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Marimekko Day on 16 May at Esplanade Park

Marimekko Day on 16 May at Esplanade Park

Yahoo06-05-2025
Marimekko Corporation, Press release, 6 May 2025 at 9.00 a.m. EEST
Marimekko Day on 16 May at Esplanade Park – Featuring Artist Goldielocks
Marimekko celebrates the annual Marimekko Day and the beginning of the summer in mid- May with a public open-air fashion show in Helsinki as well as in Marimekko stores across Finland. This year, the Marimekko community is invited to enjoy a colorful parade of flowers on 16 May in the heart of Helsinki.
The outdoor fashion show is once again open to everyone, with music performed by Goldielocks, an artist familiar to many from this spring's Contest for New Music UMK in Finland. All models for the fashion show were found through an open casting call organized for Aalto University students. The event will be hosted by Marimekko's President and CEO Tiina Alahuhta-Kasko and journalist Maria Veitola.
"Marimekko's mission is to bring joy to people's everyday lives through bold patterns and colors, which is why Marimekko Day is an important tradition for us. We've been organizing this event since 1992 to bring positive spirit to the start of summer with inspiring fashion, a warm atmosphere, and amazing performers. I hope many members of our community can make it to Esplanade Park also this year to enjoy this wonderful and colorful parade of flowers," says Sanna-Kaisa Niikko, Chief Marketing Officer at Marimekko.
Marimekko's 2025 summer collection explores the design house's conceptual theme for the year, "the Anatomy of a Flower." The collection features floral and botanical themes from various decades and designers, including Fujiwo Ishimoto, Maija Isola and Lotta Maija. The patterns designed by Swedish artist Petra Börner, the designer of the latest Marimekko Artist Series capsule collection, are showcased for example in the Marimekko Marimini silhouette, a modern interpretation of Marimekko's classic mini dress.
The Marimekko Day fashion shows take place in Esplanade Park in Helsinki on Friday 16 May 2025 at 12, 13.30, 16 and 18.
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Read more: Marimekko Day
Further information: Leena Salomaa, Marimekko Communications Tel. +358 9 758 7233 leena.salomaa@marimekko.com
DISTRIBUTION:Key media Marimekko is a Finnish lifestyle design company renowned for its original prints and colors. The company's product portfolio includes high-quality clothing, bags and accessories as well as home décor items ranging from textiles to tableware. When Marimekko was founded in 1951, its unparalleled printed fabrics gave it a strong and unique identity. In 2024, the company's net sales totaled EUR 183 million and comparable operating profit margin was 17.5 percent. Globally, there are roughly 170 Marimekko stores, and online store serves customers in 39 countries. The key markets are Northern Europe, the Asia-Pacific region and North America. The Group employs about 480 people. The company's share is quoted on Nasdaq Helsinki Ltd. www.marimekko.com
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Britney to Backstreet Boys: How Max Martin's biggest hits became the soundtrack for the musical ‘& Juliet'
Britney to Backstreet Boys: How Max Martin's biggest hits became the soundtrack for the musical ‘& Juliet'

Los Angeles Times

timea day ago

  • Los Angeles Times

Britney to Backstreet Boys: How Max Martin's biggest hits became the soundtrack for the musical ‘& Juliet'

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Review: 'Mamma Mia!' on Broadway reminds us that this was the original jukebox musical
Review: 'Mamma Mia!' on Broadway reminds us that this was the original jukebox musical

Chicago Tribune

time2 days ago

  • Chicago Tribune

Review: 'Mamma Mia!' on Broadway reminds us that this was the original jukebox musical

NEW YORK — ABBA sold hundreds of millions of records but they would have been even bigger if they'd paid more attention to the United States. Benny, Björn, Agnetha and Anni-Frid at some point decided they were happy with being the rich dancing queens of Europe and that the tough Stateside nut was just not worth the work to crack. So in the U.S., they were widely seen as a Swedish novelty act, a fad band. Even the arrival on Broadway of 'Mamma Mia!' in 2001 didn't immediately change that. The show went cautiously to Toronto (ABBA was bigger in Canada) after London for its North American premiere. New York still worried everybody. No reason. It ran on Broadway for 14 years. Almost a quarter century later, anyone sitting in the Winter Gardens Theatre, or merely reading the boffo grosses of the musical during the preview performances these last few weeks, can see that U.S. audiences are as hungry as ever for 'Mamma Mia!,' thanks in part to the movies and maybe the uptick in vinyl and disco nostalgia. All that the producers did this summer was stick the touring production on Broadway to fill an empty theater. It's the same diminutive set I saw in Chicago, the cool jetty that arrived at the show's climax got cut years ago and has not returned. Why waste the money? For those of us who've seen that tour half a dozen times, the only surprise is the addition of more live musicians for Broadway, union minimums being a helpful thing in this case. Actual acoustic sounds have replaced some pre-programmed tracks. Awesome! Benny Andersson's synth work on the Yamaha GX1 and the Moog Polymoog is legendary but 'Mamma Mia' combined the original sound with Martin Koch's clever theatrical arrangements, and it needs lots of humans in the pit. Happily, that touring cast starred Christine Sherrill as Donna, a star who lacks only name recognition. Sherrill's massive but vulnerable belt is ideally matched for this material. She's the best Donna of all time, in my book. Never has a Donna better nailed 'The Winner Takes It All,' the show's brilliant idea for its 11 o'clock number, rehabbing a tragic break-up song that had been rendered weirdly up-tempo in ABBA's original recording. The rest of the cast is just fine; the oldsters give the material respect while having fun and the kids all seem delighted just to be there. Doing this. I remember vividly seeing 'Mamma Mia!' at London's Prince Edward Theatre just prior to its opening. People went berserk with delight. The whole concept of a jukebox musical — with an original story that included songs people already knew backwards, used in a fresh storytelling context — was unknown back then and people giggled with excitement as they wondered how, say, 'Does Your Mother Know' would be used since the order of the songs was hidden in the program. (With a clever gender switch to avoid any creepiness.) Back in 1999, the all-female team of writer Catherine Johnson, producer Judy Craymer and director Phyllida Lloyd crafted a brilliant ABBA delivery mechanism, nothing more, nothing less — a simple story about a single hippy mom (British in the U.K., Irish-American in the U.S.) who had slept with at least three guys on the beach in Greece and later had a daughter, Sophie (Amy Weaver), who was getting married at her mum's taverna and invited all three of her potential dad candidates to the nuptials. Add in two sidekicks for Donna (Jalynn Steele and Carly Sakolove) and two for Sophie (Haley Wright and Lena Owens) and you had a story that understood sooner than anyone else that emotional mother-and-daughter stories are a goldmine in musical theater, because that is who likes to go. 'Mamma Mia!' has the youth POV (well, it did) and also lots of songs of parental regret ('Slipping Through My Fingers' and so on). I can't overstate my respect for the show; it's a masterpiece of its populist kind, much imitated but never equalled. Sure, the chronology doesn't make sense any more. If the 'dot dot dot' shenanigans were happening in 1979, as they say, Donna would be 70 now, which she's clearly not. But then maybe 'Mamma Mia!' is still happening in 1999, given that no one has phones or taverna websites or knows much about DNA tests. But no book refresh was forthcoming; 'Mamma Mia!' remains timeless, stuck in the eternal ABBA timewarp, much like the group's A.I. avatars who entertain in London, cheating aging and mortality. The big takeaway for me is that even as the U.S. underestimated this band, so Broadway underestimated this brand. It's a one of a kind. Just watch how many people will come and have fun. Limited run? We'll see.

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