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The Goose soars to prestigious Fringe award

The Goose soars to prestigious Fringe award

For The Goose, Ellen Peterson is the winner of this year's Harry S. Rintoul Award, an honour given annually to the best new original Manitoban work at the Winnipeg Fringe Theatre Festival.
The award, named for the late local playwright and founder of Theatre Projects Manitoba, has been handed out by the fringe since 2002.
Alongside works by playwrights Adia Branconnier, Thomas McLeod, Heather Madill and Joseph Aragon, Peterson's name appeared twice on the shortlist, with the renowned theatre creator also earning a nod for Daredevils, starring Cora Matheson and Michael Strickland as high-wire artists making every move count above the Niagara Gorge.
RUTH BONNEVILLE / FREE PRESS FILES
Ellen Peterson earned the Harry S. Rintoul Award for her Fringe play The Goose, a well-crafted retelling of a Japanese folktale.
A prairie-set retelling of a Japanese folktale called The Crane Wife, The Goose starred Delf Gravert as a gentle farmer who frees a trapped goose before marrying the bird after she re-emerges in human form (Gwendolyn Collins).
Maggie Nagle completed the cast as a hardbitten mother-in-law who begins weaving in seclusion to support the household. Featuring a score from the playwright's brother Lloyd, The Goose enjoyed a weeklong stay at the Gargoyle Theatre on Ellice Avenue.
In her five-star Free Press review of the show, Alison Mayes praised Peterson's handling of the well-travelled material, stating that the score, effects and superb performances 'coalesce into a breathtaking whole.'
Thomas McLeod, for his madcap MPI frenzy Third Party, starring Dane Bjornson and Alanna McPherson, earned the honorable mention. Heather Madill and Joseph Aragon were also recognized for their Danish astronomy musical Tycho Freakin' Brahe, as was Adia Branconnier, who wrote and starred in I Hope You Know with their father, Mike.
Weekly
A weekly look at what's happening in Winnipeg's arts and entertainment scene.
Established by the Manitoba Association of Playwrights, the Manitoba Arts Council-funded award includes a $750 prize for the winner and a $250 prize for the honourable mention.
ben.waldman@freepress.mb.ca
Ben WaldmanReporter
Ben Waldman is a National Newspaper Award-nominated reporter on the Arts & Life desk at the Free Press. Born and raised in Winnipeg, Ben completed three internships with the Free Press while earning his degree at Ryerson University's (now Toronto Metropolitan University's) School of Journalism before joining the newsroom full-time in 2019. Read more about Ben.
Every piece of reporting Ben produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates.
Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.
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Chronicle of Second World War's end a riveting retelling
Chronicle of Second World War's end a riveting retelling

Winnipeg Free Press

timea day ago

  • Winnipeg Free Press

Chronicle of Second World War's end a riveting retelling

The year 2025 marks the 80th anniversary of the end of the Second World War. British popular historians James Holland and Al Murray detail the events leading up to the formal surrenders of Nazi Germany in May 1945 and Japan in September 1945. While there is nothing original or innovative in their account, it's a timely reminder of what they call 'the bitterness of war's true cost.' Holland and Murray underscore the delusion that drove the Nazi and Japanese regimes. Even as their fate became inevitable, elements in the political and military leadership of the Axis powers refused to acknowledge reality. They desperately clung to the belief that some new counterattack could stave off defeat. Thus they needlessly prolonged the war. Victory 45 The most enjoyable chapter in this book recounts VE Day — Victory in Europe Day — in London on May 8, 1945. The authors reconstruct the celebrations by invoking multiple perspectives: the Royal Family, then-Prime Minister Winston Churchill, ordinary young women who travelled to London to join the crowds and the playwright and actor Noel Coward. As Coward observed, 'I suppose this is the greatest day in our history.' The authors provide telling anecdotes that vividly evoke time and place. For example, Yelena Kagan, an interpreter with the Russian army, was walking amidst the death and destruction of Berlin when, incongruously, she heard the call of a nightingale. The birdsong, she thought, was 'an extraordinary reminder that life would continue, despite all that had happened.' Another remarkable story that Holland and Murray relate concerns the wartime experiences of United States General Jonathan Wainwright. He was taken prisoner by the Japanese and treated abominably. His weight dropped to 125 pounds (57 kilograms — his normal weight was about 170 pounds or 77 kilograms) but he survived and, after being liberated, he personally intervened to ensure a Japanese officer was shown the respect due his rank. Holland and Murray conclude with a lesson from history: military preparedness, they argue, is the best way to prevent war. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. They have depicted the closing acts of the Second World War in an engrossing narrative for a popular audience. Graeme Voyer is a Winnipeg writer.

Resilient restaurateur Robert West knows his prime cuts, whether firing up the band or the steakhouse grill
Resilient restaurateur Robert West knows his prime cuts, whether firing up the band or the steakhouse grill

Winnipeg Free Press

time2 days ago

  • Winnipeg Free Press

Resilient restaurateur Robert West knows his prime cuts, whether firing up the band or the steakhouse grill

STEAD — Winnipeg radio personality Tyler Carr spent a weekend earlier this summer at Glamping InStead, an off-grid, eco-friendly facility situated 45 minutes north of the city near Stead, the so-called 'sod capital' of Manitoba. Carr, a morning-show host at Energy 106, and his partner Mitch were curious about area attractions. Among the must-sees suggested to them by their host was the Stead Ranch Steak House, a rustic, 60-seat restaurant-and-bar that operates out of a converted barn on Stead Road, close to Provincial Trunk Highway 12. 'The minute we drove up, I was like, 'Mitch, I have to make a video,'' says Carr, who moonlights as a digital creator. 'Everybody likes to overuse the term 'hidden gem' but without a doubt, the steakhouse immediately struck me as a hidden gem in our province.' West purchased the 160-acre property in 2002. (Mikaela MacKenzie / Free Press) Well, so much for hidden. 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'This is what Montana's (BBQ & Bar) wishes it looked like,' chuckles owner Robert West, settling into an upholstered booth in the Stead Ranch Steak House's saloon area, steps away from a raised stage populated with speakers, microphone stands and a full drum kit. West, whose long grey locks and beard would make members of hirsute Texas trio ZZ Top green with envy, laughs again, commenting, 'How long have you got?' when asked whatever possessed him to open an eating spot/watering hole in, by his own admission, the middle of nowhere? Under the moniker Bob E. Lee West and the Mainstreet Band, Robert West, now 74, toured Western Canada regularly in the 1970s and '80s, performing his brand of country-rock. (Mikaela MacKenzie / Free Press) The 74-year-old was born in Saskatoon. He moved to Calgary along with his mother, step-father and three half-siblings at an early age. He wasn't exactly an angel growing up, he states matter-of-factly, a set of circumstances that resulted in him being transferred to a reform school in Innisfail, Alta., 110 kilometres away. 'I got out when I was 16. They drove me to the bus and told me my mother was going to meet me at the other end, only when I got there, she wasn't anywhere to be found,' he goes on. 'I ended up getting a job as a busboy at the Trade Winds Motor Hotel. Later I headed to Vancouver, before hitchhiking to Toronto in, I wanna say, 1967.' During his spell in Innisfail, West taught himself how to play guitar. He was well-versed on the instrument by the time he reached Toronto, which led to opportunities to jam with bands booked at the nightclub where he worked in the kitchen. One of those groups was the Hawks, who achieved global success in 1968 after changing their name to the Band, ahead of the release of their debut album Music From Big Pink. Robert West (bottom) (Supplied) Robert West (right) in the 1980s (Supplied) West eventually became a professional musician himself. Under the banner Bob E. Lee West and the Mainstreet Band, he toured incessantly, delivering his brand of country-rock in bars and clubs across Western Canada and as far north as Alaska. He commonly rubbed shoulders with the likes of Ian Tyson and Prairie Oyster, and his greatest success occurred in 1988 when he won a Catch a Rising Star award for the single This Old Freight Train, recorded at Calgary's Smooth Rock Studios. By the early '90s West was ready for a change. He'd long dreamed of running a bar of his own and after being introduced to the late Ross Kennedy, a Winnipegger who owned multiple hotels during a decades-long career, he and his then-wife Amy went to work for Kennedy. Together they managed the Travelling Inn in Arborg, followed by the Lockport Inn Hotel on Henderson Highway and finally the 44-room Balmoral Hotel on Cumberland Avenue in Winnipeg, which is now the Pimicikamak Wellness Centre. Stead Ranch Steak House is located inside a converted barn near Brokenhead. (Mikaela MacKenzie / Free Press) In 2002 West spotted a listing for a 160-acre property in Stead that came with a two-storey, 1,700-square-foot home, as well as a century-old barn that had definitely seen better days. West and then-wife Amy spent nearly two years converting the barn into Stead Ranch Steak House. (Mikaela MacKenzie / Free Press) He and Amy spent close to two years converting the weed-infested structure into the Stead Ranch Steak House. The couple operated the steakhouse five days a week from 2004 until 2012, at which point West felt he needed a break. He returned to his original calling of music, a move that ultimately led to recording a full-length album, The Tree, which was nominated for best country CD at the 2015 Indigenous Music Awards ceremony, which was part of the Manito Ahbee Festival. (West, whose great-grandmother was Cree, showed off his deep baritone on the disc's 12 tracks, particularly the lead single A Dangerous Game, about murdered and missing Indigenous women and girls.) A wall of fame with copies of owner Robert West's recordings at Stead Ranch Steak House. (Mikaela MacKenzie / Free Press) West, since divorced, announced the restaurant's return in February 2016. 'We want to offer a full night of entertainment,' he told a reporter from the Beausejour Clipper Weekly, noting he intended to add 'performer' to his long list of duties there. 'You start with dinner and drinks and end with dancing to a live band.' 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Sensing something was obviously amiss, West's wife and employees set out to determine what had happened. 'It turned out I'd broken my neck, and had crushed my legs and pelvis,' West continues. 'I was flown to HSC, then to Toronto, where I stayed in bed for almost a year, pretty much paralyzed.' The 60-seat Stead Ranch Steak House is located north of Winnipeg and is situated in a converted century-old barn on Stead Road, just east of Gull Lake. (Mikaela MacKenzie / Free Press) West credits the nearby South Beach Casino for assisting in his rehabilitation. For months after returning home, he was granted access to the resort's indoor swimming pool. Finally, despite a pronounced limp, he reopened the restaurant in 2023 with the assistance of Joanne. 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This month he'll head into the studio to put the finishing touches to his latest project, which will include a Johnny Cash-like ode titled Ten-pound Ball (Hanging off a Two-foot Chain). As for retirement plans, West says if he has his druthers, he won't be going anywhere, any time soon. 'Hey, I'm only 74. I'll have long enough to rest when I'm in the ground, for good.' If you value coverage of Manitoba's arts scene, help us do more. Your contribution of $10, $25 or more will allow the Free Press to deepen our reporting on theatre, dance, music and galleries while also ensuring the broadest possible audience can access our arts journalism. BECOME AN ARTS JOURNALISM SUPPORTER Click here to learn more about the project. David Sanderson Dave Sanderson was born in Regina but please, don't hold that against him. Read full biography Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Cook This: 3 recipes from Sunny Days, Taco Nights, including hard shells filled with a meaty mix
Cook This: 3 recipes from Sunny Days, Taco Nights, including hard shells filled with a meaty mix

Vancouver Sun

time2 days ago

  • Vancouver Sun

Cook This: 3 recipes from Sunny Days, Taco Nights, including hard shells filled with a meaty mix

Our cookbook of the week is Sunny Days, Taco Nights by acclaimed Mexican chef Enrique Olvera with food critic Alonso Ruvalcaba. Jump to the recipes: hard-shell tacos , chorizo tacos and prawn tacos . A trip to Japan changed chef Enrique Olvera 's perspective on the taco. Born and raised in Mexico City, he was struck by the idea that respect for the street food staple could mirror that for sushi. As sushi spans various contexts and complexity, from 7-Elevens to legendary omakase restaurants, so too could tacos. 'The first time I went to Japan, I was very impressed by the fact that sushi had such a range,' says Olvera. 'When I went to a fancy omakase, of course, you would see the personality of the chef. It was very subtle, but you would see the differences in how they cooked the rice.' Discover the best of B.C.'s recipes, restaurants and wine. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of West Coast Table will soon be in your inbox. Please try again Interested in more newsletters? Browse here. Olvera's train of thought went from rice to tortillas. Japanese chefs make sushi rice their own, just as their Mexican counterparts have different techniques for nixtamalizing corn, from the rinsing to the grinding. Like rice in Japan, corn isn't only a core food but a critical crop that Mexican livelihoods depend on. He was also struck by how simple but seasonal sushi is. 'Good tacos are kind of the same,' says Olvera. 'Those three components changed the way I understood tacos. And that's where we started to say, 'OK, you can make three-Michelin-starred sushi. You can also do that with tacos.'' Olvera opened his first restaurant, the two-Michelin-starred Pujol , in 2000. Around 2010, they started experimenting with tacos for the first time, and in 2011, they created a menu centred on them. When Pujol expanded in 2017, the revamp included a 10-seat taco omakase, Mexico City's first taco tasting menu, according to The New York Times , which remains today. His deep appreciation for the taco — Mexico's 'super democratic' food — and the native corn at its foundation, led to Olvera's latest cookbook, Sunny Days, Taco Nights (with Alonso Ruvalcaba, Phaidon, 2025). 'It's for everyone,' Olvera says of the taco. 'It doesn't matter which social class you are or age group. Everybody loves them. And also, one great thing is that it's very adaptable. So, if you're making tacos in Canada, Mexico or Brazil, there's always the possibility of adaptation.' Olvera and Ruvalcaba, a food critic and close friend, had long talked about writing a taco book. When they first added tacos to the menu at Pujol, Ruvalcaba was fascinated by the fact that they were 'courageous' enough to serve tacos in a fine-dining setting, Olvera recalls. 'He's somebody who understands Mexican taco culture profoundly. He's not only a thinker, but an eater, so it was great to collaborate with him.' Like his last cookbook, Tu Casa Mi Casa (2019), the 100 recipes are for home cooks. Olvera says he's always been interested in functionality and writing books people can use. Restaurant cookbooks may be beautiful and inspiring, but they're difficult for non-professionals to cook from. Sunny Days, Taco Nights is divided into four parts: classic tacos, original tacos, salsas and tortillas. Rooted both in their neighbourhoods and regions, taquerias in Mexico are very specific, says Olvera. The opening classics chapter features Mexican street tacos illustrating this specificity, such as Yucatán-style cochinita pibil, Sinaloa-style fish and Tijuana-style grilled tacos. The originals showcase Olvera's contemporary, composed creations, requiring more preparation and components. Pujol's earliest taco explorations are among them, such as avocado flautas, sea bass tataki al pastor, sea urchin, and fish chorizo tacos, showing applications beyond the traditional. 'That's the beauty of tacos — that they literally can hold anything. You go to Los Angeles, for example, and see Mexican-Korean tacos, and they work great. And also, it's important for people to understand that tacos are a way of eating. It's not only a dish. If you have tortillas, you could make a taco out of anything.' Pujol celebrated its 25th anniversary in May. When Olvera was at culinary school in New York in the late 1990s, 'contemporary Mexican cuisine' wasn't yet part of the conversation. Having been professionally trained in European techniques, Olvera writes that he didn't feel confident enough in traditional Mexican recipes to reinterpret them in the restaurant's early days. But when he started to play with the street foods he loved as a child, such as robalito al pastor and quesadilla, that began to change. 'What's nice now is that I think people feel very comfortable using Mexican cuisine as a creative platform instead of a heritage cuisine. Before, Mexican chefs and people from outside saw Mexican food as something that was traditional and old and something that we must protect, but not something that we can use creatively to complement our own story or as a platform to create something more personal.' Today, Olvera sees Mexican techniques and ingredients popping up in restaurants around the world. At home, there's a 'huge movement in almost every corner of Mexico' of small, contemporary restaurants. 'I'm the first promoter of traditional and classic food, but I think this complements the variety, and it's nice just to play around with food.' Conserving Mexican corn has become central to Olvera's work, and the cover of Sunny Days, Taco Nights showcases its diversity, ranging in colour from golden yellow to deep blue. Olvera highlights that though we tend to speak of ingredients in singular form, 'everything is plural.' 'With corn, the more we know, the more we realize it's a huge universe. Because it's not only the varietals or the families, but the singular plants and how they also adapt to the terroirs, the same as coffee or wine, I think this is how we're going to start approaching most of the crops, where we recognize the differences, even if they're subtle, of temperature, of altitude, and of the plant itself.' How you nixtamalize, mill and cook corn can also have a huge impact, as can the thickness and shape of the tortilla. 'It can be as profound as you want it to be, and it could also be simple. And that's fine. I think those are the best products, when they can be very simple, very comforting, but also super complex and profound.' Makes: 4 For the filling: 2 tbsp olive oil 1/2 white onion, finely chopped 3 cloves garlic, finely chopped 200 g (7 oz) bacon, finely chopped 300 g (10 1/2 oz) ground beef 300 g (10 1/2 oz) ground pork 2 tbsp soy sauce 1 tbsp Dijon mustard 1 tbsp Worcestershire sauce 1/2 tsp black pepper Salt To serve: 4 crispy corn tortillas (store-bought) Guacamole (recipe follows) Pico de gallo (recipe follows) 2 lettuce leaves, chopped Lime wedges Heat the oil in a large skillet over high heat. Add the onion, garlic and bacon and sauté for 5 minutes or until the mixture begins to brown. Add the beef and pork and sauté for 10 minutes, until the meat is cooked through. Stir in the soy sauce, mustard and Worcestershire sauce, Season with the pepper and salt. Fill the tortillas with the meat filling. Top with guacamole, pico de gallo and lettuce. Serve with lime wedges on the side. Makes: 1 1/4 cup (300 mL) 1 serrano chili, thinly sliced into rings, with seeds 1 clove garlic 1/2 white onion, finely chopped 4 avocados, pitted and cubed 2 tomatoes, seeded and finely chopped Chopped cilantro leaves Juice of 3 key limes Salt In a molcajete or large mortar and pestle, crush the chili, garlic and onion into a paste. Add the avocados and gently mash. Using a spoon, mix in the tomatoes, cilantro and lime juice. Season with salt. Serve the guacamole in the molcajete or mortar and pestle. The guacamole can be stored in an airtight container in the refrigerator for up to 1 day. Makes: 1 1/4 cup (300 mL) 20 cilantro leaves, finely chopped 10 tomatoes, finely chopped (see note) 2 serrano chilies, stemmed and finely chopped 1 white onion, finely chopped Pinch of salt Juice of 1 key lime Combine all the ingredients in a bowl. The pico de gallo can be stored in an airtight container in the refrigerator for up to 1 day. Note: If you like, remove the tomato seeds to avoid excess liquid. Makes: 4 For the green chorizo: 2 large bunches spinach, leaves only 1 large bunch cilantro, large stems removed 1 small bunch parsley, leaves only 3 serrano chiles, stemmed 3 tbsp apple cider vinegar 1 tbsp salt 1 kg (2 lb 4 oz) ground pork 250 g (9 oz) lard 1 tbsp ground cumin 1 tbsp black pepper 1 tbsp ground coriander seeds 1 tbsp ground oregano 1/2 tbsp ground cloves 1 cup (100 g) chopped pumpkin seeds, roasted Scant 1 cup (100 g) chopped peanuts, roasted Scant 1 cup (100 g) chopped almonds, roasted 3/4 cup (100 g) raisins 2 tbsp olive oil To serve: 4 corn tortillas 1/2 white onion, finely chopped 10 cilantro leaves, chopped 4 lime wedges Your choice of sauces Fill a saucepan three-quarters full of water and bring to a boil over high heat. Meanwhile, prepare an ice bath by putting a little ice and water in a deep bowl. When the water begins to boil, add the spinach and herbs separately in batches. Cook each for 2 minutes, then transfer to the bowl with the ice to cool. Transfer the spinach and herbs to a blender. Add the serrano chiles, vinegar and salt. Blend until smooth. In a large bowl, combine the meat, lard, spices, pumpkin seeds, nuts, raisins and spinach mixture. Refrigerate for 2 hours to marinate. Heat a medium skillet over high heat. Add the olive oil and the marinated meat and cook for 10 minutes or until the meat is cooked through. Heat a skillet over high heat for 5 minutes. Add the tortillas, flipping them continuously for 2-3 minutes or until warmed through. Transfer to a plate and top each tortilla with 2-3 tablespoons of green chorizo. Serve with onion, cilantro, lime wedges and your choice of sauces on the side. Makes: 4 For the marinated prawns: 10 dried guajillo chilies 5 dried ancho chilies 1/2 white onion, coarsely chopped 3 cloves garlic 2 tbsp vegetable oil 15 raw prawns, peeled, deveined and diced 100 g (3 1/2 oz) Chihuahua cheese, grated For the bean paste: Scant 1/2 cup (100 g) black beans, soaked overnight 1/4 tsp salt 2 tbsp olive oil 1 white onion, finely chopped 2 cloves garlic, finely chopped 2 dried chiles de árbol To serve: 4 corn tortillas 4 tbsp bean paste 3 tbsp marinated prawns 1/2 white onion, thinly sliced 2 serrano chilies, stemmed and thinly sliced into rings 6 lettuce leaves, chopped Cilantro leaves, whole 4 lime wedges Put the chilies, onion and garlic in a saucepan. Add enough water to cover and bring to a boil over medium heat. Simmer for 10 minutes or until the chilies are softened. Drain. Transfer the onion mixture to a blender and blend into a thick paste. Preheat a skillet over medium heat. Add the oil, the prawns and the chili paste to the pan. Sauté for 7 minutes or until the mixture just starts to turn a deep red colour (or darkens). Sprinkle with the cheese and let it melt. Place the beans in a saucepan, then add twice the amount of water. Add the salt. Bring to a boil, then cover and reduce the heat to medium-low. Simmer for 45 minutes or until the beans are softened. Heat the oil in a saucepan over medium heat. Add the onion and garlic, and sauté for 15 minutes or until the onion is caramelized. Add the beans with their cooking liquid and the chilies and cook for 15 minutes. Transfer the mixture to a blender and blend into a homogeneous paste. Heat a skillet over high heat for 5 minutes. Add the tortillas, flipping them continuously for 2-3 minutes or until warmed through. Transfer to a plate, spread 1 tablespoon of bean paste on each tortilla, then top with cheese-covered prawns. Top with the onion, serrano chili, lettuce and cilantro. Serve with lime wedges on the side. Recipes and images excerpted from Sunny Days, Taco Nights ©2025 by Enrique Olvera. Photography ©2025 by Araceli Paz. Reproduced by permission of Phaidon. All rights reserved. Our website is the place for the latest breaking news, exclusive scoops, longreads and provocative commentary. Please bookmark and sign up for our cookbook and recipe newsletter, Cook This, here .

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