
Oman's creatives shine at the Book Fair
The 29th edition of the Muscat International Book Fair has just concluded, with over 650,000 visitors having shared in the rich and vibrant atmosphere of the event, according to officials. The central theme 'Cultural Diversity as a Pathway to Unity' was truly reflected in the wide fare offered as well as the range of visitors who came from many parts of Oman and the world.
What most significantly stood out in the book festival was the interest shown by young Omanis towards fiction, translation and educational books.
The internationalisation of Omani literature is evident in author Ammar al Naaimi's works. 'Sarim', 'Hazim' and 'Mumeet' can be seen to be a trilogy inspired by the Harry Potter series but firmly rooted in the Omani Jinn tradition. His exploration of the power of choice in the individual's life combines deeper philosophical questions with racy narrative enjoyed by the Gen Zs.
Interest in Omani fiction has resulted in the translation of Jokha al Harthi's 'Celestial Bodies' into 21 languages so far. Her other novels, 'The bitter orange tree' and 'Silken gazelles' have also been translated into English, receiving rave reviews. Dr Claudia Ott, the translator of 'Celestial Bodies' into German, was in fact visiting the fair this year and spoke at length about the depth of the novel and its capacity to break established stereotypes.
Another translation on the anvil is Bushra Khalfan's 'Dilshaad'. Set in 20th century Muscat, the novel explores the everyday lives of Omani families, with the central character Dilshad, his daughter Maryam and grand daughter Fareeda. This award-winning novel now is being translated by Alice Guthrie. The novel is said to have been earlier translated into Persian.
Translations of Omani fiction into English, German and French languages create opportunities for the dissemination of Omani culture into contexts where Oman still remains a mysterious country steeped in traditions. It gives access to readers to understand the nuances of Omani culture which go beyond the struggles of tradition and modernity.
But Omani literature is not just being translated into western languages. The 2023 translation of Omani folktales into Malayalam, 'Omanile Nadodikathakal' is a continuation of attempts by Indian writers and researchers to bring Omani literature to an Indian reading public. The translation shares the rich folkloric tradition of Oman, with its legends and oral stories framed in morality, in a language that is closely associated with Oman in terms of historical cultural ties.
The increasing interest of international readership in Omani literature is a sign that the rich body of work in Oman is reaching a global audience. There is a lot of potential for further translations as there is clearly a reading public which is curious about the intellectual and creative output of writers from this part of the world.
Whether writing in English or Arabic, Omani writing has gained an international readership. The range of themes, the experiments in style and the exploration of its complex history make Omani literature a rich source of imaginative creativity. Wider dissemination of these works across international platforms will provide a larger audience and greater awareness of this untapped literary treasure.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Muscat Daily
11 hours ago
- Muscat Daily
Omani pavilion wins award at London Design Biennale
Muscat – Oman's pavilion – titled 'Memory Grid' – has won the Best Design Award at the opening of the London Design Biennale 2025 last week. The recognition marks a significant achievement for the sultanate in its debut participation at the global cultural platform. The pavilion has been designed by multidisciplinary artist Haitham al Busafi and curated by the Zawraq Collective. Commissioned by the Ministry of Culture, Sports and Youth, the project reflects the ministry's broader efforts to promote artistic and intellectual creativity among Omani youth. Haitham al Busafi 'Memory Grid' explores the ideas of memory, value and preservation in a fast-changing world. Visitors are invited to observe how perception shifts with perspective, with meaning transforming depending on how closely or distantly the work is viewed. Drawing inspiration from Oman's pottery traditions, the installation reimagines ancient clay vessels – once vital for carrying water and connecting communities – as symbols of cultural memory. The pavilion presents these traditional forms as metaphors for protecting what is valued, both in the past and present. In a modern context, the installation proposes that data is the new essential resource – requiring safeguarding much like water once did. Through the immersive experience, visitors are encouraged to reflect on how heritage, knowledge and identity are passed through generations. The project represents how traditional symbols can guide modern questions about preservation. The win at the biennale highlights Oman's increasing engagement with contemporary art and design on a global stage. The Ministry of Culture, Sports and Youth said the pavilion represents the strategic direction to elevate creative output by young Omanis to international platforms.


Observer
12 hours ago
- Observer
Nizwa: Bridging sustainable development and heritage
NIZWA: The Wilayat of Nizwa in the Governorate of Al Dakhiliyah stands as one of Oman's most prominent cultural and touristic destinations, renowned for its rich historical legacy and archaeological landmarks that chronicle significant chapters of the nation's past. The iconic Nizwa Fort dominates the historical landscape as a masterpiece of traditional Omani architecture. Adjacent to the fort, the vibrant Nizwa Souq showcases exceptional local craftsmanship, from intricately forged daggers and handcrafted silverware to traditional markets selling livestock, fresh produce and artisanal goods. Falaj Daris, recognised on Unesco's World Heritage list as one of Oman's largest aflaj irrigation systems, represents another jewel in Nizwa's heritage crown. This ancient water network sustains extensive agricultural lands while demonstrating centuries-old Omani ingenuity in sustainable water management. The recent development of a public garden within the falaj has further enhanced its ecological and touristic value. Nizwa's strategic geographical location, combined with its diverse topography of wadis, mountains and verdant oases, has established it as a prime destination for cultural and eco-tourism. These natural assets, along with progressive development initiatives, have positioned the Wilayat of Nizwa as an attractive investment hub for tourism and infrastructure projects. Nizwa has achieved remarkable progress in sustainable development through strategic initiatives. These initiatives have further enhanced urban infrastructure and quality of life. Significant development projects currently under way include Al Dakhiliyah Square launched earlier this year, an Integrated Public Transport Station, and restoration works in Harat Al Aqr. The Public Garden Project has reached 40 per cent completion, collectively aiming to elevate Nizwa's status as Oman's premier cultural-tourism destination while creating new economic opportunities. Harat Al Aqr has transformed into a flagship example of youth empowerment, hosting 78 entrepreneurial ventures that have generated over 300 jobs for young Omanis. The Wilayat of Nizwa is an attractive investment hub for tourism and infrastructure projects Shaikh Saleh bin Dhiyab al Rubaiee, Wali of Nizwa, said that developmental projects are strategically designed to strengthen local economies while preserving cultural heritage. He highlighted how historical neighbourhood restoration forms a cornerstone of Nizwa's economic strategy, serving the dual purpose of safeguarding cultural identity through architectural conservation while creating employment via tourism and SME development. Nizwa Industrial City, under the Public Establishment for Industrial Estates (Madayn), represents another facet of Nizwa's growth with 186 operational projects, attracting RO 504 million in cumulative investments and generating 6,100 jobs with a 45-per cent Omanisation rate. Ishaq bin Ibrahim al Kharousi, acting Director-General, revealed Madayn's upcoming RO 1.2 million Entrepreneurial Complex and ongoing studies for an integrated residential zone within the industrial city. Ahlam bint Hamad al Qasabiyah, Director of the Heritage and Tourism Department in Al Dakhiliyah Governorate, outlined the ministry's comprehensive SME support programmes including streamlined licensing procedures, specialised training initiatives and incentive packages for heritage hospitality ventures. She noted how the conversion of historical homes into heritage inns perfectly illustrates the purple economy approach, citing 600,000 visitors to Harat Al Aqr in the first quarter of 2023 as evidence of this model's success in merging cultural preservation with economic viability. The ministry continues to prioritise fortress restorations and historical documentation to enhance Oman's sustainable tourism offerings while safeguarding intangible cultural heritage. This comprehensive development approach positions Nizwa as a model for balanced sustainable growth, creating new opportunities while maintaining the unique identity. — ONA


Observer
14 hours ago
- Observer
In Search of Anyplace but the ‘Most Charming Village in France'
I was finishing a monthlong book tour in France, traveling by train to new cities each night—many I'd never seen. Those 28 days revealed how much of France exists beyond Paris's allure. With four days before returning home, I decided to rent a car and take a spontaneous road trip through southern France. No plans, just the open road. I initially planned to go alone, but then I learned Stephen, an old friend, was also in France, finishing work in Marseille. I suggested we share the adventure. His wife, also a friend, wasn't with us, and there was no romantic motive—just two friends seeking a quiet escape. 'Two for the Road,' minus the love story. We started in Nice, picked up a car, and a local friend recommended we visit Èze, famous for its beauty. But Èze was swarmed with tourists: winding streets lined with shops selling soap and towels. I turned to Stephen. 'Let's avoid any place called the Most Charming French Village.' We headed north, aimless but eager for small moments—good, affordable food and unexpected sights. My goal was to feel like a character in a French film, though I wasn't sure which one. Soon, I saw a handmade sign reading 'Fromage' outside a farmhouse. Inside, a young woman looked like she'd stepped out of a Marcel Pagnol film, offering us chèvre. I asked about nearby bread; she pointed to a dirt road where cows ambled. No English, just locals, fresh cheese, and quiet charm. Later, we drove to Gorges du Verdon, a winding river between steep cliffs, bustling with birds. For about $10, we rented a paddleboard, swam, and ate cheese and bread. 'What about the Côte d'Azur?' Stephen proposed. Who was I to argue? In Villefranche-sur-Mer, we searched for Jean Cocteau's Chapel, famed for its frescoes. It was closed, so we swam near a small quay instead. A good road trip has no plan, and we embraced that. Around 6 p.m., we searched for Airbnb. Usually, I'd spend hours hunting, but I let go. We found a simple place and settled in. The novelist Joyce Maynards four-day road trip in the south of France was guided by pure spontaneity, which is how she ended up in Le Love Room. (Victoria Tentler-Krylov/The New York Times) 'A Dozen Oysters' Next morning, we wandered into a village market. For about 10 euros, I bought a dozen oysters and a glass of Muscadet. Alain, behind the stand, handed me the oysters with flair, saying 'vive la France.' They might've been the best I'd ever had. He even sang as he shucked the second dozen. Stephen glanced at his watch. Sometimes we had plans, then abandoned them. I wanted to see the Calanques near Cassis, but instead, swam and relaxed on rocks, napping in the sun. We made a quick stop in Marseille at Maison Empereur, a historic hardware store. I wanted vintage bulbs and cast iron for cooking, but I only bought a feather duster, a pink hot water bottle, and some French jokes. Le Love Room Later, in Fayence—a quiet, charming town—the name evoked images of still-life paintings, but the town was peaceful. Flowers spilled from stone houses; fields stretched beyond. No tourists—just locals and one Airbnb: Le Love Room. After booking, Stephen suggested dinner. The only open restaurant was Les Temps des Cerises, a cozy bistro crowded with locals. We ordered house wine, foie gras with Calvados, and coq au vin—perfectly prepared. Walking back, we passed an elderly woman leaning out her window with her cat, smiling and greeting us. We returned her wave. Our Airbnb was in an old stone building. Climbing the narrow, steep stairs, we entered Le Love Room, dimly lit with red bulbs. Inside, hooks held whips. The decor was eccentric but spotlessly clean. A machine offered condoms and accessories. The owner thought of everything. Stephen and I settled for the night—he in the bed, I on a leather couch. I laid out my toothbrush; he pulled out his book. Just two friends, calling it a night. The next morning, we returned the car early, heading for Charles de Gaulle. Passing the same woman in her window with her cat, I waved, but she didn't respond. 'She probably knows where we spent the night,' I said. We quickly looked away. Stephen laughed. 'I'll tell my wife I was just sightseeing,' he said as we headed back out on the road—our brief, surprising escape from the 'Most Charming Village in France' confirmed: sometimes, the best moments happen without a plan. —NYT