
IVF expert who helped Shah Rukh Khan-Gauri Khan conceive says it led to a boom in surrogacy: ‘You made AbRam'
Shah claimed the birth of AbRam brought a lot of awareness about the process of surrogacy among people. 'For me, all patients are the same. There's nothing different or special there. Whatever we do for all patients, we do for them also,' said Shah, adding that Shah Rukh going through the IVF process brought about a wide debate on surrogacy in society.
'That way, it was good because it brought a lot of awareness about the procedure. There was a big boom in surrogacy after that,' Shah said on the podcast Aleena Dissects. 'Till today, people walk into my clinic only because of that. People from the Middle East, Africa, the US, the UK, name the country. They say we found you because you made AbRam. That's something which will last forever so it's one of my best memories,' he added.
He claimed more people from Bollywood began visiting him for surrogacy procedures, thanks to word of mouth. 'My whole practice is based on that. Somebody got pregnant and told someone else. And women love to talk,' reasoned Shah. He claimed there's no issue as such in Mumbai of consulting a male gynaecologist like him.
In 2017, Gauri and Shah Rukh's good friend and filmmaker Karan Johar also announced the birth of his kids via surrogacy. He consulted Shah as well, who claimed that while Johar becoming his client didn't change his career as such, but it brought about a lot of discussion around single fatherhood.
'It was a big social shift because single father was a very new concept in India. It's very popular in the West. We were flooded with enquiries by potential single fathers about surrogacy. It's a very debatable idea. There are always pros and cons. What if it's a female child? What if it's a male child? There was a lot of debate going around that. Before we could really get around it, the law came that it's now prohibited. Now, we can't do surrogacy around single fathers,' revealed Shah.
Also Read: Gauri Khan rents Rs 1.35 lakh per month flat for Mannat staff, 100 metres away from family's new Pali Hill home
Last year, in an interview with Faye D'Souza, Johar admitted that his kids have started asking him questions about the identity of their mother. 'It is a modern family. It is an unusual circumstance, so now I am also dealing with the questions about 'whose stomach was I born in? But mumma is not mumma really, she is my grandmother (Karan's mother Hiroo Johar)'. I am going to school, to the counsellor, to ask how do we navigate the situation? And it is not easy, being a parent is never easy,' said Johar.

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Pink Villa
18 minutes ago
- Pink Villa
Box Office: Saiyaara hits the Rs 300 crore mark in India in third weekend; Ahaan Panday & Aneet Padda starrer tops War & Sultan
Saiyaara, directed by Mohit Suri, and starring Ahaan Panday and Aneet Padda, continues its blockbuster run in the third weekend as well. The movie is giving a tough fight to the new releases of this week and even registering better trends. Saiyaara enters Rs 300 crore club, surpasses War and Sultan Backed by Akshaye Widhani of YRF, Saiyaara wrapped its third weekend by entering into the Rs 300 crore net mark in India. The romantic drama collected Rs 173.75 crore in the opening week, followed by Rs 106.25 crore in the second week. It entered the third weekend by netting Rs 4.75 crore on Friday. Further, it collected Rs 7 crore net on 3rd Saturday. And now, it has netted another Rs 9 to 10 crore today on 3rd Sunday. The total cume of Saiyaara reached Rs 300.75 crore net in India in just 17 days of its release. The newcomers movie has surpassed the lifetime earnings of Hrithik Roshan and Tiger Shroff starrer action flick, War and Salman Khan 's Sultan. For the unversed, the 2019 Siddharth Anand-directed movie has collected Rs 292 crore net in India while the sports-drama had smashed Rs 300 crore net in 2016. The Day Wise India Net Collections Of Saiyaara Are As Under Saiyaara still has 10 days to stormm the box office. As it will not able to retain much screens after the release of Hrithik Roshan, Jr NTR's War 2 and Rajinikanth's Coolie from August 14, 2025 onwards. It will be interesting to see whether the movie can add Rs 50 crore more to the tally and cross the Rs 350 crore net mark by the end of its theatrical run. Saiyaara in theaters Saiyaara is currently playing in cinemas nearby. You can book your tickets from the online ticket-booking web portals or grab them from the counter itself. Stay tuned to Pinkvilla for more updates. Disclaimer: The box office figures are compiled from various sources and our research. The figures can be approximate, and Pinkvilla does not make any claims about the authenticity of the data. However, they are adequately indicative of the box-office performance of the films in question.


India Today
34 minutes ago
- India Today
From the India Today archives (1988)
(NOTE: This article was originally published in the India Today issue dated July 31, 1988)He is not handsome by conventional standards. He is short, dark and can easily be ignored in a crowd. But for all that, he is the undisputed superstar of the South, a man whose name spells box-office magic, the Midas of the eight long years, Rajinikanth has occupied the number one slot in south Indian films. Now, 115 films and almost as many hits later, he has reached a stage where he can choose his roles and, more significantly, restrict himself to four Tamil films a year. The remaining time is spent in Bombay acting in Hindi the late M.G. Ramachandran could compete with that phenomenal box-office record. But Rajinikanth is also the hero from the South—which has traditionally produced leading ladies for the Hindi screen—who has survived in the competitive world of Bombay films. Next month, Rajinikanth's first English movie, Bloodstone, in which he plays a taxi-driver, will hit the screen in 1,500 theatres all over the US. Shot mainly in Bangalore, the action packed entertainer has been co-produced by Amritraj Productions and the NRI Metro Film Corporation, owned by Dr Murali Manohar, a film film is about an American couple on a visit to India who get involved with a gang of smugglers. Rajinikanth, a local taxi-driver, comes to their aid. Made at a cost of one million dollars (Rs 1.30 crore) the film will be distributed worldwide by Columbia film fits in perfectly with the superstar's designs for the future. "I have reached a dead-end as far as Tamil films are concerned. Through Hindi movies, I have got a national image. What I want today is worldwide recognition," says Rajinikanth. In any event, by 1990, he plans to take a break from Tamil films and start directing his own even his most ardent fans believe that Rajinikanth's real talent lies in Tamil films which have made him what he is today. He is the only Tamil hero whose films are sold even before shooting starts. He is reported to get Rs 25 lakh per film, the highest paid to any hero in the Manithan (human being) released last Diwali is a box-office success, while his latest Guru Shishiya (master-pupil) is drawing packed houses. Says G. Venkateswarao, producer, distributor and president of the South Indian Film Chamber of Commerce: "He is a goldmine for producers and distributors."No wonder producers form an endless queue outside his door. The average cost of making a Rajinikanth film in Tamil is around Rs 70 lakh. But the film is sold by the producer to the distributor for over Rs 1 crore. A super-successful Rajinikanth film can do business for over Rs 2 crore. Some producers are even buying and dubbing some of his earlier, run-of-the-mill Hindi films into Tamil. Last week, yet another Hindi film of his, Asli Naqli, was dubbed into Tamil as Njane Valabhan. What then is the secret of the success of a man who rose from an ordinary bus conductor to be a megastar? In one word, charisma, Rajinikanth has a screen presence which is awe inspiring. In the Tamil context, his exaggerated swagger and his trademark gimmicks like tossing a cigarette in the air and catching it in his lips have made him a household Mani, an auto-driver who has seen Guru Shishya four times: "Rajani saar is my hero. All his films may look alike but his style is terrific." In Tamil Nadu, millions of children not only imitate the 'Rajani style' but also make him out to be a superman. Says AVM's Saravanan, the biggest producer in the South: "There is no need of a story in his films. There should be a chance for him to do comedy, drama and action. His screen presence and powerful delivery make him a bearer cheque of a crore rupees for producers."advertisementBut Rajinikanth the man is even more appealing to his fans than the star. There has always been a reckless and defiant quality about him that provided, during his early years of stardom, unending grist for the gossip mill. His personal life was embellished by widely-publicised drinking bouts and public brawls. His favourite targets were film journalists who wrote about his "eccentric" lifestyle. In at least one case, he tried to kill a journalist by driving a car straight at him. There were also stories of how he wrecked a five-star hotel's restaurant in in 1981, he had a nervous breakdown and had to be hospitalised. After that he cut down his film assignments, the next year quietly married Latha, a local college girl, and settled down. Recalls the star: "I could not cope with the pressures of stardom. A few years earlier I was making Rs 320 as a conductor and suddenly I was getting Rs 5 lakh per movie. The fame, money and overwork pushed me to a breaking point."Then followed his spiritual phase from 1986 onwards when he became a devotee of Raghavendra Swami (the Madhwa saint). He even acted in the movie Raghavendra, where he almost made the saint a cult figure. He also became an admirer of the Hare Krishna (ISKON) group, and talked about wanting to take up sanyas. His marriage according to film magazines, was then on the rocks, due to his involvement with all this only added to the mystique. Says Sujatha, a Madras housewife: "It's his personal life that makes him interesting. Everybody has a soft corner for him, mainly due to his background." The common man can identify with Rajinikanth's rags to riches story—one reason why his films do well in Rajinikanth does not have a Tamil background. He was born Shivaji Rao Gaekwad, a Maharashtrian, and spent his childhood at Basvangudi, a lower middle class suburb in Bangalore. His mother died when he was eight. His father and brother never cared for him and he took to the streets. He studied up to the pre-university stage. Poverty forced him to do all manner of odd jobs—he even worked as a coolie in 1973 he landed a job as a bus conductor with the Karnataka State Road Transport Corporation. Three years later, bit by the acting bug, he hopped on a train to Madras where he joined a film acting course run by the South Indian Film Chamber. It was here that director K. Balachandar spotted changed his name from Sivaji Rao to Rajinikanth and gave him a break in Apoorva Raagangal (strange melodies) in a villain's role. His next film was Moondru Mudichu (three knots) where he was again a villain, but with innovative mannerisms. Says Balachandar: "Rajani was the first actor I met who insisted that he be taken as a villain. He was a unique villain, with specialised mannerisms that went down well with the masses."But it was Bharati Raaja's 16 Vayadhinile (16 years of age)—released in 1977—which earned him super stardom. The movie also catapulted into fame its hero Kamalahasan and heroine Sridevi. It was as an anti-hero that "the Rajani style" created waves at the box-office. But stardom also meant switching roles from villain to hero, which he did successfully in Dharmayudham, a major next big role was in K. Balaji's Billa, a Tamil remake of Amitabh Bachchan's Don that saw him overtaking Kamalahasan as the number one star in the South. Says Bharati Raaja: "Kamalahasan is a great artiste, but Rajinikanth is the hero of the masses. Since 16 Vayadhinile, I have made many award winning movies which bombed in the box-office. To cover my losses I am forced to make a Rajani film."But the tragedy is that the megastar is in reality lonely and aloof. A mellowed man, he is wary of the press. He does not have any close friends and even on the sets, keeps to himself. Apart from shooting assignments, he rarely moves out of his simply-furnished three-bed roomed house at Poes Garden, a posh locality in Rajinikanth: "I am a simple man. I don't believe that just because you are a star you should have imported things." He drives himself to work in a 1980 model Premier Padmini. He had built himself a huge house at Velacheri, a suburb of Madras, but only stayed there a week before shifting back to Poes Latha, his plump and homely wife: "He is a changed man, a spiritual person in quest of the truth. He is almost like a son to me, and I am a mother figure for him." Latha says the press has exaggerated the stories regarding their differences. The Rajinikanths have two daughters—Aiswarya, six, and Soundarya, three. Says Rajani: "We hardly socialise and generally keep to ourselves." He describes himself as a man in pursuit of spiritual solace who reads many books on philosophy. He has invested the bulk of his earnings in real estate and is constructing a Rs 1 crore marriage hall in co-stars have only admiration for him. Says Radha, a popular Tamil heroine: "He is not only a great box-office draw but also a fine person." Adds producer Saravanan: "He is very disciplined on the sets and a producer's dream."Rajinikanth today will not touch a movie which will go against his image on the screen. He has also been criticised for taking minor roles in Hindi films. But the superstar is unfazed. "I cannot do more than four Tamil films a year otherwise I will be overexposed. Hindi films give me a national audience...I am an alcoholic but at the same time a workaholic."With the kind of hysteria he generates, it is inevitable that the star would be avidly sought after by every political party in the state. But he has made it clear that politics is not his cup of tea. "I hate the prevailing political climate. I will never be identified with any political party." Having achieved stardom at home—at last count, there were 8,000 Rajinikanth fan clubs in Tamil Nadu—he is now seeking international recognition. Apart from Bloodstone, Rajinikanth is to star in a thriller to be shot in Australia by Mani Retnam, the director of Nayakan, that won Kamalahasan the best actor he is convinced that he should quit while he is ahead. Says he: "By 1990, I want to quit. The thrill of being a star is fading out." Rajinikanth, however, has a reputation of being moody and unpredictable. Something that hundreds of producers are banking on, determined as they are to ensure that the goose does not stop laying its golden to India Today Magazine- EndsMust Watch


Time of India
an hour ago
- Time of India
THIS ‘Bhaag Milkha Bhaag' star charged just Rs 11 as fees; director Rakeysh Omprakash Mehra reveals why
Rakeysh Omprakash Mehra 's 'Bhaag Milkha Bhaag', one of the most celebrated biopics made in Bollywood, completed its 12th anniversary this year. The 2013 film, which chronicled the inspiring life of Indian sprinter Milkha Singh , featured Farhan Akhtar in a career-defining role. Made on a budget of Rs 41 crore, the film went on to even win an impressive 55 awards at both national and international award shows. While Akhtar's performance and dedication to his role bowled over fans and critics alike, it was another gesture by one of the film's cast members that won appreciation. At a time when actors are in the news for charging whopping fees exceeding Rs 50 to Rs 100 crore, back in 2013, one star on Mehra's cast did the unthinkable and charged a fee of just Rs 11. Rs 11 Paycheque This star was none other than the lead actress, Sonam Kapoor . The actress, who appeared in a brief but pivotal role as Biro, a character who alters Milkha's emotional journey, charged a nominal fee, surprising even the director. In an earlier interview with Bombay Times, director Mehra revealed the circumstances that led to this remuneration. He said, 'I approached Sonam and told her clearly that she would be in the film for about 15 minutes. I wasn't sure if her character would appear in the trailer or the poster,' he recalled. 'She listened and said, 'The film must be made, and I'll charge you a bomb.' Later, her contract arrived — and the fee was just Rs 11 as shagun. She brought great dignity to the part.' Film's Enduring Relevance Looking back on the film's enduring relevance, he reflected on its historical and emotional resonance. 'Some stories don't fade out; they mature with time. Bhaag Milkha Bhaag is one of them. It's timeless, not topical,' he said. Bhaag Milkha Bhaag also starred Divya Dutta, Pawan Malhotra , and Yograj Singh in key roles.