
JoJo Siwa to play The Academy in Dublin as part of Infinity Heart Tour
Siwa will also play in Glasgow, Manchester, Newcastle, London, Brighton, Birmingham, Cardiff, Paris, Cologne, and Warsaw.
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In a post on Instagram, the Boomerang singer said: "My Infinity Heart Tour is coming to Europe! The love and kindness you all have shown me means the world to me and I can't wait to start my Infinity Heart Tour with you!
"It's all of your favorite JoJo songs that you know and love plus, new music that I can't wait for you all to hear! Let's make tons of unforgettable memories singing and dancing together!"
Local pre-sale will begin at 12pm on Friday, while general on sale will take place from 10am on Monday.
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Daily Mail
3 minutes ago
- Daily Mail
Love Island's Harrison quits the villa after dumped Lauren BEGGED him to leave with her and admits he's 'mortified' with his behaviour
Love Island's Harrison has quit the villa after dumped islander Lauren Wood begged him to leave with her during Friday night's episode. After new bombshell Angel Swift chose to steal Lauren's partner Ty, it meant the dog walker was sent packing. Furious fans branded Lauren 'embarrassing' as she begged Harrison to leave the villa with her despite their rocky patch and his behaviour. After sleeping on Lauren's request, Harrison announced to the villa the next day that he was leaving and admitted he is 'mortified' by how he has behaved. In recent days, Harrison crawled back to Toni Laites after having sex with Lauren twice. Despite the intimacy, Harrison was quick to change his mind on who he had a greater connection with as he went crawling back to Toni after news of a shock recoupling. Speaking to Harry he confessed 'I want Toni' before he met with her on the terrace to beg her to give him another chance. And shockingly Toni once again chose to give things another go with her former flame, despite insisting she was 'done' earlier in the episode. But after winning Toni back, Harrison then confessed he missed Lauren and shared interest in getting back with her. Before Lauren left the villa for good, she pulled Harrison for a chat to ask if he would leave the villa with her. Harrison said he wanted to sleep on the decision but asked Lauren to 'promise' she would wait for him. Lauren said: 'I know it's a big ask and we've not been on the best terms the last two days, but I think, everything that we've had for the last ten days we know what's real. 'And I think we know deep down that we're meant to be together. Can't you come with me? Please.' Harrison said: 'I know. I feel like I've come in here and I've found what I've wanted.' 'I feel like it's a massive decision, it's hard to make in five minutes. But, at the same time I've come in here and I've found what I wanted.' Before Lauren left the villa for good, she pulled Harrison for a chat to ask if he would leave the villa with her Harrison said he wanted to sleep on the decision but asked Lauren to 'promise' she would wait for him Before leaving the villa completely, Harrison pulled Toni for a chat to apologise for the upset he has caused her and begged for her forgiveness In a very emotional goodbye, the pair broke down in tears as Harrison said: 'I want you to know that I genuinely am sorry for the way that I treated you in here' Fans took to X to share their fury: 'asking harrison to leave with you after he EMBARRASSED you like no one else in love island history is definitely smtg. lauren needs to be studied #LoveIsland', 'Lauren might be the most embarrassing babe that's ever been on this show!?????begging a man that doesn't know if he even wants you is mentally deranged #LoveIsland', 'I've seen desperation but I've never seen whatever the hell is going on with Lauren Love Island', 'Someone tell me I did not just watch Lauren BEG Harrison to leave with her after he slept with her and dumped her on national television #LoveIsland #LoveIslandUK' Before leaving the villa completely, Harrison pulled Toni for a chat to apologise for the upset he has caused her and begged for her forgiveness. 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Daily Mail
3 minutes ago
- Daily Mail
Little Billie enjoys a turn as Lorraine's girl Friday
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Times
3 minutes ago
- Times
End of Covid disaster movie as cinemas bounce back
Cinemas have posted their strongest first-half performance since the pandemic, defying fears that audiences had abandoned the big screen for good. From Bridget Jones to Captain America, cinemas have found their summer sequel: a real-life comeback story. UK and Ireland box office revenue in the first six months of 2025 reached £532.4 million, according to Comscore — a clear bounce back from recent years and a reversal of the steady post-Covid decline that had set in since cinemas fully reopened. That total is an 18 per cent rise on the same period last year. When comparing cumulative revenue totals across the first half of the year, 2025 has been ahead for all but one week compared with 2024. In the sole week when 2024 nudged in front, it was only by a mere 0.2 per cent. Since then, a strong summer showing has propelled 2025 to an impressive return year-on-year. The recovery is gaining momentum and is unlikely to slow down any time soon, according to experts. Gower Street Analytics forecasts the UK and Ireland box office will reach £1.2 billion this year — a 10 per cent jump on 2024 and 9 per cent ahead of 2023, marking a strong rebound as the market continues to close the gap with pre-pandemic levels. Paul Dergarabedian, senior media analyst at Comscore, said the UK performance echoed a wider global trend. 'A 16.5 per cent advantage over last summer's performance is a great place to be. With August looking particularly strong, I think we'll see this momentum continue,' he said, pointing to the cumulative impact of a robust summer slate. Phil Clapp, chief executive of the UK Cinema Association, said the resurgence had been powered by a broad range of hits. A Minecraft Movie led the way, grossing £56.7 million, while Bridget Jones: Mad About the Boy (£46.4 million) and Lilo & Stitch (£35.3 million) both outstripped expectations. Other successes included Ryan Coogler's Sinners, which brought in £16.2 million. While some films underperformed, Clapp said the overall effect had been positive: cinema admissions were up 12 per cent and box office takings up 18 per cent on the year. Much has been made of the disappointing start made by the latest blockbuster, Superman, causing many to mistakenly see its struggles as a symbol of cinema's decline. The film opened with £6.9 million in the UK and Ireland — a noticeable drop from 2013's Man of Steel, which debuted with £11.2 million. 'The summer slate has really started to gear up, and there's still more to come — including Fantastic Four: First Steps,' he said, adding that high expectations now rest on tentpoles such as Wicked: For Good and Avatar: Ash and Water later this year. But insiders pointed to mitigating factors. Eduardo Leal, group director of screen content at Vue, said Superman's US performance had actually matched Man of Steel's. 'We're seeing external factors, like the heatwave, weighing on UK numbers, but the film has already picked up in the last few rainy days. We're optimistic it will track upwards,' he said. Analysts agree this year's success is partly structural. 'There's a much higher volume of films this year — levels recovered after 2022 but then dipped due to the [Hollywood writer] strikes,' said Leal. 'Now, they're looking really good again.' Many believe that this was an underappreciated fact, and that cinema was being written off far too hastily. Charles Gant, a film journalist and critic, said this year marked a return to a slow but steady recovery trend after 2024's flatlining. 'What we're seeing is continued gentle recovery, supercharged by strong releases,' he said.A Minecraft Movie and Bridget Jones gave early momentum, while summer saw an unusual run of back-to-back hits — F1: The Movie, Jurassic World Rebirth, Superman — giving cinemas a sustained lift. 'Success breeds success,' Gant said. 'Audiences come in, see trailers, build anticipation. That momentum's been missing since the pandemic.' But some familiar challenges remain. September looks patchy, with a slate of medium-sized releases and no guaranteed hits. Last year's fourth quarter, which featured heavyweights such as Wonka, rescued 2024's box office, and while this year's slate is strong, it may struggle to replicate that late surge. Leal believes the second half of the year will still deliver, especially with major franchise films in the pipeline, and predicts UK box office could match — or even possibly exceed — pre-pandemic levels by the end of next year. Gant struck a similar note of cautious optimism: 'It's been a long haul and we're still behind 2019, but 2025 is showing cinemas can bounce back when the right films come along.'