logo
BTS' Jin to livestream fan concert on big screens worldwide

BTS' Jin to livestream fan concert on big screens worldwide

Korea Herald6 hours ago

Jin's upcoming fan concert in Japan will be available for live viewing in 10 countries, according to label Big Hit Music on Tuesday.
The BTS member is slated to host the event at Kyocera Dome in Osaka on July 12-13. Fans around the world will be able to screen the event live in cinemas, including 43 in Korea, on the second day. All 110,000 tickets for the two-day event sold out.
The Osaka show is part of his solo fan concert tour '#RunSeokjin_Ep. Tour' which will begin on June 28 in Gyeonggi Province. The live show will be held over the weekend and broadcast on a large screen in southern Seoul as well. After greeting his fans in Korea and two cities in Japan, he is set to visit four cities in the US and two in Europe.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

From Blackpink to Cosmosy: Ex-YG's producer's inventive approach to K-pop
From Blackpink to Cosmosy: Ex-YG's producer's inventive approach to K-pop

Korea Herald

timean hour ago

  • Korea Herald

From Blackpink to Cosmosy: Ex-YG's producer's inventive approach to K-pop

From managing Blackpink's debut to launching all-Japanese girl group Cosmosy, Sinxity aims to redefine K-pop's creative model while championing diversity and LGBTQ+ visibility Shin Seong-jin, better known by his professional name Sinxity, may come across as soft-spoken, but his words land with surprising clarity and conviction. In an industry steeped in formulas and rigid systems, Sinxity stands out for challenging conventions and redefining the role of a K-pop producer. 'I'd rather be called a creator than a creative director,' he told The Korea Herald in an interview on June 12. 'There are producers for drama series on over-the-top platforms, but above them are creators who oversee the entire message. That's what I do — from choreography and visuals to promotion and marketing, I aim to deliver a consistent creative identity.' Sinxity's approach is often compared to that of Min Hee-jin, the former CEO of Ador, who debuted the girl group NewJeans. Like Min, Sinxity does not compose music, but plays a decisive role in shaping all aspects of an artist's debut and concept. 'I've been working in entertainment since 2009, starting at YG Entertainment,' he said. 'I was involved in (the company's) IPO projects and also worked as a manager and creative director on debut projects for Lee Hi, AKMU, Winner and Blackpink.' On his experience with Blackpink before their debut in 2016, Sinxity said, 'The fact that Blackpink even came together as a team felt like a miracle. Each member had outstanding potential. Meeting such individuals in a single group project feels like fate.' 'What's most important in producing is identifying the essence each trainee holds, and helping that core grow,' he said. 'With the Blackpink members, I was truly moved by their talent, beauty and individual charm.' Building new creative standard In 2018, Sinxity left YG Entertainment and founded his own label, Axis, backed by investment from Naver subsidiaries Naver Snow and Naver Webtoon. He said the name Axis reflects his vision: 'If one strong axis was in place, I believed it could become a platform where creators like myself could emerge — even reshape the entertainment industry.' 'I want to surpass companies like Hybe, SM and JYP Entertainment — not just follow them, but do better. I see content as something holistic. I want to set a new standard across the entire entertainment value chain.' Cosmosy and case for cultural specificity In April, Axis debuted its first girl group, Cosmosy, in partnership with Japan's largest telco, NTT Docomo. The group consists of four Japanese members and sings in Korean, English and Japanese in each song — a rare combination even in today's global K-pop scene. 'In Korea, K-pop mixes Korean and English. Likewise, Japanese fans enjoy listening to Korean, and Korean fans enjoy Japanese through anime and J-pop,' he said. "Since Korean and Japanese have similar syntax, mixing the two doesn't feel unnatural. Each language offers unique expressions, which I found creatively exciting.' Cosmosy also pursues a diverse musical range beyond K-pop and J-pop, venturing into pop and Afro-pop influences. 'They're an idol group in the way they promote, but musically they're diverse. I think it's okay to blur the lines of identity,' Sinxity said. 'We formed a clearer hypothesis about how Cosmosy could grow. With all members being Japanese, we could use that cultural specificity to define the direction of our concept more clearly.' 'Rather than debuting them as a 'complete' group, we allowed space for them to evolve,' he said. 'We focused on having an all-Japanese lineup because that cultural foundation allows for unique content. With multinational groups, issues of cultural appropriation often arise. We wanted to steer clear of that.' Redefining norms At the end of the interview, Sinxity also spoke candidly about his sexual identity, sharing that he is gay. 'There are many sexual minorities in K-pop,' he said. 'With two members of Katseye recently coming out, I think K-pop is having a positive impact.' Axis also runs a drama subsidiary that produces BL (gay romance) series. 'Our content aims to break stereotypes and give courage to those who need it. I just hope what I'm doing has meaning in this world.'

Two Korean cultural heritage pieces make their way home
Two Korean cultural heritage pieces make their way home

Korea Herald

time5 hours ago

  • Korea Herald

Two Korean cultural heritage pieces make their way home

Folding screens housed at US museums to be shown to public for first time at 'Hopes and Dreams Revealed Inside Restored Paintings' exhibition at NPMK Two South Korean cultural heritage pieces from US museums will be shown in Seoul for the first time since their restoration. The Korea Heritage Service and the National Palace Museum of Korea are jointly hosting the special exhibition titled "Hopes and Dreams Revealed Inside Restored Paintings" from Wednesday until July 20 at the NPMK. The two folding screens, or "byeongpung," were brought back to Korea in October 2023 under the Overseas Korean Cultural Heritage Foundation's Conservation and Utilization Support Program for conservation treatment that spanned over a year. The screens will return to the US at the end of July, according to officials. The 10-panel "Cloud Dream of the Nine" folding screen was gifted to Marie Elizabeth Church around 1910 by the parents of an Ewha Haktang student she taught while stationed in Korea as a missionary. Now part of the Portland Art Museum collection, the piece illustrates key scenes from the late 17th-century novel of the same name, penned by Kim Man-jung. The story, cherished by both the royal family members and the public during the Joseon era (1392-1910), was often painted on folding screens at the time. The screen portrays the journey of Seong-jin, a disciple of Grand Preceptor Yuk-gwan, who meets eight fairy maidens, is reborn as Yang So-yu, and goes on to experience wealth, power and relationships with women. In the final panel, Seong-jin awakens from a dream and returns to his life as a novice monk, realizing his successes are an illusion. The paintings convey a Buddhist message about spiritual devotion and reflect hopes for wealth, honor and good fortune. Another folding screen being shown, "One Hundred Boys at Play" from the Denver Art Museum, was purchased by the museum around 1970 from the New York-based Felice Fedder Oriental Art. The paintings depict young boys playing games such as mock battles, cockfighting, and plum blossom picking, symbolizing hopes for prosperity, success as officials, and flourishing of the family line. Popular in the late Joseon period, such folding screens were used in royal weddings, court banquets and displayed at home to bring good fortune.

BTS' Jin to livestream fan concert on big screens worldwide
BTS' Jin to livestream fan concert on big screens worldwide

Korea Herald

time6 hours ago

  • Korea Herald

BTS' Jin to livestream fan concert on big screens worldwide

Jin's upcoming fan concert in Japan will be available for live viewing in 10 countries, according to label Big Hit Music on Tuesday. The BTS member is slated to host the event at Kyocera Dome in Osaka on July 12-13. Fans around the world will be able to screen the event live in cinemas, including 43 in Korea, on the second day. All 110,000 tickets for the two-day event sold out. The Osaka show is part of his solo fan concert tour '#RunSeokjin_Ep. Tour' which will begin on June 28 in Gyeonggi Province. The live show will be held over the weekend and broadcast on a large screen in southern Seoul as well. After greeting his fans in Korea and two cities in Japan, he is set to visit four cities in the US and two in Europe.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store