Culture Agenda: The best things to do, hear, see or watch in Europe this week
Monday, monday - always a bit of a slog. The good news is, April is bringing sunshine and eclectic events to help hurry us out of hibernation.
Alongside this week's suggestions, we also recommend checking out the Mauritshuis museum's showcase of 60 charismatic takes on Vermeer's 'Girl with a Pearl Earring', and Centre Pompidou's celebration of Black artists in Paris.
Following the sad news of Val Kilmer's passing, there's never been a better time to watch (or re-watch) some of his classics - put Kiss Kiss Bang Bang at the top spot. Speaking of cinema, keep in mind that this Thursday is the announcement of this year's Cannes Film Festival line-up... And it's already looking mighty promising. Keep your eyes peeled for our full coverage.
Until next time, have a great week.
José María Velasco: A View of Mexico
Where: National Gallery (London, UK)
When: Until 17 August 2025
To see a José María Velasco painting is to fall in love with Mexico, every brushstroke an encapsulation of the country's natural beauty and evolving state. The 19th-century polymath was renowned for his landscape works, combining fascinations in geology, archaeology and botany (to name a few) alongside commentary on creeping industrialisation. What resulted were deeply personal, intellectually textured and elegantly detailed studies of a place few had truly ever seen before, caught in periods of both gentle and dramatic transformation.
Coinciding with the 200th anniversary of Mexico and the UK establishing diplomatic relations, this is also the first exhibition to be dedicated to a historical Latin American artist at the National Gallery.
Inner child
Where: Opera Gallery (London, UK)
When: Until 5 May 2025
Openness on social media alongside a gradual shattering of stigmas around mental health have led to increased discourse on the concept of the inner child, a way for people to reconnect with and process early experiences and their ripple effect. It was an idea born from Swiss psychiatrist and psychotherapist Carl Jung's 'child archetype', who would have been 150 this year. The subject is explored in-depth at Opera Gallery's latest exhibition by two artists: Yayoi Kusama and the late Niki de Saint Phalle.
A total of 41 artworks depict the playful, eclectic whimsy of childhood while sometimes subverting it, capturing the ways in which returning to our childlike selves opens up a renewed worldview that's both liberating and conflicting, tangled fragments resurfacing. A merging of creativity and psychology, it's a vibrant visual reminder of how art can help us to find and heal ourselves.
War Child's Secret 7" 2025 exhibition
Where: NOW Gallery (London, UK)
When: 11 April – 1 June 2025
For their 2025 exhibition, the charity organisation War Child will display 700 specially designed record sleeves to be auctioned on 1 June 2025. Contributors include The Cure, Gregory Porter, Sophie Ellis-Bextor and Jessie Ware, in collaboration with artists Yinka Ilori, Sir Paul Smith and Antony Gormley. It's the ultimate record sale for those looking to add something completely one-off to their collection while donating to a good cause. There's also an element of surprise: buyers only find out which artist designed their album cover after the auction ends.
For those simply looking to admire, the exhibition includes a dedicated listening space where visitors can tune in to all seven records included, as well as the entire Secret 7" archive.
Milan Design Week
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Where: Milan, Italy
When: 7 - 13 April 2025
The world's biggest design festival somehow feels even bigger this year, featuring everything from striking modular lights by designer Michael Anastassiades, an installation by filmmaker Paolo Sorrentino, and a collection of exquisite urns by acclaimed architects and designers like David Chipperfield and Audrey Large. While the main event is focused around the Salone del Mobile furniture fair, there are a plethora of diverse events happening all around the city, including plays, talks, and even an exhibition where visitors can live and sleep in the gallery - good to know, we'll undoubtedly need a nap after exploring everything here.
Barcelona Beer Festival
Where: Barcelona, Spain
When: 11 April - 13 April 2025
Beautiful Barcelona and bountiful beer? Need we convince you more?! An idea brewed up by four friends in 2012, the BBF has become the largest craft beer event in Spain. More than 100 breweries from all over the world take part in this yeasty haze of tastings, workshops, talks and good old fashioned communal spirit fuelled by a shared love of sipping something refreshing in the heady glow of Spring. Did we mention that there are also over 600 craft beers on tap (including limited-edition brews)? Cheers to that - and drink responsibly, of course!
Drop
Where: European cinemas
When: 11 April 2025
Ever been sitting on a train when someone airdrops you a meme of a cat wearing sunglasses, leaving you feeling deeply unsettled but also ever so slightly amused? Just us? Ok. Well, imagine that scenario BUT you're on a first date and the airdrops become increasingly sinister, asking you to murder the man you're with else they'll kill your son and sister. Ain't nothing amusing about that. This is the basis for Christopher Landon's latest horror film, Drop. It stars Meghann Fahy as Violet, a widow enjoying a fancy date with Henry (Brandon Sklenar) when the mysterious and nerve shredding events mentioned above start to unfold. A good reminder to switch off your phone when watching - and avoid dating?
Death of a Unicorn
Where: European cinemas
When: Out now
Don't mess with unicorns - especially ones with girthsome horns. This latest release from A24 stars Paul Rudd and Jenna Ortega as a father and daughter trying to repair their rocky relationship when they accidentally crash into and kill a unicorn. This leads to the revelation that it has mystical abilities to cure cancer - something Rudd's boss (Richard E. Grant in full Saltburn mode) is excited to exploit, leading to gruesome consequences when the creatures retaliate. Out critic David Mouriquand wrote: "From the premise alone, there's plenty to love about Death Of A Unicorn. Caricatures of pharma arseholes getting bloodily impaled while a fractured father-daughter dynamic gets healed in the process. It sounds like something Roger Corman would have saluted." Then he liked it less... Read the full review here.
The Last of Us
Where: HBO
When: 13 April 2025
After two long years, the wait is finally over baby girls. We last saw Joel (Pedro Pascal) and Ellie (Bella Ramsey) during that explosive finale that had the rebel Fireflies militia dropping like, well, (fire)flies. Based on the seminal post-apocalyptic franchise by Naughty Dog, it takes place in a world ravaged by a mutated fungus called Cordyceps that transforms people into rabid zombies, with Ellie's character harbouring a rare immunity. Four years on from the events of season 1, we're now following Ellie on a revenge mission alongside her girlfriend Dina (Shannon Woodward). Expect more high tension, heartbreak and screaming 'holy shiitake' at the screen (we hope the book of puns returns too).
Bon Iver: SABLE, fABLE
When: 11 April 2025
Bon Iver has always captured transitions; the pause between thoughts, between moments, between who we were and who we're becoming. It feels like perfect timing, then, that we get this new album at the advent of spring, as softer realisations blossom from the chilly ruminations of winter. Recorded in Justin Vernon's hometown of Wisconsin at the tail end of the COVID pandemic, 'SABLE, fABLE' completes last year's EP release, which we called 'an achingly lovely confrontation of anxiety and change.' Through his trademark repetitions, reverberations and layered harmonies, Vernon soothed the restless emotions of a generation - and from the album's already released tracks, like 'If Only I Could Wait', it's clear we're about to be collectively healed once again.
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Chicago Tribune
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- Chicago Tribune
Art for summer 2025: Top 10 exhibitions from Impressionists to protest art
What feels especially timely right now, as the Trump administration sues sanctuary cities, bans transsexual people from serving in the military, all but shutters American borders to migrants, destroys diversity programming at every level and decimates federal support for libraries and the arts? These exhibitions do: 'Raqs Media Collective: Cavalcade': What might it mean to live in solidarity with animals, ghosts, mythic beings, natural elements, even machines? The New Delhi artist collective, founded in 1992 by Monica Narula, Jeebesh Bagchi and Shuddhabrata Sengupta, explores a radically expanded notion of cosmopolitanism in a new film and a trio of prints, the latter made in collaboration with AI. Through July 11 at the Neubauer Collegium, 5701 S. Woodlawn Ave., 'The First Homosexuals: The Birth of a New Identity, 1869-1939': Part two of this extensively researched exhibit takes as its starting point the year in which the term 'homosexual' was coined and includes the earliest known European image of a same-sex couple and the first modern trans representations. These, plus more than 300 other artworks by over 125 artists from 40 countries, capture the enormous range of identities, sexualities, and genders that are true to the human experience. Through July 26 at Wrightwood 659, 659 W. Wrightwood Ave., 'Huguette Caland: Bribes de corps': While living in Paris in the 1970s, the Lebanese artist, who died in 2019 at the age of 88, produced a group of paintings called 'Body Bits.' Some appear simply abstract, others have funny little people doodled here and there, many are filled with big, bulbous shapes. But all of Caland's brilliantly hued canvases are also fleshy and funny and female, in ways that speak of bold corporeal pleasure. This largest presentation of the series to date also includes two embroidered caftans made — and worn — in a similarly gleeful spirit. Through Aug. 2 at the Arts Club of Chicago, 201 E. Ontario St., 'Into the Hourglass': Prison art comes in many forms, including paños, intricate drawings on commissary handkerchiefs made as communication to loved ones. Created by incarcerated Chicanos throughout the 20th century and up to the present day, they employ a wide variety of symbols, from Aztec warriors to bubbles, and bespeak the intimate thoughts and feelings of a population too often silenced. Through Aug.10 at the National Museum of Mexican Art, 1852 W. 19th St., 'CROSSINGS': There aren't any local monuments to Bessie Coleman, the first Black woman pilot; or to Wendell Scott, the first Black man to win a NASCAR event; or to the Black Farmers Settlement, the largest civil rights payout in American history. But there should be, so Bernard Williams built them out of plywood and steel, in the form of a full-scale airplane, race car and tractor. He put them on view in the park adjacent to the museum, as well as indoors, where they are joined by a series of his enigmatic paintings. Through Aug. 17 at the Elmhurst Art Museum, 150 Cottage Hill Ave., Elmhurst, Intuit Art Museum reopens: Twenty months and $10 million later, Chicago's newly renovated home for folk art is fully accessible, greatly expanded, and all dressed up in a sparkly façade by Bob Faust, remixing artwork from its permanent collection by Lee Godie, Derek Webster and others. Inside, Henry Darger gets a permanent two-room exhibit all his own and there's even a gallery for collection highlights. The inaugural temporary show is 'Catalyst: Im/migration and Self-Taught Art in Chicago,' featuring folks born in locales as far-flung as North Korea, India and Honduras, all of whom ended up here, making new lives, making art. Through Jan. 11, 2026, at Intuit Art Museum, 756 N. Milwaukee Ave., Arts of Life 25th Anniversary Celebration: Since its founding, Arts of Life has gone from providing studio space for nine artists with intellectual and developmental disabilities to supporting more than 80 practitioners, in three facilities across the Chicago area. Their artists show at art fairs, curate a gallery and are widely collected— which is to say, their artists help shape the broader culture. That's plenty cause to celebrate, as Arts of Life has been doing all year, with the publication of a beautiful book, a series of guest-curated exhibits at their in-house gallery, and two big, upcoming public events: a retrospective group show at the Design Museum and a giant video projection on the Merchandise Mart façade. 'sounds better with you,' Through July 11 at Circle Contemporary, 2010 W. Carroll Ave., 'Community on the Make' runs Aug. 11 to Jan. 10, 2026, at the Design Museum of Chicago, 72 E. Randolph St., 'Art on the Mart' runs Sept. 11 to Oct. 5 on the Chicago Riverwalk and Wacker Drive between Wells and Franklin Streets, 'Collaboration: A Potential History of Photography': Who makes an image? Created as an exhibition companion to a landmark publication of the same name, 'Collaboration' reassesses humanistic photography to decenter the photographer as singular author and emphasize the process as one involving many parties. Drawn entirely from the MoCP collection and guest curated by three of the book's editors, feminist scholar Laura Wexler and the eminent photographers Susan Meiselas, who documented the Nicaraguan Revolution, and Wendy Ewald, known for giving cameras to minority communities to help them represent themselves. Through Aug.16 at the Museum of Contemporary Photography, 600 S. Michigan Ave., 'Gustave Caillebotte: Painting His World': Do we need another blockbuster Impressionist exhibition? 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O'Brien and Guanyu Xu; and visionary creations like Nick Cave's 'Soundsuits' and Robert Lostutter's watercolors of mysterious men wearing feathered masks. 'The Free Clinic for Gender Affirming Care,' a mural by architectural fantasist Edie Fake, enlightens the museum's atrium in a related project. July 5-May 31, 2026, at the Museum of Contemporary Art Chicago, 220 E. Chicago Ave., Edie Fake's atrium mural is on view through March 29, 2026, 'Pixy Liao: Relationship Material': Never mind all those picture-perfect social media posts documenting your cousin's latest romance. This is how you photograph a romantic partnership: over many years, with humor and collaboration, in staged images that upend conservative gender roles while still managing to be brave, sincere, and revealing. Featuring 45 cleverly titled images from the time the artist met her muse, musician Takahiro Morooka. July 26 to Dec. 8 at the Art Institute of Chicago, 111 S. Michigan Ave.,
Yahoo
2 hours ago
- Yahoo
LaKoradior Haute Couture Shines at the 78th Cannes Film Festival Red Carpet
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UPI
2 hours ago
- UPI
Kevin Smith confirms he's writing 'Dogma 2'
1 of 4 | Left to right, Salma Hayek, Alan Rickman and Chris Rock star in the 2000 movie "Dogma," which returns to theaters on Thursday for its 25th anniversary. Photo courtesy of Triple Media Film NEW YORK, June 5 (UPI) -- Actor and filmmaker Kevin Smith says he was so energized and inspired by a "beautifully sentimental" experience screening Dogma in the "classics" section of the Cannes Film Festival that he is determined to go back there in a few years with a sequel to it. Dogma first screened at the prestigious festival in 1999. Smith also showed Clerks there in 1994 and Clerks 2 in 2006. "I stopped submitting movies to Cannes. They didn't seem like Cannes-worthy movies, in my personal estimation. So, there I'm walking the Croisette and I'm like: 'Why do you think you're done? It doesn't mean you can't come back here with a Cannes-worthy movie. You just have to [expletive] try,'" the writer-director told UPI in a recent Zoom interview. "So, it was the 78th edition this year and I'm going to give it a shot, so, hopefully, by the 80th or 81st, I want to return with the Dogma sequel, which I've been writing." DOGMA: The Resurrection Tour! See it with me followed by a Q&A! Get tickets at In American theaters everywhere JUNE 5th! Get tickets at KevinSmith (@ThatKevinSmith) April 28, 2025 The iconic Catholic comedy, which returns to theaters Thursday for its 25th anniversary, stars Matt Damon and Ben Affleck as Loki and Bartleby, fallen angels who figure out a way to get back into Heaven via a New Jersey church, a selfish move that could unmake existence. Trying to stop them and save humanity are Bethany, who only recently learned she is a descendant of Jesus Christ's family (Linda Fiorentino); Metatron, the voice of God (the late Alan Rickman); Rufus, Christ's 13th apostle (Chris Rock); Serendipity, a muse (Salma Hayek); and the foul-mouthed "prophets" Jay (Jason Mewes) and Silent Bob (Smith). The late George Carlin plays Cardinal Glick, pastor of the parish where the epic showdown between the two factions takes place. Asked who from his star-studded cast might return for the follow-up, Smith, 54, replied, "I'm going to set the table for anyone who's alive to still be in the cast." "The story I'm telling certainly allows for them, but isn't predicated on any of those characters. It's not like, if I don't have this person, I can't go anywhere. So, God willing -- pun intended -- they'll all come back," he continued. Smart, hilarious and humble, Smith famously fosters positive working relationships with people who then follow him from picture to picture. "We've had very good retention success over the years," he said. "The way I always look at it is, if Ben and Matt came back for Jay & Silent Bob Reboot, I've got to imagine Dogma 2 will bring them back." Working with Carlin on the first movie meant a lot to Smith, who grew up idolizing the comedy legend. "George, from the jump, was somebody we pursued for the movie," Smith said, recalling how the timing wasn't the best, though, since Sally, Carlin's wife of nearly 40 years, died the week Smith sent him the script. Smith said: "I sat down with him, and he goes: 'i love your script. It [messes] with the church. I'm way into that sort of thing, but, we got a bit of a problem because, as you know, my wife passed away. ... She was a cool lady. I'm going to miss her for the rest of my life, but because of that, I'm not really ready to take my wedding band and I know I'm playing a Catholic cardinal, so that's a problem.'" Carlin and the filmmaker decided that covering the ring with a Band-Aid would solve the problem. "So, he came blindly because it was right up his alley as an old lapsed Catholic," Smith said. Rickman was an actor Smith had long admired, but with whom he never expected to collaborate. "He was one of my favorite actors on the planet and I thought he was too good for an [expletive] 'Kevin Smith movie,' so I never would have reached out to him," Smith said. But then, one day, John Gordon, an executive at the movie studio, Miramax, called Smith up and told him that Rickman was raving about Smith's 1997 film, Chasing Amy, during a recent visit to speak about starring in a Merchant/Ivory drama. "I was like: 'Hans [expletive] Gruber was in the building. Did he blow it up or what?'" Smith quipped. After Gordon told him the Shakespearean-trained actor was a fan of his, Smith sent Rickman the script. "It was the fastest 'yes' I ever got from an actor in my life, outside of Jason Mewes. Jason Mewes always always says 'yes' before I finish saying the title," Smith said. "Alan Rickman, though, got the script, less than two hours later, he called up and said, 'I'm in.' it was magic," Smith added. "Alan Rickman is the savior of this film. He treats it so damn seriously." The filmmaker said the cast always gets a huge round of applause from audience when the credits roll at the end of screenings, but people really go crazy when they see the Mewes and Rickman for the final times. "I told Jason, 'They love you to death, but they love Alan Rickman a little bit more,' and he's like: 'Wait until I die. I'll show them,'" Smith laughed. The film's thoughtful musings about spiritual faith, religious freedom, the power of the church and the concept of beliefs versus ideas still resonate with viewers 25 years and four Catholic popes after Dogma hit the big screen. As Smith has discussed the film during panels and screenings over the years, people have shared how profoundly it has impacted them, with many noting it actually helped bring them back to church. "I get it because I remember the kid who wrote this and directed it and believed in everything that's in the movie," she said. "So, It's a profession of faith. Yes, it's a comedy, but this is young Kevin Smith's idea of what Sunday service could be if it had anal Jokes in it. So, it still plays that way, to this day, and right now, more than ever, it feels like people are looking for a little extra faith, and, oddly enough, the movie may play better today than it did in 1999."