Latest news with #ChristianMarclay
Forbes
28-03-2025
- Entertainment
- Forbes
MoMA Is Exhibiting A 24-Hour-Long Movie That Operates Like Clockwork
It's high noon at the Museum of Modern Art. On a screen in a darkened theater, the hands of a clock converge on the number twelve. Cinephiles will recognize this moment as the climax of a 1952 Western starring Gary Cooper. Viewers who linger may subsequently identify scenes from movies such as Mommie Dearest and One Flew Over the Cuckoo's Nest. Each clip focuses on a timepiece indicating the current hour and minute in Manhattan. The montage, which spans twenty-four hours and runs on a loop, operates as a clock. Christian Marclay. Still from The Clock. 2010. Video (black and white and color, sound). 24 hrs. The Museum of Modern Art, New York. Promised gift from the Collection of Jill and Peter Kraus. © 2024 Christian Marclay. Courtesy Paula Cooper Gallery and White Cube. The Clock is as complex in execution as it's simple in concept. The multimedia artist Christian Marclay enlisted half a dozen assistants to find the footage, which is sourced from approximately twelve thousand films and TV episodes spanning the 20th and early 21st centuries. Over a two year period, Marclay spliced disparate clips from virtually every known genre to craft a new narrative with time as the protagonist. Initially screened in London in 2010, the work has since become a classic of durational art in the tradition of Andy Warhol's Empire and John Cage's ORGAN2/ASLSP. As is the case with those earlier works, The Clock has the paradoxical property of being both renowned and unknown. It's a familiar stranger, to borrow the title of a classic book about time (which glosses a concept originally articulated by St. Augustine). The simplicity of the concept makes it easy to reference in passing, much as Empire can be described as a fixed view of the Empire State Building screened over eight continuous hours. But has anyone actually seen the whole thing? Marclay viewed every scene many times while editing it. But has anyone watched it continuously? The Museum of Modern Art has gamely offered the opportunity by presenting several all-night screenings. An intrepid MoMA staffer actually sat through one of them. He fell asleep. Christian Marclay. The Clock. 2010. Video (black and white and color, sound). 24 hrs. The Museum of Modern Art, New York. Promised gift from the Collection of Jill and Peter Kraus. © 2024 Christian Marclay. Courtesy Paula Cooper Gallery and White Cube. Installation view, White Cube Mason's Yard, London, October 15 – November 13, 2010. Photo: Todd-White Photography. That the work eludes full viewing is not a failing. Instead it should be seen as an indication that the work is more than mere concept. Or, to be more precise, Marclay's execution reveals that the concept contains unforeseeable complexity underlying its simplicity. The Clock need not be viewed in entirety for the complexity to be revealed. Seeing all of it might even be beside the point. Meaning emerges from minute to minute. The most striking quality of The Clock, at least initially, is that time is experienced vicariously. Sitting in the dark, viewers become voyeurs, watching every tick and tock. This perspective comes quite naturally, since film is a vehicle for voyeurism. What is unusual is the attentiveness to what would ordinarily be background information. With time as the protagonist, the viewer seeks to understand its character as keenly as people watching High Noon seek to understand the character played by Gary Cooper. Observed in this way, time loses the abstraction of a purely physical phenomenon, everywhere the same. We recognize time to be contextual and interpersonal. It's the stuff of relationships. Although The Clock is not polemical, it calls attention to the consequences of mechanization, advancing themes evoked in some of Marclay's source material (most obviously Modern Times). Marclay's work reveals an alternative to standardization: In contrast to the precision timepieces that populate it, The Clock keeps time in aggregate while syncopating time from moment to moment. Christian Marclay. Still from The Clock. 2010. Video (black and white and color, sound). 24 hrs. The Museum of Modern Art, New York. Promised gift from the Collection of Jill and Peter Kraus. © 2024 Christian Marclay. Courtesy Paula Cooper Gallery and White Cube. Christian Marclay. Still from The Clock. 2010. Video (black and white and color, sound). 24 hrs. The Museum of Modern Art, New York. Promised gift from the Collection of Jill and Peter Kraus. © 2024 Christian Marclay. Courtesy Paula Cooper Gallery and White Cube The syncopation of time arises in part from stylistic differences over the lifespan of cinema: Different periods have different pacing. The scenes that comprise The Clock are not set in chronological order, progressing from the oldest films to the newest. On the contrary, movies of different eras are juxtaposed. The cyclical time of clocks and watches is constructed by fragmenting the linear time of cinematic history and reorganizing the fragments according to a logic alien to their origin. Almost miraculously, a circle emerges from countless tangents. Marclay's deconstruction and reconstruction of time does not reduce to a coherent theory of the fourth dimension. On the contrary, The Clock celebrates the perplexity we feel when we strive for definitions. And yet, the work is perfectly lucid. Like time, that familiar stranger, The Clock seems strange only upon reflection. Many of the strategies Marclay used to make The Clock can be seen in his earlier works. The most obvious forerunner is Video Quartet, a 2002 work in which four screens show four videos simultaneously, each constructed from myriad film clips, all synced in a way that interlaces their soundtracks into a musical composition. More than just a feat of virtuoso editing, Video Quartet liberates the films from their intended function. Their appropriation is ontological. They're orchestrated like musical instruments. In an equivalent way, The Clock appropriates cinematic material to make a timepiece. The rupture opens up what it means to be a clock. But there's a reciprocal effect on the movies themselves. By setting the scenes to local time, the movies are defictionalized. The fourth wall is broken. The films enter everyday life. Or viewed from the opposite vantage, time no longer seems real. The clock becomes nothing more nor less than a narrative device.
Yahoo
31-01-2025
- Entertainment
- Yahoo
This week on "Sunday Morning" (February 2)
The Emmy Award-winning "CBS News Sunday Morning" is broadcast on CBS Sundays beginning at 9:00 a.m. ET. "Sunday Morning" also streams on the CBS News app beginning at 11:00 a.m. ET. (Download it here.) Hosted by Jane Pauley. COVER STORY: How Bill Gates knew he was differentThe Harvard dropout who became a billionaire in his 30s, Bill Gates revolutionized the computer industry and, later, the world of philanthropy. Now he has been looking back at his childhood, with the first of a three-part autobiography fittingly titled "Source Code." He discusses his rebelliousness and competitiveness with correspondent Lee Cowan, and talks about how, growing up, he viewed nearly everything through the prism of mathematics. For more info: "Source Code: My Beginnings" by Bill Gates (Knopf), in Hardcover, Large Print Trade Paperback, eBook and Audio formats, available February 4 via Amazon, Barnes & Noble and Notes: The website of Bill Gates ALMANAC: February 2"Sunday Morning" looks back at historical events on this date. ARTS: Making time for Christian Marclay's "The Clock"Multimedia artist Christian Marclay became a contemporary art superstar with "The Clock," his 24-hour film comprised of scenes from movies and TV that track the viewer's own experience of time, minute by minute. He talks with correspondent Conor Knighton about his cinematic timepiece (currently screening at New York's Museum of Modern Art), and about his early years experimenting with "turntablism" in New York's underground DJ scene. For more info: "Christian Marclay: The Clock" is screening at the Museum of Modern Art in New York City through February 17Images © Christian Marclay. Courtesy Paula Cooper Gallery, New York, including photos by Ana Nass, Fred de Vos and Phillin PhlashChristian Marclay, Paula Cooper GalleryWhite Cube: Christian Marclay MUSIC: New sounds: Check out these new musical instrumentsThe standard configuration of the symphony orchestra has remained mostly unchanged for the past century. But innovative artists continue to design new instruments to create sounds never before heard. Correspondent David Pogue attended the Guthman Musical Instrument Competition at Georgia Institute of Technology, where groundbreaking acoustic and electronic instruments were demonstrated. For more info: Guthman Musical Instrument CompetitionJason Freeman, professor, Georgia Institute of Technology School of MusicJean-François LaPorte, artistic director, Totem ContemporainAnthony Dickens, Circle InstrumentsKat Mustatea's BodyMouthMax Addae's VocalCords MUSIC: The pioneering Suzanne de PasseSuzanne de Passe is a giant in the music and entertainment industry – a trailblazing record executive who helped Motown find such talent as the Jackson 5, the Commodores, and Rick James; an Oscar-nominated screenwriter (for "Lady Sings the Blues"); and a producer of the classic miniseries "Lonesome Dove." And at 78, the Rock and Roll Hall of Fame inductee tells correspondent Michelle Miller that she is still listening to her ear, and her gut, to find new stories to tell. For more info: Follow Suzanne de Passe on Instagramde Passe/Jones Entertainment Group PASSAGE: In memoriam"Sunday Morning" remembers some of the notable figures who left us this week. FROM THE ARCHIVES: Marianne Faithfull on the hard road to becoming a legend | Watch VideoSinger and actress Marianne Faithfull, who was part of the 1960s British Invasion with her hit single "As Tears Go By," and who was a muse to Mick Jagger, died on Thursday, January 30, 2025, at age 78. In this "Sunday Morning" profile that aired May 3, 2009, she talked with Anthony Mason about surviving sex, drugs, and rock 'n' roll; her daring comeback album, 1979's critically-acclaimed "Broken English"; and her penchant for being "very overenthusiastically eager for life." SPORTS: Italy's 1000 Miglia road race, where the car is the starEnzo Ferrari called the Mille Miglia, a thousand-mile auto race from Brescia, Italy, to Rome and back, "the most beautiful race in the world." And it's not just the scenery that's beautiful; it's also the vintage automobiles that are entered. This past year, more than 400 classic vehicles, restored and certified, were accepted. Correspondent Seth Doane talks with drivers participating in what may be the world's largest motor sport event and classic car show all in one. For more info: 1000 Miglia Auto Race (Official site) HARTMAN: Met guard MOVIES: Jesse Eisenberg on the bitter and sweet of "A Real Pain"Actor-writer-director Jesse Eisenberg's latest film, "A Real Pain" (a poignant comic-drama co-starring Kieran Culkin), earned him an Academy Award nomination for best original screenplay. Correspondent Tracy Smith talks with Eisenberg about the origins of his story, about cousins visiting Poland and the home of their late grandmother, a Holocaust survivor; his difficulty with enjoying success; and how he found happiness far from the movie industry. To watch a trailer for "A Real Pain," click on the video player below: For more info: "A Real Pain" (Searchlight Pictures) is streaming on Hulu and Disney+ and is available via VODCanter's Deli, Los AngelesMiddle Way House, Bloomington, Ind. HEALTH: Bird fluMartha Teichner reports. COMMENTARY: Corky's Lee's quest for "photographic Justice"Corky Lee (1947-2021) was a Chinese-American activist and a self-taught photojournalist, who chose a camera as his tool for social change. His brother, John Lee, looks back on a life chronicling the Asian communities of America, fighting for Corky's deeply-held belief that America was best when it practiced diversity, equity and inclusion of all its peoples and communities. For more info: "Corky Lee's Asian America: Fifty Years of Photographic Justice" by Corky Lee (Clarkson Potter), in Hardcover and eBook formats, available via Amazon, Barnes & Noble and Justice: The Corky Lee Story" is available to stream at NATURE: TBD WEB EXCLUSIVES: MARATHON: The Power of Art (YouTube Video)In this special marathon, "Sunday Morning" brings you stories about the enduring powers of art in many forms, including stories about jigsaw puzzles, Mark Rothko's paintings, Sharon Stone's art, magic troll art and the Disney art that has joined the public domain. FROM THE ARCHIVES: The birth of the movies (YouTube Video)Watch these classic "Sunday Morning" reports exploring the birth of motion pictures, the greats of early Hollywood, and the continuing attraction of silent movies for filmmakers and audiences, including: The Lumiere Brothers, who revolutionized moving pictures; Charlie Chaplin, the first international superstar; The life and career of Buster Keaton; A newfound fascination for silent film star Mary Pickford; The making of "Wings," the first film to win a best picture Oscar; A 2005 Turner Classic Movies contest that asked young composers to write a score for a silent Greta Garbo film, "The Temptress"; A look back at comedian Harold Lloyd; Conductor Gillian Anderson on leading orchestra scores for silent films, including "Nosferatu"; The story of Laurence Austin, who operated an L.A. theater devoted to the silent era, until his murder in 1997; and Hollywood's love affair with a new silent movie, "The Artist." The Emmy Award-winning "CBS News Sunday Morning" is broadcast on CBS Sundays beginning at 9:00 a.m. ET. Executive producer is Rand Morrison. DVR Alert! Find out when "Sunday Morning" airs in your city "Sunday Morning" also streams on the CBS News app beginning at 11:00 a.m. ET. (Download it here.) Full episodes of "Sunday Morning" are now available to watch on demand on and Paramount+, including via Apple TV, Android TV, Roku, Chromecast, Amazon FireTV/FireTV stick and Xbox. Follow us on Twitter; Facebook; Instagram; YouTube; TikTok; and at You can also download the free "Sunday Morning" audio podcast at iTunes and at Now you'll never miss the trumpet! New details emerge about military helicopter involved in midair collision What we know about the victims of the D.C. midair plane crash Air traffic control union president on plane crash
CBS News
31-01-2025
- Entertainment
- CBS News
This week on "Sunday Morning" (February 2)
The Emmy Award-winning "CBS News Sunday Morning" is broadcast on CBS Sundays beginning at 9:00 a.m. ET. "Sunday Morning" also streams on the CBS News app beginning at 11:00 a.m. ET. (Download it here.) Hosted by Jane Pauley. COVER STORY: How Bill Gates knew he was different The Harvard dropout who became a billionaire in his 30s, Bill Gates revolutionized the computer industry and, later, the world of philanthropy. Now he has been looking back at his childhood, with the first of a three-part autobiography fittingly titled "Source Code." He discusses his rebelliousness and competitiveness with correspondent Lee Cowan, and talks about how, growing up, he viewed nearly everything through the prism of mathematics. ALMANAC: February 2 "Sunday Morning" looks back at historical events on this date. ARTS: Making time for Christian Marclay's "The Clock" Multimedia artist Christian Marclay became a contemporary art superstar with "The Clock," his 24-hour film comprised of scenes from movies and TV that track the viewer's own experience of time, minute by minute. He talks with correspondent Conor Knighton about his cinematic timepiece (currently screening at New York's Museum of Modern Art), and about his early years experimenting with "turntablism" in New York's underground DJ scene. For more info: "Christian Marclay: The Clock" is screening at the Museum of Modern Art in New York City through February 17 Images © Christian Marclay. Courtesy Paula Cooper Gallery, New York, including photos by Ana Nass, Fred de Vos and Phillin Phlash Christian Marclay, Paula Cooper Gallery White Cube: Christian Marclay MUSIC: New sounds: Check out these new musical instruments The standard configuration of the symphony orchestra has remained mostly unchanged for the past century. But innovative artists continue to design new instruments to create sounds never before heard. Correspondent David Pogue attended the Guthman Musical Instrument Competition at Georgia Institute of Technology, where groundbreaking acoustic and electronic instruments were demonstrated. MUSIC: The pioneering Suzanne de Passe Suzanne de Passe is a giant in the music and entertainment industry – a trailblazing record executive who helped Motown find such talent as the Jackson 5, the Commodores, and Rick James; an Oscar-nominated screenwriter (for "Lady Sings the Blues"); and a producer of the classic miniseries "Lonesome Dove." And at 78, the Rock and Roll Hall of Fame inductee tells correspondent Michelle Miller that she is still listening to her ear, and her gut, to find new stories to tell. PASSAGE: In memoriam "Sunday Morning" remembers some of the notable figures who left us this week. FROM THE ARCHIVES: Marianne Faithfull on the hard road to becoming a legend | Watch Video Singer and actress Marianne Faithfull, who was part of the 1960s British Invasion with her hit single "As Tears Go By," and who was a muse to Mick Jagger, died on Thursday, January 30, 2025, at age 78. In this "Sunday Morning" profile that aired May 3, 2009, she talked with Anthony Mason about surviving sex, drugs, and rock 'n' roll; her daring comeback album, 1979's critically-acclaimed "Broken English"; and her penchant for being "very overenthusiastically eager for life." SPORTS: Italy's 1000 Miglia road race, where the car is the star Enzo Ferrari called the Mille Miglia, a thousand-mile auto race from Brescia, Italy, to Rome and back, "the most beautiful race in the world." And it's not just the scenery that's beautiful; it's also the vintage automobiles that are entered. This past year, more than 400 classic vehicles, restored and certified, were accepted. Correspondent Seth Doane talks with drivers participating in what may be the world's largest motor sport event and classic car show all in one. HARTMAN: Met guard Actor-writer-director Jesse Eisenberg's latest film, "A Real Pain" (a poignant comic-drama costarring Kieran Culkin), earned him an Academy Award nomination for best original screenplay. Correspondent Tracy Smith talks with Eisenberg about the origins of his story, about cousins visiting Poland and the home of their late grandmother, a Holocaust survivor; his difficulty with enjoying success; and how he found happiness far from the movie industry. To watch a trailer for "A Real Pain," click on the video player below: For more info: "A Real Pain" (Searchlight Pictures) is streaming on Hulu and Disney+ and is available via VOD Canter's Deli, Los Angeles Middle Way House, Bloomington, Ind. HEALTH: Bird flu Martha Teichner reports. COMMENTARY: Corky's Lee's quest for "photographic Justice" Corky Lee (1947-2021) was a Chinese-American activist and a self-taught photojournalist, who chose a camera as his tool for social change. His brother, John Lee, looks back on a life chronicling the Asian communities of America, fighting for Corky's deeply-held belief that America was best when it practiced diversity, equity and inclusion of all its peoples and communities. WEB EXCLUSIVES: In this special marathon, "Sunday Morning" brings you stories about the enduring powers of art in many forms, including stories about jigsaw puzzles, Mark Rothko's paintings, Sharon Stone's art, magic troll art and the Disney art that has joined the public domain. FROM THE ARCHIVES: The birth of the movies (YouTube Video) Watch these classic "Sunday Morning" reports exploring the birth of motion pictures, the greats of early Hollywood, and the continuing attraction of silent movies for filmmakers and audiences, including: The Lumiere Brothers, who revolutionized moving pictures; Charlie Chaplin, the first international superstar; The life and career of Buster Keaton; A newfound fascination for silent film star Mary Pickford; The making of "Wings," the first film to win a best picture Oscar; A 2005 Turner Classic Movies contest that asked young composers to write a score for a silent Greta Garbo film, "The Temptress"; A look back at comedian Harold Lloyd; Conductor Gillian Anderson on leading orchestra scores for silent films, including "Nosferatu"; The story of Laurence Austin, who operated an L.A. theater devoted to the silent era, until his murder in 1997; and Hollywood's love affair with a new silent movie, "The Artist." Full episodes of "Sunday Morning" are now available to watch on demand on and Paramount+, including via Apple TV, Android TV, Roku, Chromecast, Amazon FireTV/FireTV stick and Xbox.
