RecipeTin Eats founder victorious following recipe feud
The adored author from Sydney's Northern Beaches took home the prestigious prize for Illustrated Book of the Year on Wednesday night for her most recent book, RecipeTin Eats: Tonight.
Brisbane baker and social media sensation Bellamy was nominated in the same category for her controversial cookbook Bake with Brooki, which Maehashi claims contains several plagiarised recipes. Other authors have also accused Bellamy of stealing recipes, including US-based baker Sally McKenny.
Bellamy has denied all accusations and did not attend the award ceremony.
Maehashi beat five finalists including Bellamy to take home the award, with the cookbook selling more than 78,000 copies in its first week on shelves. Nagi Maehashi won illustrated book of the year for RecipeTin Eats: Tonight. Credit: AAP
The cookbook writer appeared unfazed by the feud that has captured global attention, as she took to social media this morning to celebrate her monumental win and thank her team.
'Thank you @abia_awards for the honour.'
'To my team - thank you for your support for all those months I disappeared into the book making black-hole (and all that Moroccan lamb and seafood pie you taste tested🤣),' she wrote on Instagram.
Bellamy is yet to comment on the loss.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Australian
2 hours ago
- The Australian
YouTube moves from laptops and phones to dominate TV
The headquarters of the world's No.1 source of video entertainment has none of the trappings of a Hollywood studio. There are no posters of popular shows, no writers pitching ideas, no soundstages and no tourists. But after pioneering video that we watch on our laptops and phones, YouTube is now the king of Hollywood's home turf: the TV. YouTube this year became the most-watched video provider on televisions in the US, and its lead has only grown, according to Nielsen data. People now watch YouTube on TV sets more than on their phones or any other device – an average of more than one billion hours each day. That is more viewing than Disney gets from its broadcast network, dozen-plus cable channels and three streaming services combined. In response, YouTube's influencers, producers and performers – collectively known as creators – are making longer, higher-quality videos that appeal to families and groups of friends watching in their living rooms. YouTube is also rapidly improving its TV app, adding new features to try to keep people watching its free videos longer. (Separately, it also sells YouTube TV, an $US83 ($128)-a-month bundle of channels akin to cable.) In true Silicon Valley style, the Google-owned company isn't just looking to extend its lead on TVs, but to dominate the future of entertainment. 'Our goal is for the YouTube app to be people's way into as much of the universe of video content that exists on the internet as can be,' says Christian Oestlian, YouTube's product manager for connected TV. One way the company is considering keeping people glued to YouTube on their TVs longer, he said, is through personally customised content feeds, like highlights from players on a fantasy football team. For most of the past 20 years since it was founded, YouTube was an alternative to television, a home for cheap, low-quality ephemera like how-to videos and skateboard tricks that Hollywood worried was distracting people from real entertainment. YouTube started as a website to watch videos on PCs. It made its way on to televisions in 2010, but the interface was clunky. By the 2020s, a generation that grew up watching internet videos alone on their phones and tablets began watching YouTube together in their living rooms and with their own children. It didn't hurt that as prices rose for Netflix and Disney+, YouTube has remained free. In the process, it became a media juggernaut. MoffettNathanson analysts estimate YouTube's revenue last year was $US54.2bn, which would make it No.2 among entertainment companies, behind only Disney. Now, even the smallest decisions YouTube executives make about how their apps are designed or how their algorithm recommends content can have seismic impacts on global pop culture. When Kurt Wilms became senior director of product for YouTube on televisions in 2018, the company's TV app was useful if you knew what you wanted to search for and watch. Since then, it has worked to make its TV app similar to the ones on phones, with an algorithm that recommends what to watch next, and the ability to subscribe and comment. The key differences: ad formats designed for the TV, a search engine that suggests content that looks best on a big screen, and the ability to navigate it all with a remote. A coming YouTube feature, called 'shows', can automatically queue the next episode on a channel, rather than serving whatever the recommendation algorithm thinks you'll like best from billions of options. That will let YouTube viewers for the first time watch full 'seasons' and pick up where they left off, as they are used to doing on Netflix. 'It's going to be great for the 'lean back' use case of YouTube,' Wilms says. Many young people viewing YouTube on their TVs are perfectly happy to watch amateurs play videogames, spout opinions and share every detail of their personal lives. But increasingly, they are also watching the type of shows that used to be found exclusively on broadcast or cable channels: sketch comedy, documentaries, animation and talk shows. The latter are disappearing from traditional networks, as evidenced by CBS's decision to cancel its Stephen Colbert late-night show. Good Mythical Morning, on YouTube, is a lot like an old-fashioned network talk show. Every weekday, hosts Rhett McLaughlin and Charles Lincoln Neal – known to their fans as Rhett and Link – joke around with each other and their crew, perform blind taste tests and take part in bizarre contests. What started nearly 20 years ago with the two friends working alone in North Carolina has grown into a channel with 19.3 million subscribers. While Los Angeles is bleeding jobs in traditional film and TV production, Rhett and Link employ some 100 people in a complex just outside the city that houses stages, a writers' room, a prop-making office and interns. During a recent taping, the youthful-looking 47-year-olds were preparing to taste food a crew member's grandmother had canned decades ago. 'There's only one item we know is definitely unsafe,' the director warned them. 'Otherwise, you guys can do your normal smell-lick situation.' Televisions became the most popular screen for people to watch Good Mythical Morning late last year and now account for 53 per cent of all viewing. The hosts say longtime fans have grown up watching the show alone in their childhood bedrooms and now watch with a partner or friends in their own living rooms. 'There's this phenomenon of, 'Oh, wait, there's the YouTube icon on this television I just mounted in my first apartment. I can do this here now',' Neal says. Similarly, viewership on TVs surpassed mobile late last year for popular YouTube interview show Hot Ones, on which celebrities such as Billie Eilish and Kevin Hart answer questions as they eat increasingly spicy chicken wings. Dhar Mann Studios says TVs became the most popular device for viewers of its inspirational videos for kids in early 2024, and about 54 per cent now watch that way. Research from Tubular Labs shows viewers on YouTube are spending substantially more time with long content – meaning more than 15 minutes – than two years ago, and they are doing it the most on televisions. YouTube producers are noticing and making longer videos, which keep audiences glued to their channel for longer stretches. It also helps producers earn more. Google typically shares 55 per cent of commercial revenue with creators, and the most valuable ads are often 'mid-rolls' that run part way through a video when a viewer has already committed time to watching and wants to finish. Longer videos have more mid-roll ads and make more money. 'There has been a deluge of interest in long-form YouTube content with creators,' says Andrew Graham, an agent at Hollywood's Creative Artists Agency who represents digital talent. 'Short-form content doesn't monetise nearly as well.' Comedian Quenlin Blackwell's videos were typically 10-30 minutes long just last year, and she made them with her best friends. Now her sketches, travelogues and cooking collaborations with online celebrities last an hour or longer and are made with 10-15 writers, camera operators and other professional collaborators. 'People's attention spans haven't been that bad,' Blackwell says. 'It's what we've been feeding them.' On YouTube, visibility relies entirely on Google's inscrutable algorithm. Executives say they have no interest in deciding what gets made for their service or how it gets promoted. In 2015, YouTube hired a former MTV executive to develop original series for paying subscribers, but the effort flopped. The most notable result was Cobra Kai, a Karate Kid follow-up that became a hit only after it moved to Netflix. Now, Hollywood-style content comes from partners that sell subscriptions to their streaming services inside the YouTube app. Those deals give companies such as Warner Bros Discovery and Paramount access to a large, young audience, but means their shows stream beside virtually anything. People who pay for HBO Max inside YouTube and search for The White Lotus might see the latest episode of the series, a fan breakdown of the season and a video from Thailand about flowers. YouTube leaves content decisions largely up to its independent creators. One of the few exceptions is sport, where the company is paying for the rights to stream games. Viewership in that category is up 45 per cent so far this year on YouTube. Executives say they want to be the home for fans leading up to a game, during it, and for clips afterward. YouTube has been the exclusive home of the NFL Sunday Ticket since 2023. It pays the sports league $US2bn annually and charges viewers between $US378 and $US480 a season. Now it is bringing games to its free, ad-supported service. YouTube bought the exclusive rights to soccer tournaments in Brazil, and in September it will stream an NFL game on its free platform for the first time – a sign Google believes it may be able to cover the hefty cost of sports rights through advertising alone. It has brought concepts created for Sunday Ticket such as 'multi-view' – in which people can watch several games at once – to the main app. And it's experimenting with features that take advantage of its army of sports influencers, including letting some announce games. '50 per cent of consumers have told us that they'd rather learn about a live event from a creator than actually watch the live event themselves,' Oestlian says. As the rest of Hollywood eyes YouTube enviously, elite creators have become a hot commodity. Analysts at Wells Fargo recently said that to compete for young audiences, Netflix should consider spending $US500m to persuade 20-30 creators from the top YouTube channels to switch. Popular YouTube creators have been open to making new shows for Hollywood streaming services, such as MrBeast's BeastGames on Amazon Prime Video, or to selling old episodes, such as Ms Rachel's kids' videos on Netflix. But they say there is no cheque big enough to persuade them to abandon YouTube channels they spent years creating. 'The opportunity isn't to try and defeat YouTube,' says Sean Atkins, chief executive of the Dhar Mann Studios YouTube channel. 'That game has already been won.' WSJ The Wall Street Journal The AI co-founder got the newly built Hollywood Hills home for a significant discount compared to the price the Australian developer originally wanted. The Wall Street Journal His trial has been marked by legal and judicial irregularities and raise serious questions about the right of due process.
Daily Telegraph
7 hours ago
- Daily Telegraph
Game, set, match: Bizarre new dating show to take place at US Open
Don't miss out on the headlines from Tennis. Followed categories will be added to My News. Watch out, 'Love Island,' there might be a new reality dating show sweeping the nation in a few weeks. The U.S. Open announced Thursday that it would be filming, producing and releasing its own YouTube series called 'Game, Set, Matchmaker,' which 'fuses the emotional rollercoaster of a dating show with the electric energy of one of the world's biggest sporting events,' according to the announcement. Watch the biggest Aussie sports & the best from overseas LIVE on Kayo Sports | New to Kayo? Join now and get your first month for just $1. The eight-episode show will be filmed during the U.S. Open Fan Week at the USTA Billie Jean King National Tennis Center, following one single — dubbed 'The Champion' — as she attempts to find love with one of her seven matches, the New York Post reports. Long Island native Ilana Sedaka, a 24-year-old former figure skater turned pilates instructor who lives in Miami, will be the show's bachelorette, with the eligible bachelors consisting of influencers, tennis superfans and social personalities. No specific men were named. The US Open announced it would be filming, producing and releasing its own reality dating show following 24-year-old Illana Sedaka (right). Image: Getty/Instagram 'We're excited to break new ground with 'Game, Set, Matchmaker,' at the US Open and across our channels this year,' Jonathan Zipper, senior director of social media at the USTA, said in a statement. 'It's the perfect time for us to launch a fun, social-forward concept that meets the moment, engaging fans at the intersection of tennis, pop culture and entertainment.' The first episode will be posted on the first official day of the U.S. Open — Aug. 24. The finale will be available on the same day as the women's final. The project is a collaboration between the USTA and Fresh Tape Media, and is attempting to capitalise on the tournament's cultural impact beyond the play on the court. 'The US Open is more than a tournament; it's a cultural stage,' said Alana Glenn Moritz, creative director for Fresh Tape Media, according to The Hollywood Reporter. 'We built this series to capture that energy in its purest form. It's unexpected, it's current, and it taps into the drama and connection that makes this event unlike anything else.' This article originally appeared on the NY Post and was reproduced with permission. Originally published as Game, set, match: Bizarre new dating show to take place at US Open
Daily Telegraph
15 hours ago
- Daily Telegraph
Demascus review: Martin Lawrence comedy series premiere
Don't miss out on the headlines from TV. Followed categories will be added to My News. After months of speculation, the new Martin Lawrence comedy series Demascus has just been released — and the first review is in. STREAMING, TUBI Demascus On a quest of self-discovery, Demascus (Okieriete Onaodowan) is urged by his therapist (played by The Fresh Prince Of Bel Air's Janet Hubert) to try an experimental treatment that allows him to visit alternative realities. Each version – where the same friends and relatives (including Martin Lawrence as an aged uncle) keep popping up but reshaped by their new context – sees Demascus gain new insights into himself and his fear of commitment as he navigates one awkward situation after another. There has been a lot of buzz around this comedy in the US media as it was uncertain fans would be able to see it until it was snapped up by free streaming service Tubi. The first review of new Tubi series Demascus has landed. Picture: Tubi STREAMING, FOXTEL AND BINGE If You Liked: Shōgun Try: Chief Of War STREAMING, APPLE TV+ Visually spectacular, this epic historical drama (created by and starring Jason Momoa) recreates the bloody battles over the unification and colonisation of Hawaii. Momoa plays warrior Ka'iana who, having forged a simpler life on one of Hawaii's smaller islands, is talked into returning to battle by King Kahekili (Temuera Morrison). Told in traditional language, the series is a deep dive into a lesser-known chapter of history. Momoa is believable as a wave-riding hero who can lead an army to victory without any armour, let alone trousers. Jason Momoa stars in Chief of War for Apple TV+. Picture: Getty Images If You Liked: Sandition Try: Miss Austen 9PM, SUNDAY, ABC TV AND STREAMING, ABC iVIEW If you have a passion for Regency romance then you're in for a treat with this new drama starring Keeley Hawes (pictured). Based on Gill Hornby's book, this delightful series casts the other Miss Austen – author Jane's sister, Cassandra – as the heroine. Austenites will already be familiar with Cassandra's diabolical act of literary vandalism (destroying almost all of her sister's correspondence to protect the family's privacy). This series imagines her motivations, offering glimpses into the inspirations for Jane's most famous stories. The Couple Next Door STREAMING, BINGE In the aftermath of the last murderous neighbourly entanglement, the remaining residents of the tight-knit cul-de-sac are trying to get on with their lives. Here in this fancy Leeds neighbourhood, we find surgeon Charlotte (Annabel Scholey, pictured second from right) and her anaesthetist husband Jacob (Sam Palladio, pictured second from left), who struggle to find time for each other amid the pressures of their careers and caring for her elderly father. So when disarmingly confident nurse Mia (Aggy K Adams, pictured right) and Charlotte's old flame (Sendhil Ramamurthy, pictured left) begin working at the hospital, the stage is set for another dangerous love quadrangle. Some of Kylie Minogue's most successful hits were written by Mike Stock, Matt Aitken and Pete Waterman. Picture: Getty Images Hitmakers STREAMING, NETFLIX In the 1980s, the songwriting team of Mike Stock, Matt Aitken and Pete Waterman famously wrote Kylie Minogue's hit I Should Be So Lucky in 40 minutes, proving that when inspiration strikes, magic can happen fast. In this reality series, aspiring hitmakers are thrown together and given a few short hours to write the next big pop song for musicians such as John Legend (pictured left) and Lisa of Blackpink (and The White Lotus). You may not know their names, but you will already know some of their lyrics, as the cohort has penned hits for the likes of Beyoncé, Justin Bieber and boy band BTS. Creativity flourishes and rivalries flare in the pressure-cooker environment. Lisa from Blackpink at the 2024 MTV Video Music Awards. Picture: AFP Dancing With The Stars 7.30PM, MONDAY, SEVEN The glittering stage is set as six celebrities – comedian Felicity Ward, journalist Michael Usher, footy player Trent Cotchin, actor Kyle Schilling, TV host Shaun Micallef (pictured with Ash-Leigh Hunter) and radio personality Brittany Hockley – and their partners hit the floor in the final. While Ward makes no secret of her desire to win and newlywed Hockley dances in tribute to her husband, it's clear everyone is keen to put their best foot forward. The Decline Of Western Civilization Part Ii: The Metal Years STREAMING, TUBI In Black Sabbath's farewell concert last month, held just weeks before the July 22 death of frontman Ozzy Osbourne (pictured with his family), the singer reunited with his bandmates to feel the love of fans and fellow musicians such as Aerosmith's Steven Tyler and Guns N' Roses vocalist Axl Rose. In this 1988 doco, Osbourne joins another legendary line-up to reflect on his headline-grabbing career. The late Ozzy Osbourne, pictured in 1997. Picture: AP Photo/Bill Kostroun, file In Case You Missed It … The Kennedys If the Kennedy clan is basically America's answer to royalty, then this 2011 series is its equivalent to The Crown. With a star-studded cast that includes Tom Wilkinson as domineering patriarch Joe, Greg Kinnear as JFK and Katie Holmes (pictured) as Jackie, the four-part miniseries takes real people and events and serves them up as a salacious soap opera. The series attracted some fierce criticism from the family's inner circle, who feared it wasn't an accurate portrayal of the Kennedy legacy. Certainly this is not a historically accurate account of JFK's time in the White House. But it doesn't claim to be. And, if you enjoy a good biopic (as I do) then this one will be your next guilty pleasure – if only to watchHolmes's wardrobe and breathless impersonation of the fashionable First Lady. Katie Holmes stars in The Kennedys. Picture: Getty Images One Show. Two Views The Twelve: Cape Rock Killer Siobhan Duck Whether it's an old-school classic like Perry Mason (and its grittier reboot starring Matthew Rhys), a series playing the legal system for laughs like Ally McBeal, or TV justice served with a sidebar of politics such as The Good Wife, I love courtroom dramas. Certainly, this series starring Sam Neill as wily defence barrister Brett Colby is the best Aussie take on the genre since Janet King. In this new season, Colby is called upon to defend an old friend accused of killing a woman who was digging into a cold case murder. Complicating matters further for Colby is the fact he's squaring off against his former protégée, Gabe Nicholls (Danielle Cormack) in court. Against the backdrop of the whodunnit are the equally intriguing machinations of the sequestered jury. As the case unfolds, viewers will also learn about the private lives and prejudices of these 12 strangers sitting in judgement – and you will start to judge them as well. Sam Neill and Danielle Cormack in a scene from The Twelve. Picture: Daniel Asher Smith James Wigney As the guilty verdict from one of the most fascinating murder trials in living memory still rings in our ears, it's a tough ask for any homegrown courtroom drama to top a woman killing her lunch guests with death cap mushrooms. Indeed, with the proliferation of top-notch true crime documentaries and podcasts, I'm finding it harder to look past the factual in favour of the fictional, no matter how well made. That said, while the format is starting to show a few familiar signs in its third season, The Twelve is still solid, thanks to its one constant: Sam Neill as the cunning and calm Brett Colby. Smartly, he's now a reluctant defence barrister, concerned about being compromised thanks to his connection with the accused. And if the time shifts between the current crime and a historical double murder, secret lives of jury members and many twists get too much, just crack a bottle of Neill's Otago pinot noir and enjoy the stunning Margaret River scenery. Read the full reviews inside today's issue of The Watchlist, in The Sunday Telegraph (NSW), Sunday Herald Sun (Victoria), The Sunday Mail (Queensland) and Sunday Mail (SA). For more from Stellar and The Watchlist, click here.
