
Hallmark star Brennan Elliott mourns ‘fearless' wife who died after battling cancer
Elliott, who is best known for his roles in several films for the Hallmark Channel and the drama series 'UnREAL,' announced Row's passing in a statement posted to his Instagram on Saturday, writing that she died earlier that morning.
Elliott called Row 'the love of his life' in the post, which honored her strength and 'fearless' approach to life.
In his post, Elliott thanked Row for being the 'best wife, mother and friend I've ever known.'
'For any of you who met or knew her, your life was blessed because of her presence,' he wrote, adding 'I love and am in love and will always be in love with you my baby.'
CNN has reached out to a Elliott's representative for further comment.
Row, who was a clinical psychologist, and Elliott were married in 2011 and went on to have two children.
She was first diagnosed with gastric adenocarcinoma, an aggressive form of stomach cancer, in 2018, according to an article from City of Hope hospital in Orange County, where Row was treated.
A post shared by Professional experiencer (@brennanelliott2) Last year, Row spoke to Today about her treatment and how she felt it was important to raise awareness about stomach cancer.
'If I have limited time, I'm going to make my time worth it and count,' she said. 'Knowing that I can make a difference really helps me feel like my disease is not in vain.'
Many of Elliott's former co-stars and colleagues showed their support in the comment section of his sad announcement.
'I'll never forget watching you bravely meet fan after fan at the Hallmark Christmas Experience with full presence and an open heart. So many shared their own tragic stories, and you stayed there for hours, really connecting,' Marcus Rosner, Elliot's 'UnREAL' co-star wrote. 'It said everything about how deeply you're committed to honouring her and everything your family's been through.'
Cameron Mathison added: 'I'm so so sorry for your loss and may you hold onto her beautiful memories for a lifetime.'

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'We even ordered in some food,' Schilling recalls. Presley, of course, didn't get the part famously played by Kris Kristofferson — a casualty, depending on who you ask, of Streisand's insistence on top billing or of the unreasonable financial demands of Presley's manager, Colonel Tom Parker. (In her 2023 memoir, Streisand wonders whether the character of a self-destructive musician was in the end 'a little too close to his own life' for Elvis' comfort.) Whatever the case, Schilling believes that the disappointment over 'A Star Is Born' set Presley on a path of poor decision-making that effectively tanked his career before his tragic death at age 42 on Aug. 16, 1977 — 48 years ago this weekend. 'That was the last time I saw the twinkle in my friend's eye,' Schilling, 83, says of the sit-down with Streisand. An intriguing new box set commemorates the King's final burst of creativity. 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More than the growling rock lothario of Presley's early days — to say nothing of the shaggy psychedelic searchers who emerged in his wake — what the RCA material emphasizes is how expressive a ballad singer Elvis had become in middle age. Schilling says the singer's romantic troubles drew him to slower, moodier songs like 'Separate Ways,' 'Always on My Mind' and Kristofferson's 'For the Good Times,' the last of which he delivers in a voice that seems to tremble with regret. (Presley had to be cajoled into singing the uptempo 'Burning Love,' according to Schilling, who notes with a laugh that 'when it became a hit, he loved it.') But in the deep soulfulness of this music you're also hearing the rapport between Presley and the members of his live band, with whom he recorded at RCA instead of using the session players who'd backed him in the '60s. Led by guitarist James Burton, the TCB Band — that's Taking Care of Business — was assembled ahead of Elvis' first engagement at Las Vegas' International Hotel, which later became the Las Vegas Hilton; indeed, one of 'Sunset Boulevard's' more fascinating features is the hours of rehearsal tape documenting Presley's preparation in L.A. for the Vegas shows that began in 1969. The sound quality is murky and the performances fairly wobbly, as in a take on 'You've Lost That Loving Feeling' where Elvis can't quite seem to decide on a key. Yet it's a thrill to listen in as the musicians find their groove — a kind of earthy, slow-rolling country-gospel R&B — in an array of far-flung tunes including 'You Don't Have to Say You Love Me,' 'Good Time Charlie's Got the Blues,' even the Pointer Sisters' 'Fairytale.' In one rehearsal recorded Aug. 16, 1974, Elvis cues his band to play the Ewan MacColl ballad made famous by Roberta Flack: ''The First Time Ever I Saw Your Friggin' Face,'' he calls out as we hear the players warming up. Then they all lock in for a closely harmonized rendition of the song so pretty there's something almost spooky about it. Sitting next to the balcony he was standing on when he got the phone call alerting him to the news of Presley's death, Schilling takes clear pleasure in spinning well-practiced yarns about his years with Elvis: the time John Lennon told him to tell Presley that he grew out his sideburns in an attempt to look like the King, for instance, or the audition where Elvis took a flier on a relatively unknown drummer named Ronnie Tutt who ended up powering the TCB Band. He's more halting when he talks about the end of his friend's life and about what he sees as the lack of a serious artistic challenge that might have sharpened Elvis' focus. Staying on in Vegas a bit too long, making so-so records in a home studio set up at Graceland — these weren't enough to buoy the man he calls a genius. Does Schilling know if Presley saw 'A Star Is Born' when it came out at the end of 1976? He considers the question for a good 10 seconds. 'I don't know,' he finally says. He started tour managing the Beach Boys that year and was spending less time with Presley. 'He never mentioned it to me. I wish I knew. There's probably nobody alive now who could say.'


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