logo
Mariska Hargitay stuns in Cannes after revealing shocking family secret

Mariska Hargitay stuns in Cannes after revealing shocking family secret

Fox News24-05-2025

Mariska Hargitay stunned when she walked the red carpet at the premiere of her documentary, "My Mom Jayne," at the Cannes Film Festival, in an off-the-shoulder dress with a black top and high-waisted sequined red skirt.
The actress paired the look with dangling diamond earrings and black opera gloves with a ring on her finger. She styled her hair in big curls in a deep side part, reminiscent of big Hollywood glamour, and went for a more natural makeup look.
She posted multiple photos from the evening on Instagram, including some of her posing on the red carpet and holding hands with her husband, actor Peter Hermann, on their way to the premiere.
"Absolutely stunning. You look like a dream right out of the 60's, a style perfect for honoring your Mom's story, and yours," one fan wrote in the comments section of one of the posts. Another added, "What a stunning night. Your mom would be so proud."
The "Law & Order: Special Victims Unit" star also walked the red carpet at the premiere of "Vie Privée."
While posing for photos, the star turned heads in a figure-hugging one-shoulder black dress, with silver and gold beaded embroidery along the entirety of the left side, which culminated at the top with a three-dimensional design on her shoulder.
She paired the look with dangly diamond earrings, as well as a few rings and bracelets, choosing to style her hair straight and in a middle part.
"Timeless!! More breathtaking with every look," one fan wrote in the comments section of an Instagram post featuring her look for the evening. Another added, "WOW WOW WOW YOU look amazing," while actor Neil Patrick Harris chimed in with "Stunnnnnnning!"
Hargitay took no breaks while at the Cannes Film Festival, as she also posed for photos on the red carpet at the amfAR Gala presented by Chopard. She stunned in a form-fitting white dress with a jewel-encrusted halter neckline and a slight train behind her.
The actress accessorized with a silver clutch, a statement ring and bracelet, as well as diamond drop earrings. This time around, the actress pulled her hair back in a bun and opted for dramatic eye makeup and pink lips.
While at the film festival, Harigtay debuted a documentary she self-produced and directed about her mom, actress Jayne Mansfield, called "My Mom Jayne." Mansfield died in a car accident when Hargitay was three years old. She was then raised by her father, Mickey Hargitay, who, she recently revealed, is not her biological father. She found out in her 20s, her biological father is Las Vegas entertainer Nelson Sardelli.
"I grew up where I was supposed to, and I do know that everyone made the best choice for me," she said. "I'm Mickey Hargitay's daughter. That is not a lie. This documentary is kind of a love letter to him, because there's no one that I was closer to on this planet."
Scarlett Johansson looked ethereal in a flowing strapless purple gown, which featured rouching on the bodice and pieces of fabric, which detached from her torso and flowed to the floor, creating a slight train behind her.
The actress paired the dress with a diamond bracelet and a pair of diamond earrings, choosing to style her hair in a slick back bun. She went for a more dramatic makeup look with bold lashes and red lips.
While at Cannes, Johansson premiered her directorial debut, "Eleanor the Great," which received a five-minute standing ovation.
Nicole Kidman posed for photos in a sleeveless figure-hugging red gown with a high neckline and lace detailing throughout while on the red carpet at the Kering Women in Motion Awards at the Cannes Film Festival.
The actress kept her accessories to a minimum and wore her signature straight blonde hair in a middle part.
Not only did Kidman look great on the carpet, she was also this year's Kering Women in Motion honoree. While accepting the honor, Kidman pledged to continue working with female directors, as well as female writers, cinematographers and female crew, saying, "You can say you support it, but you actually have to do it."
"We need to give women better roles, particularly as they get older. We are here, and we can prove to you that we will make money for you," she said. "Invest in us and believe in us, because our voices are so important. We will help change the world, but we will also give you a glimpse of our hearts and our souls and what it means to be a woman. If you just give us the chance, we are so ready."
Lauren Sánchez brought the glamour when she walked the red carpet at the Global Gift Gala during the Cannes Film Festival in a strapless black Dolce & Gabbana dress with a flowing skirt and sequined top.
While at the event, Sanchez was honored with the Women Empowerment Award, which was presented to her by actress, Eva Longoria. During her acceptance speech, Sanchez said the night wasn't just about celebrating her, but also "about recognizing our collective ability to light the way for each other."
"Empowerment isn't about individual success," she added. "It's about our collective commitment to choosing compassion over judgment, dignity over indifference, and hope over despair."
Sánchez also made a splash when she walked the red carpet at the amfAR Gala in a strapless mermaid-inspired gown by Roberto Cavalli, with a corseted bodice, sweetheart neckline and blue and silver sequins all over.
She posted photos from the evening on her Instagram, calling the event "A night driven by purpose."
"Disney I found the Princess!!!!" one fan wrote in the comments section, while another added, "Wow! Those colors look amazing on you." A third fan chimed in with "Out of this world!!!!"
Heidi Klum walked the red carpet at the amfAR Gala at the Cannes Film Festival in a black Yara Shoemaker, which featured a shimmering corseted bodice.
The supermodel paired the look with a billowing feather-trimmed shawl which she wrapped around her elbows.
Klum let the dress do all the talking, keeping her makeup and accessories to a minimum, and styling her hair in a new shorter cut, parted down the middle.
Dakota Johnson posed for photos on the red carpet at the premiere of "Highest 2 Lowest" at the Cannes Film Festival, in a strapless pastel pink Gucci dress with fringe.
The actress paired the look with just a pair of silver earrings in the shape of leaves, and wore her hair straight and parted in the middle.
Eva Longoria arrived at the premiere of "The Phoenician Scheme" in a shimmering figure-hugging strapless Tamara Ralph Haute Couture dress, with a corseted bodice and a plunging strapless bejeweled neckline.
She posted photos of her look on Instagram, captioning the post, "Pretty in pink," and fans were quick to flood the comments section with positivity.
"Eva you look Stunning!!" one fan wrote, adding a few heart emojis. Another added, "Jaw dropping gorgeous ma'am," with a third writing, "Eva my queen. Stunning."
The "Desperate Housewives" star also walked the red carpet at the Global Gift Gala, where she presented Lauren Sánchez with the Women Empowerment Award.
Longoria posed for photos in a strapless black Elie Saab gown, which was decked out in silver beads and sequins from top to bottom. She made some modifications to the dress, changing the skirt from the sheer version seen on the runway to a covered version, in order to abide by the event's dress code, which was changed this year to ban nudity.
"Last night was an unforgettable evening at @globalgiftfoundation with @mariarbravo, @laurapausini, @laurenwsanchez, and so many incredible changemakers — all united for a cause that touches lives across the globe," she captioned an Instagram post featuring photos from the evening.
Halle Berry looked effortlessly flawless when she walked the red carpet at the premiere of "The Phoenician Scheme" in a white Chanel suit with floral detailing throughout.
"Timeless with a twist," Berry captioned an Instagram post featuring photos of her in the outfit. One fan commented, "Can't go wrong with Chanel love the Look," while another added, "Come through with this outfit!"
Berry also attended the red carpet for the Kering Women in Motion event at the festival, making a statement in a figure-hugging custom Gucci dress which featured a semi-sheer design and was dripping in sparkles.
The actress paired the dress, which featured a halter neckline, with a few rings on each hand, a statement bracelet and subtle dangle earrings, and wore her hair in a short bob.
"You are dazzling lady!!!!" one fan wrote in the comments section of her Instagram post featuring photos from the event. Another wrote, "Absolutely marvelous, Darling!" while a third added, "Is there a brand you don't look incredible in?"
When walking the red carpet at the Chopard Universe Dinner in Cannes, Berry wore a figure-hugging dark red strapless dress with a corset bodice and a thigh-high slit.
"A little red on the Riviera," she captioned an Instagram post featuring photos from the evening.
"Forever a queen. We love you!" one fan wrote in the comments section. Another added, "Your beauty never fades," while a third also wrote, "This oozes old Hollywood glamour."

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Youthful Paris Saint-Germain flaunt maturity beyond their years to finally reach Champions League summit
Youthful Paris Saint-Germain flaunt maturity beyond their years to finally reach Champions League summit

Yahoo

time44 minutes ago

  • Yahoo

Youthful Paris Saint-Germain flaunt maturity beyond their years to finally reach Champions League summit

Paris Saint-Germain matured, moved away from the superstars, and so the stars aligned for them. Producing the biggest margin of victory in the 70-year history of the European Cup final, Luis Enrique's sensational side obliterated Inter Milan 5-0 here in Munich's Allianz Arena. Advertisement The Champions League trophy is finally PSG's — seen as the pinnacle of their ambition when the club was purchased by Qatar Sports Investments in 2011. They have had to learn the hard way, realising that littering the team with the individual brilliance of Lionel Messi, Kylian Mbappe and Neymar was no guarantee of European success. PSG and their chairman Nasser Al-Khelaifi did away with all that and now have their reward: a winning formula led from the front by youthful French attackers Desire Doue, Bradley Barcola and their unassuming poster boy Ousmane Dembele. Enrique told his players when Mbappe left for Real Madrid that, without him, they would score more. That's proven prophetic. After the semi-finals in 2021 and last year, and the final in 2020, at last the European crown is theirs. Doue scored two and assisted another to help PSG on their way (AP) Inter were deserving finalists, having knocked out Bayern Munich and stunned Barcelona in perhaps the greatest semi-final tie of all time, but were never remotely close to landing their fourth crown and, as in 2023, were beaten finalists. Advertisement The goals came from 19-year-old Doue, who scored twice, and from ex-Inter man Achraf Hakimi, Khvicha Kvaratskhelia and Senny Mayulu but could have come from anyone in that rampant front-line. It felt telling when, the night before the final, PSG's captain Marquinhos — who has lived through everything at the club, the highs and the lows, for 12 years — admitted this iteration of the team is the one he has had the most fun playing in. And so the fun began again. Barely a minute was needed for the match to take up its expected status quo, PSG passing and probing and searching for spaces Inter hadn't meant to leave unmanned. Patient though their possession was for the first 10 minutes, the arrival of a handful of red flares behind the PSG goal seemed to stoke the fire in them at the other end. The opening goal on 12 minutes was followed by a second just eight minutes later. Both showed PSG at their scintillating best. Advertisement Their midfield maestro Vitinha played the killer pass, bisecting Inter's defence and allowing Doue (energetic and front-footed throughout) to square for Hakimi. the 19-year-old mayulu epitomised PSG's new generation (AFP via Getty Images) Their second had everything: pace, panache, and dogged defending. What started at one end as Ecuadorian centre-back William Pacho clearing the ball off the line to prevent an Inter corner quickly became a breathtaking counter-attack, Kvaratskhelia setting Dembele free to run at Inter and then drift a cultured pass wide right for Doue to control and volley in via a deflection, PSG in total command. Now was the time to strike back for Inter, but both Francesco Acerbi and Marcus Thuram headed wide from corners as PSG's confidence only grew. Inter misplaced passes and played without tempo or rhythm, hamstrung. Advertisement Misses by Kvaratskhelia were the final action of the first half and the first action of the second. There was to be no letting up. a cut above the rest: luis enrique (AP) And it only became more emphatic for PSG, more gruelling for the Nerazzurri, as Doue latched on to a through-ball from the outstanding Vitinha and coolly found the corner. Doue, a teenager, had two goals and an assist in the Champions League final. Not bad. Enrique and his coaching staff celebrated every goal the same, bouncing up and down in a huddle, but when Dembele fed Kvaratskhelia to slam home the fourth, the PSG bench stormed onto the pitch on a night that could not get any better. Advertisement Except it could. As the Munich heat held late into the night, substitute Mayulu — 19 years of age, born eight miles from the centre of Paris — added a fifth. PSG came 15th in the league phase and lost five games en route to this final. Inter, meanwhile, just one, breaking a record in that same league phase by keeping clean sheets in seven of their games. Inter were the oldest team in the knockout stages and manager Simone Inzaghi named a starting line-up with an average age five-and-a-half years younger than their opponents, but after a spirited run where he has squeezed the absolute most out of an ageing squad, their run was finally up. The vast experience in their ranks counted for nothing as PSG came of age and delivered the French capital European glory at long last.

Desire Doue: Paris Saint-Germain 'striving to get better' after record-breaking Champions League win
Desire Doue: Paris Saint-Germain 'striving to get better' after record-breaking Champions League win

Yahoo

time44 minutes ago

  • Yahoo

Desire Doue: Paris Saint-Germain 'striving to get better' after record-breaking Champions League win

Desire Doue hailed Paris Saint-Germain's Champions League triumph and insisted their next step is to become even better. PSG won their maiden European crown on Saturday night as they thrashed Inter Milan 5-0 in Munich — the largest margin of victory in the final in the competition's 70-year history. Advertisement Doue, who does not turn 20 until next week, scored two goals and assisted a third on a memorable night. He joined the club last summer from Rennes for £42million. Victory for PSG sealed the treble after they enjoyed a similarly successful season domestically, winning both Ligue 1 and the Coupe de France. 'I'm on top of a cloud and maybe I need to pinch myself,' he said after the match, with the man-of-the-match award placed in front of him. 'This is my first season here at PSG and this was a dream of mine. It is just wonderful. 'I think we've shown we are a great team across the board. We've got lots of very versatile players that can move around in different positions. That is one of our strengths. Advertisement 'It was a great team effort this evening. We have a lot of young players, players who still need to develop — and I'm one of those players.' Looking to the future, and with the Club World Cup just a fortnight away, Doue added: 'We are always going to strive to get better. We'll continue to win the best trophies out there. 'Thank you to all of our fans who were here this evening. And thank you to all of the PSG supporters in Paris and around the world.'

Désiré Doué joins the global A-list to lead PSG's coronation as kings of Europe
Désiré Doué joins the global A-list to lead PSG's coronation as kings of Europe

Yahoo

timean hour ago

  • Yahoo

Désiré Doué joins the global A-list to lead PSG's coronation as kings of Europe

The third great Moment of Doué was beautiful for its simplicity, 63 minutes into this game and with Paris Saint-German 2-0 up. As Désiré Doué glided in on goal, all alone suddenly in a wide open patch of green, he was found by a deliciously weighted through pass from Vitinha. From there Doué allowed the ball to run across him as the retreating Inter defenders closed at his back, a perfect little screenshot of time, space, angles, ground speed allowing him to open his right instep and shoot with the path of the pass, wrong-footing Yann Sommer and easing the ball into the far corner. Advertisement The celebration, and indeed the game itself to that point, felt coronational. Doué took off his shirt, saw it placed it on the corner flag and stood in clean-cut gladiatorial pose in front of the Paris supporters, before slightly sheepishly – this is also very Doué-like – going to retrieve his shirt and accept his yellow card. Related: PSG win Champions League for first time with record 5-0 final hammering of Inter By then the game was gone, as was Doué shortly after, replaced by Bradley Barcola. And really it was his opening 20 minutes that decided this Champions League final. Doué is a very distinct kind of attacking tyro, with a martial artist's precision in his close-quarter fast-twitch movements, always just enough of a feint and a snap of the heels, always purposeful, never gratuitous. Watching him on nights like these it is as though somebody has taken Neymar and boiled him for eight hours until all the waffle and frippery has disappeared, then sent him on to the pitch crisp and starched and purified. This is a Neymar without the madness, the weight, the excess appetite, a post-therapy Neymar. Advertisement Plus of course Doué has that thing all the best players have, the compound eye vision, the ability to freeze, rewind, judge the space and angles around him in the tiniest flicker of everyone else's analogue time. How do you get like this, aged 19, on this stage, a goal and an assist in the opening 20 minutes of the Champions League final, for a team that have never won it, and who you joined only last summer? Doué has been a late-breaking story this season after his move from Rennes. He didn't score his first goal at the Parc des Princes until March. He hadn't scored or assisted in eight games coming into this final. But he is without question the high-ceilinged real deal. Lamine Yamal may be more obviously, cinematically effective. But Doué is at the same level, just more compact and less lavish, the further maths version to Yamal's bold strokes of fine art. By the end here, as another 19-year-old, Senny Mayulu, made it 5-0 against a frazzled Inter, this had become the perfect night for PSG and for the Paris Project, overseen by the unclosing hand of Qatar Sports Investments. First we take the world. Then we take Europe, via Paris, Doha and now Munich. For the state of Qatar and its interests this is football pretty much completed. In the space of three years the world's most relentlessly efficient gas state's outreach arm has won a home World Cup, led by its star player, the Emir's tailor's dummy Lionel Messi, and now the greatest club prize. Advertisement PSG are currently the best team in the world, treble winners and champions of Europe, the scalps of three recent finalists dangling from their belts on that run. And really this was just too easy most of the time, a flaneuring kind of victory against opponents who were always either chasing, panting for breath or windmilling away just out of reach. Munich had spent Saturday baking in the sun, a city already on its summer holidays, green fringes thronged with picnickers, sunbathers and knots of Italian men sweating across the white heat of the Englische Garten in blue and black nylon shirts. The Allianz Arena is an epic, widescreen kind of stage, those steeply tiered stands curving towards a perfectly puckered oval of powder blue above the lip of the roof. Ten minutes before kick-off it was still hot and heavy, the kind of evening that makes you sweat just sitting still. Linkin Park, who must have a very good agent, put on an agreeably energetic pre-match rap-metal stomp-about. A celebrity violinist performed a hideous screeching Seven Nation Army fiddle-along. The giant Parisian tifo was scrolled away. And from the start this was just pain for Inter, a time to run and harry and chase younger and fresher opponents as the Mendes-Vitinha midfield pivot, PSG's velcro-touch directors of traffic just took the ball away. Advertisement Physical and mental intensity was always going to be key. PSG have been able to replenish the stocks, let the bruises heal, rest their best players. Inter have been all-in, flailing through a series of crunch end-of-season dates, limbs sloshing with lactic acid all the way to the line. It showed. For 12 minutes this was a kind of smothering. After that it became an extended execution, led by Doué. The first goal came from a lovely piece of applied geometry, all clean crisp lines, made first by Khvicha Kvaratskhelia easing inside two defenders. From there the blue shirts completed a high-speed passing triangle, the key ball from Vitinha pinged hard into the feet of Doué, who had found space by not moving, holding his position while Inter's defenders went to cover. He clipped the ball back for Achraf Hakimi to side-foot into an empty net. The second goal eight minutes later was a break the full length of the pitch, PSG funnelling out from their own corner flag, finding Ousmane Dembélé in space, there to gallop away, all easy grace, head up, before curling a crossfield pass into the run of Doué. He controlled with his torso, then hit down on the ball at the top of its bounce, a deflection taking it past Sommer. Either side PSG were immaculate. This was box-fresh elite club football, possession, counter-press, swift transitions. At times it's like watching a team of head prefects, a supremely drilled exhibition the Iberian-Catalan Style, with just the right bolt-on parts in every role. Advertisement Related: Game is up for Inter after Champions League journey ends in bitter humiliation | Jonathan Liew This is of course the work of Luis Enrique, who has won 11 out of 11 finals, and who was up from the start at the edge of his rectangle, all in black with white trainers, lithe and animated, revolving both arms, shuttle running left to right, like a mime artist taking part in a gruelling military fitness drill. It has been said Luis Enrique turned to Paris two years ago after being appalled by the despotic owners of Chelsea and Spurs, which is certainly an interesting take on the extraordinary freedoms inherent in the Qatari propaganda project. But he has been the perfect man at the perfect time, the ideologue, the data-based strongman, here just as the years of celebrity overdose are finally cashed in, brand leveraged, income vast enough to leave PSG with a free hand to build a brilliant, hungry, youthful modern team. The idea has been to create a group of anti-stars. Good luck with that. Doué will now take his place, up there floating in his tin can high above the world, the latest addition to the global A-list. From Paris via Doha, with Catalan style, Asturian brains, past the scars of all those glitzy late stage slumps, PSG now stand at the summit.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store