐨𝐧 𝐍𝐚𝐢𝐥 𝐀𝐫𝐭𝐢𝐬𝐭 ♡ (@emspolish) A joyful clash of candy colours and playful stripes, this vibrant manicure by nail artist Emma Mjelde using The Gel Bottle channels vintage beach balls and rainbow rock sweets into manicure form. It's pure summer nostalgia with a glossy, modern twist. Sorbet Chic View this post on Instagram A post shared by Samantha 🌹 (@samrosenails) Sorbet nails are one of the coolest trends for summer 2025, and nail content creator Samantha (aka @samrosenails) uses the colour palette as her springboard for this pretty pastel beach towel look. Speedy Spring 4-Piece Nail Set, £17, has all the colours you need to recreate the look at home. Blank Space View this post on Instagram A post shared by @_nailzbyamz_ While there are plenty of bold striped looks to take inspiration from, minimalists will love this pared-back take by nail technician @_nailzbyamz_), which layers painterly stripes over a milky base. Riviera Stripe View this post on Instagram A post shared by Ashlyn | Licensed Nail tech (@ Nail artist Ashlyn (aka @ brings a breath of Mediterranean air with this cool-toned manicure in alternating cornflower and white stripes. The look is effortlessly chic. Think of a luxurious recliner at a rooftop pool. Essie Nail Polish in Bikini So Teeny, £8.99, is the perfect poolside blue. Beach Huts View this post on Instagram A post shared by Kyra Sorensen Nail Technichian and Nail Instructor (@loveyournailsis) Picture a classic seaside town and chances are that colourfully painted beach huts are one of the first images that spring to mind. This manicure by nail tech Kyra Sorensen captures them in manicure form. Candy Stripe View this post on Instagram A post shared by Maisie Jackson Beauty (@maisiejacksonbeauty) Nail technician Maisie Jackson has chosen the sweetest combination of candyfloss pinks for this retro striped manicure, complete with tiny strawberries. We'll be pairing Manucurist Nail Polish in Pink Paradise, £14, and Candy, £14, to recreate the look at home. Choc Ice View this post on Instagram A post shared by Rita Matos 🪿🍄 (@ Mocha-inspired manicures were everywhere at the start of the year, and this cherry chocolate-striped set by creator Rita Matos proves that the rich colour looks just as cool for summer. Essie Nail Polish in Bordeaux, £8.99, has a beautifully glossy finish that's perfect for summer. Colour Clash View this post on Instagram A post shared by CHARLOTTE BARD | BRISTOL NAIL TECH (@charlottedoesnails) Why choose one colour when you can choose two? This vibrant manicure by nail tech Charlotte Bard teams Brat green with Aperol orange for the liveliest of clashes. Lemon Slice View this post on Instagram A post shared by Claire | Solihull Nails (@ If the Amalfi coast met Brighton pier, the result would be this coastal fresh lemon and blue set by Solihull Nails. Think beach towels with a fruity twist. Rainbow Riot View this post on Instagram A post shared by Reanna Kester | OGDEN UTAH NAIL TECH + EDUCATOR (@redidmynails) Maximalists will delight in this colourful manicure by nail tech Reanna Kester, which looks like a packet of Skittles has been ripped open and emptied over nails. The varying stripe sizes and bold hues make for the cheeriest summer nail look. Coastal Breeze View this post on Instagram A post shared by Sky D'Abbraccio (@skylermaydesigns) Although a lot is going on in this manicure — handpainted sea critters, seashell textures and deck chair stripes — nail artist Sky D'Abbraccio keeps it feeling easy-breezy with the refined white and blue colour palette. So chic.

Rose Leiman Goldemberg, 97, dies; her ‘Burning Bed' was a TV benchmark
Rose Leiman Goldemberg, 97, dies; her ‘Burning Bed' was a TV benchmark

Boston Globe

time14 hours ago

  • Boston Globe

Rose Leiman Goldemberg, 97, dies; her ‘Burning Bed' was a TV benchmark

Ms. Goldemberg was working as a playwright in the mid-1970s when she sent a few story outlines to an unusually receptive television producer. One of them, a drama about immigrants set on the Lower East Side of Manhattan in 1910, caught his interest. It became a television movie, 'The Land of Hope' (a title Ms. Goldemberg hated), which aired on CBS in 1976. It centered on a Jewish family and their Irish and Italian neighbors. There were labor organizers, gangsters, and musicians, and a rich uncle who wanted to adopt a child to say Kaddish for him when the time came. Such an ethnic stew was a stretch for the network, and critics loved it. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up 'A thoroughly charming surprise,' John O'Connor wrote in his review for The New York Times. Advertisement As a pilot for a series, 'The Land of Hope' went nowhere, but it made Ms. Goldemberg's reputation, and she began receiving stories to be turned into scripts. 'Where did you spring from?' one network executive asked her, she recalled in a 2011 interview for the nonprofit organization New York Women in Film & Television. 'As though I were a mushroom.' It was Arnold Shapiro, the veteran producer, writer and director behind 'Scared Straight!,' a well-received TV documentary about teenage delinquents being brought into contact with prison inmates, who sent Ms. Goldemberg 'The Burning Bed,' a 1980 book by The New Yorker writer Faith McNulty about the case of Francine Hughes. Advertisement Hughes's story was horrific. For 13 years, she had been terrorized by her alcoholic husband. One day in March 1977, after a brutal beating, she called the police in their Michigan town. Two officers responded and then left, saying there was nothing they could do because they hadn't witnessed the attacks. That night, the beating resumed, and Hughes's husband raped her. When he fell asleep, she doused the bed with gasoline, lit a match, and set the bed on fire. Then she put her children in the car and drove to the county jail to report what she had done. Her husband died that night, and Francine Hughes was charged with first-degree murder. Nine months later, a jury pronounced her not guilty by reason of temporary insanity. The verdict made national headlines. Fawcett, the pinup star of 'Charlie's Angels,' the frothy crime series, was already attached to the project; she had shown her dramatic chops in 'Extremities,' an off-Broadway production about a woman who exacts revenge on her rapist, and wanted to continue working in that vein. Yet the project was initially turned down by all three networks. When it was resurrected, by NBC, in one of those complicated scenarios particular to Hollywood, Shapiro was somehow left out of the production. The movie aired in October 1984, to mostly critical acclaim. (Paul Le Mat played the husband.) It was seen by tens of millions of viewers, and NBC's ratings soared, pulling the network out of third place and putting it on top for the first time in a decade. Fawcett, Ms. Goldemberg, the producers, and even the makeup artist were nominated for Emmy Awards, and the movie set off a national conversation about domestic abuse. Women's shelters, a rarity in those days, began opening all over the country; the film was shown in men's prisons; and Ms. Goldemberg was often asked to speak to women's groups. Advertisement Inevitably, as she recalled in 2011, 'someone would say, 'I couldn't talk about my own abuse until I saw the film.'' She added: 'It wasn't because of me. It was a wonderful performance by Farrah, and the timing was right. It was just a remarkable confluence of the right things happening at the right time.' Still, Ms. Goldemberg began fielding entreaties from other actresses who wanted her to write star vehicles for them, projects akin to 'The Burning Bed.' She did so for one of Fawcett's fellow angels, Jaclyn Smith, cowriting the TV movie 'Florence Nightingale' for her. Broadcast in April 1985, it did not have the same impact as 'The Burning Bed'; most critics found it soapy and forgettable. A Lucille Ball vehicle fared much better. Ball wanted a script about homelessness, and when she and Ms. Goldemberg met at her Beverly Hills house, Ball laid out her terms: She wanted to play a character with some of the personality traits of her grandmother, and named for her. Ms. Goldemberg came up with 'Stone Pillow,' a television film about a homeless woman named Florabelle. In his Times review, under the headline 'Lucille Ball Plays a Bag Lady on CBS,' O'Connor called the movie 'a carefully contrived concoction' but praised Ball 'as wily and irresistible as ever.' Advertisement Rose Marion Leiman was born on May 17, 1928, on Staten Island, N.Y. Her mother, Esther (Friedman) Leiman, oversaw the home until World War II, when she became an executive secretary at Bank of America; her father, Louis Leiman, owned a chain of dry-cleaning stores in New Jersey. Rose earned a bachelor's degree in 1949 from Brooklyn College, where she had enrolled at 16, and a Master of Arts in English from Ohio State University. She married Raymond Schiller, a composer who followed her from Brooklyn College to Ohio State, in 1949; he later became a computer systems designer. They divorced in 1968. Her marriage, in 1969, to Robert Goldemberg, a cosmetic chemist, ended in divorce in 1989. Her first television-related job was at TV Guide in the 1950s, writing reviews of shows airing on what was then a new medium. She eventually began writing plays. Ms. Goldemberg is survived by a son, Leiman Schiller, and three stepchildren, David Goldemberg, Kathy Holmes, and Sharanne Goldemberg. This article originally appeared in

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store