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This week on "Sunday Morning" (February 2)

This week on "Sunday Morning" (February 2)

CBS News31-01-2025

The Emmy Award-winning "CBS News Sunday Morning" is broadcast on CBS Sundays beginning at 9:00 a.m. ET. "Sunday Morning" also streams on the CBS News app beginning at 11:00 a.m. ET. (Download it here.)
Hosted by Jane Pauley.
COVER STORY: How Bill Gates knew he was different
The Harvard dropout who became a billionaire in his 30s, Bill Gates revolutionized the computer industry and, later, the world of philanthropy. Now he has been looking back at his childhood, with the first of a three-part autobiography fittingly titled "Source Code." He discusses his rebelliousness and competitiveness with correspondent Lee Cowan, and talks about how, growing up, he viewed nearly everything through the prism of mathematics.
ALMANAC: February 2
"Sunday Morning" looks back at historical events on this date.
ARTS: Making time for Christian Marclay's "The Clock"
Multimedia artist Christian Marclay became a contemporary art superstar with "The Clock," his 24-hour film comprised of scenes from movies and TV that track the viewer's own experience of time, minute by minute. He talks with correspondent Conor Knighton about his cinematic timepiece (currently screening at New York's Museum of Modern Art), and about his early years experimenting with "turntablism" in New York's underground DJ scene.
For more info:
"Christian Marclay: The Clock" is screening at the Museum of Modern Art in New York City through February 17
Images © Christian Marclay. Courtesy Paula Cooper Gallery, New York, including photos by Ana Nass, Fred de Vos and Phillin Phlash
Christian Marclay, Paula Cooper Gallery
White Cube: Christian Marclay
MUSIC: New sounds: Check out these new musical instruments
The standard configuration of the symphony orchestra has remained mostly unchanged for the past century. But innovative artists continue to design new instruments to create sounds never before heard. Correspondent David Pogue attended the Guthman Musical Instrument Competition at Georgia Institute of Technology, where groundbreaking acoustic and electronic instruments were demonstrated.
MUSIC: The pioneering Suzanne de Passe
Suzanne de Passe is a giant in the music and entertainment industry – a trailblazing record executive who helped Motown find such talent as the Jackson 5, the Commodores, and Rick James; an Oscar-nominated screenwriter (for "Lady Sings the Blues"); and a producer of the classic miniseries "Lonesome Dove." And at 78, the Rock and Roll Hall of Fame inductee tells correspondent Michelle Miller that she is still listening to her ear, and her gut, to find new stories to tell.
PASSAGE: In memoriam
"Sunday Morning" remembers some of the notable figures who left us this week.
FROM THE ARCHIVES: Marianne Faithfull on the hard road to becoming a legend | Watch Video
Singer and actress Marianne Faithfull, who was part of the 1960s British Invasion with her hit single "As Tears Go By," and who was a muse to Mick Jagger, died on Thursday, January 30, 2025, at age 78. In this "Sunday Morning" profile that aired May 3, 2009, she talked with Anthony Mason about surviving sex, drugs, and rock 'n' roll; her daring comeback album, 1979's critically-acclaimed "Broken English"; and her penchant for being "very overenthusiastically eager for life."
SPORTS: Italy's 1000 Miglia road race, where the car is the star
Enzo Ferrari called the Mille Miglia, a thousand-mile auto race from Brescia, Italy, to Rome and back, "the most beautiful race in the world." And it's not just the scenery that's beautiful; it's also the vintage automobiles that are entered. This past year, more than 400 classic vehicles, restored and certified, were accepted. Correspondent Seth Doane talks with drivers participating in what may be the world's largest motor sport event and classic car show all in one.
HARTMAN: Met guard
Actor-writer-director Jesse Eisenberg's latest film, "A Real Pain" (a poignant comic-drama costarring Kieran Culkin), earned him an Academy Award nomination for best original screenplay. Correspondent Tracy Smith talks with Eisenberg about the origins of his story, about cousins visiting Poland and the home of their late grandmother, a Holocaust survivor; his difficulty with enjoying success; and how he found happiness far from the movie industry.
To watch a trailer for "A Real Pain," click on the video player below:
For more info:
"A Real Pain" (Searchlight Pictures) is streaming on Hulu and Disney+ and is available via VOD
Canter's Deli, Los Angeles
Middle Way House, Bloomington, Ind.
HEALTH: Bird flu
Martha Teichner reports.
COMMENTARY: Corky's Lee's quest for "photographic Justice"
Corky Lee (1947-2021) was a Chinese-American activist and a self-taught photojournalist, who chose a camera as his tool for social change. His brother, John Lee, looks back on a life chronicling the Asian communities of America, fighting for Corky's deeply-held belief that America was best when it practiced diversity, equity and inclusion of all its peoples and communities.
WEB EXCLUSIVES:
In this special marathon, "Sunday Morning" brings you stories about the enduring powers of art in many forms, including stories about jigsaw puzzles, Mark Rothko's paintings, Sharon Stone's art, magic troll art and the Disney art that has joined the public domain.
FROM THE ARCHIVES: The birth of the movies (YouTube Video)
Watch these classic "Sunday Morning" reports exploring the birth of motion pictures, the greats of early Hollywood, and the continuing attraction of silent movies for filmmakers and audiences, including: The Lumiere Brothers, who revolutionized moving pictures; Charlie Chaplin, the first international superstar; The life and career of Buster Keaton; A newfound fascination for silent film star Mary Pickford; The making of "Wings," the first film to win a best picture Oscar; A 2005 Turner Classic Movies contest that asked young composers to write a score for a silent Greta Garbo film, "The Temptress"; A look back at comedian Harold Lloyd; Conductor Gillian Anderson on leading orchestra scores for silent films, including "Nosferatu"; The story of Laurence Austin, who operated an L.A. theater devoted to the silent era, until his murder in 1997; and Hollywood's love affair with a new silent movie, "The Artist."
Full episodes of "Sunday Morning" are now available to watch on demand on CBSNews.com, CBS.com and Paramount+, including via Apple TV, Android TV, Roku, Chromecast, Amazon FireTV/FireTV stick and Xbox.

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Review: ‘Alice's Adventures in Wonderland' is Joffrey Ballet's wacky and wonderful season closer
Review: ‘Alice's Adventures in Wonderland' is Joffrey Ballet's wacky and wonderful season closer

Chicago Tribune

time33 minutes ago

  • Chicago Tribune

Review: ‘Alice's Adventures in Wonderland' is Joffrey Ballet's wacky and wonderful season closer

The Joffrey Ballet's season rarely extends this far into summer, but it's safe to say 'Alice's Adventures in Wonderland' was worth the wait. This beast of a ballet by the Tony Award-winning choreographer Christopher Wheeldon had its North American premiere at the Lyric Opera House on Thursday. If, like for me, Lewis Carroll's 1865 fairy tale about a girl who stumbles into Wonderland is a core memory, all those beloved characters are there, with a splendidly cogent (and at times delightfully grotesque) libretto. It's more Tim Burton than Disney, but you'll recognize moments no matter your preferred version (including my personal favorite, the 1985 TV movie musical starring Jayne Meadows and Carol Channing). Following a drowse-inducing garden party at her Victorian Oxford estate, Alice (magnificently danced Thursday by Amanda Assucena) awakens to find an anxiously tardy White Rabbit (Stefan Gonçalvez). She of course must follow him, kicking off a series of Don Quixote-style adventures with wild, wacky and terrifying characters. Letting her curiosity guide her, she encounters a tea party hosted by a tap-dancing Mad Hatter (Edson Barbosa) and a slithering Cheshire Cat (whose dismantlement is made possible by a corps of dancer-puppeteers). Indeed, 'Alice's Adventures in Wonderland' will resonate strongly with those who adore 'Alice' — so much so that Joffrey extended the production to three weekends before it opened. In any case, exploiting its usefulness as a ballet was far overdue. There is much within Wheeldon's zany world for everyone to admire. Very small children may not appreciate some scarier moments, most notably a scene at the Duchess' house, in which viewers quite literally see how the sausage gets made. The brutish Duchess (Dylan Gutierrez) and her ax-wielding cook (Lucia Connolly) contribute some of the night's most, um, salient imagery. The pair of them (along with henchmen Valentino Moneglia Zamora, Hyuma Kiyosawa and Xavier Núñez) are terrifically terrifying. 'Alice's' third and final act is devoted almost wholly to the search for who stole the Queen of Hearts' tart. It begins with a game of croquet, played with bendy flamingoes on pointe as the mallets, striking adorable summersaulting hedgehogs. This not-so-regal realm, ruled by prima ballerina Victoria Jaiani as supreme leader, embarks on a tribunal when it's uncovered that the Knave of Hearts — a two-eyed Jack danced by the princely Alberto Velazquez — is most likely the offender and about to lose his head. Hilarity ensues. As hard as it will be to peel your eyes from Jaiani, every once in a while, be sure to glimpse her ridiculous King (marking David Gombert's glorious return to the Joffrey stage 15 years after retirement). There are tender moments, too, particularly in a satisfyingly sweet duet for Assucena and Velazquez as Alice tries to accept the blame in tart-gate. She eventually prevails, if only by waking up back in Oxford. If there's a lesson to be learned from 'Alice's Adventures in Wonderland,' it might be that taking the blame for your boyfriend's impropriety could turn out poorly. That, and vindictive, power-hungry leaders whose kingdoms are built on a literal house of cards are not likely to succeed. Cleverly, 'Alice' borrows hallmarks from the ballets of Carroll's time, winking at canonical works like 'The Nutcracker,' 'Sleeping Beauty' and 'Cinderella.' There's a waltz of flowers; a for our protagonist and her scrappy love interest; a hilariously satirized 'Rose Adagio' for the Queen of Hearts and four suitors (in this case, hearts and clubs); and a shirtless, hookah-smoking sultan-turned-Caterpillar (Jonathan Dole) performing a seductive take on 'the worm' with a quartet of scantily clad temple women. I'm pretty sure we didn't need that last one when 'Alice' premiered in London in 2011, and I'm certain we don't need it in 2025 — though I'll take the cameo of academy kids as sparkly pointe-shoed caterpillar legs all day, every day, plus Sunday. To be clear, such tongue-and-cheek references now to 19th century ballet are generally welcome and especially fun for those who see the parallels — perhaps even more so to those familiar with Wheeldon's catalog, too, which includes Joffrey's nearly decade-old 'Nutcracker.' In some instances, that ballet and this one parrot one another; Wheeldon went so far as to use some of the exact same ideas in his 'Nutcracker's' transformation and snow scenes, further tugging the plot parallels to these two coming-of-age stories set in magical fairy lands that may or may not have all been a dream. But 'Alice's' superpowers, all due respect to 'The Nutcracker,' are its magnificently evocative original score (by Joby Talbot) and Wheeldon's pinpointed attention to detail in every character, masterfully embraced by the Joffrey's excellent dancers, whose full-throttled performances and comedic prowess grab you and hold on for the entirety of this (very, very long) spectacle. Another thing: Wheeldon's imagination could only run this wild in a superbly-crafted Wonderland, made possible through the ingenuity of scenic and costume designer Bob Crowley, lighting designer Natasha Katz, projectionists Jon Driscoll and Gemma Carrington and puppeteer Toby Olié — seamlessly executed by a Joffrey team that, frankly, has never attempted something this big. 'Alice' was originally created for London's Royal Ballet, a company of 100 dancers and nearly 10 times Joffrey's budget. Until Thursday, it had not been performed this side of the Atlantic. Pulling it off was going to be a challenge. But they did. And Wonderland turned out to be a risk that will pay off in Joffrey Ballet presents 'Alice's Adventures in Wonderland' (4 stars) When: Through June 22 Where: Lyric Opera House, 20 N. Wacker Drive Running time: 2 hours, 50 minutes with 2 intermissions Tickets: $45-$233 at 312-386-8905 and

When Is The Next Episode of ‘And Just Like That'? Here's When Season 3's New Episodes Come Out
When Is The Next Episode of ‘And Just Like That'? Here's When Season 3's New Episodes Come Out

Yahoo

timean hour ago

  • Yahoo

When Is The Next Episode of ‘And Just Like That'? Here's When Season 3's New Episodes Come Out

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Love Island USA season 7 episode 4: Release date and what to expect
Love Island USA season 7 episode 4: Release date and what to expect

Business Upturn

timean hour ago

  • Business Upturn

Love Island USA season 7 episode 4: Release date and what to expect

By Aman Shukla Published on June 6, 2025, 21:00 IST Last updated June 6, 2025, 13:56 IST Love Island USA Season 7 is heating up, and fans are eagerly awaiting Episode 4 to dive deeper into the steamy romance and drama unfolding in the Fiji villa. Hosted by Ariana Madix, this season promises heart-racing challenges, new bombshells, and unexpected twists. Here's everything you need to know. Release Date for Love Island USA Season 7 Episode 4 Love Island USA Season 7 premiered on June 3, 2025, on Peacock, with new episodes dropping daily during the premiere week, including Wednesday, June 4. Episode 4 aired on Friday, June 6, 2025, at 9 p.m. ET / 6 p.m. PT, exclusively on Peacock. After the premiere week, the show follows a schedule of new episodes every day except Wednesdays, with episodes streaming at the same time slot. The weekly aftershow, Love Island Aftersun , airs on Saturdays, offering additional insights and behind-the-scenes content. Where to Watch Love Island USA Season 7 Episode 4 You can stream Episode 4 and all of Season 7 exclusively on Peacock. A Peacock Premium subscription starts at $7.99/month or $79.99/year, while the ad-free Premium Plus plan costs $13.99/month or $139.99/year. For those without Peacock, the Season 7 premiere also aired on Bravo on June 11, 2025, at 10:15 p.m. ET, but subsequent episodes, including Episode 4, are Peacock exclusives. Past seasons (4-6) are also available on Peacock, while seasons 1-3 can be streamed on Hulu, typically a week after airing. What to Expect in Episode 4 While Peacock keeps Episode 4's specifics under wraps to preserve the excitement, here's what fans can anticipate based on the season's early momentum: Bombshell Fallout: Following the arrival of bombshells Charlie and Cierra on Day 3, Episode 4 is expected to explore the aftermath of their recoupling choices. New Islanders often stir up drama, forcing existing couples to reassess their connections or risk being dumped. Challenges and Twists: Love Island USA's signature challenges are designed to test chemistry and spark tension. Episode 4 may introduce a new game, pushing Islanders to their limits. Peacock has promised 'bigger twists than ever' this season, so expect surprises that could upend the villa's dynamics. Aman Shukla is a post-graduate in mass communication . A media enthusiast who has a strong hold on communication ,content writing and copy writing. Aman is currently working as journalist at

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