Academy Museum Brings ‘Wonders of Technicolor' Series to New York with ‘Willy Wonka,' ‘The Red Shoes,' ‘Cabaret,' and More
Since Netflix bought and restored The Paris Theater, one of New York City's last remaining single-screen movie theaters, the streaming service has used the historical venue to give a big-screen showcase to its original films. The streamer has also used The Paris to host increasingly robust retrospectives, and today IndieWire exclusively announces that Netflix has partnered with the Academy of Motion Picture Arts and Sciences to bring 'The Wonders of Technicolor' series to New York this summer.
The retrospective series originally played this fall at the Academy Museum of Motion Pictures in Los Angeles to accompany the museum's 'Color in Motion: Chromatic Explorations of Cinema' exhibition.
More from IndieWire
'Prime Minister' Review: An Up-Close-and-Personal Peek Into Jacinda Arden's Six-Year Term Shows What Thoughtful Leadership Can Look Like
Danny Boyle and Alex Garland Had Planned a 'Sunshine' Trilogy, Boyle Recalls 'Big Blowout' with Fox Exec Over Sci-Fi Movie
Technicolor IV was introduced in the 1930s. The three-strip color technology produced saturated and vibrant colors, often described as 'crisp' due to how the three-strip color negative and printing process kept the colors distinct from one another, avoiding the 'bleeding' that became common after the process faded from the industry.
Hollywood used the enormous Technicolor cameras — which required special color consultants to advise on cinematography, costumes, and sets — for its biggest productions, especially musicals, up until the mid-1950s, when the old Studio System started to crumble. The shot in 'Glorious Technicolor' branding on posters and in the opening titles signaled to the audience that they were in for a special big-screen experience.
The series at The Paris will kick off the weekend of June 28-29 with 'An American in Paris' and 'The Wizard of Oz,' and run through August 6. Other classic Technicolor films screening as part of the series are 'Willy Wonka and the Chocolate Factory,' 'Fantasia,' 'Gentlemen Prefer Blondes,' 'The Red Shoes,' 'The Black Pirate,' and 'The Women.' Also included in the series are Alfred Hitchcock's 'Vertigo' and Bob Fosse's 'Caberet,' which were shot after Technicolor's heyday on Eastman color film stock, but then printed on Technicolor stock, a combination resulting in a more modern and less studio-stage look for the color technology as it faded from existence.
For 'The Wonders of Technicolor' screening and ticket information, visit The Paris Theater's website.
Best of IndieWire
Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See
'Song of the South': 14 Things to Know About Disney's Most Controversial Movie
Nicolas Winding Refn's Favorite Films: 37 Movies the Director Wants You to See
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time Business News
29 minutes ago
- Time Business News
How Technology Is Shaping the Future of Entertainment
The entertainment industry has always evolved with technology, from the invention of the radio to the rise of streaming platforms. But today, the pace of transformation is faster than ever. Artificial intelligence (AI), virtual reality (VR), augmented reality (AR), blockchain, and next-gen content delivery are reshaping how we consume, create, and interact with entertainment. In this article, we'll explore the key technologies revolutionizing the entertainment industry, what they mean for consumers and creators, and where this digital evolution is headed. The transition from cable and satellite TV to streaming platforms like Netflix, Disney+, Hulu, and Amazon Prime Video has redefined how audiences consume content. Unlike traditional TV, which followed a linear schedule, streaming offers instant access to thousands of titles on demand. Platforms now use machine learning algorithms to analyze viewing history, watch time, and behavior to deliver personalized recommendations. This not only improves user engagement but also shapes future content development. For instance, Netflix's data influences decisions on show renewals, casting, and even plot direction. AI is increasingly used in pre-production and post-production processes. It can generate scripts, assist in editing, and even recreate actors' faces or voices through deepfake technology. ScriptAI and tools like Jasper and Sudowrite are helping writers brainstorm and refine stories. Chatbots and AI-powered assistants now serve as digital concierges for fans—recommending what to watch, answering trivia, and even creating custom playlists. AI also powers subtitles, dubbing, and translations, helping entertainment companies scale globally. VR offers full immersion, transporting viewers into 360-degree worlds. Companies like Meta (formerly Facebook) are investing heavily in VR through platforms like Meta Quest, while game developers are creating hyper-realistic virtual experiences that blur the lines between digital and real life. AR, on the other hand, overlays digital elements onto the real world. Apps like Pokémon GO or Snapchat filters have shown how AR can turn everyday surroundings into interactive entertainment zones. Artists, musicians, and performers are also exploring VR and AR to reach fans in innovative ways. Virtual concerts—like Travis Scott's Fortnite show or Ariana Grande's Rift Tour—are redefining the concept of live entertainment. The concept of the metaverse—a shared, persistent, virtual universe—is gaining traction. While still in early stages, platforms like Roblox, Decentraland, and Meta Horizons offer social, gaming, and entertainment experiences within digital worlds. Entertainment companies are eyeing the metaverse as the next frontier. From virtual movie theaters to NFT art galleries and avatar-based concerts, the possibilities are limitless. Creators and companies can now sell virtual merchandise, experiences, and tickets. NFTs (non-fungible tokens) play a major role in enabling digital ownership. Imagine owning a limited-edition concert outfit for your avatar or a collectible video clip from your favorite artist. Blockchain technology is promoting transparency and decentralization in media. Smart contracts enable artists to get paid instantly and fairly when their content is used or streamed, bypassing traditional middlemen like labels or studios. Platforms like Audius and Theta are experimenting with decentralized models where fans can directly support their favorite creators, creating a more equitable entertainment economy. Blockchain also strengthens digital rights management. Immutable records on the blockchain make it easier to track ownership, usage rights, and revenue sharing, reducing piracy and copyright infringement. Interactive storytelling—where the audience makes decisions that influence the plot—is rising in popularity. Netflix's Black Mirror: Bandersnatch was a breakthrough moment for interactive video content, and gaming companies continue to lead in creating choice-based narratives. Gamification features like live polls, quizzes, and real-time interaction keep viewers engaged longer. Twitch's success proves that blending entertainment with live user interaction creates a powerful feedback loop that strengthens fan loyalty. With the evolution of 4K, 8K, and even higher-resolution screens, visual fidelity continues to improve. HDR (High Dynamic Range) and Dolby Vision bring richer colors and better contrast, creating cinema-level experiences at home. Audio is no longer just stereo or surround. Technologies like Dolby Atmos and Apple's Spatial Audio provide three-dimensional soundscapes. For listeners, this means feeling like they're in the center of the action—whether it's a concert or a movie scene. As tech reshapes the industry, new job roles are emerging—AI trainers, virtual environment designers, blockchain developers, metaverse architects, and digital rights managers. For aspiring creatives, technical literacy is becoming as important as artistic skill. Understanding data analytics, basic programming, or AR/VR platforms can give professionals a competitive edge. Affordable tools for editing, animation, and sound design allow independent creators to produce studio-quality content. Platforms like YouTube, TikTok, and Substack have empowered solo creators to build massive audiences without traditional gatekeepers. Technology is not replacing traditional entertainment—it's enhancing and expanding it. The future lies in hybrid experiences that combine physical and digital, passive and interactive, real and virtual. Whether it's watching a movie in VR, attending a holographic concert, or owning a piece of your favorite show as an NFT, the boundaries are being redefined. For creators, producers, and fans alike, the message is clear: adapt and explore. The future of entertainment is being written in code, created with algorithms, and powered by immersive, intelligent tech. TIME BUSINESS NEWS
Yahoo
an hour ago
- Yahoo
'Love Is Blind UK''s Bobby and Jasmine Johnson Are Expecting First Baby Together: 'Dreamt of This Moment'
Love is Blind UK alums Jasmine and Bobby Johnson are expecting their first baby — and Bobby wrote a special rap to announce their big news "I've pictured your tiny face a thousand times. I've dreamt of this moment long before I knew how good life could get. Then I met your dad and the rest was written in love 🤍," Jasmine wrote in an announcement on Instagram, adding: "Baby Johnson Coming Winter 2025!!" The couple met on season 1 of Netflix's Love is Blind UK and tied the knot on the dating show last yearNetflix's Love is Blind UK alums Jasmine and Bobby Johnson are going to be parents! In an Instagram Reel video shared on Monday, June 9, the season 1 couple announced that they are expecting their first baby together, due later this year. "We've been keeping a secret 🤫," Jasmine, 29, wrote in the caption of their joint post. "I've pictured your tiny face a thousand times. I've dreamt of this moment long before I knew how good life could get. Then I met your dad and the rest was written in love 🤍." "Baby Johnson Coming Winter 2025!!" she added. The video begins with a sit-down interview with the couple, both donning white shirts and Jasmine showing off her baby bump, speaking about how they might want to raise their future child. "I ideally want to raise children in a household where our foundation is on 100," the nurse-turned-TV star says in the clip, before the camera zooms out to reveal that the Reel is actually a short music video for an original song about their life together and their baby on the way, written by Bobby, 33. "I was lost but now I'm found, well ever since you rescued me/ We sit and talk on rainy days, just debating baby names," he raps in the clip. "I'm looking at your baby bump... I guess we'll have to wait until the day you come/To know if you're our daughter or our baby son," the song continues. "I'll be happy either way!" Bobby and Jasmine were among the couples who left the pods hand-in-hand during Love Is Blind's first season in the U.K. During the 2024 season, Jasmine, a nurse from London, and rapper Bobby quickly bonded in their pods, and Bobby, who admitted at the time that from the 'start,' Jasmine was 'the girl for me.' After rapping a poem divulging his feelings, Bobby proposed, and Jasmine accepted. By the end of the season, the pair had tied the knot. In February this year, the couple opened up about their difficulties trying to conceive with Grazia UK, as Bobby called the process a "rollercoaster." "In the beginning, we were very naive," Jasmine told the British outlet at the time. "[I thought] I was going to get pregnant as soon as we had sex. Obviously, that's not the case." Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. The pair shared at the time that Jasmine had seen a doctor and had been using ovulation testing to help the process along. But because they had both discussed wanting children while they were on the Netflix series, they felt pressure from fans and social media followers who would often ask if Jasmine was pregnant yet. is now available in the Apple App Store! Download it now for the most binge-worthy celeb content, exclusive video clips, astrology updates and more! "I think the difficult thing for Jasmine is if people comment on your photos and they're like, 'oh, I can see the bump,' or 'you're pregnant, I can tell it,'" Bobby shared. "Things like that – it's quite insensitive sometimes." Jasmine told the outlet that despite the challenges, having a supportive partner has made a massive difference in the process. "Having a partner there to support you, oh my gosh, it's a blessing," she added. "A lot of people don't get that privilege to go through their pregnancy journey with a supportive partner. It's not going to happen tomorrow, but it will happen when the time is right." Read the original article on People
Gizmodo
2 hours ago
- Gizmodo
Danny Boyle Reveals ‘Sunshine' Was Once Planned as a Trilogy
Director Danny Boyle and screenwriter Alex Garland's zombie re-team 28 Years Later opens in a few weeks; there's already a sequel on the way, and a third film will follow if the first two excite audiences. But in a new interview, Boyle shared that 2007's Sunshine, which he made after 28 Days Later and just before his Oscar-winning Slumdog Millionaire, could have sparked another sci-fi franchise—if only it had been a bigger hit. Sunshine has gained a cult following across the past two decades, not least because of its cast of future Oscar winners and blockbuster breakouts: Cillian Murphy, Chris Evans, Rose Byrne, Michelle Yeoh, Cliff Curtis, Mark Strong, Hiroyuki Sanada, Troy Garity, and Benedict Wong. But its tale of an international crew sent on mission to re-ignite the dying sun—dangerous enough even without a sun-crazed saboteur wreaking havoc—failed to draw crowds at the time. Speaking to Collider, Boyle reveals what might have been, without giving too many specifics, of course. 'Originally, when we were doing it, Alex wrote two other parts. It was supposed to be a trilogy,' the director said. He clarified that Garland didn't write two other scripts; instead, he had an outline for where the story would go. 'It was a planetary trilogy. It was to do with the sun itself, with two other stories,' Boyle teased. 'What's interesting is Alex has a natural instinct as a storyteller to want to tell these expanding stories, and that is why 28 Years Later wound up as a trilogy.' He hinted that Sunshine's sequel would have featured 'an extraordinary idea' on 'kind of Elon Musk scale, even though he's lost a lot of credibility. But it was interplanetary stuff, it had more to do with that … there's no rich man in it. But the idea of looking outside and moving.' However, he wouldn't reveal more—out of respect to Garland, in case he ever wanted to repurpose the idea. Maybe Sunshine 2 might find life after all? Boyle's track record of long-delayed returns to his earlier films (28 Years Later, T2 Trainspotting) may give us hope yet.
