logo
Superman movie's early OTT release sparks outrage: Furious fans react, ‘Shameful and stupid decision'

Superman movie's early OTT release sparks outrage: Furious fans react, ‘Shameful and stupid decision'

Minta day ago
James Gunn's much-awaited Superman (2025) hit Indian cinemas on July 11. Now, fans won't have to wait long to watch it at home. This release gives fans another chance to enjoy the superhero adventure. Even if they missed it in theatres or want to watch it again from their living room, here's their chance.
As of August 12, Superman earned $581.1 million worldwide, including $332.4 million from the US and Canada and $248.7 million from overseas markets.
It is the biggest superhero film of 2025 so far, but its international earnings are lower than its strong home performance.
Top overseas markets are the UK ($32.2 million), Mexico ($21 million), Brazil ($16 million), Australia ($14 million), France ($11 million), Spain ($8.7 million), India ($7 million), Korea ($6.2 million each) and Japan ($5.8 million).
While it has not broken past records from earlier DC or Marvel films, it has beaten other recent superhero releases. In fact, Superman is the third-highest grosser in 2025 worldwide, behind Jurassic World: Rebirth ($800 million) and Mission: Impossible - The Final Reckoning ($595 million).
The film's OTT release in India will be on August 15. It will be available to stream on Amazon Prime Video, Apple TV and Fandango at Home.
Viewers who like physical copies can get it on 4K UHD, Blu-ray and DVD starting September 23.
James Gunn earlier announced the OTT release on social media. 'Superman is coming to your homes this Friday, 8/15. Available now for pre-order. Or catch it while it's still in theaters!' the filmmaker wrote while sharing a teaser clip of the superhero movie.
Social media expressed strong emotions against the OTT release.
'Too soon, this decision cuts his legs in theaters. The studio should reconsider these kind of politics,' wrote one user.
'Why so soon?' wondered another while one user commented, 'This seems way too fast, man.'
One of them used harsher words, 'Why so early?? Shameful and stupid decision, Superman is still running so strong in theatres and had a lot of box office potential left. Stuff like these damage the theatre going culture.'
'Why can't you leave it longer in theaters?' wrote another.
'I hate this new model, because it kills a movie's box office. A movie should not be available for purchase until at least three months from its debut,' came from another.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Comic Con back in Hyd'bad, to be held from Oct 31
Comic Con back in Hyd'bad, to be held from Oct 31

Hans India

time19 minutes ago

  • Hans India

Comic Con back in Hyd'bad, to be held from Oct 31

Hyderabad: Comic Con India, country's biggest pop culture celebration, is back with its 13th edition, 2025-2026. The mega season will kick off in Hyderabad from October 31 to November 2 at HITEX Exhibition Centre, setting the stage in one of India's most vibrant and fast-emerging pop culture hubs. Spanning several months, Comic Con India will unite fandoms across the country in an unforgettable celebration of comics, cosplay, gaming, films, TV, anime, merchandise, and more. Fans in Hyderabad can look forward to meeting their favourite international guests, exclusive stand up comedy and music performances, exclusive merchandise launches, immersive fan zones, and some of India's best cosplayers joining the season. The Best Weekend of the Year, Comic Con, return to Hyderabad is especially significant. Last year Hyderabad Comic Con 2024 drew a record-breaking 40,000 plus attendees, bringing gamers, comic book fans, creators, and pop culture enthusiasts under one roof. The weekend will also feature vibrant cosplay competitions, live music performances, and exclusive meet-and-greets with some of the country's top content creators. This year, the three-day Hyderabad edition promises to raise the bar even higher, blending the best of pop culture and esports thrills. From anime showcases to competitive gaming arenas, from interactive Q&A panels to immersive fan zones, the event is set to deliver a never-before experience for fans of every age. Over the years, Comic Con India has hosted some of the biggest names in pop culture, from comic book legends of Marvel and DC to celebrate anime artists and Hollywood stars, and this year it aims to set a new benchmark.

From earning Rs 500 a month to starring in Rs 1160 crore movie with Shah Rukh Khan, a look at this Kapil Sharma show star's journey
From earning Rs 500 a month to starring in Rs 1160 crore movie with Shah Rukh Khan, a look at this Kapil Sharma show star's journey

Economic Times

time19 minutes ago

  • Economic Times

From earning Rs 500 a month to starring in Rs 1160 crore movie with Shah Rukh Khan, a look at this Kapil Sharma show star's journey

Comedian Sunil Grover hails from Haryana. Once earning just Rs 500 a month, to sharing screen space with Shah Rukh Khan in, Jawan, one of the biggest blockbusters in Indian cinema, this Kapil Sharma star has won the hearts of millions with his role as Gutthi. When he was struggling with his low income, it was his father's words that pushed him during the difficult times to ultimately achieve success. Can you guess who the star is? Born in a modest household in Haryana, Sunil Grover grew up facing financial struggles. Despite limited resources, he pushed himself academically and earned a master's degree in theatre from Punjab University, Chandigarh. Acting was always his dream, and he eventually moved to Mumbai to make it happen. But the city wasn't easy on him. In his first year, he lived in a posh locality, partied often, and quickly burned through his savings, surviving on just Rs 500 a month. Looking back, the Bharat actor once said he wasn't worried despite the low income because he believed success was just around the corner. But as months went by without stable work, the reality began to weigh on him. It was his father's words — regretting not following his own passion — that pushed Sunil to keep going even when things looked bleak. His fortunes changed when he embraced mimicry and stand-up comedy. Television audiences fell in love with him as the unforgettable 'Gutthi' on Comedy Nights with Kapil. Later, his portrayal of 'Dr. Mashoor Gulati' on The Kapil Sharma Show turned him into a household name. Sunil's comic timing, quirky mannerisms, and ability to slip into characters made him one of the country's most beloved comedians. But Sunil didn't stop at comedy. He explored acting in films and web series, taking on roles in Ghajini, Gabbar Is Back, The Legend of Bhagat Singh, Bharat, and Jawan. The Shah Rukh Khan starrer went on to earn Rs 640.25 crore at the Indian box office and Rs 1160 crore worldwide, cementing Sunil's place in mainstream cinema. Today, with a reported net worth of Rs 21 crore, he continues to entertain audiences on The Great Indian Kapil Show, proving that a dream backed by persistence can rewrite any script.

50 years of Sholay: Mausi, Radha, Basanti and the stalled progress of the Hindi film heroine
50 years of Sholay: Mausi, Radha, Basanti and the stalled progress of the Hindi film heroine

Indian Express

time19 minutes ago

  • Indian Express

50 years of Sholay: Mausi, Radha, Basanti and the stalled progress of the Hindi film heroine

When I revisited Sholay recently, I decided to watch it from a woman's perspective — especially since it's often described as 'progressive for its time' when it comes to female characters. Yes, it gave women screen time, independence, and personalities beyond the decorative. But look closer, and the three women in the film read like three generations of Indian womanhood — and a reminder of how far, or how little, we have progressed since. Mausi (Leela Mishra) is the gatekeeper of society's moral compass — orthodox, rooted in tradition, the unquestioned spokesperson for ghar-khandaan culture. Marriage without pedigree? Unthinkable. When Jai approaches her about Veeru and Basanti's marriage, she fires off: 'Bura mat manna par itna toh puchna hi padta hai ki ladke ka khandaan kya hai, lakshan kaise hai, aur kamata kaisa hai?' Sholay released just 28 years after Independence; India was still a country in transition. Salim–Javed likely used Mausi to mirror the dominant mindset of the time — a majority clinging to societal rules over personal choice. Radha (Jaya Bachchan) is the silent sufferer — the widow who loses not only her husband but her voice. She spends the film in quiet grief, her choices made for her by her father-in-law. She represents those — largely women, but also some men — who choose pain over conflict. Better to suffer quietly and maintain 'respectability' than risk upsetting the social balance. Basanti (Hema Malini) bursts onto the screen — loud, cheerful, unapologetic. She drives a tonga, speaks her mind, and works for a living — unheard of in a time when ghar ki izzat often meant women should be seen, not heard. She's the future, the hope that girls could step outside the home and live life on their terms. But here's the catch: for all her independence, Basanti's function in the plot is limited to being Veeru's love interest. Her 'heroic' act is dancing for Gabbar to save Veeru's life — a noble gesture, yes, but far from saving herself when Gabbar's men attack her or strategising against the villain who has long terrorised her village. That could have been Bollywood's turning point. Salim-Javed had handed over a heroine with wit, charm, and self-reliance — why not build on that? Instead, decades of cinema took the opposite route: more glamour, less agency. ALSO READ | How Malegaon Ke Sholay's crew of locals changed the way the iconic Dharmendra-Amitabh-starrer is seen Look at the biggest blockbusters post-Sholay: Ram Teri Ganga Maili (1985), Mr. India (1987), Coolie (1983), Chandni (1989), DDLJ (1995), Hum Aapke Hain Koun (1994), Kuch Kuch Hota Hai (1998), Darr (1993), Kal Ho Naa Ho (2003), 3 Idiots (2009), Kabhi Khushi Kabhie Gham (2001). Whether modern or traditional, the heroines are still orbiting the hero — the prize, the cheerleader, the moral compass. And in 2025, the problem has evolved into something worse — objectification packaged as comedy or 'mass appeal.' Take Son of Sardaar 2: Mrunal Thakur's denim pants are hacked into shorts, her shirt's buttons popped open — not to serve the plot, but to 'sex up' her character so she can seduce Ajay Devgn into a plan to trick Ravi Kishan into marrying his son to her niece. It's not about intelligence or skill — just appearance. Housefull 5 offers the same recycled objectification, dressing it up as entertainment. Of course, there are exceptions — Fire (1996), Kahaani (2012), Queen (2013), Tumhari Sulu (2017), Gangubai Kathiawadi (2022) — where women drove the narrative, made decisions, and had true authority. But they remain rare. ALSO READ | Past Melodies: A look-back at the music of Sholay and what continues to make it timeless The irony? A 1975 blockbuster planted the seed for an empowered female lead, and fifty years later we still haven't let her grow. If filmmakers are serious about creating 'strong women,' they must go beyond giving them glamorous wardrobes and a few witty lines. Let her into the war room. Let her call the shots. Let her make the mistakes, set the traps, and deliver the final blow. Because Basanti could talk non-stop — but imagine if she also had the last word in Gabbar's defeat. Imagine if Radha had taken her revenge while Sanjeev Kumar's Thakur quietly stood by. And Mausi advocated for love over khandaan as a must for marriage. Now that would have been truly ahead of its time.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store