Colman Domingo Honors André Leon Talley in Blue Valentino Cape on the 2025 Met Gala Red Carpet With Husband Raúl Domingo
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Generate Key Takeaways
Colman Domingo embraced the Met Gala 2025's theme, 'Superfine: Tailoring Black Style,' in a royal-inspired Valentino look. The 'Four Seasons' actor wore a vibrant blue pleated cape that flowed to the floor, creating a dramatic silhouette.
An elaborate silver sequined and embellished chest piece sat on the shoulders of Domingo's cape, reminiscent of ceremonial armor or royal regalia. Underneath, Domingo wore a black and white outfit, featuring a tweed blazer.
More from WWD
Colman Domingo and Lewis Hamilton
The actor's outfit was a nod to the late fashion journalist André Leon Talley, who notably wore a dramatic blue cape for the Met Gala in 2011.
André Leon Talley in 2011.
Domingo completed his look with statement jewelry by Boucheron and an Omega watch. The actor was styled by the duo Wayman + Micah, with whom he has worked for several years. Wayman + Micah also works with Taraji P. Johnson and Mary J. Blige, among other stars.
(L-R) Raúl Domingo and Colman Domingo
Jamie Richmond took care of Domingo's well-groomed beard and short hair for the occasion.
The actor posed for photos on the red carpet with his husband, Raúl Domingo, who donned a sparkling purple suit.
Colman Domingo and Lewis Hamilton
Domingo is a house ambassador for Valentino. He attended the brand's couture spring 2025 fashion show in January, sitting in the front row alongside Elton John. He also wore custom Valentino looks throughout the 2025 awards season, wearing the label at the Golden Globes, SAG Awards and Palm Springs International Film Awards.
The 2025 Met Gala, held Monday at the Metropolitan Museum of Art, features the theme 'Superfine: Tailoring Black Style.' The event highlights Black dandyism and menswear, with a 'Tailored for You' dress code. Cochairs include Domingo, Lewis Hamilton, A$AP Rocky, Pharrell Williams and Anna Wintour.
View Gallery
Launch Gallery: Met Gala 2025 Red Carpet Arrivals Photos, Live Updates
Best of WWD
Sign up for WWD's Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
'I hated my gayness for a long time, that's why I needed to share my story'
Suzi Ruffell is a comedian, podcast host and writer who has released her first book 'Am I Having Fun Now? Anxiety, Applause and Life's Big Questions, Answered' She joins Yahoo's Queer Voices series to discuss her book, coming out and living with anxiety. The comedian is on a nationwide tour with The Juggle from Friday 6 June to 23 November. I think it's really important to share the journey of coming out in the book because it makes that part of who I am now. But also because I think that sometimes there are people that might suggest we've reached equality, that there's no further to go, that if LGBT people want more why do we still need Pride? And when people will say things like that, I think it's important to let those people in a little bit and talk about the fact that it can be really hard to come out. It was really hard for me to come out. It took me a long time to really accept that about myself. I really hated my gayness for a long time and felt enormous shame around it, and to be honest it wasn't until I was probably 30, maybe a little bit older, that I was really comfortable in my own skin. And I wanted to talk about it firstly because I wanted people to know the journey that happens for queer people, even if they have a loving family. I thought my family would find it an adjustment, which they did, but I always knew they would love me. But it was still hard, it was still hard for me and I think it can still be hard for people now coming out. I also wanted to share the difficulty in accepting myself because I wanted to show the reader the journey that I've had. As I say in the book, when I was first coming out I felt really unlovable. When I was working out my sexuality, when I was first attracted to women, I was firstly ashamed, secondly sort of disgusted with myself, which is really sad that I felt like that about something that is entirely natural to me. And so I wanted to talk about the fact that I don't feel like that anymore, the fact that I did fall in love and that I do now feel worthy of love. It was really important for me to be brutally honest about my experiences in the book, whether that be my experiences as a queer person or my experiences as a mum, or my experiences as someone that lives with anxiety. I really like stuff that's brutally honest. I like stuff that gets rid of the small talk and you get straight into it. It's also the kind of comedy that I've done for a long time, my comedy is really open. It's really honest and real — I don't really love that word as I think it means too many things, but you get what I mean — So I wanted to talk about anxiety and the mental health stuff. Now we're getting to publication, it feels a bit scarier but I do think that it's important to put it out there, and to be honest about how bad it has been in the past because I think people might often assume [things] if you do a job like this. There's that cliche of the comedian that's depressed, and I don't fall into that category at all — I actually don't know many comedians that do — but I think anxiety is more prevalent than you might realise. I wanted to talk about it, so I think people might be a little surprised that someone that stands on stage in front of thousands of people won't worry about that, but they'll worry about an awkward moment they had with someone six years ago, and we'll ruminate on it for a week. I wanted to talk about it because when I've been in really low places, whether that be because of specific anxiety issues or whether that be because of heartbreak or grief, what I've really sought is books. I love books and I've really looked for books that are honest, but also that make me laugh and that are hopeful. And that's really what I tried to create in writing this book, and I think I did. It was really cathartic writing this, I didn't realise how much I was going to enjoy writing it. I loved writing it. I didn't go to university, I never wrote dissertations or anything like that, so it was a real change in the rhythm of my day and the rhythm of how I write, because I wrote a lot of stand up on the stage. I'll have an idea there and then I'll talk about it and you know, some bits work and some bits won't, but that's partly in the stand up, and that's alright. So it was a really different thing to do. The length of the book means that you can talk for as long as you want to about the subject, there doesn't need to be a punchline. And so it ended up being enormously cathartic and really enjoyable to go back and revisit those moments, and to see them with adult eyes. I think I've processed quite a lot of stuff but I didn't realise I really needed to. I'm really excited to go out on tour. I feel very lucky that I get to do comedy. Comedy is great, I really love it and I'm really thrilled that I've got this audience that come and see me. They're so great and so lovely, and they're just a bunch of absolute legends that are bang up for it from the moment I walk on stage. I'm trying to be very positive in the lead up to the tour, I really like the show — that really helps. I'm really proud of it and I'm trying to be present with the anxiety around it and also witnessing the anxiety but not hanging too much on it — which is, I think, a good way to look at it. I'm really excited about getting on stage and performing because it's just full of new stories that I can't wait to share with people. The comedy that I do is storytelling and it all comes from truth, it's just really fun. It's a really great thing to do with your life, I love it. If you think of how comedy looks now to how the comedy landscape looked then, it was so male. It was very white, it was really hard to get even booked on line ups, I'm not talking about on TV shows. They would never be more than two women on a bill, and we were also sort of told not to talk about it. Well I don't know who we were told by, but it was a given that wouldn't talk about the injustice of it. And if you've got a job, you just sort of would feel lucky. The landscape was totally different. It was really usual to get misogynistic heckles, it was pretty usual to get homophobic heckles. I mean, I'm sure those people still exist but comedy has moved in such a way that now if you are a fan of comedy you will be able to find someone that is like you that does stand up. I think comedy really is for everyone, I think it's a great way to connect with people, to bring down barriers, to let people into the kind of person you are, to see people's humanity — I love comedy for that. And I think that for a long time, comedy felt like it was only talking to a certain type of person, and now I think you can see that comedy really is for everyone. I'm not saying that it's perfect, I still think it's a shame that we don't have any women that are hosting big TV shows. And I think that it's a shame that lots of the shows have men being the team captains, or whatever the show. But hopefully in ten years time, we won't be saying that. So it's definitely improved, massively improved, but I think there's still a bit of a way to go. In the book I talk at length, not so much length that it's a problem, but I talk about the fact that Kate Winslet was sort of… I'm not saying Kate Winslet made me gay, I'm just saying she opened my eyes to who I could be in the world or who I was in the world. And so Kate Winslet in Titanic will always hold a very special place in my heart. Also, looking back, Friends isn't perfect but Carol and Susan getting married, having a life, being parents to Ben with Ross, and Ross, in time, coming around to the idea that his wife left him for another woman was comforting. It's hard to say queer role models I had growing up because I wasn't sure that I had them, I bloody love Claire Balding. I'm lucky enough to have met her a few times now and I just think she's great, and she's always been unapologetically herself which I love, but I think I found my bigger role models later on, maybe when I was more confident in my own skin. I would say Wanda Sykes, who's an American stand up that is just phenomenal, is my favourite and I find her enormously inspiring, both as the person that she is in the world but then also the fact that she is really, really, really funny. She's just brilliant, she's an enormous role model and enormously inspiring, both as a queer person but as a stand up as well. I wish films like Pride existed when I was younger. I love that movie, it's such a good film, I love it, I've seen it lots of times. I love Hacks, there's a character that's bisexual — actually there's a number of characters that are queer in one way or another — but one of the leads is bisexual, and it's not a big deal, and I think that's really important as well. It's just part of her life, it's actually not an enormous part of the storytelling. Her relationships are, but her queerness isn't and I love that she just happens to be gay. I think that's what we need, just seeing more queer people existing and knowing that it's okay and it's not weird and it's not different. When I was a young person if I saw queer media of any kind it would be something about people being kicked out of home or their parents not loving them anymore, or it would be about the AIDS crisis and there would be very few things that would be about being a happy gay person. And so anything that exists where someone is living a normal life and has friends and has a network of people that they love and that are around them would have been a really great thing for me to see. I'm not a queer activist, but I do talk openly about being gay. I'm not someone that understands how you challenge policy other than signing letters and listening to people. I think the best way to tackle people's prejudices is to live, the best thing that you can do is to live happily. I know that might seem impossible, but living your authentic self means that you've won. People can shout, but a lot of the time people are just shouting into a bin because I do think the majority of people feel like that about anyone in the LGBTQIA+ community. I think most people think that people should be allowed to live their authentic lives and I like to think that most people are good, and the majority of people are kind. I think we're certainly living in a time now where it does feel like we're sort of swinging right and certainly with the sort of leap in support of people like Reform, I think, is really scary. But I'm sort of reticent to say people should always be speaking and always being visible, cause I think sometimes that's not safe, and if that's not safe no one should feel like they have to do that. I think engaging with people is the thing that can really help. I think lots of the people that were more homophobic say in the 90s were people that hadn't spent any time with gay people, they didn't know anyone that was gay. Now everyone knows gay people, I don't think people are scared of gay people. I think that certainly it's become less homophobic and I think that certainly in the media there's more TV and more music and more art and more theatre created with queer people in mind, with queer stories, that's a really powerful tool. It's a really powerful tool to get people to see us. I think Russell T Davis did such a great job with It's a Sin. I'm sure people who watched it didn't have the best response to the AIDS crisis in the 80s and 90s, but watching that show they probably felt a lot more empathy and a lot more understanding. And so I think that telling stories is a really great way to change hearts and minds. It's also really important that it's storytelling for every kind of person. I think it's really important that lots of people from lots of demographics are heard — that it's not just white queer stories that get told. It's how we see each other's humanity, it's how we know that we're all not that different, regardless of what we look like, or who we go to bed with, if there's a God that we pray to. I think all of us feel the same things, all of us know what those different feelings feel like, whether that be devastation or joy, or hope, or despair. I think that being able to see those stories told through whatever media is a way of connecting with people that they don't really know or they don't really understand. My advice for queer youth would be don't come until you're ready. Don't feel like you need to leap out of the closet, there'll be loads of time to have all the fun and do all the things. I know sometimes it feels like it needs to get out, but make sure you do it when you know you have some people around you that can hold you up if that needs to happen. I would always say you don't need to be a particular type of queer person. For a while I thought: 'I don't fit with these people, I don't fit with those people'. I'm trying to be this kind of person and it was really hard to not feel like I've fitted in, but in time I really found my people. I found my best friends, I found the people that I adore that are like me, that understand my life. But it just took me a little while and if it takes you a while that's cool too. I would also say, and Dustin Lance Black said this to me when I interviewed him and I think he's just brilliant, he said that people's first reaction isn't always their best reaction and I thought that was so great because I think sometimes people don't react in the way that you want them to. That can be really disappointing, and in time they might realise that that's not the way that they really wanted to react either. But people are people, and sometimes people make mistakes, and giving people another chance, or allowing people to apologise, I think is really important. Certainly if someone doesn't quite understand, doesn't know about what a life like ours might look like, in time it's okay to forgive and give them another opportunity. I've always felt that's that's the people that we are in lots of ways because sometimes people don't react in ways you want them to, but if you let them in a little bit, if you let them know that there's not actually that much that's different, you allow them to change their mind. That's good too.
Yahoo
4 hours ago
- Yahoo
3 Arts Entertainment Expands Into News With Acquisition of OManagement (Exclusive)
The management and production firm 3 Arts Entertainment is getting into the news business. 3 Arts is acquiring OManagement, the talent management firm founded by CAA and NBC veteran Olivia Metzger. Metzger will become partner and co-head of 3 Arts' New York office. More from The Hollywood Reporter 3 Arts Entertainment Pushes Into Sports, Acquires A&A Management Stacey Lubliner Joins 3 Arts Entertainment as Manager Lionsgate Vice Chairman Talks Being Buyer and Seller Amid Media Consolidation OManagement specializes in working with news, journalism, and personality-driven talent, with a client list that includes Today anchor Craig Melvin, Meet the Press moderator Kristen Welker, Fox News anchor Harris Faulkner and NBC News contributor Steve Kornacki, among others. The addition of OManagement comes amid a shifting landscape for news, journalism and opinion programming and content. The emergence of Substack, newsletters, audio and video podcasts and other platforms means that both journalists and opinionated hosts have more options than ever when it comes to figuring out where they ply their craft, even as traditional TV channels continue to slowly shrink. The acquisition marks a big move into news for the Lionsgate-controlled 3 Arts, which has traditionally been focused on entertainment management and production, with clients like Tina Fey and Mike Judge and shows like The Office, Four Seasons and King of the Hill. That being said, the company made a significant move into sports and athlete management earlier this week with the acquisition of A&A Management, the Ohio-based firm that represents Travis Kelce, NBA star Jonathan Kuminga and other sports related clients. 3 Arts will be able to leverage its reach and production expertise to OManagement's news talent as they explore options beyond legacy media institutions. 'At 3 Arts, we recognize that news talent and media personalities have never been more valuable than they are today,' said 3 Arts Entertainment co-CEOs Brian Weinstein and Michael Rotenberg. 'With audiences seeking out trusted individual voices, our partnership with OManagement allows us to support journalists and news professionals and personalities as they build their brands and adapt to new ways of connecting with the public. OManagement possesses unrivaled relationships with media companies and on-air talent, and as 3 Arts Entertainment expands its New York City presence, the addition of Olivia as a leader and a partner will help our combined team support cultural influencers and personalities creating impactful content.' 'The news industry is evolving, but the need for thoughtful, strategic support for storytellers and experts remains constant,' Metzger added. 'Partnering with 3 Arts allows us to offer our clients expanded opportunities across a dynamic media landscape, while preserving the close, individualized attention that has always defined both OManagement and 3 Arts. By combining our deep experience in agenting and talent development with 3 Arts' strengths in production and media strategy, we're creating a powerful alliance uniquely positioned to support storytellers and experts at every stage of their careers.' Best of The Hollywood Reporter How the Warner Brothers Got Their Film Business Started Meet the World Builders: Hollywood's Top Physical Production Executives of 2023 Men in Blazers, Hollywood's Favorite Soccer Podcast, Aims for a Global Empire
Elle
4 hours ago
- Elle
Sabrina Carpenter's ‘Manchild' Lyrics Seem to Be Savage Message to Ex Barry Keoghan
Sabrina Carpenter is making an early bid for song of the summer with the release of her new single 'Manchild.' Leading up to its release, fans wondered whether Carpenter's lyrics were aimed at her ex Barry Keoghan given the track name and promo language (specifically her announcement post saying, 'this one's about you!!'). The song doesn't explicitly call Keoghan out by name, but it generally alludes to the annoyance of having to deal with an immature man. The chorus goes, 'Man-child / Why you always come a-running to me? / Fuck my life / Won't you let an innocent woman be?' Keoghan and Carpenter first sparked romantic rumors in late 2023 before going public with their relationship in February 2024. Their relationship included a Met Gala date and Keoghan starring in Carpenter's music video for 'Please Please Please.' Those lyrics seemed to have a message for him too, with her singing: 'I heard that you're an actor / So act like a stand up guy / Whatever devil's inside you / Don't let him out tonight / I tell them it's just your culture / And everyone rolls their eyes / Yeah I know / All I'm asking baby / Please please please don't prove I'm right / Please please please / Don't bring me to tears when I just did my makeup so nice / Heartbreak is one thing / My ego's another / I beg you don't embarrass me / Mother fucker ahhh / Please please please.' Sadly, their love story didn't last and fizzled out in December 2024. A source told Entertainment Tonight, 'Things didn't end well, and they are taking space from each other. Sabrina and Barry are definitely broken up right now. Sabrina isn't sad over the breakup and is staying busy and distracted.' The insider added that 'Sabrina is figuring out what she wants and is focused on her career.' Carpenter hasn't dated anyone publicly since Keoghan—but chances are she has plenty of private stories to draw inspiration from, too. Whether Keoghan or someone else is her muse, the star isn't likely to share the subject of 'Manchild.' She told W magazine last year that she doesn't want to put her love life up for public consumption. 'I get why people are interested,' she conceded. 'But they can listen to my album and decide for themselves what the songs are about.' 'Manchild' offers fans an opportunity to do just that. Listen to the song below and read the lyrics, courtesy of Genius:
